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Creative Writing: A Workbook with Readings

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Anderson, Linda ed. (2005). Creative writing: A workbook with readings. Abingdon, UK: Routledge and The Open University.

'Creative Writing: A Workbook with Readings' is a complete writing course that will jump-start your writing and guide you through your first steps towards publication. Suitable for use by students, tutors, writers’ groups or writers working alone, this book offers: * a practical and inspiring section on the creative process, showing you how to stimulate your creativity and use your memory and experience in inventive ways; * in-depth coverage of the most popular forms of writing, in extended sections on fiction, poetry and life writing, including biography and autobiography, giving you practice in all three forms so that you might discover and develop your particular strengths; * a sensible, up-to-date guide to going public, to help you to edit your work to a professional standard and to identify and approach suitable publishers; * a distinctive collection of exciting exercises, spread throughout the workbook to spark your imagination and increase your technical flexibility and control; * a substantial array of illuminating readings, bringing together extracts from contemporary and classic writings in order to demonstrate a range of techniques that you can use or adapt in your own work. 'Creative Writing: A Workbook with Readings' presents a unique opportunity to benefit from the advice and experience of a team of published authors who have also taught successful writing courses at a wide range of institutions, helping large numbers of new writers to develop their talents as well as their abilities to evaluate and polish their work to professional standards. These institutions include Lancaster University and the University of East Anglia, renowned as consistent producers of published writers.

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Creative Writing: A Workbook with Readings, Second edition

‘A wonderful, invaluable resource, full of useful frameworks and ideas. Highly recommended.’ – Irenosen Okojie FRSL MBE, Vice Chair of the Royal Society of Literature

‘Offers pertinent, perceptive and plentiful advice for those first starting out or building their skills in creative writing. Enlivening chapter discussions rub shoulders with well-chosen readings to create dynamic conversations which it feels a pleasure to eavesdrop on.’ – Andrew McMillan, Manchester Writing School at Manchester Metropolitan University

‘A refreshingly practical book that invites writers at whatever stage to dive in and out with exercises, encouragement, information, reading and guidance.’ – Yvonne Battle-Felton, fiction writer, Sheffield Hallam University

‘Creative Writing is astonishing in its thoughtfulness: there’s a calm, authoritative thoroughness about the way skills and topics are introduced, supported by readings, and paired with exercises. This would be a very useful workbook for instructors as well as new writers.’ – Marshall Moore, Course Leader in Creative Writing at Falmouth University

‘Offers practical, clear, and substantial advice for writing in a range of genres. As you will find from using this imaginative, generous and ingenious book, the journey will surprise and transform you.’ – David Morley FRSL, Warwick Writing Programme at Warwick University, author of The Cambridge Introduction to Creative Writing

‘This distils the basic elements of complicated artistic practice into inspiring guidelines that will enhance the work of both students and teachers of creative writing.’ – Winsome Pinnock FRSL, Associate Professor Emerita at Kingston University

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2nd Edition

Creative Writing A Workbook with Readings

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Creative Writing: A Workbook with Readings provides a complete creative writing course: from ways to jump-start your writing and inspire your creativity, right through to presenting your work to agents and publishers. It covers the genres of fiction, poetry and life writing (including autobiography, biography and travel writing), combining discussions of technique with readings and exercises to guide you step by step towards becoming more adept at creative writing. The second edition has been updated and in large part newly written, with readings by a diverse group of contemporary authors displaying a variety of styles and approaches. Each chapter also features an array of inspiring writing exercises, enabling you to experiment with different methods and discover your strengths. Above all, Creative Writing: A Workbook with Readings will help you to develop your abilities while nurturing your individual voice as a writer.

Table of Contents

Sally O’Reilly has taught at The Open University, Brunel University and the University of Portsmouth, and holds a PhD in Creative Writing from Brunel University. Her publications include Dark Aemilia (Myriad Editions/Picador US, 2014), which was nominated for the Kirkus Reviews Fiction prize in the US, and How to be a Writer (Piatkus, 2011). She has been shortlisted for the Ian St James short story award and the Cosmopolitan short story prize. She also writes for the Guardian , The Sunday Times , The Conversation , the Evening Standard and New Scientist . Jane Yeh holds degrees in English and Creative Writing from Harvard University, the University of Iowa, Manchester Metropolitan University, and Royal Holloway, University of London. Her publications include Marabou (Carcanet, 2005), which was shortlisted for the Whitbread, Forward and Aldeburgh poetry prizes, and Discipline (Carcanet, 2019), which was a Poetry Book Society recommendation. She has been a mentor for the Ledbury Poetry Critics programme and is a Lecturer in Creative Writing at The Open University.

Critics' Reviews

‘A wonderful, invaluable resource, full of useful frameworks and ideas. Highly recommended.’ Irenosen Okojie FRSL MBE, Vice Chair of the Royal Society of Literature ‘Offers pertinent, perceptive and plentiful advice for those first starting out or building their skills in creative writing. Enlivening chapter discussions rub shoulders with well-chosen readings to create dynamic conversations which it feels a pleasure to eavesdrop on.’ Andrew McMillan, Manchester Writing School at Manchester Metropolitan University ‘A refreshingly practical book that invites writers at whatever stage to dive in and out with exercises, encouragement, information, reading and guidance.’ Yvonne Battle-Felton, fi ction writer, Shef fi eld Hallam University ‘ Creative Writing is astonishing in its thoughtfulness: there's a calm, authoritative thoroughness about the way skills and topics are introduced, supported by readings, and paired with exercises. This would be a very useful workbook for instructors as well as new writers.’ Marshall Moore, Course Leader in Creative Writing at Falmouth University ‘Offers practical, clear, and substantial advice for writing in a range of genres. As you will find from using this imaginative, generous and ingenious book, the journey will surprise and transform you.’ David Morley FRSL, Warwick Writing Programme at Warwick University, author of The Cambridge Introduction to Creative Writing ‘This distils the basic elements of complicated artistic practice into inspiring guidelines that will enhance the work of both students and teachers of creative writing.’ Winsome Pinnock FRSL, Associate Professor Emerita at Kingston University

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Creative Writing

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Creative Writing: A Workbook with Readings provides a complete creative writing course: from ways to jump-start your writing and inspire your creativity, right through to presenting your work to agents and publishers.

It covers the genres of fiction, poetry and life writing (including autobiography, biography and travel writing), combining discussions of technique with readings and exercises to guide you step by step towards becoming more adept at creative writing.

The second edition has been updated and in large part newly written, with readings by a diverse group of contemporary authors displaying a variety of styles and approaches. Each chapter also features an array of inspiring writing exercises, enabling you to experiment with different methods and discover your strengths. Above all, Creative Writing: A Workbook with Readings will help you to develop your abilities while nurturing your individual voice as a writer.

TABLE OF CONTENTS

Chapter | 2  pages, introduction, part 1 | 61  pages, the creative process, chapter chapter 1 | 22  pages, stimulating creativity and imagination, chapter chapter 2 | 19  pages, writing what you know, chapter chapter 3 | 19  pages, writing what you come to know, part 2 | 135  pages, writing fiction, chapter chapter 4 | 19  pages, chapter chapter 5 | 19  pages, chapter chapter 6 | 18  pages, point of view, chapter chapter 7 | 20  pages, showing and telling, chapter chapter 8 | 18  pages, structure and time, chapter chapter 9 | 19  pages, the story and your readers, chapter chapter 10 | 19  pages, editing fiction, part 3 | 119  pages, writing poetry, chapter chapter 11 | 24  pages, introduction to poetry, chapter chapter 12 | 25  pages, voice and language, chapter chapter 13 | 22  pages, poetic structure, chapter chapter 14 | 27  pages, rhyme and metre, chapter chapter 15 | 18  pages, revising poetry, part 4 | 103  pages, life writing, chapter chapter 16 | 19  pages, starting out, chapter chapter 17 | 21  pages, finding a form, chapter chapter 18 | 16  pages, using memory, chapter chapter 19 | 21  pages, versions of a life, chapter chapter 20 | 21  pages, life characters, part 5 | 37  pages, going public, chapter chapter 21 | 19  pages, chapter chapter 22 | 17  pages, presenting your work, part 1 | 22  pages, chapter chapter 1 | 4  pages, chapter chapter 2 | 8  pages, chapter chapter 3 | 8  pages, part 2 | 66  pages, chapter chapter 4 | 6  pages, chapter chapter 5 | 5  pages, chapter chapter 6 | 10  pages, chapter chapter 7 | 18  pages, chapter chapter 8 | 8  pages, chapter chapter 9 | 7  pages, chapter chapter 10 | 8  pages, part 4 | 50  pages, chapter chapter 16 | 4  pages, chapter chapter 17 | 12  pages, chapter chapter 18 | 10  pages, chapter chapter 19 | 13  pages, chapter chapter 20 | 8  pages, part 5 | 10  pages, chapter chapter 21 | 5  pages, chapter chapter 22 | 2  pages.

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Creative Writing: A Workbook with Readings Paperback – 6 Dec. 2005

Creative Writing is a complete writing course that will jump-start your writing and guide you through your first steps towards publication.

Suitable for use by students, tutors, writers’ groups or writers working alone, this book offers:

• a practical and inspiring section on the creative process, showing you how to stimulate your creativity and use your memory and experience in inventive ways
• in-depth coverage of the most popular forms of writing, in extended sections on fiction , poetry and life writing, including biography and autobiography, giving you practice in all three forms so that you might discover and develop your particular strengths
• a sensible, up-to-date guide to going public, to help you to edit your work to a professional standard and to identify and approach suitable publishers
• a distinctive collection of exciting exercises, spread throughout the workbook to spark your imagination and increase your technical flexibility and control
• a substantial array of illuminating readings, bringing together extracts from contemporary and classic writings in order to demonstrate a range of techniques that you can use or adapt in your own work.

Creative Writing: A Workbook with Readings presents a unique opportunity to benefit from the advice and experience of a team of published authors who have also taught successful writing courses at a wide range of institutions, helping large numbers of new writers to develop their talents as well as their abilities to evaluate and polish their work to professional standards. These institutions include Lancaster University and the University of East Anglia, renowned as consistent producers of published writers.

• ISBN-10 9780415372435
• ISBN-13 978-0415372435
• Edition 1st
• Publisher Routledge
• Publication date 6 Dec. 2005
• Language English
• Dimensions 18.9 x 3.81 x 24.61 cm
• Print length 664 pages
• See all details

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Product description

‘For anyone getting going as a writer (and even for those who have already made a start), this is an invaluable how-to guide, full of useful tips, mind-freeing exercises, and inspiring wisdom from established authors. A book to banish the terror of the blank page.’ – Blake Morrison, journalist, critic and acclaimed author of fiction, non-fiction and poetry, including the multi-award-winning And When Did You Last See Your Father? (Granta, 1993)

'The book seems to be universally appreciated in the way it gently guides thtough practical exercises and opens out areas for discussion in the inspiring readings section. With so much well-structured and accessible content, students do not feel alone. A key advantage is that the book is available and accessible to all.' - Jane Bluett, NATE

About the Author

Linda Anderson is an award-winning novelist ( To Stay Alive and Cuckoo , both published by Bodley Head) and writer of short stories, poetry, performance pieces, and critical reviews. Her work has been published in Britain, Ireland, the USA, and Australia. She has taught at Goldsmiths' College and at Lancaster University for ten years, becoming Head of Creative Writing from 1995-2002. She has designed several successful courses including a training programme for new writing tutors and an MA in Creative Writing by distance learning. She has also worked as a producer and director for BBC Radio Drama. She has a PhD in Creative Writing.

Product details

• ASIN ‏ : ‎ 0415372437
• Publisher ‏ : ‎ Routledge; 1st edition (6 Dec. 2005)
• Language ‏ : ‎ English
• Paperback ‏ : ‎ 664 pages
• ISBN-10 ‏ : ‎ 9780415372435
• ISBN-13 ‏ : ‎ 978-0415372435
• Dimensions ‏ : ‎ 18.9 x 3.81 x 24.61 cm
• 143 in Language References
• 503 in Reading Skills Reference

About the author

Linda anderson.

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Follow the author

Creative Writing: A Workbook with Readings 2nd Edition

Creative Writing: A Workbook with Readings provides a complete creative writing course: from ways to jump-start your writing and inspire your creativity, right through to presenting your work to agents and publishers.

It covers the genres of fiction, poetry and life writing (including autobiography, biography and travel writing), combining discussions of technique with readings and exercises to guide you step by step towards becoming more adept at creative writing.

The second edition has been updated and in large part newly written, with readings by a diverse group of contemporary authors displaying a variety of styles and approaches. Each chapter also features an array of inspiring writing exercises, enabling you to experiment with different methods and discover your strengths. Above all, Creative Writing: A Workbook with Readings will help you to develop your abilities while nurturing your individual voice as a writer.

• ISBN-10 1032036737
• ISBN-13 978-1032036731
• Edition 2nd
• Publisher Routledge
• Publication date November 10, 2022
• Language English
• Dimensions 8.27 x 1.34 x 10.24 inches
• Print length 648 pages
• See all details

Products related to this item

Editorial Reviews

‘A wonderful, invaluable resource, full of useful frameworks and ideas. Highly recommended.’ Irenosen Okojie FRSL MBE, Vice Chair of the Royal Society of Literature

‘Offers pertinent, perceptive and plentiful advice for those first starting out or building their skills in creative writing. Enlivening chapter discussions rub shoulders with well-chosen readings to create dynamic conversations which it feels a pleasure to eavesdrop on.’ Andrew McMillan, Manchester Writing School at Manchester Metropolitan University

‘A refreshingly practical book that invites writers at whatever stage to dive in and out with exercises, encouragement, information, reading and guidance.’ Yvonne Battle-Felton, fi ction writer, Shef fi eld Hallam University

‘ Creative Writing is astonishing in its thoughtfulness: there's a calm, authoritative thoroughness about the way skills and topics are introduced, supported by readings, and paired with exercises. This would be a very useful workbook for instructors as well as new writers.’ Marshall Moore, Course Leader in Creative Writing at Falmouth University

‘Offers practical, clear, and substantial advice for writing in a range of genres. As you will find from using this imaginative, generous and ingenious book, the journey will surprise and transform you.’ David Morley FRSL, Warwick Writing Programme at Warwick University, author of The Cambridge Introduction to Creative Writing

‘This distils the basic elements of complicated artistic practice into inspiring guidelines that will enhance the work of both students and teachers of creative writing.’ Winsome Pinnock FRSL, Associate Professor Emerita at Kingston University

About the Author

Sally O’Reilly has taught at The Open University, Brunel University and the University of Portsmouth, and holds a PhD in Creative Writing from Brunel University. Her publications include Dark Aemilia (Myriad Editions/Picador US, 2014), which was nominated for the Kirkus Reviews Fiction prize in the US, and How to be a Writer (Piatkus, 2011). She has been shortlisted for the Ian St James short story award and the Cosmopolitan short story prize. She also writes for the Guardian , The Sunday Times , The Conversation , the Evening Standard and New Scientist .

Jane Yeh holds degrees in English and Creative Writing from Harvard University, the University of Iowa, Manchester Metropolitan University, and Royal Holloway, University of London. Her publications include Marabou (Carcanet, 2005), which was shortlisted for the Whitbread, Forward and Aldeburgh poetry prizes, and Discipline (Carcanet, 2019), which was a Poetry Book Society recommendation. She has been a mentor for the Ledbury Poetry Critics programme and is a Lecturer in Creative Writing at The Open University.

Product details

• Publisher ‏ : ‎ Routledge; 2nd edition (November 10, 2022)
• Language ‏ : ‎ English
• Paperback ‏ : ‎ 648 pages
• ISBN-10 ‏ : ‎ 1032036737
• ISBN-13 ‏ : ‎ 978-1032036731
• Item Weight ‏ : ‎ 2.31 pounds
• Dimensions ‏ : ‎ 8.27 x 1.34 x 10.24 inches
• #22 in Creative Writing & Composition
• #390 in Fiction Writing Reference (Books)
• #2,508 in Unknown

About the author

Jane Yeh was born in America and has lived in London since 2002. Her first collection of poems, MARABOU (Carcanet, 2005), was shortlisted for the Whitbread, Forward, and Aldeburgh poetry prizes. She was named a Next Generation poet by the Poetry Book Society for her second collection, THE NINJAS (Carcanet, 2012). Her third collection, DISCIPLINE, is a Poetry Book Society Recommendation and is out from Carcanet in March 2019.

She holds degrees in English and Creative Writing from Harvard, Iowa, Manchester Metropolitan, and Royal Holloway London universities. A Lecturer in Creative Writing at the Open University, she also writes on books, theatre, and fashion for such publications as The Poetry Review and The Village Voice.

Customer reviews

Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.

To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.

• Sort reviews by Top reviews Most recent Top reviews

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The Handbook of Creative Writing

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• DOI: 10.4324/9781315811932
• Corpus ID: 109440604

Creative Writing : A Workbook with Readings

• Linda Anderson
• Published 19 December 2013

18 Citations

Close reading, writing and culture, dream writing: a new creative writing technique for secondary schools, life writing and life-learning: an analysis of creative writing students’ work, writing the unseen poem: can the writing of poetry help to support pupils' engagement in the reading of poetry, imagination is the queen of truth: the realist text as a sensory narrative image, clustering technique to improve ability of generating ideas in recount text writing, encouraging ‘children of the compost’: in search of a posthuman theory of character, bilingual creativity: university–level poetry writing workshops in english in china, the jackal's wedding., a transition to modern story: dramatization and authorial intrusion in chekov's “enemies”, related papers.

Showing 1 through 3 of 0 Related Papers

Elements of Creative Writing

(2 reviews)

J.D. Schraffenberger, University of Northern Iowa

Rachel Morgan, University of Northern Iowa

Grant Tracey, University of Northern Iowa

Copyright Year: 2023

ISBN 13: 9780915996179

Publisher: University of Northern Iowa

Language: English

Formats Available

Conditions of use.

Learn more about reviews.

Reviewed by Jeanne Cosmos, Adjunct Faculty, Massachusetts Bay Community College on 7/7/24

Direct language and concrete examples & Case Studies. read more

Comprehensiveness rating: 5 see less

Direct language and concrete examples & Case Studies.

Content Accuracy rating: 5

References to literature and writers- on track.

Relevance/Longevity rating: 5

On point for support to assist writers and creative process.

Clarity rating: 5

Direct language and easy to read.

Consistency rating: 4

First person to third person. Too informal in many areas of the text.

Modularity rating: 5

Units are readily accessible.

Organization/Structure/Flow rating: 5

Process of creative writing and prompts- scaffold areas of learning for students.

Interface rating: 5

No issues found.

Grammatical Errors rating: 5

The book is accurate in this regard.

Cultural Relevance rating: 4

Always could be revised and better.

Yes. Textbook font is not academic and spacing - also not academic. A bit too primary. Suggest- Times New Roman 12- point font & a space plus - Some of the language and examples too informal and the tone of lst person would be more effective if - direct and not so 'chummy' as author references his personal recollections. Not effective.

Reviewed by Robert Moreira, Lecturer III, University of Texas Rio Grande Valley on 3/21/24

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama. read more

Comprehensiveness rating: 4 see less

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama.

As far as I can tell, content is accurate, error free and unbiased.

The book is relevant and up-to-date.

The text is clear and easy to understand.

Consistency rating: 5

I would agree that the text is consistent in terms of terminology and framework.

Text is modular, yes, but I would like to see the addition of a section on dramatic writing.

Topics are presented in logical, clear fashion.

Navigation is good.

No grammatical issues that I could see.

Cultural Relevance rating: 3

I'd like to see more diverse creative writing examples.

As I stated above, textbook is good except that it does not include a section on dramatic writing.

Table of Contents

• Introduction
• Chapter One: One Great Way to Write a Short Story
• Chapter Two: Plotting
• Chapter Three: Counterpointed Plotting
• Chapter Four: Show and Tell
• Chapter Five: Characterization and Method Writing
• Chapter Six: Character and Dialouge
• Chapter Seven: Setting, Stillness, and Voice
• Chapter Eight: Point of View
• Chapter Nine: Learning the Unwritten Rules
• Chapter One: A Poetry State of Mind
• Chapter Two: The Architecture of a Poem
• Chapter Three: Sound
• Chapter Four: Inspiration and Risk
• Chapter Five: Endings and Beginnings
• Chapter Six: Figurative Language
• Chapter Seven: Forms, Forms, Forms
• Chapter Eight: Go to the Image
• Chapter Nine: The Difficult Simplicity of Short Poems and Killing Darlings

Creative Nonfiction

• Chapter One: Creative Nonfiction and the Essay
• Chapter Two: Truth and Memory, Truth in Memory
• Chapter Three: Research and History
• Chapter Four: Writing Environments
• Chapter Five: Notes on Style
• Chapter Seven: Imagery and the Senses
• Chapter Eight: Writing the Body
• Chapter Nine: Forms

Back Matter

• Contributors
• North American Review Staff

Ancillary Material

• University of Northern Iowa

About the Book

This free and open access textbook introduces new writers to some basic elements of the craft of creative writing in the genres of fiction, poetry, and creative nonfiction. The authors—Rachel Morgan, Jeremy Schraffenberger, and Grant Tracey—are editors of the North American Review, the oldest and one of the most well-regarded literary magazines in the United States. They’ve selected nearly all of the readings and examples (more than 60) from writing that has appeared in NAR pages over the years. Because they had a hand in publishing these pieces originally, their perspective as editors permeates this book. As such, they hope that even seasoned writers might gain insight into the aesthetics of the magazine as they analyze and discuss some reasons this work is so remarkable—and therefore teachable. This project was supported by NAR staff and funded via the UNI Textbook Equity Mini-Grant Program.

About the Contributors

J.D. Schraffenberger  is a professor of English at the University of Northern Iowa. He is the author of two books of poems,  Saint Joe's Passion  and  The Waxen Poor , and co-author with Martín Espada and Lauren Schmidt of  The Necessary Poetics of Atheism . His other work has appeared in  Best of Brevity ,  Best Creative Nonfiction ,  Notre Dame Review ,  Poetry East ,  Prairie Schooner , and elsewhere.

Rachel Morgan   is an instructor of English at the University of Northern Iowa. She is the author of the chapbook  Honey & Blood , Blood & Honey . Her work is included in the anthology  Fracture: Essays, Poems, and Stories on Fracking in American  and has appeared in the  Journal of American Medical Association ,  Boulevard ,  Prairie Schooner , and elsewhere.

Grant Tracey   author of three novels in the Hayden Fuller Mysteries ; the chapbook  Winsome  featuring cab driver Eddie Sands; and the story collection  Final Stanzas , is fiction editor of the  North American Review  and an English professor at the University of Northern Iowa, where he teaches film, modern drama, and creative writing. Nominated four times for a Pushcart Prize, he has published nearly fifty short stories and three previous collections. He has acted in over forty community theater productions and has published critical work on Samuel Fuller and James Cagney. He lives in Cedar Falls, Iowa.

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Creative writing

This module takes a student-centred approach to creative writing, offering a range of strategies to help you develop as a writer. The emphasis is highly practical, with exercises and activities designed to ignite and sustain the writing impulse. The five-part module starts by showing ways to use your memory and experience in your writing and build a daily discipline for your work. This is followed by the demonstration and practice of the three most popular forms of writing – fiction, poetry and life writing (which includes autobiography, biography and travel writing). The concluding part aims to demystify the world of agents and publishers, teaching you how to revise and present your work to a professional standard.

Modules count towards OU qualifications

OU qualifications are modular in structure; the credits from this undergraduate module could count towards a certificate of higher education, diploma of higher education, foundation degree or honours degree.

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Module code.

• Credits measure the student workload required for the successful completion of a module or qualification.
• One credit represents about 10 hours of study over the duration of the course.
• You are awarded credits after you have successfully completed a module.
• For example, if you study a 60-credit module and successfully pass it, you will be awarded 60 credits.

Study level

Study method

Module cost, entry requirements, student reviews.

Fully enjoyed every moment. It has given me a better understanding of the creative process - structuring, editing, and how... Read more

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Explore our subjects and courses, what you will study.

This module is suitable for new writers, as well as for those with some experience who would like to develop their skills. It will help you to identify your strengths and interests as a writer by giving you the opportunity to write in a range of genres: fiction, poetry, and life writing. The emphasis is on finding your own direction and style through experiment, practice and constructive feedback. The module is designed not only for aspiring writers but for anyone with a strong interest in reading and writing who would like to deepen their understanding of the creative process.

The module is structured as follows: The introductory part, The Creative Process , focuses on developing a habit of writing. It examines a range of strategies to help you get started, including clustering, morning pages, and keeping a writer’s notebook, as well as discussions by writers about their own approaches and practices.

Part 2, Writing Fiction , explores the main aspects of narrative, including story structure and time; showing and telling; character and setting; point of view; and editing.

Part 3, Writing Poetry , introduces you to the basics of contemporary poetry, covering a variety of techniques for beginning poets. Topics include image and figurative language; the line in free verse; voice and diction; structure; rhyme and metre; the sonnet; and revising poems.

Part 4, Life Writing , looks at autobiography (or memoir), biography and travel writing. Some of the central issues raised by life writing are discussed, including the nature of memory and forgetting, the performance of the self, and the representation of others. Finding and researching subject matter and suitable forms are also explored.

The final part, Going Public , outlines the professional presentation of manuscripts and submissions to agents and editors, as well as finding outlets for publication.

At the core of the module is the module book Creative Writing: A Workbook with Readings: 2nd edition , which takes you week-by-week through the five parts. The emphasis is on practice through guided activities, supported by literary examples by a diverse range of authors, including prose extracts, stories, and poems illustrating particular methods or strategies. The online study material contains audios, videos, animations and other interactive exercises to enhance your learning, such as interviews with writers discussing their inspirations and techniques and discussions with publishing industry professionals. Online tutorials offer additional opportunities to receive guidance and support from tutors.

Teaching and assessment

Support from your tutor.

You'll have a tutor to help you with the study material and to mark and comment on your written work. You can ask your tutor for advice and guidance both in online forums and by email or phone. Your tutor also offers general support as you progress through the module book, which is the principal guide to your learning.

Your tutor will use a blend of methods that will include moderated online discussion forums and a number of real-time online tutorials that you are encouraged, but not obliged, to attend. Recordings of these tutorials will be available if you can't attend.

Contact us  if you want to know more about study with The Open University before you register.

The assessment details for this module can be found in the facts box.

Future availability

Creative writing starts once a year – in October. This page describes the module that will start in October 2024. We expect it to start for the last time in October 2033.

Regulations

Course work includes:.

No prior experience of creative writing study is necessary. This is an OU level 2 module and builds on the OU level 1 modules  Discovering the arts and humanities (A111)  and Cultures (A112) or The arts past and present (AA100) and Voices, texts and material culture (A105) (the latter two now discontinued). These OU level 1 introductory modules develop skills such as logical thinking, clear expression, essay writing and the ability to select and interpret relevant materials.

If you have not studied at university level before, you are strongly advised to study at OU level 1 before progressing to OU level 2 study.

If you're unsure about your English language skills and would like some additional support, you might like to try our Developing Academic English tutorials before registering on this module.

If you have any doubt about the suitability of the module, please speak to an  adviser .

Additional Costs

Study costs.

There may be extra costs on top of the tuition fee, such as set books, a computer and internet access.

If your income is not more than £25,000 or you receive a qualifying benefit, you might be eligible for help with some of these costs after your module has started.

Ways to pay for this module

Open university student budget account.

The Open University Student Budget Accounts Ltd (OUSBA) offers a convenient 'pay as you go' option to pay your OU fees, which is a secure, quick and easy way to pay. Please note that The Open University works exclusively with OUSBA and is not able to offer you credit facilities from any other provider. All credit is subject to status and proof that you can afford the repayments.

You pay the OU through OUSBA in one of the following ways:

• Register now, pay later – OUSBA pays your module fee direct to the OU. You then repay OUSBA interest-free and in full just before your module starts. 0% APR representative. This option could give you the extra time you may need to secure the funding to repay OUSBA.
• Pay by instalments – OUSBA calculates your monthly fee and number of instalments based on the cost of the module you are studying. APR 5.1% representative.

Joint loan applications

If you feel you would be unable to obtain an OUSBA loan on your own due to credit history or affordability issues, OUSBA offers the option to apply for a joint loan application with a third party. For example, your husband, wife, partner, parent, sibling or friend. In such cases, OUSBA will be required to carry out additional affordability checks separately and/or collectively for both joint applicants who will be jointly and severally liable for loan repayments.

As additional affordability checks are required when processing joint loan applications, unfortunately, an instant decision cannot be given. On average the processing time for a joint loan application is five working days from receipt of the required documentation.

Read more about  Open University Student Budget Accounts (OUSBA) .

Studying with The Open University can boost your employability. OU courses are recognised and respected by employers for their excellence and the commitment they take to complete. They also value the skills that students learn and can apply in the workplace.

More than one in ten OU students are sponsored by their employer, and over 30,000 employers have used the OU to develop staff so far. If the module you’ve chosen is geared towards your job or developing your career, you could approach your employer to see if they will sponsor you by paying some or all of the fees. 

• Your employer just needs to complete a simple form to confirm how much they will be paying and we will invoice them.
• You won’t need to get your employer to complete the form until after you’ve chosen your module.  

Credit/debit card

You can pay part or all of your tuition fees upfront with a debit or credit card when you register for each module. 

We accept American Express, Mastercard, Visa and Visa Electron. 

We know that sometimes you may want to combine payment options. For example, you may wish to pay part of your tuition fee with a debit card and pay the remainder in instalments through an Open University Student Budget Account (OUSBA) .

For more information about combining payment options, speak to an  adviser  or book a  call back at a time convenient to you.

Can you study an Access module for free?

Depending on eligibility and availability of places, you could apply to study your Access module for free.

To qualify, you must:

• be resident in England
• have a household income of not more than £25,000 (or be in receipt of a qualifying benefit)
• have not completed one year or more on any full-time undergraduate programme at FHEQ level 4 or above or successfully completed 30 credits or more of OU study within the last 10 years

How to apply to study an Access module for free

Once you've started the registration process , either online or over the phone, we'll contact you about your payment options. This will include instructions on how you can apply to study for free if you are eligible and funded places are still available.

If you're unsure if you meet the criteria to study for free, you can check with one of our friendly advisers on +44 (0)300 303 0069 , or you can request a call back .

Not eligible to study for free?

Don't worry! We offer a choice of flexible ways to help spread the cost of your Access module. The most popular options include:

• monthly payments through OUSBA
• part-time tuition fee loan (you'll need to be registered on a qualification for this option)

To explore all the options available to you, visit Fees and Funding .

What's included

You’ll have access to a module website, which includes:

• a week-by-week study planner
• module materials, including the Introduction to the Module guide
• audio, video and interactive content
• assignment details and submission section
• online forums and tutorial access
• online exercises and activities
• electronic versions of the module book in various formats
• further links to online resources.

You’ll also be provided with a printed copy of the module book Creative Writing: A Workbook with Readings: 2nd edition , which is the principal guide to your learning.

Computing requirements

You’ll need broadband internet access and a desktop or laptop computer with an up-to-date version of Windows (10 or 11) or macOS Ventura or higher.

Any additional software will be provided or is generally freely available.

To join in spoken conversations in tutorials, we recommend a wired headset (headphones/earphones with a built-in microphone).

Our module websites comply with web standards, and any modern browser is suitable for most activities.

Our OU Study mobile app will operate on all current, supported versions of Android and iOS. It’s not available on Kindle.

It’s also possible to access some module materials on a mobile phone, tablet device or Chromebook. However, as you may be asked to install additional software or use certain applications, you’ll also require a desktop or laptop, as described above.

If you have a disability

The OU strives to make all aspects of study accessible to everyone and this  Accessibility Statement  outlines what studying A215 involves. You should use this information to inform your study preparations and any discussions with us about how we can meet your needs.

To find out more about what kind of support and adjustments might be available, contact us or visit our disability support pages .

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