phd apparel design

Apparel Design Graduate Programs

Apparel Design provides a unique approach to graduate study through its focus on conducting independent research in aspects of apparel design including fashion theory, functional apparel, sizing and anthropometrics, cultural and historic aspects of dress and textile design, apparel industry issues, CAD and other technologies, etc. We help you craft your graduate research program based on your interests and goals to address significant issues of apparel design within the context of aesthetics, production, function, and the meanings of dress.

Diverse, engaged faculty

The apparel design faculty has research- and industry-based expertise from design conception through production and analysis. The fiber science faculty offer supporting courses in fabric structure, color and functional characteristics for apparel students and contribute technical expertise to thesis/dissertation research. Working with a professor with whom your research interests align, you'll also take courses with other department faculty and in other fields of study related to your thesis/dissertation research.

Individualized programs

A written thesis is required for completion of all graduate degrees in Fiber Science & Apparel Design. Candidates for the Ph.D. require at least three years of full-time study beyond the master's degree. Candidates for the M.A. usually complete their degree requirements within two years.  For a complete program description, see the  graduate student handbook .

Unlike undergraduate studies, graduate work focuses on independent research. At the masters level, you identify a research focus and select courses that will prepare you to conduct the research. At the Ph.D. level you are also expected to take coursework that will give you a broad base in all aspects of the apparel design discipline, along with courses that will help you develop your research topic. The core courses for graduate study in apparel design are:

• FSAD 6025: Design for Change: Imagining Decolonial Futures
• FSAD 6415: Anthropology of the Fashioned Body
• FSAD 6451: Fashion Curation
• FSAD 6500: Fashion, Media, and Technology
• FSAD 6640: Human Factors: Anthropometrics and Apparel
• FSAD 6700: Fashion Theory and Philosophy
• FSAD 6800 Ethical Design: Engine of Positive Change
• FSAD 6900: Understanding Functional Aspects of Clothing and Design

Relevant, rigorous research

Your apparel design research immerses you in a problem-solving endeavor using qualitative and/or quantitative methods that link elements of apparel and textile design in the context of aesthetics, function, technique and the meaning of dress. These research projects often have an interdisciplinary perspective that reach across the university and to private industry and government.

The department and Cornell University provide excellent support and resources for graduate study, including competitive grants for research expenses, grants for travel to conferences and world-class libraries, collections and research labs.

For more detailed information on the different areas of apparel design research conducted at Cornell visit individual faculty webpages, and contact us to discuss your interests.

The fall admission deadline is December 15.   We do not admit for spring.  Graduate study applications are submitted directly to the Graduate School of Cornell University, which has jurisdiction over all graduate work and advanced academic degrees.  A complete application includes a statement of purpose, a personal statement, unofficial transcripts, and two (preferably three) letters of recommendation.  Please do not include copies of certificates, passports or other documents.  We will not review your application until it is fully complete, including TOEFL/IELTS test scores. No individual faculty member can offer you admission.  A graduate admissions committee will read your application when it is complete and make the decision. 

Please email the Graduate Field Assistant for Pre-Application information.

Application fee waivers are available in the application.

Admissions are based on evidence of potential capability for advanced study. Applicants for the Ph.D. must already hold a master's degree. We do not require the GRE.

International applicants must demonstrate proficiency in the English language by taking a TOEFL (Test of English as a Foreign Language) or IELTS (International English Language Testing System) exam. Minimum TOEFL scores are as follows: Writing 20, Listening 15, Reading 20, Speaking 26, as well as a minimum total score of 100 . If ALL of these scores and the total are not met, applications will not be reviewed. The Graduate School requires an overall band score of a 7.0 or higher on the IELTS.  

For more information, including waiver information, see the graduate school’s website: https://gradschool.cornell.edu/admissions/prepare/english-language-proficiency-requirement/ .

Cornell University expects all applicants to complete their application materials without the use of paid agents, credentials services or other paid professional assistance. The use of such services violates university policy, and may lead to the rejection of application materials, the revocation of an admissions offer, cancellation of admission or involuntary withdrawal from the university.

Applicants who wish to specialize in apparel design for an M.A. or Ph.D. may be asked to submit a portfolio.  For those whose research will be in applied design areas, a portfolio is required. Other research areas may not require a portfolio. Portfolios should contain whatever you feel is necessary to show your work. and need to be fewer than 10 MB to upload to your application. 

Financial support, in the form of teaching assistantships, graduate research assistantships or fellowships is offered with acceptance to Ph.D. students only. Full assistantships include tuition, fees and individual health insurance. Assistantships are offered for four academic years, mid-August through mid-May.  Continued funding is contingent upon acceptable academic performance constituting good standing in your graduate field and satisfactory fulfillment of any teaching or research responsibilities as defined by your assistantship supervisor.

The department does not provide financial support for master's students. 

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College of Human Sciences

Doctor of philosophy.

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Graduate studies in apparel, merchandising, and design extend your knowledge, research, and creative scholarship beyond the basics to take a close look at industry-wide issues, such as outsourcing, sustainability, and customer buying behavior. Students in this program are afforded many opportunities to present and publish their research and creative work alongside world-renown faculty members.

The apparel, merchandising, and design program offers two formats to complete doctoral studies:

• Doctor of philosophy
• Distance doctor of philosophy

Download  flyer  for more information.

General Requirements

Visit the Iowa State University  Graduate College site  for application requirements. The program outlined below has the common requirements for all doctoral students. Each specific program will depend on the student’s previous preparation, goals, and needs. Find your 500 and 600 level courses along with course descriptions in the  online catalog .

Ph.D. Requirements

72 credits: Minimum number of credits required

12 credits minimum: Research methods and statistics (a minimum of one course must be in statistics)

20 or more credits: 500-600 level AMD courses (must include AMD 570 teaching practicum)

12 or more credits: Additional courses outside the department (must include one course in education theory)

15 credits minimum: Dissertation

Distance Ph.D. Requirements

Iowa State University (ISU) offers a distance (hybrid) format to complete the Ph.D. in apparel, merchandising, and design degree. As a distance (hybrid) doctor of philosophy student, award-winning ISU faculty prepare you to succeed as a professional in industry, museums, or academia.

This hybrid distance format features one or two short on-campus summer coursework sessions  (on-campus requirement waived for summer 2021 due to Covid19). Other credits can be done at a distance, most through synchronous course delivery with on-campus courses.

72 total credit hours:

• 36 credits must be taken at Iowa State
• 24 credits must be taken at Iowa State over six consecutive semesters to earn residency
• Nine credits must be taken in the first two summers

Program of Study

Each student plans an individualized program of study in consultation with the student’s advisor and Program of Study (POS) Committee, which includes faculty members from apparel, merchandising, and design and other Iowa State departments. The student submits this program to the Graduate College for approval, usually by the beginning of the second year at Iowa State University.

Supporting Courses

The POS committee may require a student whose undergraduate degree was not in apparel, merchandising, and design to take supporting courses in preparation for graduate study. The Iowa State University course catalog lists  course descriptions  of graduate courses offered.

Dissertation

The student selects a dissertation area by the time the program of study is submitted, so suitable courses can be chosen to strengthen the research. The research methods course should be taken as soon as possible to permit the student to explore possibilities for the dissertation research with the advisor and other committee members.

Preliminary Examinations

Written and oral preliminary examinations are required in the major and co-major or minor, if any.

Contact the Director of Graduate Education (DOGE) for apparel, merchandising, and design with any questions.

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“My classes have really been helpful in giving me a wide skill set that will be infinitely useful in the numerous tasks that are required of me as a curatorial researcher or working with historic textiles in a collection,” Ginger said.

Major: Apparel, Merchandising, and Design Organization: AMADI Inc

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Doctor of philosophy (apparel design, material culture & textile studies, merchandising, textile science), doctor of philosophy (apparel design, material culture & textile studies, merchandising, textile science) doctor of philosophy (ph.d.), accredited by the national association of schools of art and design.

All prospective doctoral students in the department will apply for a PhD in Human Sciences.  Areas of specialization distinguish each student’s academic focus and should be clearly indicated on the application.  A specialization should be selected from the following areas:

• Apparel Design 
• Material Culture and Textile Studies 
• Merchandising
• Textile Science 

Doctor of Philosophy in Human Sciences with a Specialization in Merchandising

The objective of a Doctor of Philosophy of Human Sciences with a specialization in Merchandising is to prepare future practitioners who can critically apply knowledge of merchandising practices to the soft-goods industry.  Learning innovative merchandising techniques, including the extensive use of technology, will provide students with applicable knowledge of the field.  Students will also learn and apply theory and research methods to address industry challenges. In addition, interdisciplinary knowledge, from fields such as marketing and educational psychology, will enhance students’ perspectives toward research.

Doctor of Philosophy in Human Sciences with a Specialization in Apparel Design

The Doctor of Philosophy program in Human Sciences with a specialization in Apparel Design is designed to educate apparel design scholars who can comprehensively apply theory, knowledge and academic research to their specialties. An in-depth look is taken at fundamental apparel design disciplines as well as relevant interdisciplinary knowledge and technologies, in which students should play a leading role in the future. Related fields will vary depending on the specific focus of the student but may include and are not be limited to anthropology, art, business, education, history, psychology, technology, theater, and women and gender studies.

The required number of hours for any TMFD specialization is 90 hours of 800 or 900 level courses, including 20 dissertation hours.  Distribution of courses include:

Doctor of Philosophy in Human Sciences with a Specialization in Material Culture and Textile Studies

The goal of the Ph.D. in Textiles, Merchandising & Fashion Design with a specialization in Material Culture and Textile Studies is to educate professionals and academics who can comprehensively apply theory, research, and knowledge in their respective and chosen career fields. Students will gain an in-depth understanding of the various applications and methodologies that incorporate and/or focus on object based research as a primary means of studying the cultural, social, economic, political, and personal experiences of people, both past and present. Related fields such as (but not limited to) history, art history, anthropology, sociology and women’s and gender studies are included in the specialization to enhance students’ abilities to understand and apply concepts and theories from outside their particular area of expertise and contribute to the development of original research and advancement of knowledge in the interdisciplinary field of material culture.

A basic outline of the degree is provided below, with more details available in the PhD Handbook:                                                                       

  Doctor of Philosophy in Human Sciences with a Specialization in Textile Science

The goal of the Ph.D. in Science of Textiles, Merchandising, and Fashion Design with a specialization in Textile Science is to educate textile scientists who can comprehensively apply theory, academic research and application of knowledge to their specialties.  An in-depth look is taken at fundamental textile material science disciplines, as well as relevant interdisciplinary knowledge and technologies, in which students play a leading role in the future.  Related fields like chemistry and statistics are focused to enhance students’ abilities to solve complex problems within or outside their area of expertise, and contribute to the development of textiles with original research.

Ph.D. Handbook

• Policy development
• Analysis and Outreach

Application to this program

Requirements for Applicants 

• Completion of online application through Admit; Applicants will indicate the intended program (PhD applicants will select Human Sciences, MA & MS applicants will select Textiles, Merchandising & Fashion Design). All applicants will select a specialization 
• Grade point average of 3.0 or higher on a 4.0 scale
• Minimum TOEFL scores (International Students only) 550 on paper test, 213 on computer based test or 79 on the internet based test (Institution code – 6877)
• Digital Portfolio for textile design and apparel design areas of interest
• Personal Statement: Letter of application describing educational and career goals.

Any of the following would be an appropriate writing sample: 

• manuscript or published article resulting from earlier research such as master's thesis
• paper given at a professional meeting
• substantial paper such as a review of literature
• grant proposal
• critique of a research article
• professional materials developed for use in one's workplace
• course paper
• Three Letters of Recommendation
• MA & MS applicants will have successfully completed an undergraduate degree and PhD applicants will have successfully completed an MA or MS degree if approved for a graduate program in Textiles, Merchandising & Fashion Design

Degree Requirements

Ph.D. students will take an individualized program of study focusing on textile and/or apparel fields. A minimum of 90 credit hours is required

Sample Courses

Amy Dorie is an Associate Professor and program director of the Apparel Design and Merchandising at San Francisco State University. She holds a PhD in Apparel Merchandising and Design with a minor in Statistics from Iowa State University, a BSc in Apparel Design & Merchandising, and a MA degree in Family and Consumer Sciences from San Francisco State University. Her research focuses on generational fashion and activist apparel design. Recent publications in the  International Journal of Retail and Distribution Management  and  Journal of Retailing and Consumer Services  include an investigation of the online purchasing habits of the Xennial generation and research into the apparel purchases of the "Encore" generation. Her design work has been exhibited nationally in juried exhibitions of the International Textile & Apparel Association and California Association of Family & Consumer Sciences.

HONORS, AWARDS, AND RECOGNITIONS:

2022                Nancy Rutherford Teaching Innovation Award (2nd place). International Textile & Apparel Association.

2022                Transformative Teaching Through Transitions Pedagogies for Inclusive Excellence Certificate. Center for Equity Excellence in Teaching and Learning, San Francisco State University.

2022                  Quality Learning & Teaching Certificate. Center for Equity Excellence in Teaching and Learning, San Francisco State University.

2021                Justice, Equity, Diversity and Inclusion Writing Pedagogies of Excellence in Online Teaching Certificate. Center for Equity Excellence in Teaching and Learning, San Francisco State University.

2020                Justice, Equity, Diversity and Inclusion Pedagogies of Inclusive Excellence in Online Teaching Certificate. Center for Equity Excellence in Teaching and Learning, San Francisco State University.

2020                Quality Learning & Teaching: Online Teaching Badge. Center for Equity Excellence in Teaching and Learning, San Francisco  State University.

2018                 Best Paper Award.  American Collegiate Retailing Association Conference, Ryerson University.

2017                 Damaris Pease Family Consumer Sciences Fellowship.  College of Human Sciences, Iowa State University.

2015                Preparing Future Faculty Associate . Center for Excellence in Learning and Teaching, Iowa State University.

2015                CiRTL Associate . Center for Integration of Research, Teaching, and Learning, Iowa State University.

2014                Teaching Excellence Award . Graduate College, Iowa State University.

2012                Distinguished Undergraduate Student Award . San Francisco State University.

2012                Best in Show: Bridging Fabrics . Marin County Fair Clothing & Textiles.

2011                 Winner of Project OR Design Competition.  Outdoor Retailer, Salt Lake City, UT.

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Human sciences (phd) - apparel design.

The Doctor of Philosophy program in Human Sciences with a specialization in Apparel Design is designed to educate apparel design scholars who can comprehensively apply theory, knowledge and academic research to their specialties. An in-depth look is taken at fundamental apparel design disciplines as well as relevant interdisciplinary knowledge and technologies, in which students should play a leading role in the future. Related fields will vary depending on the specific focus of the student but may include and are not be limited to anthropology, art, business, education, history, psychology, technology, theater, and women and gender studies.

See Textiles for  more information.

Goals and objectives for the specialization in Apparel Design include:

• Conduct independent scholarly work in apparel design including hands-on apparel design practices.
• Critique and interpret scholarly design work of others and apply to own work. 
• Develop a collection of original apparel designs that will be part of an exhibition, runway show or other forms of visual presentation.

Admission Requirements

• Minimum English proficiency: Paper TOEFL 550, Internet TOEFL 79, IELTS 6.5.
• Entrance exam(s):  GRE (optional)
• Personal Statement: Letter of application describing educational and career goals.
• Writing Sample: Any of the following would be an appropriate writing sample: Manuscript or published article resulting from earlier research, such as master's thesis; Paper given at professional meeting; substantial paper, such as review of literature; Grant proposal; Critique of a research article; Professional materials developed for use in one's workplace; Course paper.
• Three recommendation letters

Textiles, Merchandising, and Fashion Design

UNL Graduate Chairs and staff please complete the program update form to provide edits. Updates to graduate program pages are made on an annual basis in conjunction with the Graduate Application for Admission.

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Academic Freedom to Discover Your Purpose Open Curriculum Design at Atlantic International University

The doctoral program in Fashion Design is a transformative journey tailored for aspiring visionaries seeking to redefine the fabric of the fashion industry. Offering a fusion of technical prowess and theoretical insight, this program serves as a launchpad for groundbreaking innovations in fashion and allied design sectors.

Students embarking on this academic odyssey acquire a comprehensive skill set encompassing research methodologies, concept ideation, fashion illustration, material science, and the artistry of pattern making and garment construction. This holistic approach empowers scholars to conceive and deliver avant-garde design solutions, poised to revolutionize the national and global fashion landscape.

Distinguished by its flexibility, our program diverges from the traditional academic path. We nurture individuality by eschewing a one-size-fits-all curriculum, allowing students to tailor their educational journey to their unique passions and aspirations. Here, diversity thrives, enabling each scholar to forge their distinctive academic trajectory.

Designed for purpose-driven individuals, this doctoral program serves as a catalyst for personal growth and societal impact. If you aspire to transcend boundaries, leave an indelible mark on the fashion domain, and contribute meaningfully to our global community , then seize the opportunity this program offers.

Welcome to a realm where innovation meets imagination, and where your dreams of making a profound difference in the fashion world can flourish into reality. Join us on this transformative expedition and be the architect of tomorrow’s fashion narrative.

Courses and Topics in Doctorate in Fashion Design

Our doctoral program in Fashion Design is a cutting-edge platform designed to cultivate a profound understanding of the technical and theoretical aspects within the dynamic fashion and design industries.

Key Areas of Study Include:

• Research Methodologies in Fashion: Dive into advanced research methodologies tailored specifically for fashion design. Explore qualitative and quantitative research approaches applied in the context of fashion innovation.
• Concept Development and Design Thinking: Foster innovative and visionary design concepts through in-depth exploration of design thinking methodologies and conceptual frameworks in fashion.
• Fashion Illustration and Visual Communication: Hone skills in fashion illustration and visual communication, mastering techniques to effectively convey design concepts and narratives.
• Materials Science and Innovation: Delve into the realm of materials science, investigating cutting-edge materials, sustainable fabric technologies, and their applications in fashion design.
• Pattern Making and Garment Construction: Acquire expertise in pattern making, garment construction, and draping techniques, merging traditional craftsmanship with modern technological advancements.
• Innovative Design Solutions: Develop the ability to craft innovative and sustainable design solutions that leave a positive imprint on the global fashion community.

At our program, we recognize individuality. We offer a customizable curriculum that empowers students to shape their educational journey according to their unique passions, interests, and career aspirations. Our approach doesn’t confine every student to the same subjects or learning materials; instead, we encourage diversity and specialization.

If you’re an individual driven by purpose, aspiring to make a substantial contribution to the world of fashion through innovation, creativity, and sustainable design, our doctoral program is tailored for you. Elevate your life and craft a meaningful impact on the fashion design landscape with our comprehensive and forward-thinking curriculum.

Evolution of Fashion Fashion Design Applications Stylizing Fashion Event Planning and Trade Show Management Pattern Drafting Pattern Techniques Textile Design Fashion Sketching Clothing Construction Couture Techniques

Fashion Journalism Costume Design Specialty Design Exploration Trend Forecasting Draping Production Techniques Apparel Evaluation and Production Creative Fashion Marketing Fashion Entrepreneurship

Orientation Course

Join our esteemed Fashion Design Doctoral Program, merging creativity with scholarly pursuit. We champion innovation, aiming to reshape the fashion industry through visionary research and technical prowess. Our curriculum hones comprehensive understanding, emphasizing research, concept development, and practical skills, empowering students to revolutionize global fashion. 

Unique in prioritizing individuality, we enable tailored learning paths aligned with diverse interests. Encouraging personal growth and contribution, our program welcomes those passionate about fashion innovation and societal impact. Embark on a transformative journey , expanding horizons, and shaping the future of global fashion with purpose-driven dedication.

• Communication & Investigation (Comprehensive Resume)
• Organization Theory (Portfolio)
• Experiential Learning (Autobiography)
• Academic Evaluation (Questionnaire)
• Fundament of Knowledge (Integration Chart)
• Fundamental Principles I (Philosophy of Education)
• Professional Evaluation (Self Evaluation Matrix)
• Development of Graduate Study (Guarantee of an Academic Degree)

Research Projects for Doctorate in Fashion Design

Research endeavors within our Doctorate in Fashion Design stand as pivotal elements enabling students to contribute original insights, propel the discipline forward, and showcase expertise in specific areas of focus. Our distinctive doctoral programs integrate a comprehensive fusion of managerial principles, operational strategies, and advanced theories, coupled with design research methodologies.

Diverging from conventional methods, our program empowers students to chart their academic path. We reject fixed curriculums and standardized learning materials, advocating a personalized educational journey that allows individuals to explore fields aligned with their ambitions. Whether immersing themselves in fashion design or trends, the scope for exploration is limitless.

• Doctoral Dissertation Project
• MBM900 Doctoral Proposal
• MBM902 Doctoral Dissertation (15,000 words)

Publication – At the heart of our Doctorate program in Fashion Design lies the chance to partake in revolutionary research initiatives. These projects transcend routine tasks, acting as gateways to innovation and progression within the industry. These research initiatives offer doctoral candidate opportunities to explore particular facets of fashion design, conducting thorough examinations, gathering empirical data, analyzing discoveries, and introducing fresh perspectives to the discipline. 

Become a Visionary Thinker and Push Your Creative Boundary to Gift the World Unique Fashion Designs!

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Transformative Doctorate Student Journey at AIU

The transformative journey of Doctorate in Fashion Design students is an evolution marked by profound growth, exploration, and innovation. From inception to culmination, their path is characterized by several transformative stages. It begins with a burning passion for fashion and a vision to delve deeper into its intricacies. Students embark on this journey with a clear aspiration to make substantial contributions to the field. They immerse themselves in extensive research, absorbing knowledge from diverse disciplines such as design theory, cultural studies, sustainability, and technological advancements in fashion.

Doctorate students conduct in-depth analyses, critically examining existing paradigms, identifying gaps, and questioning conventional norms, paving the way for groundbreaking perspectives. Encouraged to think beyond boundaries, they push creative limits, exploring innovative design concepts, and envisioning novel possibilities that challenge traditional perceptions. As their research progresses, students aim to impact the fashion industry, contributing fresh insights, sustainable practices, and visionary ideas that influence design trends and practices.

Alongside academic and professional development, this journey fosters personal growth, resilience, adaptability, and a deepened sense of self as they navigate challenges and triumphs. Engaging in collaborative initiatives , they connect with industry experts, scholars, and peers, fostering a network that enriches their learning and amplifies their impact. Ultimately, this journey culminates in transformative innovation. Doctorate students contribute to fashion’s evolution, leaving an indelible mark with their research, designs, and visionary contributions.

The journey of a Doctorate in Fashion Design student is not just an academic pursuit; it’s a transformative odyssey that shapes their identity, influences the industry, and contributes to the ongoing narrative of fashion’s evolution.

Community & Social

AIU’s online programs create a vibrant and tightly-knit community, emphasizing an interactive and dynamic learning environment. Utilizing cutting-edge technologies and collaborative platforms, we craft an immersive and interconnected educational journey. Digital hubs like the Virtual Campus Mobile App, MYAIU, AIULink, and AIUTV act as pivotal digital arenas, fostering global connections among students, alumni, and faculty.

The PhD in Fashion Design at AIU goes beyond conventional academia, representing a transformative passage and serving as a distinguished global leader in doctoral education centered around fashion design. This voyage involves a thorough exploration of knowledge, innovation, and leadership. It empowers students not only to chart their unique paths but also to drive positive transformations in education and beyond. It’s a pathway that not only conceives ideas but also tackles challenges with inventive and impactful solutions.

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Academic Resources

The AIU Virtual Campus acts as an innovative hub, offering more than 25 thoughtfully developed resources to support students in both their academic pursuits and personal development. Our dedication to state-of-the-art technology is showcased through our immersive Virtual Reality 3D platform, fostering a dynamic communal environment that significantly amplifies student involvement, inspiration, and ingenuity.

Central to our educational provision are accessible features, notably an expansive online library boasting a collection of over 260,000 books and 30 million peer-reviewed articles, journals, and publications. This extensive repository of knowledge is complemented by a comprehensive compilation of more than 105,000 academic materials meticulously curated by the AIU community.

These resources serve as fundamental pillars for those undertaking a PhD in Fashion Design or similar doctoral paths. Customized to cater to diverse academic interests, each tool is meticulously crafted to align with our students’ distinct aspirations, ensuring they possess the essential resources to translate their objectives into tangible accomplishments within their program.

Virtual Campus

Complete assignments online or offline at your convenience with 24/7 access to distance learning through AIU’s Virtual Campus. Step by Step guides including videos, tutorials, live webinars and examples for each course. All materials can be access on all web browsers as well as via AIU's Mobile App which brings all the features of the Virtual Camus to your Mobile Device. 

My AIU Elements

MyAIU’s primary goal is to go beyond Academics, it looks to guide students through 11 elements that are key to living life optimally in all aspects. By identifying and reflecting on these key areas, an opportunity arises to holistically address them, through positive change, habits, reinforcement and tools to keep students on their chosen path.

AIU TV & Radio

The students have the opportunity to produce, edit and host their own show reaching a worldwide audience, the AIU community and giving notice of their expertise/passion in the subject. AIUTV & AIU Radio allow students to explore new ways to communicate, develop a platform and form potential collaboration with likeminded individuals.

AIU Campus Mundi

AIU Campus Mundi is a monthly magazine that gathers the most notable news and information about the university and its members in one convenient place. The magazine allows our community to be well informed, involved and keep in tough regardless of their geographic location. AIU Campus Mundi publishes, news, research, events, awards, academic achievements.

Graduation Ceremony

Each year AIU organizes graduation ceremonies where the students can assist and share their experiences with fellow students and academic members Participation in the ceremony is optional, the day’s events include conferences, research presentations, group meetings, networking, lunch and formal dinner.

Symposiums & Webinars

AIU’s Fashion Design Doctoral Programs offer an innovative academic journey . Symposiums foster dynamic discussions, challenging norms. Scholars, industry leaders collaborate, exchanging insights. This vibrant space blends inventive research with practicality, refining established theories within a collective academic wisdom, forging lasting connections.

Live Classes

AIU’s PhD in Fashion Design revolutionizes online education . We take immense pride in delivering vibrant, interactive classes that infuse vitality into the virtual learning realm, fostering an exceptionally engaging and dynamic educational atmosphere. Guided by our adept faculty and industry specialists, these live sessions serve as an invaluable platform for real-time discussions, extensive Q&A sessions, and collaborative problem-solving.

Engaging in these live classes not only amplifies comprehension of intricate strategic leadership concepts but also nurtures robust connections among fellow students, fostering a thriving sense of community. Enrolling in AIU’s live courses grants access to stimulating discussions, insights into pioneering industry trends and innovations, and immediate, personalized guidance from instructors.

This pioneering approach to online learning ensures that your academic voyage within our PhD in Fashion Design or related fields transcends traditional educational boundaries. It offers an incredibly enriching experience meticulously tailored to meet your distinct needs and aspirations.

Special Projects

AIU’s Doctorate in Fashion Design program establishes a groundbreaking standard in education, transcending traditional academic frameworks to offer an engaging and dynamic learning journey . Our curriculum seamlessly blends hands-on projects with comprehensive theoretical studies, integrating practical, real-world applications into the educational fabric. These projects exemplify our dedication to nurturing well-rounded leadership skills by effectively merging academic theories with tangible implementation.

Embedded within our PhD in Fashion Design, these distinctive projects frequently entail collaborative endeavors with seasoned industry professionals and esteemed thought leaders. This collaborative environment not only grants students access to invaluable expertise but also ensures they remain updated on the latest industry trends and exemplary leadership practices.

AIU’s Fashion Design PhD program showcases a diverse range of outstanding projects, meticulously designed to offer students genuine experiences and valuable perspectives, empowering them to apply their academic knowledge to real-life scenarios effectively.

Explore Uncharted Territories within Fashion Design, Shaping Industry Trends, and Challenging Conventional Norms.!

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Career Center

The Career Center presents a broad array of diverse and compelling opportunities across multiple sectors. AIU’s Doctorate in Fashion Design empowers students with advanced expertise, robust research skills, and strong leadership qualities, priming them for influential roles in academia, corporate settings, and policy formulation. Graduates emerge as trailblazers, equipped with a foundation from rigorous coursework , specialized research endeavors, and exposure to global perspectives, driving technological progress and addressing complex challenges.\

For those valuing the flexibility of online learning, the center offers a pathway to advanced education, liberating individuals from traditional classroom constraints. These thoughtfully curated programs cater to busy professionals, allowing them to enhance their credentials while effectively managing work and personal commitments. A well-equipped Career Center serves as a crucial resource, providing support for Sustainable Design in PhD Studies and navigating the competitive job market, leveraging advanced skills, and achieving success in professional pursuits.

Explore our Career Center for Doctorate in Fashion Design candidates. Gain access to industry connections, mentorship programs, tailored career guidance, and exclusive job opportunities. Empower your fashion research journey with comprehensive support to launch a successful career in academia, design innovation, or industry leadership.

Job Opportunities

A Doctorate student in Fashion Design engages in advanced research, conducting in-depth studies on specialized aspects of fashion, such as design theory, cultural influences, or sustainability. Responsibilities include extensive literature review, data collection, analysis, and experimentation, aiming to contribute novel insights to the field. They collaborate with faculty, present research findings at conferences, publish scholarly articles, and develop a comprehensive doctoral dissertation. 

Additionally, they may assist in teaching, mentor students, and participate in industry collaborations, utilizing their expertise to advance the understanding and application of innovative concepts within the fashion design domain.

Employment Opportunities after Completing Doctorate in Fashion Design

• Academia/Research: Pursue a career as a professor, lecturer, or researcher in academic institutions, teaching fashion design, conducting research, and publishing scholarly work in fashion-related fields.
• Fashion Design and Innovation: Work as a lead designer, design director, or design consultant for fashion brands, leveraging advanced knowledge to innovate and drive creative design concepts.
• Textile Technology and Development: Engage in textile research and development, exploring new materials, sustainable fabrics, and innovative technologies within the textile industry.
• Fashion Merchandising and Marketing: Contribute to marketing strategies, brand management, or merchandising in fashion retail, utilizing expertise to understand consumer behavior and market trends.
• Fashion Journalism and Publishing: Explore roles in fashion journalism, writing for fashion magazines, online publications, or contributing as a fashion critic, editor, or content creator.
• Fashion Consulting and Advisory: Provide consultancy services to fashion businesses, advising on design strategies, trends, sustainability, and market positioning.
• Sustainability and Ethical Fashion: Lead initiatives in sustainable fashion, working with brands or organizations to implement ethical practices, sustainable sourcing, and eco-friendly designs.
• Government/NGO Roles: Work in policy-making bodies, NGOs, or international organizations involved in fashion, contributing expertise in areas like cultural preservation, fashion heritage, or industry regulation.
• Entrepreneurship: Start your own fashion design label, consulting firm, or creative enterprise, utilizing research-backed innovations and unique design approaches.
• Fashion Technology and Innovation: Explore roles in fashion tech startups, focusing on wearable technology, virtual reality (VR), augmented reality (AR), or smart textiles.             

Tools used in Fashion Design

Fashion designers utilize various tools and software to aid in design, pattern-making, illustration, and production processes. Fashion designers often choose tools based on their specific needs, design processes, and preferences. These software options offer diverse functionalities catering to different aspects of fashion design, from initial concept creation to pattern development and production.

• Adobe Illustrator : Vector graphics software for creating sketches, technical drawings, and illustrations in fashion design.
• Adobe Photoshop : Image editing software used for textile design, creating mood boards, and editing visual elements in fashion design.
• Clo3D : 3D garment simulation software enabling designers to visualize designs in a virtual environment, aiding in pattern development and visualization.
• Lectra : Offers a range of software solutions for pattern-making, grading, marker-making, and product lifecycle management in the fashion and apparel industry.
• CorelDRAW : Graphics suite useful for fashion illustration, creating designs, and working with various visual elements.
• Autodesk AutoCAD : Computer-aided design (CAD) software utilized for technical drawings, schematics, and pattern design in fashion and textile industries.

Associations for Professionals in Fashion Design

Here’s a list of notable associations and organizations for professionals in the field of fashion design.

• Council of Fashion Designers of America (CFDA): A prominent organization supporting American fashion designers, providing resources, mentorship, and advocating for the industry’s interests.
• International Textile and Apparel Association (ITAA): Dedicated to advancing education, research, and professional development in textiles, apparel, and related fields globally.
• Fashion Group International (FGI): A global non-profit organization fostering the development and success of fashion professionals through networking, events, and educational programs.
• International Association of Clothing Designers and Executives (IACDE): Focuses on fostering collaboration and sharing knowledge among professionals in the fashion industry, particularly in design and production.
• The Costume Society (UK): Promotes the study of all aspects of clothing and textiles, historical and contemporary, offering lectures, events, and publications for professionals and enthusiasts.
• American Apparel & Footwear Association (AAFA): Represents companies involved in the apparel, footwear, and related industries, advocating for policies supporting the sector’s growth and competitiveness.
• The Textile Institute: A worldwide professional association serving textile professionals through publications, events, and knowledge sharing in the textile, clothing, and footwear industries.
• Society of Dyers and Colourists (SDC): An international society focusing on coloration technology and promoting the understanding of dyes, pigments, and coloration processes.
• Association of Sewing and Design Professionals (ASDP): A community of sewing and design professionals offering networking, education, and support to its members in various design disciplines.

Innovate, Shape, and Lead the Global Trend in Fashion with a Doctorate in Fashion Design from AIU

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Requirements for Doctorate in Fashion Design

A Doctorate in Fashion Design typically necessitates a Master’s degree in a relevant field, showcasing a strong academic background in fashion design, research proficiency, and exceptional critical thinking skills. Applicants often submit transcripts, a comprehensive statement of purpose outlining research interests, letters of recommendation, and a CV highlighting relevant experience. 

Some programs may require standardized test scores (e.g., GRE) and a portfolio demonstrating design or research projects. Proficiency in the language of instruction and meeting specific programmatic deadlines are essential prerequisites for admission consideration in Doctorate programs in Fashion Design.

How Can You Apply?

To apply for a Doctorate in Fashion Design, follow these general steps:

Research Programs: Explore universities or institutions offering Doctorate programs in Fashion Design. Look for accredited institutions with a strong faculty in your area of interest.

Check Admission Requirements: Review the specific admission criteria for each program. Typically, you’ll need a relevant Master’s degree, a solid academic background, research experience, and proficiency in the language of instruction.

Prepare Application Materials:

• Transcripts: Gather transcripts from previous academic institutions.
• Statement of Purpose (SOP): Write a compelling SOP detailing your research interests, career goals, and reasons for pursuing a Ph.D.
• Letters of Recommendation: Request letters from experts confirming your academic abilities and potential.
• Resume/CV: Highlighting relevant academic and professional experiences.
• Portfolio: If required, prepare a portfolio showcasing design projects or research work.

Standardized Tests: Check if the program requires GRE or other standardized test scores. Prepare and take the necessary tests if needed.

Apply Online: Complete the online application form the university or institution provides. Ensure all required documents are uploaded or sent as per the guidelines.

Pay Application Fees: Submit the application fees as specified by the institution.

Follow Deadlines: Adhere to the application deadlines. Only on-time applications might be considered.

Prepare for Interviews/Exams: Some programs might require interviews or entrance exams. Prepare accordingly if such steps are part of the application process.

Wait for Notification: After submitting your application, await the admission decision. Be prepared for possible interviews or additional documentation requests.

Acceptance and Enrollment: Upon acceptance, carefully review the offer letter, financial aid, and enrollment deadlines. Respond accordingly and complete the enrollment process.

Funding/Scholarships: Explore funding options or scholarships available for doctoral candidates in Fashion Design and apply for those applicable to your situation.

Ensure you verify the specific application procedures and requirements of the particular Doctorate in Fashion Design program you wish to apply for, as they can vary between universities or institutions. Contact the admissions office or department for any clarification needed during the application process.

Financial Support & Scholarships

We’re thrilled to introduce exclusive scholarships tailored for our doctoral candidates. Share your details to unlock a variety of scholarships, elevating your academic pursuits. Come aboard this educational journey and transform your academic aspirations into tangible achievements with us.

How Much Does a Doctorate in Fashion Design Cost Per Year?

We recognize the significance of financial flexibility in your educational endeavors. Hence, depending upon the type of program you choose, we have introduced a convenient monthly payment plan to make your pursuit of a doctorate manageable and free from financial worries. Our exceptionally affordable tuition fee covers the expense for Doctorate in Fashion Design. So, secure your future with AIU, where first-rate education aligns perfectly with your budget. Your aspirations are well within your grasp.

Q. What are the prerequisites for a Doctorate in Fashion Design?

Ans: The prerequisites for pursuing a PhD in Fashion Design can vary depending on the specific university, country, and program requirements. However, some common prerequisites and considerations include:

Master’s Degree or Equivalent: Most Ph.D. programs in Fashion Design require applicants to hold a relevant Master’s degree in Fashion Design, Fashion Studies, Textile Design, or a closely related field. Some programs may accept students with exceptional undergraduate backgrounds, but a Master’s degree is often preferred.

Academic Background: A strong academic background in fashion design, textile design, fashion merchandising, or a related discipline is typically necessary. Applicants should demonstrate a solid understanding of fashion theory, history, design principles, and research methodologies.

Research and Writing Skills: As a doctoral program involves extensive research and scholarly writing, applicants should showcase strong research skills, critical thinking abilities, and the capacity to undertake independent academic work. Previous research experience, publications, or a thesis/dissertation at the Master’s level can be advantageous.

Portfolio or Design Projects: Some programs may require the submission of a portfolio showcasing design projects, creative work, or research that demonstrates the applicant’s creativity and skillset in the field of fashion design.

Letters of Recommendation: Applicants typically need to provide letters of recommendation from academic mentors or professionals who can attest to their intellectual abilities, research potential, and suitability for doctoral studies.

Statement of Purpose (SOP): A well-written statement outlining the applicant’s research interests, career aspirations, and reasons for pursuing a Ph.D. in Fashion Design is usually required. This should align with the research focus of the program.

Standardized Tests: Some universities may require GRE (Graduate Record Examination) or equivalent standardized test scores as part of the application process. However, requirements regarding standardized tests can vary among institutions. Interview or Entrance Exam: In some cases, applicants might be required to attend an interview or take an entrance exam to assess their suitability for the program.

Language Proficiency: For international students, demonstrating proficiency in the language of instruction (usually English) through standardized tests like TOEFL or IELTS is often mandatory.

Before applying, it’s essential to carefully review the specific admission requirements and prerequisites outlined by the universities offering Ph.D. programs in Fashion Design. Each institution may have its own unique set of criteria and application procedures. Additionally, contacting program coordinators or faculty members for guidance can provide valuable insights into the application process.

Q. Are there online Doctorate programs in Fashion Design, and how effective are they?

Ans: Online Doctorate programs in Fashion Design typically allow students to pursue advanced studies and research in the field while allowing flexibility in scheduling and location. These programs often incorporate online learning tools, virtual classrooms, and resources to facilitate distance education.

The effectiveness of an online Doctorate program in Fashion Design can vary based on several factors:

Accreditation and Reputation of the Institution: Choosing an accredited institution offering an online program is crucial. Accredited programs ensure quality education and are more widely recognized and respected academically and professionally. Faculty Expertise and Support: The expertise and accessibility of faculty members who guide and mentor students in their research are vital. Ensure the program offers ample support and interaction with experienced professors and mentors. Technology and Resources: Evaluate the technological infrastructure and resources available to online students. Access to research databases, libraries, online materials, and virtual support services can significantly impact the learning experience. Research Opportunities: Determine if the program provides opportunities for hands-on research, collaboration with industry partners, or internships that align with your research interests. Networking and Collaboration: Although online, some programs facilitate networking among students and professionals in the fashion industry. Collaborative projects, forums, or workshops can enhance learning and provide networking opportunities. Flexibility and Student Support Services: Online programs should offer flexibility in scheduling to accommodate working professionals and individuals with other commitments. Additionally, robust student support services, including academic advising, career counseling, and technical assistance, contribute to the program’s overall effectiveness. Thesis/Dissertation Requirements: Evaluate the program’s requirements for the final dissertation or thesis. Also, the program should support and guide students through the research process, even in an online setting.

Before enrolling in an online Doctorate program in Fashion Design, thoroughly research and compare different programs and review their curriculum, faculty credentials, accreditation status, and student reviews or testimonials. Consider your learning style, career goals, and the level of commitment required for an online doctoral program before making a decision.

Q. How does a Doctorate in Fashion Design prepare students for roles in the fashion industry?

Ans: A PhD in Fashion Design equips students with advanced knowledge, critical thinking abilities, and specialized research skills that can prepare them for various roles in the fashion industry, academia, research, and more. Here’s how a Ph.D. in Fashion Design can contribute to career readiness in the industry:

Expertise in Fashion Theory and Research: Ph.D. programs delve deep into theoretical frameworks and advanced research methodologies specific to fashion design. Graduates comprehensively understand fashion’s historical, cultural, sociological, and psychological aspects. This expertise enables them to critically analyze trends, consumer behavior, and industry practices. Innovative Design and Creative Thinking: Doctoral programs encourage innovative thinking and creative problem-solving. Graduates develop the ability to generate original ideas, concepts, and designs that can push boundaries and contribute to the evolution of fashion trends and industry practices. Specialized Niche Knowledge: Through extensive research and study, Ph.D. students often specialize in a particular area within fashion design, such as sustainable fashion, textile technology, fashion marketing, or apparel manufacturing. This specialized knowledge prepares them for roles requiring expertise in specific industry niches. Academic and Teaching Opportunities: Many Ph.D. graduates contribute to the field through teaching, mentoring future designers, conducting research, and publishing scholarly work in academic journals, thereby shaping the industry’s future professionals. Leadership and Management Roles: Doctoral programs often foster leadership skills, strategic thinking, and management capabilities. Graduates may pursue roles in fashion businesses, consulting firms, or as entrepreneurs, applying their expertise to lead teams, drive innovation, or initiate industry-changing projects. Industry Consultation and Expertise: Ph.D. holders in Fashion Design might work as consultants for fashion brands, advising on design strategies, market trends, or sustainability initiatives based on their extensive research and specialized knowledge. Contribution to Industry Innovation and Trends: Through their research and insights, Ph.D. graduates can contribute to shaping industry practices, influencing fashion trends, advocating for sustainability, and addressing social and cultural issues within the fashion realm. Networking and Collaboration: During their doctoral studies, students often establish connections and collaborations with industry professionals, researchers, and institutions. These networks can open doors to opportunities in the fashion industry, fostering collaborations or industry partnerships.

Ultimately, a Doctorate in Fashion Design not only offers in-depth knowledge and skills but also nurtures innovative thinking, creativity, and the ability to adapt to the dynamic landscape of the fashion industry, preparing graduates to make significant contributions and advancements in various facets of the field.

Q. Does a Doctorate in Fashion Design include studies on global fashion and cultural influences?

Ans: Yes, a Doctorate in Fashion Design often includes studies focusing on global fashion trends, cultural influences, socio-cultural impacts, and cross-cultural perspectives within the fashion industry. This interdisciplinary approach examines diverse cultural elements shaping design, consumer behavior, and the global fashion market.

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Graduate Program

Welcome to the graduate program in the Department of Textiles, Apparel Design and Merchandising at LSU.

Requirements and procedures specific to each graduate program are discussed in the handbook. The handbook is a supplement to the LSU General Catalog, which is the authoritative source for academic regulation of the University.

It is the responsibility of graduate students to fulfill the requirements described in LSU’s current general catalog and these guidelines. Students are also responsible for being aware of and meeting the deadlines printed in the graduate calendar. Although the catalog states explicitly that LSU reserves the right to change requirements at any time, TAM tries to apply those regulations that are in effect in the year students enter their programs. Please note that due to changes in the university structure and the creation of the new Department of Textiles, Apparel Design and Merchandising, the former School of Human Ecology no longer exists.

Please note that due to the way our course schedule works, we only admit students for the fall semester. Applications are accepted year round with a deadline of March 1 st for the following school year.

We begin reviewing applications at that time. Assistantship applications are reviewed later in the spring, usually in mid to late April. If you are in need of an assistantship, please indicate this as part of your application. Please note that we only admit for the Fall.

These documents are specific to the TAM Graduate Department. Forms required by the Graduate School can be located on their website and must be submitted through the TAM Graduate Coordinator, Erica Woolard.

TAM Graduate Handbook

MS Program of Study Approval

PhD Program of Study Approval

Major Professor Selection Form

THESIS & DISSERTATION PROPOSAL FORM

Other Resources

The below links lead to several important resources that you may need to utilize through your graduate school career.

Please be sure to check them for updates from time to time. 

International Services Office

Graduate School Calendars

Graduate School Forms GRADUATE SCHOOL STUDENT RESOURCES

We understand that funding is a huge consideration when applying for graduate school. You have a few options for scholarships and assistantships within LSU. 

TAM Assistantships

Applying for an assistantship with the TAM graduate program is very informal. On your application for graduate school, there is a question regarding the need for an assistantship. If you answer this question "yes" then you will be added to our pool of assistantship candidates. 

Funding within the department is limited however, so it can be very competitive. You will want to make sure your application is as stunning as possible.

You may be admitted to the program prior to funding decisions being made. If you are awarded a TAM assistantship, the graduate coordinator, Erica Woolard , will be reaching out to you directly with the specific information.

LSU Funding 

The Graduate School has several fellowship opportunities that you may be eligible to apply for. 

FELLOWSHIP OPPORTUNITIES

There will also be funding opportunities that you can apply for with the LSU Olinde Career Center. They can be reached at [email protected] or 225-578-2162. They will set you up with a log-in for the Handshake LSU Job portal where you will be able to see assistantships being offered from other departments. We recommend that you apply to as many as possible to find one that is a good fit for you.

Career Center

General Scholarships are available and can be applied for on the Scholarship Application Portal

SCHOLARSHIP Applications

Diversity Funding

The Louisiana Alliance for Minority Participation (LAMP) LA-BRIDGES: Louisiana Broadening Resources for Increasing Diversity in Graduate Education, a Louis Stokes Alliance for Minority Participation – Bridge to the Doctorate Program (LSAMP/BD) is an initiative supported by the National Science Foundation.

This endeavor encourages students from underrepresented groups to pursue PhD degrees in Science, Technology, Engineering, and Mathematics (STEM) disciplines.

The American Association of University Women offers Career Development Grants  to women who hold a bachelor’s degree and are preparing to advance or change careers or re-enter the workforce in education; health and medical sciences; science, technology, engineering, and math (STEM); or social sciences.

AAUW Grants

Contact Information

Requirements for Admission

This program allows a student to pursue graduate studies in the areas of Textile Science, Apparel Design, Merchandising or Historical/Cultural Textiles and Apparel. Entering students will choose research programs and will work with faculty members from the appropriate curricula. It is recommended that entering students have a strong background in the textile sciences. Students may be required to complete certain course work in this general area if not previously acquired. All students must fulfill graduate student entry requirements of Louisiana State University.

Please access the Louisiana State University webpage for potential graduate students for information on housing, cost of attendance, and other important details.

The following are the minimum requirements for graduate study in Textiles, Apparel Design, & Merchandising:

• A bachelor degree based on a four-year curriculum from an institution accredited by one of the regional associates of the Commission on Institution of Higher Education or equivalent.
• A minimum grade point average of 3.0 (on a 4.0 scale) or higher in the previous degree.
• A minimum composite score of 300 on the Graduate Record Exam (GRE). We do not waive this requirement . Official scores must be sent to the LSU Admissions office directly from the Educational Testing Service (ETS.) Our institution score is 6373.
• Includes those from all countries, including Canada, Great Britain, Australia, Puerto Rico, Viet Nam, etc., as well as naturalized citizens, U.S. residents, and those whose first language is not English.
• In addition to the Graduate School admission requirements, a TOEFL score of at least 550 on the paper-based test or 79 on the Internet-based test, an IELTS score of at least 6.5, or a PTE score of at least 59 must be received before an international student’s application is evaluated for admission. We do not waive this requirement.  
• Three Letters of recommendation from persons knowledgeable about your preparation and/or qualifications for your desired graduate degree program.
• Evidence of adequate financial resources to pay the cost of your education.
• A Current Resume.
• A statement of purpose (also known as a letter of intent) that includes: (1) research interest, (2) faculty members(s) the applicant is interested in working with, (3) future goals related to the program of interest, (4) reason for seeking this degree, and (5) prior work-related experience.

You must apply electronically. You will be prompted to upload all supporting documents, including your official transcripts from all institutions attended, GRE and TOEFL scores, resume, and statement of purpose. You will also be prompted to provide information for your recommenders. 

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Human-Centered Design, Ph.D.

Download the Course List for Human-Centered Design, Ph.D.

Find out exactly what classes you'll be taking

The Ph.D. in Human-Centered Design

Florida Tech has more than 30 years of experience educating engineering, science, technology, and management professionals to become skilled experts in a variety of unique and interdisciplinary fields. One such field is the growing discipline of human-centered design. With a PhD in human-centered design from Florida Tech, graduates prepare themselves to work in high-tech environments tackling complex challenges in product development, industrial design, integrated systems, and organizational analysis. This involves expertise in life-critical systems, modeling and simulation, human factors, usability and cognitive engineering, and more. With a focus on creativity, innovation, and sustainable solutions, graduates design, analyze, and evaluate complex interconnected systems for today's 21st century companies.

Experienced, Respected Faculty

Providing students with an understanding of the challenges, environments, and systems they will encounter on the job is the top priority for Florida Tech professors. Students in the PhD in the human-centered design program work closely with professors who use a highly customized curriculum for each student. This includes independent study, research, and fieldwork in a cross-disciplinary approach that encourages creative thinking for innovative solutions.

Specialize for a Competitive Edge

Students earning a PhD in human-centered design can specialize in a particular area of interest to further hone their expertise. This can include design areas such as cognitive engineering, advanced interaction media, modeling and simulation, organizational design and management, life-critical systems, or complexity analysis. As an emerging field, human-centered design is constantly evolving, offering opportunity in many areas of design, engineering research, and interactive complex product development.

Research Programs and High-Tech Facilities

Through the School of Human-Centered Design, Innovation, and Art, students earning a PhD in human centered design find a hands-on learning culture that supports real-world problem solving on the challenges in design, engineering, and technology. Students participate in research activities in aeronautics, space, nuclear energy, or education. Available laboratories and instrumentation facilities provide for in-depth studies in control, complex systems design, big data management, visualization (including 3D printing capabilities), tangible interactive objects, and development. Florida Tech is near commercial aircraft and adaptable spaceship cockpit simulators and an advanced interaction media laboratory, providing students with up-to-date equipment to conduct cutting-edge research.

Excellent Career Preparation

Human-centered design students work with some of the most well-respected names in science and technology including NASA, Boeing, SESAR (Europe), and Areva. Graduates are immediately ready to step into design and leadership roles at high-tech firms, advance in their current position, or start their own business. The US Department of Labor's Bureau of Labor Statistics reports that jobs will remain steady for graduates with human-centered design expertise. Designers who work with precision instruments and medical equipment are some of the industries with higher-than-average job growth. Jobs can also be found in high-tech firms working on designing advanced cockpits, ergonomics, equipment usability, safety systems, control rooms, educational tools, simulators, and new living environments.

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Ralph Lauren store by Michael Neumann Architecture, Moscow

Posted by retail design blog on 2011-11-19.

A new Flagship store for a luxury Retail brand- the First American brand in Russia. First floor – Accessories ; Second floor- Women’s Apparel; Third Floor- Men’s Apparel; Fit Rooms, and cash wraps. Polo Ralph Lauren’s brand is about life-style and aspiration.

The store design is meant to provide the stage set for that life-style, looking more like been granted access to a private mansion-with its attendant public and private rooms -than a store. For this first Flagship in Moscow, the interior was to evoke the luxurious interiors of turn-of-the-century Russia as the setting for an iconic American brand: Anna Karenina meets Ralph Lauren.

This three-level store for Polo Ralph Lauren’s first flagship store in Russia is located in an historic commercial building dating from the 1870’s. Located in Moscow’s city center, it is a short distance from Red Square. Known as ‘Tretyakovsky Passage,’ the building has a sculpted brick fade that is typical of turn of the century Russian buildings, including the red brick fortified walls of the nearby KremlinPalace.

The store fronts on a main thoroughfare, with its primary entrance on one side of an enormous arched portal that leads to an interior passage of additional luxury shops. Half dome awnings over arched display windows and main entry distinguish the Polo brand on the facade. Within the store, architectural details evoke “classic” Russian style, reminiscent of the turn of the century. The ground floor has 14′ high vaulted ceilings adorned with decorative plaster moldings of ropes, wreaths and festoons.

Arched doorways with custom antique silver frames reflect the arched window openings on the fade. The floors are made honed French limestone tiles with black marble insets. Custom display fixtures are detailed with in antique silver. Guests can travel to the two upper floors via a custom wrought iron and glass elevator or a French limestone staircase that wraps around the glass elevator shaft.

The stair has a custom wrought iron and antique silver railing that features motifs of vines and balls. The second floor is devoted to Women’s Collection with millwork of hand-painted white lacquer continuing the lighter, more feminine palette of limestone floors and white ceilings detailed with beams and crystal chandeliers. The third floor, which carries the Men’s Collection, evokes a more masculine feel created by the use of rich millwork of stained and ebonized. Accents of antique silver and leather accent the spaces throughout the store enhancing the exclusive ambience.

What were the principal design problems? Although intended as a commercial building, the existing foot print of this section of the Passage was anything but regular. Years of additions and renovations made for a highly irregular floor plan, with each floor a different footprint. The ground floor was a double height space with an existing storage room mezzanine. The top floor especially was a jumble of additive parts at odd angles, with a very low ceiling.

An additional challenge was that the plan on each floor was split in two by a massive structural wall that ran longitudinally through the space. The wall was punctured with several arched openings of varying widths in different locations on each floor. The client also stipulated that no supply air grilles be visible in the sales spaces.

How were these problems addressed? Ralph Lauren stores done in the traditional style are all about rooms; rooms that look like studies, boudoirs, parlors and great halls. The additive nature of the plan lent itself well to the creation of distinct rooms. Similarly, the longitudinal structural wall became an organizing element in the plan of each floor. Schemes using the arches of the openings were tried and rejected, but the location of the openings determined entrances and exits into rooms. Supply air was delivered in a continuous slot incorporated into the crown moldings of each room.

Designed by Michael Neumann Architecture

http://www.architizer.com/en_us/projects/view/ralph-lauren-tretyakovsky-passage/2354/

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Moscow Has a New Standard for Street Design

• Written by Strelka Magazine
• Published on August 25, 2016

Earlier this year the development of a new Street Design Standard for Moscow was completed under a large-scale urban renovation program entitled My Street , and represents the city's first document featuring a complex approach to ecology, retail, green space, transportation, and wider urban planning. The creators of the manual set themselves the goal of making the city safer and cleaner and, ultimately, improving the quality of life. In this exclusive interview, Strelka Magazine speaks to the Street Design Standard 's project manager and Strelka KB architect Yekaterina Maleeva about the infamous green fences of Moscow, how Leningradskoe Highway is being made suitable for people once again, and what the document itself means for the future of the Russian capital.

Strelka Magazine: What is the Street Design Standard and what does it include?

Yekaterina Maleeva: The Street Design Standard is a manual for street planning in Moscow . The Standard is divided into four books, each one of them covering particular aspects of street design. Many cities across the globe have developed their own standards and the concept has gained a lot of popularity over the last decade. The New York Street Design Manual is a famous example; the book has even been translated into Russian. However, Moscow streets have little in common with New York streets, for example; every city has its own unique urban typology and simply copying existing solutions from another manual is not a viable option.

When we started our work on the Standard , the first thing we did was study Moscow streets, their peculiarities and common features. The first volume of the Standard focuses on the typology and distinctive attributes of the streets of Moscow. We gathered data on more than 3,000 streets and processed the data. Despite the large sample size, we discovered certain similarities. We managed to identify ten of the most common street types, but some unique streets could not be categorized. For instance, Tverskaya Street, built in 19th century, originally fell under category "10C." But after it was widened in the 1930s, Tverskaya ended up in a unique place within the urban fabric of Moscow. Such objects as that require a case by case approach and an individual project.

What can be found in the other volumes?

After we identified these ten street types, we started working on defining the best way to approach the development of each. The second book describes what a street of each type must have. We developed a general profile and functional zoning for each type. The pavement is more than just a pedestrian lane: there is a buffer zone between the roadway and the walking lane where the parking posts, street lights and communication lines are located. It’s a mandatory utility zone that has to be paved in such a way that any section can be easily unpaved and replaced. There is also a pedestrian fast lane for people walking to their workplace and a promenade with benches and other objects. Building façades have a large impact on the street they are facing. Restaurants and shops are located in these buildings. Making the adjacent zone retail-friendly is important. Cafes and restaurants must be able to open street patios to attract customers without disrupting the pedestrian traffic. How to apply these concepts to each of the street types is thoroughly explained in the Standard .

The third book describes eleven groups of design elements, including surface materials, benches, trash bins and lights. This catalogue of elements contains no mention of suppliers. It does not promote any manufacturers; instead it describes the attributes which define a quality product. For instance, the third book explains which type of tree grates will serve the longest while causing no damage to the root system of a tree. Styles of grates, bins, benches and other elements may vary, but all the items must comply with the quality standard.

Finally, the fourth book focuses on the planning process: how to perform preliminary analysis, how to apply user opinions during the development and how to achieve quality implementation. Additionally, there is a special emphasis on the fact that street planning cannot be carried out without any regard for the context of the street. A street should be regarded as a part of an interconnected system of various public spaces, together with adjacent parks, garden squares, yards and plazas.

Does the Standard have an official status? Should it be considered a law or merely a guideline?

There are a number of state-level laws and regulations relevant to street design issued by the Moscow Government. They were taken into account during the development of the manual. These regulations ensure safety standards and must be complied with. While the existing legislation covers safety aspects, our books introduce comfort standards. The Standard is basically a non-binding, advisory guideline created with the goal of improving the urban environment everywhere across the capital and maintaining it at a high level.

What happens if a street does not fit any of the mentioned types (and is not as significant as Tverskaya)? For instance, what if a street located in the New Moscow territory has cottages on one side, apartment complexes on the other and an entrance to the Moscow Ring Road somewhere along the way?

A standard is not a ready-made solution. The streets share common features yet also retain their individual attributes at the same time. Applying a single standard profile to every street is impossible. Adjustments are always in order.

The Standard offers three sets of solutions for each type of street with a large potential for combining various elements. The manual basically offers a convenient database that a designer working with a new space could use. That does not mean that all the new projects will look exactly the same. Some solutions featured in the Standard are yet to be implemented anywhere in Moscow . For instance, our collaboration with Transsolar, a German company consulting us on environmental comfort, revealed that Moscow’s largest environmental problem was not in fact CO2, but small-particle dust produced by studded tyre traction. And a simple method to control this type of pollution already exists. Many busy streets outside the city center have a green buffer zone separating the roadway from the sidewalks. A 1.5m high ground elevation running along this zone could filter out up to 70% of the tyre dust, preventing it from spreading into the residential areas. Western countries have been successfully using this technology for many years. Now it is a part of Moscow Standard . By the way, a terrain elevation could also help reduce the level of road noise.

Does the Standard offer anything for the main roads? For example, nowadays Leningradskoye Highway basically splits the city into two disconnected parts; it’s a car dominion.

The Standard does not offer solutions for transportation problems. When we were defining our street typology, we relied on traffic load data calculated using Moscow ’s transportation model. We pursued a goal of only offering solutions that would not aggravate the current transport situation. Any planned sidewalk extension or addition of a bicycle lane or road crossing should first be approved by the Moscow Department of Transport.

As for the main roads, our research revealed that the streets with the highest traffic load also have the heaviest pedestrian traffic. One would think that it should be the other way around. However, the main roads have metro stations, which generate a lot of pedestrian traffic, which in turn draws retail. Treating main roads the same way as highways is impossible. The needs of both vehicle traffic and local residents must be taken into account, which creates a paradox.

These territories have every opportunity to become more comfortable. Some have relatively large green buffer zones that currently remain underused. The Standard proposes to augment these zones with additional functionality. On one hand, some of the main streets will gain attraction centers, especially near intersections connecting them to the adjacent residential areas. Weekend markets are one example of such centers. On the other hand, the Standard involves the creation of zones able to absorb extra precipitation flowing from the roads and filter it. There is a list with types of vegetation best fit to handle this task. The same zones could be used to store snow in the winter. The meltwater will be naturally absorbed by the soil, alleviating the need for moving the snow out to melt. This, however, would require decreasing the quantity of melting chemicals sprayed over the snow, as the plants underneath might be susceptible to their effects.

Can the new Standard rid us of green lawn fences, yellow curbs and other eternal eyesores?

The choice of yellow and green appears random, so we have no idea how to actually fight that. The Standard offers no colour schemes. As long as fences meet the set requirements, their colour does not matter. However, currently they seem to fail to comply. The Standard states that lawns do not require fencing. This is a waste of materials: people will not trample grass and bushes just for the sake of it, while dog owners will trespass anyway. There are many other options for protecting lawns from being trampled. For instance, a same-level pavement strip with a different texture could protect a lawn from accidental intruders just as well as a curb can.

Natural soil water absorption is currently largely ignored, with most  precipitation going down the storm drains. Meanwhile patches of open terrain on a street are able to absorb water. Employing these natural cycles in street layout could save resources.

Does the Standard provide any financial estimations? For instance, an approximate cost of renovating a street of a particular type?

No, as the Standard does not list any products of any particular brand, there are no prices to refer to. Nonetheless, the Standard was developed to fit three potential price ranges. Whether their estimated price is low or high, all the elements ensure that quality requirements are met. The same quality level must be maintained across the whole city and never drop below the set standard.

Let’s say a world-famous architect arrives to Moscow to design a street. He puts incredibly beautiful things into his project, which, unfortunately, contradict the Standard and are not guaranteed to work as intended. In that scenario, will the architect be told to stick to the Standard ?

This could happen and I think it would be a good thing. If an architect plans to place a sculpture on a 1.5 meter wide sidewalk, would that really be a good idea? Following the Standard ensures smooth movement. Its goal is to reinvigorate the streets. In Copenhagen, new design manuals helped increase average time spent by residents outside by 20% over 10 years. That was achieved through creating convenient and attractive public spaces. Moreover, implementation of the Standard enables the creation of professional documentation for architects, which excludes the possibility of any instructions that will later be unclear to the experts trying to work with them. Finally, the Standard also pursues the task of providing the opportunity for the development of street retail.

Isn’t retail a whole different story? How can retail be introduced in such places as Strogino District, where the ground floors are living floors and have security bars on windows? By reintroducing street vendors?

True, business has no direct relation to street renovation. However, there is a strong connection between them. In Strogino, building façades are mostly located far from the sidewalk. Moreover, facades are often concealed by shrubbery and trees, making local businesses even less noticeable. Another problem is that first floor apartments cannot be used for commercial purposes due to insufficient ceiling height (3 m compared to 3.5 m required minimum). Nonetheless, we discovered multiple examples of shop owners reconstructing apartments in residential districts to meet the requirements.

Our British consultant Phil Wren, a street retail expert, travelled Moscow ’s residential districts and studied the existing examples. He came up with a great idea: building an expansion connected to the façade and facing the sidewalk. This makes it possible both to achieve the required ceiling height and increase the visibility of the business to the passers-by. The part of the shop located in the apartment can be used as a utility room or a stockroom. This way the noise level is reduced, regulations are met and store space is increased. Our Russian consultants confirmed the viability of the proposed concept. And the Standard will ensure that any added expansions will look presentable.

Does the  Standard also regulate façade appearances, an architectural element? What should be expected from this? It is unlikely that all houses which fail to comply will be demolished once the Standard is implemented. 

Renovation works with what is given. Of course, façades cannot be changed. Central Moscow has a problem with mansions and many other buildings being fenced off, which prevents them from accommodating street retail. Central streets are also relatively narrow. The Standard proposes sidewalk expansion wherever the access to the first floors is open. Street renovation does not always involve planting trees. Some places require enhanced crossings so that people can quickly reach the other side of the street to get to a shop or a café. Those streets where the facades are windowless are a more suitable place to plant more vegetation.

Can an average person – not an architect, designer or construction worker – understand the new Standard , or is it a technical document which can only be interpreted by a professional?

Any person can. The Standard is written in a way that both professionals and common citizens are able to understand. The Standard contains multiple images, photos, infographics and diagrams and is written in plain language. We would love for more people to read it: the books contain many interesting solutions for our city that affect every pedestrian.

In late March it was revealed that Strelka KB would be developing a standard for recreational zones and public areas in Moscow . What differences will that document have from the Street Design Standard ?

The two standards will have a lot in common. The city currently faces a task of developing a connected system of public spaces. The first logical step was to work with the streets which actually connect areas of attraction and other public spaces. Now the work on all other public spaces takes off. Parks, garden squares, yards, water bank recreation areas, plazas near metro stations must all fall into place. Work with these territories will set a single quality standard. In addition, it will improve Moscow ’s quality of life and reduce air pollution. Simple solutions could improve airflow, increase biodiversity and reduce noise levels at the same time.

The renovation program is quite long and depends on numerous standards and documents. But when exactly will the endless repair works end? Are there any time estimations for when all these concepts will finally get implemented?

This is not an easy question. Full renovation may last decades. The Standard is the first step towards actually controlling the renovation process and its timeline. Until now renovation has been proceeding rather haphazardly. Now the city has decided that the way the streets are designed should be clarified. We understand that the Standard cannot last unchanged for eternity and should, just like any regulation, undergo periodical updates. The Standard uses flexible typology: a street of one type could transition to another within a few years under certain conditions, such as changes in its usage and its user categories. Everything must stay regularly updated according to the accumulated experience.

During our work on the Standard , we held regular roundtables joined by experts and ordinary citizens. One of our guests mentioned that he had recently started paying attention to Moscow ’s facades, their beauty and their drawbacks. He was able to do that because he no longer had to watch his step. So the process has already started and we already see some results.

• Sustainability

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