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130 Mona Lisa Essay Topic Ideas & Examples

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The Mona Lisa is undoubtedly one of the most famous and iconic paintings in the world. Painted by Leonardo da Vinci in the early 16th century, the portrait of a mysterious woman with a slight smile has captivated audiences for centuries. If you're tasked with writing an essay about the Mona Lisa, you may be wondering where to start. To help inspire your writing, here are 130 Mona Lisa essay topic ideas and examples:

  • Analyze the composition and technique of the Mona Lisa.
  • Explore the symbolism behind the Mona Lisa's famous smile.
  • Discuss the historical context in which the Mona Lisa was painted.
  • Compare and contrast the Mona Lisa with other famous portraits.
  • Investigate the controversy surrounding the identity of the woman in the painting.
  • Examine the influence of the Mona Lisa on art and popular culture.
  • Interpret the significance of the landscape in the background of the painting.
  • Explore the theories behind the Mona Lisa's enigmatic expression.
  • Discuss the restoration and preservation efforts of the Mona Lisa.
  • Analyze the use of light and shadow in the painting.
  • Investigate the role of women in Renaissance art through the lens of the Mona Lisa.
  • Compare the Mona Lisa with other works by Leonardo da Vinci.
  • Examine the impact of the Mona Lisa on the development of portraiture.
  • Discuss the portrayal of beauty in the Mona Lisa.
  • Explore the connection between the Mona Lisa and the concept of the "ideal beauty."
  • Analyze the influence of the Mona Lisa on modern advertising and marketing.
  • Discuss the portrayal of emotion in the Mona Lisa.
  • Investigate the techniques used by Leonardo da Vinci to create the Mona Lisa's realistic appearance.
  • Examine the cultural significance of the Mona Lisa in different regions of the world.
  • Compare and contrast the Mona Lisa with other famous works of art from the Renaissance period.
  • Explore the use of color in the Mona Lisa.
  • Analyze the clothing and accessories worn by the woman in the painting.
  • Discuss the role of perspective in the composition of the Mona Lisa.
  • Investigate the history of the Mona Lisa's ownership and display.
  • Examine the impact of technology on the study and analysis of the Mona Lisa.
  • Compare the Mona Lisa with other iconic images in popular culture.
  • Discuss the representation of femininity in the Mona Lisa.
  • Analyze the psychological theories behind the Mona Lisa's smile.
  • Explore the influence of the Mona Lisa on fashion and design.
  • Discuss the portrayal of power and status in the Mona Lisa.
  • Investigate the role of the Mona Lisa in shaping our understanding of beauty.
  • Examine the controversy surrounding the theft and recovery of the Mona Lisa.
  • Compare and contrast the Mona Lisa with other famous works of art stolen throughout history.
  • Analyze the role of the Mona Lisa in the history of art criticism.
  • Discuss the use of perspective and proportion in the Mona Lisa.
  • Explore the connection between the Mona Lisa and the concept of the "Renaissance man."
  • Investigate the impact of the Mona Lisa on the art market.
  • Examine the portrayal of age and wisdom in the Mona Lisa.
  • Compare the Mona Lisa with other famous female portraits from the Renaissance period.
  • Analyze the influence of the Mona Lisa on contemporary art and design.
  • Discuss the portrayal of mystery and intrigue in the Mona Lisa.
  • Explore the symbolism of the Mona Lisa's hands and posture.
  • Investigate the role of the Mona Lisa in the history of art theft and forgery.
  • Examine the significance of the Mona Lisa's gaze.
  • Compare and contrast the Mona Lisa with other famous portraits of women.
  • Analyze the role of religion and spirituality in the Mona Lisa.
  • Discuss the portrayal of youth and innocence in the Mona Lisa.
  • Explore the connection between the Mona Lisa and the concept of beauty.
  • Investigate the impact of the Mona Lisa on the development of modern art.
  • Examine the symbolism of the Mona Lisa's clothing and accessories.
  • Compare the Mona Lisa with other famous works of art depicting women.
  • Analyze the influence of the Mona Lisa on the portrayal of women in art.
  • Discuss the portrayal of femininity and masculinity in the Mona Lisa.
  • Explore the symbolism of the Mona Lisa's surroundings.
  • Investigate the role of the Mona Lisa in the history of art education.
  • Examine the significance of the Mona Lisa's smile in popular culture.
  • Compare and contrast the Mona Lisa with other famous works of art featuring smiles.
  • Analyze the influence of the Mona Lisa on the representation of beauty in popular culture.
  • Discuss the portrayal of emotion and expression in the Mona Lisa.
  • Explore the connection between the Mona Lisa and the concept of perfection.
  • Investigate the impact of the Mona Lisa on the portrayal of women in media.
  • Examine the symbolism of the Mona Lisa's hair and hairstyle.
  • Compare the Mona Lisa with other famous works of art featuring women with mysterious expressions.
  • Analyze the influence of the Mona Lisa on the portrayal of women in literature.
  • Discuss the portrayal of beauty and sensuality in the Mona Lisa.
  • Explore the connection between the Mona Lisa and the concept of identity.
  • Investigate the role of the Mona Lisa in shaping our understanding of beauty standards.
  • Examine the significance of the Mona Lisa's smile in art history.
  • Compare and contrast the Mona Lisa with other famous works of art featuring women with enigmatic expressions.
  • Analyze the influence of the Mona Lisa on the portrayal of women in film.
  • Discuss the portrayal of beauty and femininity in the Mona Lisa.
  • Explore the connection between the Mona Lisa and the concept of celebrity.
  • Investigate the impact of the Mona Lisa on the portrayal of women in advertising.
  • Examine the symbolism of the Mona Lisa's jewelry and accessories.
  • Compare the Mona Lisa with other famous works of art featuring women with serene expressions.
  • Analyze the influence of the Mona Lisa on the portrayal of women in music.
  • Discuss the portrayal of beauty and grace in the Mona Lisa.
  • Explore the connection between the Mona Lisa and the concept of fame.
  • Investigate the role of the Mona Lisa in shaping our understanding of beauty ideals.
  • Examine the significance of the Mona Lisa's gaze in art criticism.
  • Compare and contrast the Mona Lisa with other famous works of art featuring women with captivating expressions.
  • Analyze the influence of the Mona Lisa on the portrayal of women in fashion.
  • Discuss the portrayal of beauty and elegance in the Mona Lisa.
  • Explore the connection between the Mona Lisa and the concept of allure.
  • Investigate the impact of the Mona Lisa on the portrayal of women in photography.
  • Examine the symbolism of the Mona Lisa's clothing and accessories in popular culture.
  • Compare the Mona Lisa with other famous works of art featuring women with enigmatic smiles.
  • Analyze the influence of the Mona Lisa on the portrayal of women in television.
  • Discuss the portrayal of beauty and mystery in the Mona Lisa.
  • Explore the connection between the Mona Lisa and the concept of desire.
  • Investigate the role of the Mona Lisa in shaping our understanding of beauty standards in different cultures.
  • Examine the significance of the Mona Lisa's smile in the history of art.
  • Compare and contrast the Mona Lisa with other famous works of art featuring women with captivating smiles.
  • Discuss the portrayal of beauty and charm in the Mona Lisa.
  • Explore the connection between the Mona Lisa and the concept of seduction.
  • Investigate the impact of the Mona Lisa on the portrayal of women in film noir.
  • Examine the symbolism of the Mona Lisa's expression in popular culture.
  • Compare the Mona Lisa with other famous works of art featuring women with mysterious smiles.
  • Analyze the influence of the Mona Lisa on the portrayal of women in art history.
  • Discuss the portrayal of beauty and allure in the Mona Lisa.
  • Explore the connection between the Mona Lisa and the concept of elegance.
  • Investigate the role of the Mona Lisa in shaping our understanding of beauty in the digital age.
  • Examine the significance of the Mona Lisa's smile in contemporary art.
  • Compare and contrast the Mona Lisa with other famous works of art featuring women with enigmatic gazes.
  • Analyze the influence of the Mona Lisa on the portrayal of women in social media.
  • Discuss the portrayal of beauty and sophistication in the Mona Lisa.
  • Explore the connection between the Mona Lisa and the concept of sophistication.
  • Investigate the impact of the Mona Lisa on the portrayal of women in fashion photography.
  • Examine the symbolism of the Mona Lisa's expression in the context of the postmodern art movement.
  • Compare the Mona Lisa with other famous works of art featuring women with captivating gazes.
  • Analyze the influence of the Mona Lisa on the portrayal of women in contemporary art.
  • Investigate the role of the Mona Lisa in shaping our understanding of beauty standards in the 21st century.
  • Examine the significance of the Mona Lisa's smile in the context of globalization.
  • Compare and contrast the Mona Lisa with other famous works of art featuring women with enigmatic

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Leonardo, Mona Lisa

Leonardo da Vinci, Portrait of Lisa Gherardini (known as the Mona Lisa), c. 1503–19, oil on poplar panel, 77 x 53 cm (Musée du Louvre, Paris)

Video transcript

[0:00] [music]

Dr. Steven Zucker: [0:04] We’re in the single most crowded room in the Louvre, but for good reason. This is the room that holds the “Mona Lisa” by Leonardo da Vinci. Without a doubt, the most famous painting in the world.

Dr. Beth Harris: [0:14] Of course, it’s her smile that’s so famous today. It certainly is a smile that doesn’t clearly tell us what she’s feeling. It’s ambiguous.

Dr. Zucker: [0:24] I think it allows people to read into it in any way that they prefer.

Dr. Harris: [0:28] Sigmund Freud, for example, saw a combination of a maternal gaze, but also a gaze that was flirtatious. I think I do see both of those aspects here.

[0:40] This is a portrait of the wife of a Florentine merchant, and as we look out at the sea of people taking selfies in front of the Mona Lisa, it’s good to remember that only the elite could have their portrait painted during the Renaissance. This was an expensive proposition. And of course, you’d have to go and sit for the artist many times so that he could capture your likeness.

Dr. Zucker: [1:01] Because they were expensive, they were reserved for kings and queens and the nobility.

[1:06] What we see during the Renaissance is the growth of the merchant class. The fact that a wealthy merchant would hire Leonardo to paint his wife’s portrait is a reminder of the fortunes that are being made by traders, by bankers, and others during the Renaissance.

Dr. Harris: [1:20] Well, especially in the city of Florence, which was such an economic hub during the Renaissance. We know, in fact, that the patron of this painting was a cloth merchant.

Dr. Zucker: [1:29] This painting has quite a number of innovations, but one of the most important is that it’s half-length. Generally, portraits were busts, that is, from the chest up.

Dr. Harris: [1:38] This was an incredibly influential new formula for the portrait. If you think about the standard form of the portrait before this with the figure in profile, bust length, it’s a very static pose, very formal, very stiff.

[1:52] But as soon as Leonardo turned the head toward us, positioned the shoulders three-quarter toward us also, and included the hands, suddenly we had an image of a figure that was much more natural, someone who you could imagine having a conversation with.

[2:08] Portraits that included a background and that also included the hands did exist in the Northern Renaissance. But this is a new formula for Italy, and will be tremendously influential with artists like Raphael and others.

Dr. Zucker: [2:23] Another very influential aspect of this painting is a technique that Leonardo employed which is known as “sfumato.” That simply means “smoke.”

[2:30] What it refers to is the slightly hazy quality that Leonardo introduces to remove the sometimes sharp quality that existed in early Renaissance paintings, where each object looks too isolated. It’s an atmospheric quality that creates a sense of unity throughout the painting.

Dr. Harris: [2:47] And makes the figure appear to almost emerge out of the darkness. So we see that she’s seated on a chair in a loggia, [an] open porchway.

[2:57] We see on either side of her what look like the base of two columns. We don’t know if the painting was cut down and there were originally full columns on either side of her, but we do know that early copies of this painting do show those columns on either side of the figure.

Dr. Zucker: [3:14] There’s a lot about this painting that we don’t fully understand. This was a commission, and yet Leonardo kept the painting. He never delivered it to the man who commissioned it. Later in Leonardo’s life, when he moved to France, he brought the painting with him, which is why it’s now in the Louvre.

[3:28] One question that I think we should address is why is this the most famous image in the world.

Dr. Harris: [3:33] It reminds me of another very famous image of a woman that’s very ambiguous and mysterious. That’s “The Woman with a Pearl Earring” by Vermeer from more than a century later. Perhaps our culture has some fascination with images of mysterious women.

Dr. Zucker: [3:50] I think that’s probably an important part of it, but then I think fame grows on itself. In 1911, the painting was stolen, and it was headlines around the world. That accelerated its fame. It has become the subject of numerous other paintings by artists as diverse as Marcel Duchamp or Andy Warhol. This raises an interesting issue.

[4:09] Here’s a painting that was made for a private home, to exist in a domestic interior to celebrate a man’s wife or to celebrate a specific occasion, perhaps the birth of a child or the purchasing of a new home. But here it is instead in a huge gallery with hundreds of people, a painting that exists in millions of multiples around the world.

[4:30] It’s such an unexpected fate for what Leonardo surely saw as a relatively minor commission.

[4:36] [music]

Portraits were once rare

We live in a culture that is so saturated with images, it may be difficult to imagine a time when only the wealthiest people had their likeness captured. The wealthy merchants of renaissance Florence could commission a portrait, but even they would likely only have a single portrait painted during their lifetime. A portrait was about more than likeness, it spoke to status and position. In addition, portraits generally took a long time to paint, and the subject would commonly have to sit for hours or days, while the artist captured their likeness.

View of crowd surrounding Leonardo da Vinci, Portrait of Lisa Gherardini (known as the Mona Lisa) , c. 1503–19, oil on poplar panel, 77 x 53 cm (Musée du Louvre, Paris; photo: -JvL- , CC BY 2.0)

The most recognized painting in the world

The Mona Lisa was originally this type of portrait, but over time its meaning has shifted and it has become an icon of the Renaissance—perhaps the most recognized painting in the world. The Mona Lisa is a likely a portrait of the wife of a Florentine merchant. For some reason however, the portrait was never delivered to its patron, and Leonardo kept it with him when he went to work for Francis I , the King of France.

Leonardo da Vinci, Portrait of Lisa Gherardini (known as the Mona Lisa) , c. 1503–19, oil on poplar panel, 77 x 53 cm (Musée du Louvre, Paris)

The Mona Lisa’s mysterious smile has inspired many writers, singers, and painters. Here’s a passage about the Mona Lisa , written by the Victorian-era (19th-century) writer Walter Pater:

We all know the face and hands of the figure, set in its marble chair, in that circle of fantastic rocks, as in some faint light under sea. Perhaps of all ancient pictures time has chilled it least. The presence that thus rose so strangely beside the waters, is expressive of what in the ways of a thousand years men had come to desire. Hers is the head upon which all “the ends of the world are come,” and the eyelids are a little weary. It is a beauty wrought out from within upon the flesh, the deposit, little cell by cell, of strange thoughts and fantastic reveries and exquisite passions. Set it for a moment beside one of those white Greek goddesses or beautiful women of antiquity, and how would they be troubled by this beauty, into which the soul with all its maladies has passed!

Left: Piero della Francesca, Portrait of Battista Sforza , c. 1465–66, tempera on panel (Galleria degli Uffizi, Florence); right: Leonardo da Vinci, Portrait of Lisa Gherardini (known as the Mona Lisa) , c. 1503–19, oil on poplar panel, 77 x 53 cm (Musée du Louvre, Paris)

Piero della Francesca’s Portrait of Battista Sforza  is typical of portraits during the Early Renaissance (before Leonardo ); figures were often painted in strict profile, and cut off at the bust. Often the figure was posed in front of a birds-eye view of a landscape.

A new formula

Hans Memling, Portrait of a Young Man at Prayer , c. 1485–94, oil on oak panel ( Museo Thyssen-Bornemisza , Madrid)

With Leonardo’s portrait, the face is nearly frontal, the shoulders are turned three-quarters toward the viewer, and the hands are included in the image.

Leonardo uses his characteristic sfumato —a smokey haziness—to soften outlines and create an atmospheric effect around the figure. When a figure is in profile, we have no real sense of who she is, and there is no sense of engagement. With the face turned toward us, however, we get a sense of the personality of the sitter.

Northern Renaissance artists such as Hans Memling (see the Portrait of a Young Man at Prayer ) had already created portraits of figures in positions similar to the Mona Lisa . Memling had even located them in believable spaces. Leonardo combined these Northern innovations with Italian painting’s understanding of the three dimensionality of the body and the perspectival treatment of the surrounding space.

Left: Unknown, Mona Lisa , c. 1503–05, oil on panel (Museo Nacional del Prado, Madrid); right: Leonardo da Vinci, Portrait of Lisa Gherardini (known as the Mona Lisa) , c. 1503–19, oil on poplar panel, 77 x 53 cm (Musée du Louvre, Paris)

A recent discovery

An important copy of the Mona Lisa was recently discovered in the collection of the Prado in Madrid. The background had been painted over, but when the painting was cleaned, scientific analysis revealed that the copy was likely painted by another artist who sat beside Leonardo and copied his work, brush-stroke by brush-stroke. The copy gives us an idea of what the Mona Lisa might look like if layers of yellowed varnish were removed.

Bibliography

Read a Reframing Art History chapter that discusses Leonardo da Vinci—” Art in Sovereign States of the Italian Renaissance, c. 1400–1600 .”

Theresa Flanigan, “Mona Lisa’s Smile: Interpreting Emotion in Renaissance Female Portraits,” Studies in Iconography , vol. 40 (2019), pp. 183–230.

This painting at the Louvre .

Louvre Feature: A Closer Look at the Mona Lisa .

Not Just Another Fake Mona Lisa from The New York Times Interactive.

Mona Lisa at Universal Leonardo.

Important fundamentals

Cite this page.

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.
By Leonardo da Vinci.
Iconic portrait of the
,
and one of the
.



Description

: Mona Lisa
: 1503-06
: (1452-1519)
: Oil on wood
:
:
: , Paris.

.


Fine art posters of paintings
by Leonardo da Vinci,
are widely available
online. See also:
(c.1860-1980)

.


For the best portraits, see:
.

Interpretation of

, perhaps the greatest treasure of , is one of many masterpieces of housed in the Louvre. The painting is known to Italians as , the French call her . The work is arguably the finest ever example of , and one of the of the 15th and 16th centuries.

in the world, the is - like all of Leonardo's works - neither signed nor dated. Its title comes from the biography of Leonardo written by the 16th century Mannerist painter and biographer (1511-74), and published around 1550, which reported his agreement to paint the portrait of Lisa Gherardini, wife of Francesco del Giocondo, a Florentine dignitary and wealthy silk merchant. Vasari also mentioned that Leonardo employed musicians and troubadours to keep her amused, which might explain her enigmatic smile. As usual, Leonardo procrastinated endlessly over the painting - notably the position of the subject's hands - and continued working on it for another 20 years. Sadly, has become so famous and so valuable that it is almost impossible to catch more than a quick glimpse of her, as she sits inscrutably in the Louvre behind the non-reflective glass of her temperature-controlled security box.

 

 

is her lack of eyebrows and eyelashes. This was not a deliberate act of the artist, as scans indicate that originally she was given both. It is possible that the used for these facial features has since faded or been inadvertently removed during cleaning.

, namely his mastery of . This painterly technique involves the smooth, almost imperceptible, transition from one colour to another, by means of ultra-subtle tonal gradations. Evident throughout the painting, Leonardo's use of is particularly visible in the soft contouring of Lisa Gherardini's face, around the eyes and mouth. It was a technique of oil painting that he had already demonstrated with great success in (1483-5).

portrait is one of great serenity, enriched by a definite air of mystery. The serenity comes from the muted colour scheme, the soothing tonality, and the harmony created by the sitter's pyramid-shaped pose and understated drapery. The mystery stems from a number of factors: first, her enigmatic half-smile; second, her gaze, which is directed to the right of the viewer; her hands which have a slightly unreal, lifeless quality - almost as if they belonged to a different body.

in the history of art, the Mona Lisa is a wonderful example of High Renaissance of the early , and has become an unmistakable icon of Western culture: a fact recognized by Marcel Duchamp (1887-1968), the father of modern art, in his parody entitled L.H.O.O.Q.

 

Further Resources

, try these resources:

by Leonardo da Vinci
• (Portrait of Cecilia Gallerani) (c.1490)

, see: .

Visiting Sleeping Beauties: Reawakening Fashion?

You must join the virtual exhibition queue when you arrive. If capacity has been reached for the day, the queue will close early.

Heilbrunn Timeline of Art History Essays

Leonardo da vinci (1452–1519).

A Bear Walking

A Bear Walking

  • Leonardo da Vinci

The Head of a Woman in Profile Facing Left

The Head of a Woman in Profile Facing Left

Giovanni Antonio Boltraffio

The Head of the Virgin in Three-Quarter View Facing Right

The Head of the Virgin in Three-Quarter View Facing Right

Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)

Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)

The Head of a Grotesque Man in Profile Facing Right

The Head of a Grotesque Man in Profile Facing Right

After Leonardo da Vinci

Head of a Man in Profile Facing to the Left

Head of a Man in Profile Facing to the Left

Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)

Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)

Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (Recto); Study for Hercules Holding a Club Seen in Rear View (Verso)

Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (Recto); Study for Hercules Holding a Club Seen in Rear View (Verso)

Carmen Bambach Department of Drawings and Prints, The Metropolitan Museum of Art

October 2002

Leonardo da Vinci (1452–1519) is one of the most intriguing personalities in the history of Western art. Trained in Florence as a painter and sculptor in the workshop of Andrea del Verrocchio (1435–1488), Leonardo is also celebrated for his scientific contributions. His curiosity and insatiable hunger for knowledge never left him. He was constantly observing, experimenting, and inventing, and drawing was, for him, a tool for recording his investigation of nature. Although completed works by Leonardo are few, he left a large body of drawings (almost 2,500) that record his ideas, most still gathered into notebooks. He was principally active in Florence (1472–ca. 1482, 1500–1508) and Milan (ca. 1482–99, 1508–13), but spent the last years of his life in Rome (1513–16) and France (1516/17–1519), where he died. His genius as an artist and inventor continues to inspire artists and scientists alike centuries after his death.

Drawings Outside of Italy, Leonardo’s work can be studied most readily in drawings. He recorded his constant flow of ideas for paintings on paper. In his Studies for the Nativity ( 17.142.1 ), he studied different poses and gestures of the mother and her infant , probably in preparation for the main panel in his famous altarpiece known as the Virgin of the Rocks (Musée du Louvre, Paris). Similarly, in a sheet of designs for a stage setting ( 17.142.2 ), prepared for a staging of a masque (or musical comedy) in Milan in 1496, he made notes on the actors’ positions on stage alongside his sketches, translating images and ideas from his imagination onto paper. Leonardo also drew what he observed from the world around him, including human anatomy , animal and plant life, the motion of water, and the flight of birds. He also investigated the mechanisms of machines used in his day, inventing many devices like a modern-day engineer. His drawing techniques range from rather rapid pen sketches, in The   Head of a Man in Profile Facing to The Left ( 10.45.1) , to carefully finished drawings in red and black chalks, as in The   Head of the Virgin ( 51.90 ). These works also demonstrate his fascination with physiognomy, and contrasts between youth and old age, beauty and ugliness.

The Last Supper (ca. 1492/94–1498) Leonardo’s Last Supper , on the end wall of the refectory of Santa Maria delle Grazie in Milan, is one of the most renowned paintings of the High Renaissance. Recently restored, The Last Supper had already begun to flake during the artist’s lifetime due to his failed attempt to paint on the walls in layers (not unlike the technique of tempera on panel), rather than in a true fresco technique . Even in its current state, it is a masterpiece of dramatic narrative and subtle pictorial illusionism.

Leonardo chose to capture the moment just after Christ tells his apostles that one of them will betray him, and at the institution of the Eucharist. The effect of his statement causes a visible response, in the form of a wave of emotion among the apostles. These reactions are quite specific to each apostle, expressing what Leonardo called the “motions of the mind.” Despite the dramatic reaction of the apostles, Leonardo imposes a sense of order on the scene. Christ’s head is at the center of the composition, framed by a halo-like architectural opening. His head is also the vanishing point toward which all lines of the perspectival projection of the architectural setting converge. The apostles are arranged around him in four groups of three united by their posture and gesture. Judas, who was traditionally placed on the opposite side of the table, is here set apart from the other apostles by his shadowed face.

Mona Lisa (ca. 1503–6 and later) Leonardo may also be credited with the most famous portrait of all time, that of Lisa, wife of Francesco del Giocondo, and known as the Mona Lisa (Musée du Louvre, Paris). An aura of mystery surrounds this painting, which is veiled in a soft light, creating an atmosphere of enchantment. There are no hard lines or contours here (a technique of painting known as sfumato— fumo in Italian means “smoke”), only seamless transitions between light and dark. Perhaps the most striking feature of the painting is the sitter’s ambiguous half smile. She looks directly at the viewer, but her arms, torso, and head each twist subtly in a different direction, conveying an arrested sense of movement. Leonardo explores the possibilities of oil paint in the soft folds of the drapery, texture of skin, and contrasting light and dark (chiaroscuro). The deeply receding background, with its winding rivers and rock formations, is an example of Leonardo’s personal view of the natural world: one in which everything is liquid, in flux, and filled with movement and energy.

Bambach, Carmen. “Leonardo da Vinci (1452–1519).” In Heilbrunn Timeline of Art History . New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/leon/hd_leon.htm (October 2002)

Further Reading

Bambach, Carmen C., ed. Leonardo da Vinci, Master Draftsman . Exhibition catalogue.. New Haven: Yale University Press, 2003.

Additional Essays by Carmen Bambach

  • Bambach, Carmen. “ Anatomy in the Renaissance .” (October 2002)
  • Bambach, Carmen. “ Renaissance Drawings: Material and Function .” (October 2002)

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Announcing the finalists for the 2024 tech edvocate awards, new u “benefit” company helps students connect to education, southeastern alumna ann holloway to be inducted to oklahoma higher education hall of fame, parents value clear communication about college cost: survey, barriers beyond time: poverty’s restriction on a child’s education, more than 40,000 new asu students start today. here’s a breakdown of the incoming class, new online school offers second chance at higher education, commentary: utsa and ut health san antonio merger will create a world-class university, comparing lms as a service with traditional lms solutions, simple & easy mona lisa essay topics.

mona lisa essay titles

Simple & Easy Mona Lisa Essay Titles

  • A Practical Examination of Leonardo da Vinci’s Mona Lisa
  • The Renaissance Era Produced the Famous Mona Lisa
  • Artistic Analysis and Historical Perspectives on Leonardo da Vinci’s Mona Lisa Painting
  • The Social Structure in Mona Lisa’s Smile
  • An Investigation, Comparison, and Analysis of Leonardo da Vinci’s Mona Lisa Painting
  • The Mona Lisa’s Formal Analysis
  • Comparison of Andy Warhol’s Mona Lisa and Leonardo da Vinci’s Mona Lisa
  • The Last Supper and the Mona Lisa on the Renaissance Movement
  • The Film Mona Lisa’s Smile Sociological Perspective
  • The Mona Lisa and the Humanistic Renaissance School of Thought
  • Compare and Contrast the Seated Woman by Pablo Picasso and the Mona Lisa by Leonardo da Vinci.
  • Katharine Watson Plays a Helpful Role in Mike Newell’s Film Mona Lisa Smile
  • The Feminist Mona Lisa’s Conflict Theory
  • Leonardo da Vinci’s Mona Lisa in the Renaissance Period
  • An Analysis of the Mona Lisa Painting, Art, and the Human Experience

Good Essay Topics on Mona Lisa

  • The Viewpoint of the Mona Lisa as a Recreated Oil Painting
  • Realities about the Legendary Mona Lisa Painting
  • Marilyn Monroe Paintings by Warhol and the Mona Lisa by Da Vinci
  • Leonardo da Vinci’s Mona Lisa Reveals the Hidden Persona
  • The Mona Lisa by Leonardo and David by Michelangelo
  • The Background of the Mona Lisa , a Legendary Painting by Leonardo da Vinci
  • The Mona Lisa’s Technique
  • A World Icon with Sophistication Featuring the Mona Lisa
  • An Examination of Leonardo da Vinci’s Painting Mona Lisa’s History and Popularity
  • Propaganda and Women’s Representation in the Film Mona Lisa’s Smile
  • Analysis and Interpretation of Leonardo da Vinci’s Mona Lisa
  • The Comparison of the Girl with a Pearl Earring and the Mona Lisa
  • The Overview of Mona Lisa and Leonardo da Vinci’s the Last Supper
  • The Specifics of the Mona Lisa Arts and Its Significance and History
  • Leonardo da Vinci’s Mona Lisa Painting’s Virtual Characteristics
  • The Renaissance Artworks in Sistine Chapel by Michelangelo and Mona Lisa by Leonardo da Vinci’ Comparison and Contrast

Commerce Essay Topics

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Essay on Mona Lisa

Students are often asked to write an essay on Mona Lisa in their schools and colleges. And if you’re also looking for the same, we have created 100-word, 250-word, and 500-word essays on the topic.

Let’s take a look…

100 Words Essay on Mona Lisa

The mona lisa’s mystery.

The Mona Lisa is a famous painting by Leonardo da Vinci. It shows a woman with a soft smile. People are curious about her smile. They also wonder who she is. Some think she is Lisa Gherardini, a merchant’s wife.

Leonardo da Vinci’s Masterpiece

Leonardo took many years to paint the Mona Lisa. He was very careful with details. The painting is small, but it is very valuable. It is kept in the Louvre Museum in Paris.

The Painting’s Fame

The Mona Lisa is well-known around the world. Many people visit the Louvre just to see it. The painting became even more famous when it was stolen in 1911. It was found and returned two years later.

250 Words Essay on Mona Lisa

Who is mona lisa.

The Mona Lisa is a world-famous painting by the Italian artist Leonardo da Vinci. It is a picture of a woman with a mysterious smile. This painting is special because many people are curious about who she was and why she is smiling. The woman in the painting is thought to be Lisa Gherardini, a lady from Florence, Italy.

Where Can You See Her?

The mystery of her smile.

One of the reasons the Mona Lisa is so famous is because of her smile. It looks like it changes when you look at it from different angles. Some people think she is happy, while others think she might be sad. This mystery is part of what makes the painting interesting.

Why Is She Famous?

Besides her smile, the Mona Lisa is famous because Leonardo da Vinci was a very skilled painter. He used techniques that made her look real, like the way he painted her eyes and the light on her face. Also, the painting has been stolen in the past, which made it even more famous.

The Mona Lisa is not just a painting; it is a piece of history that has fascinated people for over 500 years. Its simplicity and mystery make it a masterpiece that people of all ages can appreciate.

500 Words Essay on Mona Lisa

Introduction to mona lisa.

The Mona Lisa is a world-famous painting by the Italian artist Leonardo da Vinci. It is often called the best-known, the most visited, and the most written about piece of art in the world. The painting shows a woman sitting with her hands folded, and she has a gentle smile on her face. The Mona Lisa is a treasure that has been admired for many years and is now in the Louvre Museum in Paris, France.

One of the most interesting things about the Mona Lisa is her smile. People often talk about how her smile seems to change when you look at it from different angles. Sometimes, it looks like she is smiling, and other times, it does not. This effect is because of Leonardo’s skillful painting technique. He was able to create this mysterious effect with his brushstrokes and the way he used light and shadow. This smile has made many people curious and has become a big reason why so many people love this painting.

The Woman in the Painting

Leonardo da vinci’s technique.

Leonardo da Vinci was not just a painter; he was also a scientist and an inventor. He used his knowledge of the world to make his paintings look real. In the Mona Lisa, he used a technique called ‘sfumato’, which means ‘gone up in smoke’ in Italian. This technique makes the edges look soft and helps to create a more lifelike image. Leonardo’s skill in painting and his use of this technique make the Mona Lisa a very special artwork.

The Painting’s Journey

The Mona Lisa has had a long history. After Leonardo finished it, the painting was in the hands of many different people and even a king of France. It was stolen from the Louvre Museum in 1911 but was found and returned two years later. The painting has also been attacked and damaged, but it has been carefully fixed each time. Now, it is protected by bulletproof glass to keep it safe.

Why People Love the Mona Lisa

The Mona Lisa is more than just a painting; it is a piece of human history that tells a story of art, mystery, and beauty. It shows Leonardo da Vinci’s incredible skill and reminds us why he is still known as one of the greatest artists ever. The Mona Lisa’s gentle smile will continue to fascinate and inspire people for many years to come.

That’s it! I hope the essay helped you.

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The Mona Lisa and its influence

Other mona lisa s, mona lisa off the wall.

Leonardo da Vinci: Mona Lisa

  • Who was the Mona Lisa in real life?
  • How many years did it take to paint the Mona Lisa ?
  • Where is the real Mona Lisa kept?
  • What is the value of the Mona Lisa ?
  • Why is the Mona Lisa so famous?

Mona Lisa, oil on wood panel by Leonardo da Vinci, c. 1503-06; in the Louvre, Paris, France. 77 x 53 cm.

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The influence of the Mona Lisa on the Renaissance and later times has been enormous, revolutionizing contemporary portrait painting . Not only did the three-quarter pose become the standard, but also Leonardo’s preliminary drawings encouraged other artists to make more and freer studies for their paintings and stimulated connoisseurs to collect those drawings. Through the drawings, his Milanese works were made known to the Florentines. Also, his reputation and stature as an artist and thinker spread to his fellow artists and assured for them a freedom of action and thought similar to his own. One such painter was the young Raphael , who sketched Leonardo’s work in progress and adopted the Mona Lisa format for his portraits; it served as a clear model for his Portrait of Maddalena Doni (c. 1506).

Leonardo even influenced the fashion in which artists dressed their subjects. In his Treatise on Painting , published long after his death, he wrote that art should avoid the fashion:

As far as possible avoid the costumes of your own day.…Costumes of our period should not be depicted unless it be on tombstones, so that we may be spared being laughed at by our successors for the mad fashions of men and leave behind only things that may be admired for their dignity and beauty.

The Mona Lisa demonstrates this aspect of his treatise perfectly in that La Giaconda is dressed in a coloured shift, loosely pleated at the neck, instead of the tight clothes that were then popular.

At least a dozen excellent replicas of the Mona Lisa exist, many of them by Leonardo’s students. One such copy at the Prado Museum in Madrid was thought to have been painted years after the original. However, during restoration of the painting in the early 2010s, which included using infrared reflectology to examine the work beneath the surface, conservators discovered that the painting had changes that mirrored those of the original. The findings suggested that the artist—likely one of the master’s assistants—painted the copy as Leonardo worked on the Mona Lisa in his studio. Thus, the Prado version became the only known copy completed during Leonardo’s lifetime. Conservators cleaned the entire painting and removed its black background, revealing a detailed landscape resembling Leonardo’s version and vibrant colours, possibly evoking those of the original before the varnish applied by early restorers darkened over time.

Other copies of the Mona Lisa include the so-called Isleworth Mona Lisa , which some commentators asserted was Leonardo’s first version of the famed portrait. The claim was a controversial one, with several leading Leonardo scholars flatly denying it. Numerous seminude interpretations, often referred to as Monna Vanna , also exist and were likely completed by Leonardo’s students with occasional input from their master. The proliferation of Mona Lisa s reflects, at least in part, the subject’s almost immediate embodiment of the ideal woman—beautiful, enigmatic , receptive, and still just out of reach.

Over the centuries, this quintessential woman has taken on a new life in popular culture . In the 20th century alone, her iconic status was mocked in schoolboy fashion—the addition of a mustache and goatee to a postcard reproduction—in Marcel Duchamp ’s readymade L.H.O.O.Q. (1919). His irreverent defacing of this best known of iconic paintings expressed the Dadaists ’ rejection of the art of the past, which in their eyes was part of the infamy of a civilization that had produced the horrors of the First World War just ended. Andy Warhol too took aim at the painting’s status, in such serigraphs as Thirty Are Better than One (1963).

References in the visual arts have been complemented by musical examinations. La Giaconda’s personality and quirks were examined in a 1915 opera by Max von Schillings. Leonardo’s portrait is also the inspiration for the classic song “ Mona Lisa ” by American lyricist Ray Evans and songwriter Jay Harold Livingston:

Mona Lisa, Mona Lisa Men have named you You’re so like the lady with the mystic smile Is it only ’cause you’re lonely They have blamed you For that Mona Lisa strangeness in your smile Do you smile to tempt a lover, Mona Lisa Or is this your way to hide a broken heart Many dreams have been brought to your doorstep They just lie there, and they die there Are you warm, are you real, Mona Lisa Or just a cold and lonely, lovely work of art

It was famously recorded in 1950 by the jazz pianist and vocalist Nat King Cole and later by his daughter Natalie , as well as many others.

There have been films, notably Mona Lisa (1986), and several novels, including William Gibson ’s cyberpunk Mona Lisa Overdrive (1988) and Canadian novelist Rachel Wyatt’s Mona Lisa Smiled a Little (1999), linked to the painting. The Argentine writer Martín Caparrós’s novel Valfierno (2004) brings to life the man who masterminded the 1911 theft of the Mona Lisa from the Louvre .

Both fine art and kitsch continue to refer to Leonardo’s portrait. Bath towels, tapestries , umbrellas , and many other household items bear her image, and that image is reproduced using everything from train tickets to rice plants. Five centuries after its creation, the Mona Lisa remains a touchstone for people around the world.

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Mona Lisa as a Symbol and a Cultural Authority

Analysis of painting techniques in leonardo da vinci’s mona lisa, a critique of peter max's versions of the mona lisa, the secret of mona lisa by leonardo da vinci, let us write you an essay from scratch.

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The Great Artist Leonardo Da Vinci, and His Famous Works The Last Supper and Mona Lisa

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mona lisa essay titles

Mona Lisa – Keyvisual

The Mona Lisa is a painting by Leonardo da Vinci, which he began around 1503 and worked on until his death in 1519. It depicts a mysteriously smiling woman known as Mona Lisa. The identity of the Mona Lisa is unresolved, but the majority of researchers believe it to be Lisa del Giocondo. The Mona Lisa is considered the most famous and renowned artwork in the world and is often regarded as the epitome of Renaissance art. The portrait is called La Gioconda ('the joyful one') in Italy and La Joconde (from the Italian 'Gioconda') in France. The painting is currently housed in the Louvre Museum in Paris.

Für die Kunst Von der Kunst Mit der Kunst

PainterLeonardo da Vinci
Year of origin1503-1519
EpochRenaissance
GenrePortrait painting
TechniqueOil on poplar wood (sfumato technique)
Dimensions53,4 × 79,4 cm
Exhibition venueLouvre Museum, Paris (Room 711/ Salle des Ètats)
OwnerFrench state
Wertover 1 billion dollars (estimated), is considered the most valuable painting in the world, but is not for sale
Birth nameLisa di Noldo Gherardini
Born15.6.1479
Zodiac signGemini
NationalityItalian (Republic of Florence)
Social statusNoble
Place of residenceFlorence
ParentsAntonmaria Gherardini (Landowner) and Lucrezia del Caccia
Siblings3 brothers, 3 sisters
HusbandFrancesco del Giocondo (wealthy cloth merchant)
Descendants5 Children
Deceased15.7.1542, at the age of 63
Place of deathConvent of St. Ursula, Florence

Why is the Mona Lisa so famous?

The Mona Lisa concludes a three-part portrait series by Leonardo and showcases his painting technique at its zenith. Many people are captivated by the beauty and grace of the Mona Lisa, considering it a masterpiece of art. The vividly lifelike painting is famous for the subtle emotions it conveys, featuring numerous references to Leonardo's thoughts, geometric symbolism, double imagery, and exceptional craftsmanship. Mona Lisa's famous smile seems to hide something mysterious, and it almost appears as if she is reacting to the observers. Before Leonardo's Mona Lisa, no portrait had achieved such interaction. The portrait proves that painters can create in a moment what poets may need thousands of words for. Thus, the timeless portrait is a visual poetry, depicting Mona Lisa as an educated mother on planet Earth.

The Mona Lisa is also famous for being one of the most studied and analyzed paintings in the world. There are many theories about who the woman in the painting is and why she is smiling, leading to the creation of numerous myths and legends over the years. All of this has contributed to making the Mona Lisa one of the most iconic artworks in the world.

Dame mit dem Hermelin – Leonardo da Vinci

Who was the Mona Lisa?

The portrait originally depicted a lady from Florence, likely Mona Lisa del Giocondo, born Lisa Gherardini. Mona, or Monna, is not a given name but the Old Italian abbreviation for the address Madonna ('My Lady'). With rare permission from the Louvre, physicist Pascal Cotte examined the precious painting between 2004 and 2015. Using an innovative method, he demonstrated that today's Mona Lisa is a repainting of a portrait underneath. While the underlying portrait bears some resemblance to the current one, it significantly differs in the face. This showed that Leonardo altered the original portrait of Lisa del Giocondo over many years until an idealized female figure emerged. The present version likely does not depict a real person with high probability.

Mona Lisa – Pascal Cotte: Untersuchungsergebnis des chronologischen Farbauftrags

Was the Mona Lisa ill when she was painted?

Mona Lisa shows three symptoms of illness. Firstly, she has a yellow spot between her nasal bone and her left eye. Secondly, there is a bump on her right hand. The Mona Lisa is also missing her eyebrows. As Leonardo's anatomical studies gave him extensive knowledge of the human body and its diseases, he is also considered the best painter of all time and the Mona Lisa of today probably does not depict a real person, Leonardo must have imagined these symptoms. However, Leonardo did not originally paint her yellowish shimmering skin in this way. Rather, the painting has become slightly discolored over the centuries.

Leonardo da Vincis Mona Lisa – Detail des Gesichts

The different perspectives of the Mona Lisa

A special feature of the painting is the use of multiple perspectives. Although the Mona Lisa is depicted frontally, the background of the painting shows landscape elements from three different angles, recognizable by the three different horizon lines. In reality, however, it would be impossible to see such a landscape from different viewing heights at the same time. The impossibility of this idea makes it clear that the background landscape is more the product of Leonardo's imagination and that the depiction of a real landscape is impossible. However, it is possible that certain elements, such as the stone bridge on the right-hand edge of the picture, were real models. Overall, the background seems more like a painted backdrop, comparable to the backgrounds in the theater. Similarly, in the early days of portrait photography, painted backdrops were used to conceal the plain walls of photo studios. However, if Leonardo has deliberately alienated the background of the painting, he is literally inviting us to examine it more closely.

mona lisa essay titles

The smile of the Mona Lisa

The Mona Lisa's smile is the most studied subject of the painting in terms of art history. It has already become clear by this point that Leonardo has condensed many different aspects into numerous details to create a wonderful painting. Mona Lisa's smile is just another - albeit the best known - of these details. It changes its meaning depending on the context and the viewer's level of knowledge and therefore cannot be clearly interpreted. What is clearer, however, is the optical trick Leonardo used.

mona lisa essay titles

Some claim to see a bearded Mona Lisa when looking at the painting for a long time and interpret it as a self-portrait of Leonardo. This is based on an optical illusion. The portrait of the Mona Lisa is designed in such a way that large dark areas have been painted around the very light face. Together with the strikingly light décolleté, they frame the largest light area. Fixing on a point in the painting produces an effect that is called an afterimage in the physiology of perception. This is a hallucination created by the human eye that produces a negative image, as is known from analog photography. The light spot of the décolleté appears in the negative image like a neatly trimmed dark beard. It is further emphasized by the dark shading in the chin area. However, the claim that the painting is a self-portrait of Leonardo is dubious, as no portrait of Leonardo is known to date that demonstrably shows him.

Theft and vandalism

  • The Mona Lisa was stolen in 1911 by a worker who was glazing various paintings in the Louvre. Two years after the crime, the thief was caught in a fake money transfer and the Mona Lisa was returned to the Louvre in 1913. The painter Picasso was interrogated by the police for a time because he had unknowingly acquired works of art stolen from the Louvre and was therefore suspected of having commissioned the theft of the Mona Lisa. After the stolen works were returned, the matter was not pursued any further
  • The painting has been the target of repeated attacks. In this order, it has already been pelted with a stone, showered with acid, rained on by a sprinkler system for a night and smeared with a cake. Since the acid attack, it has been behind bulletproof glass
Painting is divided into two main parts.The first is form, i.e. the line that delimits the shape of the bodies and their details.The second is color, which is contained within these boundaries. Leonardo da Vinci from Codex Urbinas ('Treatise on Painting')

mona lisa essay titles

The line width corresponds to 1 mm in the original painting (desktop)

The Louvre provides the unframed version of the painting against a black background. On the one hand, this shows that Leonardo did not paint the entire wooden panel. Secondly, it is clear that the painting has not been cropped at the edges. This means that Leonardo deliberately chose this particular section of the painting. The frame used for this analysis is indicated by a white border (mouseover/tap)

The painting has an aspect ratio of 2:3.This allows it to be divided into six squares of equal size.As in the previous portrait, La Belle Ferronière, the central vertical line runs through the sitter's left eye

The portrait shows the golden ratio.The distance between the front edges of the column feet and the height of the picture form a golden rectangle (blue transparent area).If the height of the picture is divided twice in succession in the golden ratio, this leads to the height of the Mona Lisa's eyes (orange horizontal line). Further divisions just miss prominent elements and therefore appear unintentional (mouseover/tap)

The painting shows the scene from several perspectives.The sitter, the wall and the landscape each have their own horizon lines.As a result, the landscape is depicted from three perspectives at the same time, which is impossible in reality.The left vanishing line (left column base to the center of the forehead) is inclined by exactly 60° (interior angle of an equilateral triangle). The right vanishing line by exactly 54° (angle bisector in an equilateral 5-sided corner)

The unnaturally blue mountains on the right are reminiscent of masses of water (mouseover)

In the lower part of the painting, the geometric relationships correspond to the dimensions of Noah's ark mentioned in the Bible. Its entrance was at the side. The ark had three storeys (green line, mouseover). Its roof was raised by 1/30. The golden ratio of the picture height is 1/30 above the lower edge of the parapet (upper green and orange horizontal line). The dimensions are thus related to the water depicted in the right background of the picture

Halfway up the wall, an isosceles triangle (30°,30°,120°) is formed, the apex of which meets the golden section of the picture height.An equilateral triangle stretches from the eye of the Mona Lisa to the base of the isosceles triangle.The distance from the eye to the apex of the isosceles triangle corresponds to the minor of the golden section of the picture height (orange horizontal line)

The landscape on the left has a completely different character to the one on the right.In the Mona Lisa's hair, the picture puzzle of an old, bearded man can be seen looking at the base of the column on the left edge of the picture at a 60° angle (mouseover).The base of the column is located in the golden section of the picture's height and is the starting point for numerous geometric relationships in the painting

There are numerous geometric relationships between prominent points and lines in the painting.What all the resulting triangles have in common is that their upper angles are symbolic angles and increase in size towards the bottom (60°, 72°, 90° and 120°) to finally form an equilateral triangle whose apex emphasizes the left eye of the Mona Lisa (mouseover).The bases of the triangles are the rear edge of the wall and half the height of the front wall, as well as a 5° angle from the left base of the column to the shoulder of the Mona Lisa (blue parallel to the blue line of the bridge)

45° angles of the fingers form a geometric crab (red areas).The lower triangle (30°, 120° and 30°) can be moved to the upper edge of the picture.From its base, a 45° angle leads to the left and right lower edge of the picture (angle between the yellow slanted lines). 45° is the center angle of an equilateral 8-sided corner. The elegance of the geometric design becomes clear on mouseover. The uppermost angle from the edge of the picture to the perspective horizon line of the column bases is 135°, the interior angle of an equilateral 8-corner is

Leonardo da Vinci 1503-1519 Oil on wood (poplar) 53,4 x 79,4 cm Paris, Musée du Louvre

The identity of the Mona Lisa has not yet been established beyond doubt. However, the majority of researchers assume that it is Lisa del Gicondo, born Lisa Gherardini.

What makes the identification of the Mona Lisa so difficult is the fact that no commission documents, contracts, invoices or similar exist for the portrait. Leonardo da Vinci did not mention the painting in his notes, nor are there any clear descriptions from contemporary witnesses.

Theory I – Lisa del Giocondo

The majority of Leonardo scholars consider the sitter to be Lisa del Giocondo. All the arguments that support this thesis are now listed.

Was there a Mona Lisa?

Lisa di Antonmaria Noldo Gherardini is a historically documented person and was a Florentine noblewoman. Despite extensive research on her, little is known about her life today.

The Gherardini Family

The Gherardini family was an established Florentine family. Much of their once extensive land holdings were lost due to political missteps. Their ancestral castle was destroyed around 1300, leaving only the foundations. Nevertheless, they were not impoverished. They moved to the Villa Gherardini, a castle-like vineyard, which they developed into the family seat over the following centuries.

The Villa, located about 20 km southeast of Florence in the Chianti region, is now known as Villa Vignamaggio, a popular tourist attraction. It houses a restaurant ('Monna Lisa') and hosts wine tastings and weddings. Leonardo may have been inspired by a loggia of the Villa and used it as a reference for the background in the portrait of the Mona Lisa. A loggia is an open balcony, usually with small columns supporting a roof.

Despite political setbacks, the Gherardini family remained influential, maintaining close ties with Florence's most important families. Lisa's father, Antonmaria Gherardini, was wealthy and owned a centrally located townhouse in Florence and an estate in San Donato in Poggio, near the Villa Gherardini. He had married Camilla, a daughter of the significant Ruccelai family, creating ties to the influential Medici family through marriage.

Who was Lisa Gherardini?

Lisa Gherardini was born in 1479. At the age of sixteen, in 1495, she married Francesco del Giocondo, a wealthy cloth merchant from Florence. Francesco, 30 years old at the time, had previously been married to Camilla, Lisa's stepmother's sister, who died young. Francesco and Lisa had six children, with one daughter dying shortly after birth in 1499.

After the birth of their second child on December 12, 1502, they moved into a townhouse on Via della Stufa in Florence in March 1503. The house, located near the Medici Palace, showcased Francesco's economic success. Because such a move was a typical reason for commissioning a portrait at the time, most researchers believe that the portrait of the Mona Lisa began around 1503. Given that Leonardo's father knew Francesco del Giocondo since 1497, it is likely that he facilitated the commission to Leonardo.

During that period, it was common for affluent city dwellers to retreat to the countryside in the hot summer months. The del Giocondos also owned the Villa Antinori, a magnificent property on the outskirts of Florence. A loggia from this building is also considered as a possible background for Leonardo's portrait of the Mona Lisa.

After her husband's death in 1538, Lisa Gherardini entered the convent of Saint Ursula in Florence. She passed away there on July 15, 1542, at the age of 63.

Painted on commission from Francesco del Giocondo (after Vasari)

Giorgio Vasari (1511-1574) was a renowned architect and painter in Florence. Thanks to his artist biographies published in 1550, he is also considered the first art historian. The work includes a much-quoted account of the life of Leonardo da Vinci, who had passed away 30 years prior. Vasari mentions the Mona Lisa:

"Leonardo also began to paint the portrait of Mona Lisa, the wife of Francesco del Giocondo. He spent four years on it, then left it unfinished, and it is now in the possession of King Francis of France at Fontainebleau.

Anyone who wanted to see how far art could imitate nature recognized it in this beautiful head. Every small detail was depicted in the finest manner, the eyes had brightness and moisture, as we see in life, all around one noticed the reddish-blue circles and veins, which can only be executed with the greatest delicacy. At the brows, you could see where they were fullest, where they were sparse, how they emerged from the pores of the skin and arched, as naturally as one can think. On the nose, the delicate openings were rosy and faithfully reproduced. The mouth, where the lips close and the red blends with the color of the face, had a perfection that made it appear not painted, but truly like flesh and blood. Whoever looked closely at the hollow of the neck believed to see the pulsating of the veins.

In short, one can say that this painting was executed in a way that made every excellent artist and everyone who saw it tremble. Mona Lisa was very beautiful, and Leonardo needed the precaution that, while he was painting, there always had to be someone present who sang, played, and made jokes so that she would remain cheerful and not acquire a sad look, as often happens when one sits to have their portrait painted. Above this face, however, hovers such a lovely smile that it seemed to be more from a heavenly than a human hand; and it was considered admirable because it was completely lifelike."

Vasari refers to Lisa del Giocondo as "Mona Lisa." "Mona" is an Old Italian abbreviation for the address Madonna ('My Lady'). Vasari's praise for the painting of the Mona Lisa's eyebrows indicates that he did not see the painting himself, as the Mona Lisa does not have eyebrows.

Historians Kemp and Zöllner have been able to demonstrate that Vasari was acquainted with two cousins of Francesco del Giocondo. Therefore, it is likely that Vasari could have personally met the older couple del Giocondo, as Lisa del Giocondo lived until 1542. Additionally, Vasari grew up under the care of the Medici family and was educated alongside their children. The Medicis were well-connected in Florence, familiar with Leonardo, and, moreover, distantly related to Mona Lisa's mother. It is likely that Vasari knew that Leonardo created a portrait of Lisa del Giocondo. However, Vasari tends to create legends, and his statements do not always align with the findings of art historians. It is also often unclear which of his statements are based on hearsay, meaning he lacked sufficient sources.

Leonardo malt die Mona Lisa – Cesare Maccari

Painted by order of Giuliano de Medici (after de Beatis)

Although the portrait of the Mona Lisa is said to have been commissioned by her husband Francesco, the painting was never in the possession of the del Giocondos. It is possible that it was not Francesco but Giuliano de Medici who commissioned the painting, as reported by a contemporary source.

During Leonardo's last three years, when he lived at the French royal court in Amboise, he was visited in 1517 by a delegation from Cardinal Luigi d'Aragona. The cardinal's scribe, Antonio de Beatis, wrote a report on the visit. This last eyewitness account is of great importance in Leonardo research as it mentions other paintings that de Beatis saw in Leonardo's workshop.

"In one of the districts, my lord and the rest of us went to see the Florentine Leonardo da Vinci, more than 70 years old [Here the scribe is mistaken; Leonardo was only 65 at the time], an outstanding painter of our time, who showed his illustrious lordship three paintings: one of a certain Florentine lady, a very beautiful painting made at the request of the Magnificent Giuliano de Medici; the second of a young John the Baptist, and one of the Madonna and her son, who are placed in the lap of Saint Anne, all very perfect, ..."

The "certain Florentine lady" most likely refers to the Mona Lisa. Lisa Gherardini's family was indirectly connected to the Medicis through marriage. The Florentine youths Giuliano de Medici and Lisa Gherardini were of the same age and grew up in close proximity. Due to the familial connection, it is highly likely that they knew each other, and there is speculation that Giuliano fell in love with Lisa.

However, the Medicis were expelled from Florence in 1494 and could only return in 1512. The 15-year-old Giuliano had to leave the city and spent many years in exile at the court of the Duke of Urbino. One year after the Medicis' expulsion from Florence, Lisa Gherardini married the wealthy merchant Francesco del Giocondo.

Leonardo had been living in Milan since around 1482 and returned to Florence only in 1503 for a few years. According to the theory, the exiled Giuliano de' Medici asked Leonardo to create a portrait of the now-married Lisa del Giocondo for sentimental reasons. This would explain why the painting was never in the possession of the del Giocondos.

Giuliano de Medici was the brother of Pope Leo X (1513-1521) and an admirer of Leonardo. At Giuliano's request, Leonardo stayed at the papal court in Rome from 1513 to 1516. When Giuliano unexpectedly died in 1516, Leonardo left Rome and went to France. De Beatis's report indicates that he had the portrait of a certain Florentine lady with him, made at the request of Giuliano de Medici. Therefore, Leonardo may not have been able to hand over the Mona Lisa to Giuliano because the painting was still unfinished, or he took back the completed work after Giuliano's death.

This theory is speculative, and the only evidence is Beatis's mention of the certain Florentine lady commissioned by Giuliano de Medici.

Raffael – Porträt des Giuliano de' Medici

The Heidelberg Note

A source published in 2005 proves that Leonardo worked on the portrait of Lisa del Giocondo.

A book about the ancient politician and writer Cicero, which was printed in 1477, was found in the Heidelberg University Archive (shelfmark D 7620 qt. INC). It has been proven that the book belonged to one Agostino Vespucci. Vespucci was a scribe and close collaborator of the famous Florentine politician Niccolo Macchiavelli. At the time, Macchiavelli supported Leonardo with commissions from the Florentine city government. It was probably at his instigation that Leonardo was commissioned to paint the huge mural "Battle of Anghiari". For this purpose, Vespucci translated a description of the battle from Latin, which is still preserved today, and gave it to Leonardo. Vespucci and Leonardo therefore knew each other well, which increases the credibility of the source.

Agostino Vespucci left a short handwritten note in the book in which he praised Leonardo's painting and mentioned that he was currently working on a portrait of Lisa del Giocondo. The note also confirms Leonardo's work on the paintings "Anna Selbdritt" and "Battle of Anghiari" for the Council Chamber of Palazzo Vecchio. This note is considered an important document in the history of the Mona Lisa's creation, even if the authenticity of the note can hardly be proven.

Agostino Vespucci – Notiz über Leonardos Arbeit an der Mona Lisa

The play on words with Lisa del Giocondo's surname

In the Renaissance, wordplay was very popular, and Leonardo da Vinci had a particular fondness for it.

His famous portrait of the lady with an ermine features Cecilia Gallerani. The ermine belongs to the weasel family, and the Ancient Greek word for weasel is "galê" or "galéē."

Another portrait depicts the lady Ginevra de' Benci. She is seated in front of a juniper tree. "Juniper" translates to "Ginepro" in Italian.

Leonardo's preference for wordplay also supports the identification of the lady as Lisa del Giocondo. The most noticeable feature of the painting is her cheerful expression. "Gioconda" is the Italian word for "the Cheerful," and it is assumed that her joyous smile alludes to her surname "del Giocondo."

Salai's Estate

Salai was one of Leonardo's longest-serving collaborators and was named as one of Leonardo's heirs in his will. A few years after Leonardo's death in 1519, Salai died unexpectedly in a duel in 1524. Following his death, his wife and sisters disputed his estate. A document has been preserved, revealing that Salai owned a painting referred to as "La Joconda," described briefly as "a woman turned backward."

Even today, the Mona Lisa is referred to as "La Joconda" or "La Joconde" in France. "La Joconde" was originally not a French term but is derived from the Italian "Gioconda." This designation from Salai's estate links that particular portrait with the surname of the Florentine lady Lisa del Giocondo.

The value of Salai's "La Joconda" was set by the notary at 100 Scudi (= 175 Florins = 612.5 Gold). For the time, this was a considerable sum, strongly suggesting that Salai's "La Joconda" was an original painting by Leonardo. If so, it could only be Leonardo's portrait of Lisa del Giocondo.

Theory II – Pacifica Brandani

In addition to the identification of the Mona Lisa as Lisa del Giocondo, a few researchers propose the idea that it could be a portrait of Pacifica Brandani. Since the hypothesis is internally consistent, it should not go unmentioned.

The starting point for this theory is the well-known travel report from de Beatis in 1517, which stated "[...] one of a certain Florentine lady, a very beautiful painting made at the request of the Magnificent Giuliano de Medici."

Giuliano's biography includes the tragic fate of his only son, Ippolito. When Giuliano was in exile, he had an affair with the court lady Pacifica Brandani at the court of Urbino. She became pregnant but died in 1511 during the birth of their son, Ippolito. Since Ippolito could not know his mother, Giuliano is said to have commissioned from Leonardo a painting of an idealized, cheerful mother figure. The painting was intended to console young Ippolito over the loss of his mother. Therefore, the portrait is said to have been named La Gioconda (Italian for "the Cheerful").

However, according to the theory, Ippolito did not receive the painting. When his father Giuliano died in 1516, Leonardo is believed to have retained the still unfinished painting when he left for the French court in 1516. While this narrative seems plausible, it relies solely on the remark "at the request of the Magnificent Giuliano de Medici" in de Beatis's travel report.

Modern findings

The most significant discovery related to the identity of the Mona Lisa was made by the French physicist Pascal Cotte. He developed an innovative physical method to reconstruct the chronological order of paint layers in paintings. The Louvre granted him the rare permission to examine the original painting between 2004 and 2015. Surprisingly, he found that beneath the portrait of the Mona Lisa, there is an earlier portrait depicting a significantly younger lady. The current Mona Lisa is, therefore, the result of overpainting. The earlier portrait is largely identical in position and overall composition but differs significantly in hairstyle, face, and shoulder area.

Mona Lisa – Pascal Cotte: Untersuchungsergebnis des chronologischen Farbauftrags

Result of Pascal Cotte's examination

The result of Pascal Cotte's examination clarifies significant open questions related to the Mona Lisa. Vasari describes the finely painted eyebrows of the Mona Lisa, even though she obviously has none. He must have relied on accounts he heard about the first version of the Mona Lisa. He likely never saw the original painting himself, as it was at the French court in Fontainebleau during his lifetime, as he himself reports.

Pascal Cotte's findings also explain the striking similarity of three portraits by Raphael to that of the Mona Lisa. They undoubtedly originated around the same time. Raphael was in Florence between 1504 and 1505, the period when the Mona Lisa was started. The younger Raphael knew Leonardo personally and imitated his style in many of his works. It is very likely that Raphael saw the portrait of Lisa del Giocondo in Leonardo's workshop. It must have been the version revealed in Pascal Cotte's examination because that's the only way to explain why Raphael's portraits closely resemble Leonardo's Mona Lisa but differ significantly from the present version. Raphael must have seen an earlier version of the Mona Lisa, precisely the one Pascal Cotte identified.

The extensive copies by Raphael and the analysis by Pascal Cotte now lead to a straightforward conclusion, consistent with all previous findings.

In 1503, Leonardo received the commission in Florence to paint Lisa del Giocondo. The commission either came from her husband, Francesco del Giocondo, through the mediation of Leonardo's father, or from the infatuated Giuliano de' Medici in exile in Urbino. Leonardo began the portrait but left it unfinished. At that time, the painting looked as Pascal Cotte discovered. Raphael must have seen the unfinished work between 1504 and 1505 in Leonardo's workshop and imitated this Mona Lisa in at least three portraits. When Leonardo left Florence for the second time in 1508 and returned to Milan, four years of unfinished work on the portrait, mentioned by Vasari, had passed.

After 1508, Leonardo must have extensively revised the work until it took its present form. This supports the theory that in this second version, Leonardo no longer had Lisa del Giocondo in mind but probably created an idealized female figure. Whether this happened after 1511 and again on the commission of Giuliano de' Medici, following the Pacifica Brandani theory, to give his grieving son a comforting image of a mother, or whether Leonardo revised the work on his own initiative, remains unclear. Overall, this is currently the simplest explanation for the history of the creation of the Mona Lisa.

This does not rule out the possibility that contemporaneously with Leonardo's work on the painting, there were copies by students in his workshop. However, when objectively considering their painterly quality, these copies do not match Leonardo's Mona Lisa and are evidently imitations. They demonstrate how challenging it is for painters to imitate Leonardo's style.

Mona Lisa Prado

Creation time and owner

Leonardo's life around 1503.

When Leonardo began the portrait of the Mona Lisa in 1503, he was approximately 50 years old. Born and raised in Florence, he had been living in Milan since the age of 30. After completing "The Last Supper" in 1498, he was considered the greatest living artist. However, when the Duke of Milan was expelled by the French the following year, turbulent times began for Leonardo. He fled the war, sought new patrons in northern Italy, but eventually returned to Florence in the summer of 1500. Around 1501, he started the large-scale painting "The Virgin and Child with Saint Anne" and the "Madonna of the Yarnwinder" for a French court official. Influenced by his collaboration with the mathematician Luca Pacioli, he delved into mathematical studies during this time.

Leonardo da Vinci – Anna Selbdritt Burlington House Cartoon

The Borgia campaign and the Battle of Anghiari

In the summer of 1502 until spring 1503, Leonardo accompanied Cesare Borgia, the son of the Pope, as a military engineer. Upon his return to Florence, he started the portrait of the Mona Lisa. In 1504, his father died, and Leonardo's illegitimate son was excluded from the inheritance. In the same year, he received the commission for his second major fresco, the "Battle of Anghiari," for the city parliament of Florence. The younger painter Michelangelo was to create an equally large painting on the opposite wall simultaneously, initiating a competition between the two artists. However, due to wet walls, the work progressed slowly and was eventually abandoned. In 1504, Raphael also came to Florence and painted portraits in the style of the Mona Lisa, inspired by Leonardo's painting.

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Return to Milan

From 1506, he commuted between Florence and Milan, and by 1508, he was living in Milan again. The portrait of Mona Lisa likely had less significance until then, as Leonardo focused on more prestigious commissions. Vasari claims it was still unfinished in 1508, and it probably received its final form after that year. According to de Beatis, the painting accompanied Leonardo to France in 1516 and remained there until his death in 1519 at Château du Clos Lucé.

Fate after Leonardo's death

It is unclear what happened to the paintings that de Beatis saw with Leonardo. Leonardo's will does not mention any paintings, but it does include bequests to two of his pupils. Francesco Melzi received Leonardo's significant notebooks, other books, equipment, clothes, and gold. On the other hand, Salai received a property in Milan, which he had already leased from Leonardo. Salai's will indicates that he likely owned some of Leonardo's paintings.

Salai's Will

Salai died in 1524 at the age of about 44 in a duel, just a few years after Leonardo's death. His sisters and his widow subsequently contested the inheritance, which mainly consisted of valuable paintings. The notarial records list a painting titled "La Joconda," and since it is relatively highly valued in the document at 100 Scudo (175 Florin = 612.5 Gold), it is likely the Mona Lisa. Shortly thereafter, the French King Francis I must have acquired the painting.

Salai's Sale of Paintings

In 1999, French art historian Bertrand Jestaz published an essay about a rediscovered sales contract. He explains that the painting currently housed in the Louvre ended up in the royal collections in 1518 as part of a sale of some of Salai's paintings to King Francis I. The king paid Salai about 2604 Livres (approximately 651 Florin = 2.3 kg Gold), "for certain panel paintings that he gave to the king." Therefore, it is widely believed today that Leonardo gave the still unfinished paintings, including the Mona Lisa, to Salai about a year before he died. The paintings listed in Salai's will are presumed to be copies made by Salai.

In the Possession of French Kings

The exact circumstances of how the painting came into the possession of the French king remain uncertain to this day. However, Vasari reported in 1550 that the Mona Lisa was now at Fontainebleau Castle, an important hunting lodge of Francis I. The painting remained there until Louis XIV had it moved to Versailles around 1682.

The French Revolution and Napoleon's Bedroom

During the French Revolution in 1789, all paintings from the royal collection were transferred to the Louvre, and in 1793, the Mona Lisa was publicly exhibited for the first time.

The painting may have remained there for only a few years because there is a legend that Napoleon had the painting brought to his bedroom in the Tuileries Palace around 1799. According to the legend, the portrait hung there until his exile in 1815. The Mona Lisa has been publicly displayed in the Louvre since at least 1815.

Jacques Louis David – Napoleon in seinem Arbeitszimmer

The Theft of 1911

The Mona Lisa was stolen on August 21, 1911, by the Italian Vincenzo Peruggia in a sensational act from the Louvre.

The Louvre Museum, fearing vandalism, had decided to secure all paintings behind a glass barrier by 1911. Peruggia was one of the glaziers involved in this project. Due to his work at the museum, he was well-known to the staff and familiar with the premises.

On the day of the theft, a Monday when the Louvre was closed to the public, Peruggia entered the building in his work clothes, blending in with the staff. He went to the Mona Lisa and took advantage of an unobserved moment to remove the painting, initially placing it in a staircase where he took it out of the frame. The Mona Lisa, painted on a wooden panel, is relatively small (53 × 77cm), making it easy for Peruggia to conceal. He might have hidden it under his smock or wrapped it up, carrying it like a sheet of glass. Then he left the Louvre. The theft was only noticed the following day when a painter, who had been copying the Mona Lisa for some time, inquired about the painting.

Peruggia viewed the theft as a patriotic act, intending to bring the painting to Italy, Leonardo da Vinci's homeland. The theft remained unsolved for two years. It was only when Peruggia attempted to sell the painting to the Uffizi Gallery in Florence that he was arrested during the planned handover. The painting was exhibited in several Italian cities for a few months before returning to the Louvre on December 31, 1913.

Picasso and the Theft of the Mona Lisa

For a while, the Spanish painter Pablo Picasso and his circle were suspected of being involved in the theft. Picasso lived in Paris at the time and was acquainted with Géry Pieret through his friend, the poet Apollinaire. Apollinaire and Pieret were friends, sometimes living together. Pieret was an occasional thief who stole valuable sculptures from the then barely secured Louvre and sold at least two of them to Apollinaire in 1907, who then passed them on to Picasso. Shortly after the theft of the Mona Lisa, Picasso returned the two sculptures and was questioned by the police, while Apollinaire was even arrested for two days. They were accused of being part of an international theft ring. Picasso was not charged further after the interrogation, and Apollinaire was acquitted in a subsequent trial due to a lack of evidence.

World War II

During World War II, France was occupied by Germany. Before the Germans took Paris, the Louvre, fearing theft or damage, conducted an elaborate operation to transport almost the entire art collection anonymously and sealed to Château de Chambord. The Mona Lisa was in an inconspicuous crate. During the war, the valuable painting was moved several times to different locations in France without falling into the possession of the German occupiers.

Schloss Chambord – Frontfassade

With the end of the war, the Mona Lisa was able to return to the Louvre, where it was publicly displayed again from October 1947.

In 1956, an unknown individual poured acid on the painting, causing severe damage to the lower part of the image. In the same year, a visitor threw a stone at the painting, damaging the left elbow of the figure. Since then, the Mona Lisa has been behind bulletproof glass.

The Mona Lisa in the USA

In 1961, Jacqueline Kennedy, the wife of U.S. President John F. Kennedy, persuaded the then French President Charles de Gaulle to exhibit the painting in the United States. In an elaborate operation, the painting was transported across the Atlantic in January 1963 under tight security and exhibited at the National Gallery of Art in Washington, D.C., and shortly afterward at the Metropolitan Museum of Art in New York.

The then-director of the museum, Thomas Hoving, wrote in his memoirs that the Mona Lisa was exposed to flowing water from an accidentally triggered sprinkler system overnight during the exhibition. However, since the painting was behind water-resistant bulletproof glass, the Mona Lisa remained undamaged.

The Mona Lisa in Japan and Russia

In 1974, there was a second international exhibition in Tokyo and Moscow.

In 2022, a visitor attempted to shatter the bulletproof glass of the Mona Lisa. As expected, he failed, but he smeared the glass with a cream pie. To approach the painting, he had disguised himself as a woman and sat in a wheelchair. He claimed that his motive was to draw attention to the environment.

Public exhibition at the Louvre in Paris

The painting is currently displayed in the largest hall of the Louvre in Paris, the Salle des États.

Image analysis

The leading art historian and Leonardo expert Martin Kemp (Oxford, Harvard, Princeton) associates the Mona Lisa, specifically the right background of the painting, with the depiction of a deluge. This image analysis follows and elaborates on this view, recognizing the motif of water as the connecting element in the background.

This perspective is justified by the interplay of trompe-l'oeil effects and complex yet clear geometric relationships of high symbolic value existing among prominent elements of the painting. After a general presentation of formal peculiarities of the painting, it becomes clear that Leonardo conceived the Mona Lisa closely tied to the motif of water and the hidden power within it. Correspondingly, symbolic connections are made to the two most famous floods. Firstly, Leonardo suggests a rearing water wave in the right background reminiscent of Noah's flood. He confirms the initially barely perceptible by using the proportions of Noah's Ark mentioned in the Bible for the lower third of the painting.

Secondly, the painting reveals a simple but complex system of geometric relationships that ultimately refer to the Platonic solids. They are first described in Plato's book Timaeus. This book talks about the legendary city of Atlantis and its downfall. For this second aspect, it will be shown how much Leonardo's persona was equated with that of Plato by contemporary artists. Additionally, how Leonardo uses geometric relationships between prominent elements in the painting to guide the viewer's gaze to her hands, only to ultimately focus on the Mona Lisa's left eye.

To clearly depict the geometric relationships that underpin these connections, the unframed version available on the Louvre's website was used for this analysis # .

Image Description

A lady in a three-quarter portrait is seated on a chair. The chair's back forms a semicircle, connected to the seat through small balusters, with five balusters visible.

The chair is oriented to the left, and the lady, through a slight rotation of hip, shoulder, and head, faces left towards the viewer. While doing so, she looks slightly past the viewer to something behind them, smiling.

Her hands are clasped one over the other on the left chairback. The left hand holds a brown blanket, draped over her legs. The index and middle fingers of the right hand are slightly spread.

She wears a dark green dress with orange sleeves, finely gathered into folds. The dark green part of the dress is turned up at the sleeves and fastened at the shoulder. The seam at the neckline is intricately embroidered with orange stitches. The dress falls in fine waves due to the gathered seam. Her neck and neckline are uncovered, and she wears no jewelry.

Her brown open hair cascades in fine curls from a center part down to her shoulders on both sides. Her hair is covered by a very long, nearly transparent veil. The veil is rolled down towards the bottom and hangs loosely over her left shoulder.

Directly behind her is a waist-high wall. At the left and right edges of the painting, the bases of two columns can be seen, placed on the wall.

In the background, a mountainous landscape with paths and waterways. In the right half of the painting, a bridge over a river.

The lower part of the painting (ceiling, chair, and wall), as well as large sections of the landscape, are unfinished.

I The six quadrants

The outer dimensions of the portrait correspond quite closely to the ratio of 2:3. Therefore, the portrait can be divided into six approximately equal-sized squares.

The Mona Lisa as the conclusion of a three-part portrait series

The division of the paintings into prominently constructed squares is a recurring motif in Leonardo's three undeniably genuine female portraits. There is a clear connection between the number of squares and the timing of their creation:

Around 1491 Lady with an Ermine1 square
Around 1497La Belle Ferronière4 squares
Around 1503Mona Lisa6 squares

The paintings also exhibit a certain chronology. Cecilia Gallerani (Lady with an Ermine) and Lucrezia Crivelli (La Belle Ferronière) were successively mistresses of the Duke of Milan, Ludovico Sforza, and each was the mother of an illegitimate child. Leonardo had worked for the Duke of Milan for approximately 12 years until 1499.

Lady with an Ermine is the simplest in terms of image construction and does not depict any architecture or landscape. In contrast, La Belle Ferronière introduces a wall into the painting, creating a separation between her and the viewers. Despite appearing initially unremarkable, upon closer examination of the composition, the painting reveals a rather complex interplay of harmonies. The subsequent portrait of the Mona Lisa repeats the motif of the wall and now introduces a landscape. The Mona Lisa is no longer behind a wall but in front of it, in a space with the viewers. Due to these non-random connections, it is reasonable to consider the three paintings as part of a series. The childlike Lady with an Ermine is followed by the portrait of a young adult, and with the Mona Lisa, a maternal figure is presented.

Leonardo's Emphasis on the Eyes

It is typical of Leonardo to emphasize one eye of the portrayed figure by placing it on one of the two classical divisions of the width of the painting: halving or the golden ratio. In the case of the Mona Lisa, the vertical midline of the portrait emphasizes her left eye I , as is also the case in the preceding painting La Belle Ferronière, but in contrast to the Lady with an Ermine.

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The Orange Horizon

A second painted horizon line is suggested by a complementary contrast that runs below the top third of the painting. The orange-brown earth tones sharply border along a circular line from a blue color field above it (green line). The unnaturally blue color field above can also be interpreted as a dark cloud wall, for instance, during a severe storm, due to its color and blurry forms. However, this line is too strongly curved for a real landscape (green line). For such a round-looking horizon, one would have to look at the Earth from a very high altitude.

Conclusion on the Different Horizons of the Mona Lisa

Regarding the perspective used, there initially appears to be an inconsistent overall impression. Leonardo was a master of perspective, so painterly incompetence can be ruled out. Perhaps the background landscape shows a picture within a picture, meaning a painted wall or tapestry. This would explain both the unfinished overall impression and the perspective errors. Especially the vanishing point of the columns at the edge of the painting is clearly faulty.

The situation is different if Leonardo wanted to depict the four perspectives (person, architecture, blue and orange horizon) as multiple superimposed views of a landscape, shown from progressively higher viewpoints.

  • In this case, viewers would initially see the Mona Lisa sitting next to her, looking at her
  • The architectural horizon line is high in the painting, indicating that the scene is viewed from a low standpoint, but still above the Mona Lisa's head, for instance, by a person not sitting next to her but standing (white line)
  • The blue horizon line is lower, indicating that the scene is now viewed from a higher standpoint. The horizon line only slightly slopes downward on the right side (blue line)
  • The orange horizon line is even lower, indicating that the scene is now viewed from an even higher standpoint. The horizon line is strongly curved (green line)

The order can also be reversed. In this case, viewers would first see the Mona Lisa from a great height and then descend to her in three stages until reaching eye level. The motif of great height, of ascending into the air, is a central theme in Leonardo's life. Around 1505, two years after starting work on the Mona Lisa, Leonardo conducted flight experiments with the flying machines he constructed at Swan Mountain near Florence. He developed screw propellers (helicopters), and he invented a functional parachute that glides vertically downward.

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The tidal wave interpretation of the Mona Lisa by Martin Kemp

Martin Kemp was a professor of art history at the University of Oxford, with guest professorships at Harvard and Princeton, and is considered the world's most renowned Leonardo expert. He formulates the depiction of the flood in Leonardo's Mona Lisa as follows:

"The landscape of the Mona Lisa, situated on two levels - the higher water surface on the right side [of the painting] is above its natural position - is the quintessence of what Leonardo had learned when contemplating high and low places in Tuscany. The instability of one of the mountains to the left of the head [i.e., from her perspective, on the left], which has an extremely pronounced rock ledge and is deeply incised below, suggests that things will change radically at some unknown time in the future. A tremendous transformation is imminent, where the gently meandering rivers in the lowland under the Mona Lisa's balcony, with the neatly crafted bridge, will be surprised and reshaped by a force majeure against which any human engineer is powerless." (Kemp, Martin [2005]: Leonardo. Munich: Verlag C.H. Beck oHG, pp. 176 f.)

According to Kemp, Leonardo aimed to depict the immense power of the water rushing into the valley. Kemp presents these observations in the chapter 'Master of Water,' specifically in the context of Leonardo's attempts to harness the uncontrollable power of water.

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Silhouette, Mountain, and Light on the Horizon

Indeed, on the right half of the painting, there are references to the biblical flood story. Leonardo did not have to paint the Mona Lisa so that she stands out from the background with a dark color all around. He did so to emphasize her silhouette, just as he led the central axis of the painting through Mona Lisa's left eye, dividing it into a left and a right half.

  • The right silhouette of the Mona Lisa appears as a person viewed from behind in backlight, looking into the distance over a railing, the tidal wave still far away ( IV , Mouseover). The back of Mona Lisa's head almost perfectly describes a quarter-circle only in the right half of the image (lower illustration). With this geometric peculiarity, Leonardo once again underscores the division of the background into a right and left half, directing the viewer's attention to the upper right quadrant of the painting I
  • The high mountain from which Mona Lisa's balcony overlooks the landscape suggests Mount Ararat, where Noah's Ark landed after the flood (Gen 8:4).
  • On the right half, not the left, a bright sunshine is visible on the horizon, shining over a body of water. The color mood recalls the end of the flood: "In the six hundredth year of Noah’s life, in the first month, on the first day of the month, the waters were dried from off the earth. And Noah removed the covering of the ark and looked, and behold, the face of the ground was dry." (Gen 8:13)

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Accordingly, the ark had the dimensions of the golden ratio:

  • It was 300 cubits long, 50 cubits wide, and 30 cubits high.
  • The ratio of the side lengths was thus (divided by 10) 30:5:3.
  • The ratio of width to height was 3:5 (0.6), pointing to the golden ratio, as 3 and 5 are Fibonacci numbers.
  • The roof was to be raised by an additional cubit, making the highest point of the ark 30+1 cubits high.
  • The ratio of 31:50 (height of the roof and width of the ark) was therefore 0.62, close to the golden ratio, which is 0.618.
  • An ark with a width of 1 thus had a raised roof with a height between 0.6 and 0.62.

Additionally, the entrance to the ark was to be on the side.

mona lisa essay titles

mona lisa essay titles

The book "Timaeus" (Italian "Timeo")

One of Plato's most famous works is the book "Timaeus." It contains two themes whose connection is not immediately apparent. Firstly, it introduces the legendary city of Atlantis and vividly describes how it sank into the sea after a tremendous flood. Secondly, it explains the so-called Platonic solids, named after Plato. The connection between flood and geometry in "Timaeus" establishes a link with Leonardo's Mona Lisa.

Raphael portrays Leonardo as Plato with Timaeus

After giving the Mona Lisa its current appearance around 1508, Leonardo was depicted by the younger Raphael as Plato in "The School of Athens" (1510-1511). In the painting, Plato is holding the book "Timaeus." Raphael had seen the original version of the Mona Lisa in Leonardo's workshop in Florence a few years earlier and imitated it in three paintings.

Raffael – Schule von Athen

Leonardo's Academy

The younger Raphael may have depicted Leonardo as Plato out of a general sense of respect, or it could also express a teacher-student relationship, where Leonardo's workshop was understood as an academy in the Platonic sense. Around 1500, during a brief stay in Venice, Leonardo himself created several drawings with geometric interlace patterns. In their center, Leonardo wrote "Leonardo Academia," surrounded by the word "Vici" (Latin for 'I have won'), drawing inspiration from Plato's Academy.

Leonardo da Vinci – Flechtwerk Leonardi Vinci Academia

Plato's triangles

The old man in the Mona Lisa's hair is looking at a compressed cube with the left column base, on which there is a compressed sphere VII . The column bases are more sharply defined on the left side than on the right side, which appears almost transparent, which additionally emphasizes it. The column bases are also in the golden ratio of the picture height. Together with the central parting of the Mona Lisa, the corners of the column bases form the perspective vanishing lines of Painting III . The old man is therefore not looking at precisely this point for no reason. He is inviting us to discover further geometric features of the painting. The child on the left now appears almost jocular, fleeing into his mother's arms in the face of this task.

The Platonic solids and their angles

The Platonic solids are the tetrahedron, octahedron, cube, dodecahedron and icosahedron.

Leonardo da Vinci - Divina Proportione, Kugel

All five Platonic solids consist of just three basic shapes: equilateral triangle, square and regular pentagon. Each of these shapes has specific angles. Sorted according to their size, these are 30°, 45°, 54°, 60°, 72°, 90°, 108° and 120°.

mona lisa essay titles

The bridge of the Mona Lisa

The bridge in the right background of the Mona Lisa consists of 3, 4 or 5 arches, which can no longer be determined beyond doubt due to a light line through four arches that may have been added later. It is interesting to note that the bridge is tilted almost exactly 5° to the top right (blue line). This is the same angle as that from the left column base to the tip on the left sleeve of Mona Lisa VIII . Both lines therefore run parallel.

mona lisa essay titles

Leonardo da Vincis Erfindungen – Zeichnung eines U-Boots

IX The crab

Analogous to the downward-leading symbolic angles, the perplexing image of a vertically cut body of water enhances the association of an underwater world for the lower third of the painting. In the context of Leonardo's submarine inventions and the associated imaginative world, this even seems plausible.

The hands of the Mona Lisa

The central motif of the lower third of the painting is the hands of the Mona Lisa. They are overlaid in a very special way. A first indication of something special is marked by the golden ratio of the image width, which is located where the lower lines of the hands intersect (mouseover, orange vertical). Given what has been shown so far, it is not surprising that the fingers of the Mona Lisa are aligned with specific angles: 30°, 45°, and 60°. When these are connected, they appear against the background of an underwater landscape and, in conjunction with the fingers that are symmetric to each other in a very special way, they resemble a crab.

The angles of the hands

  • From the center of the horizontal golden ratio (orange horizontal), a 60° angle can be drawn to the ring finger of the left hand (white line). From its end, a 75° angle leads over the knuckles to the upper left, to the middle of the height between the lower edge of the screen and the lower wall edge. This creates a symbolical triangle with inner angles of 45°, 60°, and 75° (72° + 3), which is not further explained here
  • the blue lines of the crab have an angle of 45°. They form an M-shaped network of lines. Exactly through the center of the "M," the golden ratio of the image width passes (mouseover, orange vertical)
  • The middle finger and index finger of the right hand are slightly spread apart, and the angle of the index finger is 30° (orange line). Now it takes only a little imagination to recognize the crab (red areas).

mona lisa essay titles

Conclusion: From the bottom of the sea to the highest heights

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The greatest pleasure is the realization Leonardo da Vinci

Mona Lisa Bildanalyse - Horizonte

Website of the exhibiting museum: Louvre-Museum , Paris

Frank Zöllner, Leonardo, Taschen (2019)

Martin Kemp, Leonardo, C.H. Beck (2008)

Charles Niccholl, Leonardo da Vinci: Die Biographie, Fischer (2019)

Johannes Itten, Bildanalysen, Ravensburger (1988)

Robert Descharnes und Gilles Néret, Dali – Das malerische Werk, Taschen (2001)

Die Bibel, Einheitsübersetzung, Altes und Neues Testament, Pattloch Verlag (1992)

Platon, Timaios, Holzinger (2016)

Highly recommended

Marianne Schneider, Das große Leonardo Buch – Sein Leben und Werk in Zeugnissen, Selbstzeugnissen und Dokumenten, Schirmer/ Mosel (2019)

Leonardo da Vinci, Schriften zur Malerei und sämtliche Gemälde, Schirmer/ Mosel (2011)

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  • Art History
  • U.S. History
Artist
Year c. 1503–1519
Medium Oil on poplar
Location Musée du Louvre, Paris
Dimensions 30 in × 21 in
77 cm × 53 cm

The Mona Lisa is quite possibly the most well-known piece of painted artwork in the entire world. It was painted by the Leonardo Da Vinci, the famous Italian artist, between 1504 and 1519, and is a half body commission for a woman named Lisa Gherardini. Her husband, Francesco Del Giocondo requested the work by Da Vinci just after the turn of the century. It is perhaps the most studied piece of artwork ever known. The subject’s facial expression has brought about a source of debate for centuries, as her face remains largely enigmatic in the portrait. Originally commissioned in Italy, it is now at home in the French Republic, and hangs on display in the Louvre in Paris.

The work was requested by subject’s husband, Francesco Del Giocondo. Lisa was from a well-known family known through Tuscany and Florence and married to Francesco Del Giocondo who was a very wealthy silk merchant. The work was to celebrate their home’s completion, as well as a celebration of the birth of their second son. Not until 2005 was the identity of Mona Lisa ‘s subject fully understood, though years of speculation have suggested the true identity of the painting’s subject.

Leonardo da Vinci

The Mona Lisa is famous for a variety of reasons. One of the reasons, of course, for the popularity of the painting is the artist himself. Leonardo da Vinci is perhaps the most recognized artist in the world. Not only was Da Vinci an artist, but he was also a scientist, inventor, and a doctor. His study of the human form came from the study of actual human cadavers.

Because of his ability to study from the actual form of the human, he was able to draw and paint it more accurately than any other artist of his time. While the Mona Lisa may be revered as the greatest piece of artwork of all time, Da Vinci was known more for his ability to draw than to paint. Currently there are only a handful of paintings of Da Vinci’s, mostly because of his largely experimental style of art, and his habit of procrastination. Among his most famous sketches is the Vitruvian Man, which anybody who has ever studied anatomy, human biology, or art knows very well.

But most prominently Da Vinci has been known throughout the centuries as a scientist and inventor. Amongst his ideas were a rudimentary helicopter and a tank. Some of his more notable paintings include the Mona Lisa , of course, as well as The Last Supper. He used a variety of different surfaces to paint on, attributing to a lot of his failures (and a lot of his successes) as a painter. Many of his paintings are biblical in nature, but as his talent and notoriety grew, he was commissioned more regularly for portraits.

Techniques Applied

The Mona Lisa is an oil painting, with a cottonwood panel as the surface. It is unusual in that most paintings are commissioned as oil on canvas, but the cottonwood panel is part of what has attributed to the fame of the painting. Because of the medium used for the image, the Mona Lisa has survived for six centuries without ever having been restored–a trait very unusual when considering the time period of the piece.

While most of the artwork of the Renaissance period depicts biblical scenes, it was the style and technique of the paintings of this period which make them distinguished from other eras of artwork. Anatomically correct features are one of the identifiable marks of this period of history in art, and the Mona Lisa stands out amongst the great paintings for the detail in her hands, eyes, and lips. Da Vinci used a shadowing technique at the corners of her lips as well as the corners of her eyes which give her an extremely lifelike appearance and look of amusement. Her portrait is such that to an observer, they are standing right before Lisa Del Giocondo, with the arms of her chair as the barrier between the observer and the subject of the painting.

Da Vinci also created a background with aerial views and a beautiful landscape, but muted from the vibrant lightness of the subject’s face and hands. The technique Da Vinci used in executing the painting left behind no visible brush marks, something that was said to make any master painter lose heart. It is truly a masterpiece.

The Mona Lisa disappeared from the Louvre in France in 1911. Pablo Picasso was on the original list of suspects questioned and jailed for the theft, but he was later exonerated. For two years, the masterpiece was thought to be forever lost. However in 1913, Italian patriot Vincenzo Perugia was arrested for the crime of stealing the famous painting, and the original artwork returned to its home at the Louvre in Paris. Perugia was an employee of the Louvre at the time, and he believed the painting belonged to Italy. For two years he kept the famous piece of art housed in his apartment, but was discovered when he tried selling to a gallery in Florence, Italy.

Over the centuries, the famous painting has withstood attempts at vandalism as well. The first occurrence of vandalism was in 1956 when somebody threw acid at the bottom half, severely damaging the timeless masterpiece. That same year, another vandal threw a rock at the work, removing a chip of paint from near her elbow. It was later painted over. Afterwards, the piece was put under bulletproof glass as a means of protection has kept the painting from further attempts at vandalism and destruction.

This painting has long been caricaturized in cartoons, has been replicated all over the world, and has been studied by scholars and art enthusiasts alike. The painting is the most widely recognized work of art in the entire world. The oil on cottonwood panel commission of Francesco del Giocondo’s used such precise detail to give an unbelievably lifelike appearance to the painting’s subject. This piece of Renaissance artwork completely changed the techniques and style of painting, and is revered around the world as the greatest masterpiece of all time.

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Mona Lisa - Free Essay Examples And Topic Ideas

The “Mona Lisa,” created by Leonardo da Vinci, stands as an iconic masterpiece of Renaissance art, evoking endless fascination and analysis over centuries. Essays could delve into the historical context of its creation, exploring Leonardo’s innovative techniques, such as sfumato, which contributed to the painting’s lifelike quality. They might also delve into the mysteries surrounding the identity of the subject, the elusive smile, and the distinct background. Discussions might extend to the painting’s journey over centuries, its theft, and return to the Louvre, and its enduring allure that continues to captivate audiences worldwide. The discourse may also touch on the broader influence of the “Mona Lisa” on art and popular culture, examining how it became a symbol of artistic genius and the epitome of aesthetic beauty. We have collected a large number of free essay examples about Mona Lisa you can find in Papersowl database. You can use our samples for inspiration to write your own essay, research paper, or just to explore a new topic for yourself.

Mona Lisa Smile

The 2003 romance movie, "Mona Lisa Smile," directed by Mike Newell, portrays a recent UCLA graduate female art history professor named Katherine Watson. She is hired at the prestigious all-female Wellesley College, in 1953 to teach an art history class to a classroom full of hardworking and demanding young girls, determined to make her feel unwelcome. The girls who attend Wellesley are from some of the most wealthy, influential, and upper-class families in Massachusetts. Despite all the hardships and judgmental […]

The Art between the Creation of Adam and Mona Lisa

Over the pass hundreds of years, there has been all types of beautiful artwork. More than thousands of artworks are in our museums today that has so much meaning and potential. I would like to talk about and to analyze two types of artwork that I find fascinating Today, the creation of Adam and the Mona Lisa. Although these paintings are fascinating to see there's a lot of meaning behind these artworks such as the elements and principle, they have […]

“Leonardo Da Vinci – Worlds Biggest Influencers

"Leonardo da vinci was alone one of our worlds biggest influencers. His works and ideas helped shape us to what we are now as well as leave us still amazed at his work. He was a man of many talents. He was talented in many different skill areas. Leonardo da Vinci was a painter, sculptor, musician, writer, engineer, architect, botanist, anatomist, and an inventor. His work helped change society, as well as his art, including two paintings that remain among […]

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Image Analysis Lego Mona Lisa

The Mona Lisa portrait by Leonardo da Vinci induces vast feelings and attachments to the work of art. The image of Mona Lisa has been vastly explored and studied owing to the intricate details contained in its appearance, both literally and aesthetically. Similarly, the Lego Mona Lisa portrait is a creation of art that is mimicking this great painting by Leonardo da Vinci. Looking at this image, it strikes a sense of wonder and interest in me as I feel […]

Leonardo Da Vinci Began Working on the Mona Lisa

"Leonardo da Vinci began working on the Mona Lisa in 1503, and continued to do so until he died in 1519. The painting itself is rather small, and the sitter depicts an average looking woman, with no jewels, and plain dark clothing. He used layers of glaze to enhance the reflection of light from the painting to the eye, and to give it depth. The way he contoured her cheeks, and carved out her smile using variations of shade, coupled […]

Exemplary Renaissance Art Work

The goal of this paper is to describe in detail an exemplary Renaissance art work. I will explain and discuss how this masterpiece is a perfect representation in respect to specific tendencies of the Renaissance period and its style. The piece chosen for the main topic is the 'Mona Lisa'. The Mona Lisa is thought to have been painted by the artist Leonardo Da Vinci between 1503 and 1506. During the Renaissance era artist strived for humanism artwork were created […]

Art : Mona Lisa

Art is the skill and imagination exercise by the expression of human creativity. We have seen different kinds of art like painting and sculpture that has amazed us throughout our life. There are lots of historical art in this world which were created by some of the legendary artists. Among that Mona Lisa artwork of Leonardo da Vinci is also listed as one of the greatest, famous and amazing artwork of all time. Leonardo da Vinci was one of the […]

Leonardo Da Vinci Painting the Mona Lisa

Even after centuries of Leonardo da Vinci painting the Mona Lisa, it still is the most famous piece of art work of all times. The painting of the Mona Lisa still hangs today in Louvre Museum in a bullet proof glass. Da Vinci's masterpiece interests thousands upon thousands of people from all over the world today. Many viewers tilt their heads as to why the Mona Lisa is still so famous. Some may say, Da Vinci's art work is so […]

Characteristics of the Renaissance

The Renaissance was the period of “rebirth” and creativity that followed Europe’s Middle Ages. Also, the Renaissance was a cultural movement that initially began in Florence, Italy, but later spread throughout Europe. It started around 1350 and ended around 1600. During the Renaissance, people experienced changes in art, inventions, and education. First, the Renaissance had changes in art. Art improved in realism, emotion, and detail. For example, the artist used a method called perspective. Perspective is “a method of showing […]

Leonardo Da Vinci and his Art of Mona Lisa

Leonardo Da Vinci started painting the Mona Lisa around 1503 and 1504 in Florence, Italy. Although some sources state that it was painted between 1503-09, a professor of the History of Art at University of Oxford, Martin Kemp, said there are a lot of difficulties to confirm the actual dates. But through his art, the life long work of the famous Italian Renaissance artist, Leonardo da Vinci, helps contribute the history through his paintings that gives us the understanding of […]

The Mona Lisa Painting

The piece of art work that demonstrate its influence or significance within its cultural context is the Mona Lisa painting. The Mona Lisa is a portrayal of Da Vinci's enthusiasm for workmanship, his new disclosures, and readiness to attempt things new. When taking a gander at the Mona Lisa, a monstrous piece of its prominence originated from the way that the depiction appeared to break each part of conventional painting, yet still maintain Renaissance strategies and qualities. Another way that […]

How Art has been Used to Influence on Issues?

Jacques Louis David, a famous French painter once said. “The artist must be a philosopher. Socrates the skilled sculptor, Jean-Jacques [Rousseau] the good musician, and the immortal Poussin, tracing on the canvas the sublime lessons of philosophy, are so many proofs that an artistic genius should have no other guide except the torch of reason” (David). Art isn't only a creation however an image that can make a development or a certain stance affecting people way of thinking on political […]

Mona Lisa Painting Analysis

The Mona Lisa is a very old and interesting piece of art work. It has influenced many themes and accessories that have been made in the modern time. I think that the Mona Lisa is admired by many other artist as well as regular modern people because of the specific detail that is added in the art piece as well as the effort put into finally making the Mona Lisa. The time and the material that is apart of the […]

Classical Vs. Hellenistic Art: a Letter to Mona Lisa

I understand how difficult it is to see the difference between these two marvelous art styles! Lucky for you I'm here to help. What is most important for you to understand about these two complex artistic styles is that they're both displaying the human figure. The difference between the two? How they represent it! Classical Greek style can be described as simple because of it's emotionless and idealized state (93). The embodiment of these characterizations can be seen through the […]

Painting of Mona Lisa

A painting which doesn't have words but can explain everything just by a view of the true artist. One of the most beautiful works in history is a painting of Mona Lisa by Leonardo in the city Florence between 1503 and 1505. Mona Lisa was beautiful wife of Francesco del Gioconda, but Leonardo never gives the portrait to Francesco. Instead, he kept it with himself. They are the much more profound meaning of the painting some say it is the […]

1300 Italian Art

During the 1300s, Italian Art made a tremendous impact on a variety of people and still does today. Not only was this a turning point for Italian art because of the Renaissance but also because of the realism and new techniques that were brought about during this time. The art reflected the modernization that this time period was entering. These numerous characteristics, styles, and influential artists all displayed the feelings and emotions of the 1300s. The innovations made in the […]

Why was Leonardo Da Vinci Called a Renaissance Man

Leonardo da Vinci was and still is an inspiration for many people. His full name is Leonardo di ser Piero da Vinci, but he is more commonly simply Leonardo or just da Vinci. He is also sometimes called a “Renaissance man”. This term refers a person who is very clever and/or good at a lot of different things, and is appropriate because of all the things that da Vinci is known for. He was talented in many different subjects, such […]

Renaissance Period: Timelime, Arts and Facts

The Renaissance era, lasting from the 14th to the 17th century, was one of the most progressive time throughout human history. Having the meaning of, “rebirth” the Renaissance changed the world dramatically in multiple different ways. Prior to the world changing era, around fifty percent of the European population was killed off by the plague. Following the Middle ages and the black death, the Renaissance era flourished Europe with art, science, mathematics, architecture and sexual expression. It was a time […]

Leonardo Da Vinci and his Life

Genius and artist, Leonardo da Vinci was born on April 15, 1452 in Anchiano, Tuscany (now Italy). This town was close to the town of Vinci, Italy so that is how he got his surname. His parents’ names were Ser Piero, an attorney and Caternia, a peasant woman (Biography.com). According to History, da Vinci’s parents were never married to each other. At a young age of Leonardo’s life, both of his parents began new lives with other partners. He had […]

A Tour of Five Eras Essay

The best representatives of Greek and Roman culture for the Greco-Roman room of the museum are the terra cotta amphora Funerary Crater and marble sculpture Emperor Caracalla, respectively (Benton and DiYanni, pp. 38, 61). Funerary Crater, created by an unknown artist in the eighth century BC, is decorated with black-figure images typical of the Geometric period, mainly depicting mythological symbols and scenes (Benton and DiYanni, p. 38). This fits well with the Greek culture, which was totally permeated by mythological […]

The Revival and Rebirth in Europe

"The Revival and Rebirth in Europe are known as the time when the way of doing artworks and architecture and science dramatically changed in Europe. In this essay I will discuss the relationship between the art and the growing body of scientific knowledge during that period giving more emphasizes to three majors stylistic from that period, that is Renaissance, Baroque and Rococo. The Renaissance Period During this period many developments were made in science, arts, and architecture. As we remember […]

An Ordinary Cover?

Dan Brown’s novel, The DaVinci Code, has always been recognized by critics as a thrilling masterpiece, from the core of its plot to the complexity of its cover. Predominantly a focused snapshot of the Mona Lisa entails the front of the book. Her seductive eyes blatantly ask for attention while creating an uneasy ambience. The purpose of the famous reference is to hook the audience on the aesthetics, as the secrecy surrounding her facial expression seems to be unclear. The […]

Time Capsules from Renaissance and Baroque Periods

"For almost two years, we have been in search of what we believed were time capsules, hidden away between the years of 1400, when the Renaissance period started, and 1750 which marks the end of the Baroque period. We are pleased to announce that our nearly twenty-four year search has ended in the discovery of two such capsules. Each of these capsules contains information, vital to the understanding of past cultures and their origins, and necessary to the development of […]

Biography of Leonardo Da Vinci

Leonardo was born in April 15, 1452, Italy, and he died on May 2, 1519, France. While he was growing, he was exposed to Vinci's long standing painting tradition. When Leonardo was about 15 years old, his father apprenticed him to the well-known workshop of Andrea del Verrocchio in Florence. As an trainee, Leonardo proved his great talent. One of Leonardo's first big breaks was to paint an angel in""Baptism of Christ."" He was so much better than his master's […]

“A Picture Says a Thousand Words”

A wise man once said, "A picture says a thousand words." I have found one of the best painting ever made in the art world. It none other than the famous "The Mona Lisa." For some people, it is just a painting of a woman, but others it’s like the best romantic painting ever. One of the most beautiful works in history is a painting of Mona Lisa by Leonardo da Vinci in the city of Florence between 1503 and […]

A Tour of Five Eras

The best representatives of Greek and Roman culture for the Greco-Roman room of the museum are Funerary Crater and Emperor Caracalla, respectively. Funerary Crater, a terra cotta amphora created by an unknown artist in the eighth century BC, is decorated with black-figure images, mainly depicting mythological symbols and scenes (Benton and DiYanni, 2014, p. 38). This fits well with the Greek culture, which was totally permeated by mythological ideas; a vase such as this one would have been used in […]

Artist :Leonardo da Vinci
Dimensions :77 cm x 53 cm
Location :Louvre Museum (since 1797)
Created :1503
Medium :Oil on poplar panel
Subject :Lisa Gherardini

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The Mysterious Charm of Mona Lisa's Expression

Bella Hamilton

Decoding the Smile: A Psychoanalytic Perspective

The earthly connection: observations on the mona lisa landscape, reflections on leonardo's artistry, conclusion: the timeless allure of mona lisa.

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Essay Samples on Mona Lisa

Exploring feminist literary criticism: unveiling mona lisa smile.

Introduction Self-assessment and criticism help us improve our skills and the ways in which we communicate our ideas and perspectives with others. In this feminist literary criticism essay, I will be critiquing and analysis of the movie Mona Lisa Smile. Firstly, I will explain why...

  • Literary Criticism

Hidden Meanings In Artworks Of The Famous Artists

One of the great things about art is that it is open for interpretations. Its meaning is diverse depending on who created the artwork, when it was made, and the style used in it. Artworks are usually created to feature a subject or express ourselves....

  • Michelangelo
  • Vincent Van Gogh

Analysis And Interpretation Of The Leonardo Da Vinci Masterpiece Mona Lisa

Artwork of Choice Leonardo da Vinci, Mona Lisa, 1503. Oil painting on a poplar wood panel 77cm x 53cm(30 in × 21 in) Description The painting selected for this Art Appreciation exercise is entitled ‘Mona Lisa’ painted by Leonardo da Vinci in 1503–1506 The painting...

  • Leonardo Da Vinci

Historical Person Of The Year Writing Assignment: Leonardo Da Vinci

As many of you know, I am Leonardo da Vinci. Many people know about my accomplishments and the impacts I’ve made; but not about my background, childhood life, or how I got into art. So, I’m going to share it with you for you to...

Comparison of the Art Pieces of Leonardo da Vinci and Andy Warhol

Over time, the type of art people create has changed drastically. Art can be by what events are happening in the time that it was made or what materials were available/discovered. Each artist has a very different and unique style. For an example, Leonardo da...

  • Art History

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The Roles and Responsibilities of Women in Mona Lisa

Today I will be discussing the changing roles and responsibilities of women in film, especially in Mona Lisa Smile. Mona Lisa Smile, directed by Mike Newell, is about Katherine Watson (an art history teacher) inspiring her students at Wellesley College to challenge the lives they...

  • Gender Roles

The Art Reproduction of Mona Lisa as the Symbol of Luxury

Using the Mona Lisa original painting and the mass reproduction of the Mona Lisa as an example to demonstrate the Mona Lisa’s portrayal of luxury and power to manipulate and altered for consumer needs. The Mona Lisa is a painting of a portrait by Leonardo...

Comparative Analysis of Da Vinci's Mona Lisa and Frida Kahlo's Self-Portrait

Throughout history and its origin since when it first started, art has been the way of expressing creativity, uniqueness, and above all skills using the imagination of the human brain. For example, many painters would portray their feelings on a blank canvas while others would...

  • Frida Kahlo

Best topics on Mona Lisa

1. Exploring Feminist Literary Criticism: Unveiling Mona Lisa Smile

2. Hidden Meanings In Artworks Of The Famous Artists

3. Analysis And Interpretation Of The Leonardo Da Vinci Masterpiece Mona Lisa

4. Historical Person Of The Year Writing Assignment: Leonardo Da Vinci

5. Comparison of the Art Pieces of Leonardo da Vinci and Andy Warhol

6. The Roles and Responsibilities of Women in Mona Lisa

7. The Art Reproduction of Mona Lisa as the Symbol of Luxury

8. Comparative Analysis of Da Vinci’s Mona Lisa and Frida Kahlo’s Self-Portrait

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The feminist inspiration of Mona Lisa

mona lisa essay titles

This year marks the 500th anniversary of the death of the Italian genius, Leonardo da Vinci, who died on 02 May 1519. On this occasion, UNESCO highlights some of the comments concerning the origins of one of the most famous paintings in history: Was Mona Lisa painted in a feminist spirit?

The thesis of the American art lover William Varvel highlights the links between feminism and the painting. According to his findings, Mona Lisa would represent a figure in the fight for gender equality. Why? William Varvel insists on "the theological rights of women" claimed through the vision of the famous painting from the Renaissance Period. These rights are linked to the status of priests, which women do not have access to. Therefore, the painting representing Mona Lisa would have for true desiderata the possibility for the women to have access to the priesthood. William Varvel assures that "Mona Lisa is a kind of declaration for the rights of women".

To support his argument, the author of The Lady Speaks: Uncovering the Secrets of the Mona Lisa explains how Leonardo hid clues in the painting: in total, not less than "40 symbols, taken from the 21 verses of the chapter 14 of the Book of the Prophet Zechariah" in the painting.

Therefore, there is a link between religion, the painting of the Italian master and his feminist commitment. It is precisely this link that William Varvel wishes to highlight in order to allow a reflection on the subject. A new definition of the place of Mona Lisa in the artworks from the Renaissance is necessary to apprehend the political and feminist scope of this masterpiece.

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The art of art citations

mona lisa essay titles

by Zoë Mahler

We all know that adding images to papers doesn’t impact the page number of our writing (and if you didn’t know that, then you’ve just received your first tip). That being said, as an art history major I have learned over the years the importance of correctly citing images in papers and all the mechanics that lead to a perfect citation.

I once wrote a paper for a 300-level art history course that included twelve different paintings by three separate Impressionist painters. It was a lot, and writing about all of them (while also making sure I wasn’t mixing any of them up) was quite the hassle.

Here are a few simple tips and tricks for properly citing images in an art history paper using the Chicago Manual Style. Let’s use the Mona Lisa as an example.

First things first: There are a few things to remember the very first time you mention an image. 1) Make sure you are presenting the reader with the full name of the piece, the artist, and the date of the painting. 2) Whenever you address the work of art, it must always be italicized: Mona Lisa . 3) Make sure to place (Figure 1) in parentheses after the image. This way, when you cite the images at the end of your paper, the reader can see which painting correlates to the writing. The only time you use (Figure 1) is after you introduce the painting the first time. For the rest of your paper, just call it by name, as with the Mona Lisa .

Bringing all these pointers together, here is an example of what the final product may look like:

In his 1503 painting, the Mona Lisa , Leonardo da Vinci creates his own natural background behind the smiling woman to complement her color palette (Figure 1).

Now you are at the end of your paper: After your bibliography, insert a picture of the artwork into your Word document. All your artwork will be the final pieces in the order they appear in your document, starting with Figure 1.

But how and where do you cite these artworks? It’s pretty simple. The only place you need to cite your photos – unless it is something you saw in person for a gallery talk – is after the bibliography (as mentioned before). You do not cite photos of your artworks in your bibliography unless you went to the museum yourself and saw the painting firsthand. For this example, I obviously have not gone to the Louvre to see the Mona Lisa , so the only place I am citing this photo is below the image. You can simply follow this format:

Format: Figure no. Title of Artwork , artist, date, name of gallery, City.

Example: Figure 1. Mona Lisa , Leonardo da Vinci, 1503, the Louvre, Paris.

You will not always know where a painting is being held, and sometimes it may not even be on exhibit. Because of this, it’s okay if you only have the first three criteria.

Correctly citing your artworks or pictures in a paper not only lets the reader know what they should be looking at or imagining from your writing, but it also helps you categorize what you’re working on for your own benefit. If I hadn’t been establishing which figure was which while I was writing my paper, I probably would have gotten pretty confused from time to time. As long as you follow these guidelines, your paper should be a pristine work of art itself!

Zoë Mahler is a senior with an art history and mass communication double major, and a religion and sociology double minor. She spent her summer on a Principia Abroad program studying archaeology and prehistoric Neolithic temples in the United Kingdom and Malta.

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“Mona Lisa Smile” Movie Analysis Essay

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Introduction

Plot summary, social issue addressed by mona lisa smile, examples of how the social issue is addressed, analysis of key moments.

Mona Lisa Smile is a film based in New England in the 1950s. The movie title references the famous art by Leonardo Da Vinci called Mona Lisa . The film is a drama about a teacher who travels to teach students in New England in a school called Wellesley. Throughout the film, there are references to social issues that affect women being addressed. The director uses art to present the way women’s role in society had been viewed in the 50s in America. Society at that time was largely patriarchal and women were seen as helpers. The main character, Katherine Watson, finds it hard to believe that women could accept to drop their ambitions in favor of getting married. Mona Lisa Smile criticizes the traditional views about women role only being mothers and wives and concludes that women have the right to make their own choices.

The setting of the movie is 1953, first in California than in New England where the school is based. Katherine applies for a job to teach art history at a school called Wellesley and is called for an interview. The school is prestigious and the students are well informed about traditional art history. Amanda, a nurse at the school for 21 years, tells Katherine that the students can be intimidating if they sense fear ( Mona Lisa Smile 5:42-5:46). The teacher realized that she had to use different methods to teach the students. Katherine centered her art class on three questions: what is art? Is art good or bad? what criteria can be used to decide these questions?

Wellesley school was more interested in ensuring that students understood their role either as a husband or a wife. Girls were taught that the only grade that matters is the one a husband gives for the performance of a wife and mother. Ironically, the teacher who taught the ladies how to poise and elocute was insecure and lonely. Ultimately, the ladies realized what Katherine was teaching them and finally started making their own choices. In the end, Katherine is surprised by the impact she had on the women in her class.

The film addresses the issue of women’s role in society. In the 1950s many people believed that women’s position was as mothers and wives. Society at that time was patriarchal and the director of the movie wanted to illustrate how most the women were forced to stop their careers and get married (Fatmawati). In the first 20 minutes of the movie the director presented the way different characters think. One of the students, Betty, was wealthy and was interested in following her mother’s conservative views about life. Her mother was a board member in the Wellesley school and had always taught her daughter to work hard and then find a wealthy husband. The girls at the school are taught foreign languages for them to be ready to host perfect dinner parties for their beau boss. The ladies are also taught how to poise and speak correctly when hosting dinner parties. Therefore, the main aim is to prepare the women for marriage and the men for work and further education.

The role of women in our society has always generated interest from various areas. Currently, women’s rights have become more advanced with many organizations pushing for equality. The way women are viewed at home has also changed as compared to in the past. Katherine tried to help the girls avoid making the mistake of failing to pursue their dreams. She talked with Joan, a bright student who had always wanted to pursue law and become a high-profile lawyer. However, she is disappointed when she learned that Joan had secretly been married and moved to Philadelphia. What frustrates her more is that Joan had to stay at home while her husband went off to graduate school. This meant that Joan would lose precious time that would have been used to further her education. The girls became consumed by the traditions imposed on them when growing up which prevents them from questioning why they are forced to follow the traditions. Through Katherine, the ladies learn of a different way of living life which leaves a lasting impact on them.

The need to have free will when making decisions in life has always been at the center of the arguments to bring equality. Women should not exist as though they depend on other people to make decisions. The 1950s was a period where the conservative ideas about society, in general, had taken root. Some of the women who desired to live a different life got criticism from their families and were forced to adhere to the traditional societal ideals (Kyle 227). In the movie, an argument ensues when Giselle tells Betty how she admires the way Katherine encouraged students to be independent. Betty was of a different view as she believed more in the conservative ideals imposed by the school.

One of the examples is when Katherine was getting to know the students and met Joan who was one of the smartest in the class. The meeting surprised Katherine because she realized that Joan intended to finish school and get married. When she asked Joan, what happens after getting married the student replied sarcastically “…then I will be married” ( Mona Lisa Smile 30:41). This shows that for the student marriage was the main objective after school. Being smart did not provide Joan with the motivation to continue her studies because of the way she was brought up knowing that marriage was important. While addressing the need for women to make their own choices, the director also addressed the importance of education. This is because without education the students would not have been exposed to different viewpoints about life.

Another instance happened when Katherine was teaching the students using her new model of teaching. A student questioned why married students were allowed to miss classes which forced Katherine to be strict with Joan. The missing class due to being married appeared a normal thing because of the conservative nature of the school. Joan threatened the teacher since she knew her mother was on the board and she would not be expelled. For Katherine, this situation presented an opportunity to ask for more support from the top management. However, she was told that change happens slowly which infuriated her. The director wanted to show the effects of early marriages on women’s ability to make better choices.

The other instance is when Betty got married but after some time the marriage fell apart. When she went to her mother for help, she was told to go back to her husband. Her mother did not want to listen to what she was saying instead she wanted her to go back immediately. This part illustrates the traditional views that were held by most of the older women and men. The position of women had greatly been diminished to that of a submissive person that has no free will (Fatmawati). In showing how Betty got shunned by her mother the director wanted to illustrate how hard it was for women to get support even from their families.

The lack of support that Betty experienced may affect the way a person perceives a situation. She was lucky to have a teacher who encouraged women to be independent. As a teacher, Katherine provided the girls with the ability to rediscover themselves. They were able to understand the importance of education in their life. Katherine wanted to raise women who would go and become the leaders of tomorrow. Her quest to change the way the school viewed women’s position in society was remarkable as it helped change other people’s life. Two of the girls applied for a law degree at Yale University and succeeded which shows that they were bright. Therefore, Katherine showed how important a teacher is in the life of students.

During the opening address by the head of the school, the students are told that soon one of their major roles will be to take care of their husbands and children. The address was to welcome the students to the school and tell them what the school expects of them. The speech was also a message to the girls about what society expects of them. The school reinforced these ideals by teaching students how to act when hosting parties for their husbands’ friends. Katherine is infuriated by the message provided to the students as it is against what she believes in. The idea that women should only perform the roles of wives and mothers was demeaning. This is because the students were smart enough to venture into enterprising courses that would be fulfilling. Some of the students, for example, Betty and Giselle, had a dream to enroll at Yale University.

Another key moment is when Katherine convinced Joan to apply to Yale University because of her interest in law school. She had already enrolled in pre-law which made the teacher aware of her interest. After the conversation with the teacher, Joan applied to Yale University and was accepted. However, she changed her mind and decided to get married to her fiancée, Tom Donegal. When the teacher got wind of the news, she became frustrated and angry that Joan had made that choice. Joan told the teacher that being a wife did not make her any less intelligent. Parents’ influence on children is strong because students follow what they learn and see (Morin 165). The decision to become a wife conformed to what the school wanted but was against what their teacher taught them. For the teacher, it was better to continue studies and venture into careers that they prefer. This part also indicates the role of the teacher in shaping the decisions of the students in a positive way (Kupfer 95). However, some of the students are influenced by their parents to adopt more conservative ideals that limit their independence.

When the school invited Katherine to continue teaching the school, it indicates how popular her class had become. It also showed the school had realized the importance of educating students to make informed choices and not putting limitations on their development. Betty, who had also chosen to get married, found Katherine as the only one who cared to listen and help her when her marriage got rocky. Eventually, she decides to divorce her husband and move to Yale university to start a law degree. She had decided to live a life of her own without worrying about what society thought. This was an indicator of how the influence of a teacher can help change the way people think and act. The teacher was able to have a profound influence on the students.

In conclusion, Mona Lisa Smile focuses on how women were viewed in society during the 1950s. The film portrays the Wellesley school as a conservative place where the women are taught how to be mothers and wives. They learn the right way to speak and pose at dinner parties. The main character, Katherine, tries to change this culture by teaching the students that there is a possibility of being independent by pursuing a career. Several of the students had an interest in going for further studies. Joan wanted to be a lawyer but chooses to get married instead. The action by Joan and Betty made Katherine angry because she thought they were serious about enrolling in further studies. In the end, the students realized the importance of education and their role as women in society. They learned that women can also make their own choices without conforming to what society tells them.

Fatmawati, Septi. Feminity of the 1950s on the movie Mona Lisa smile. Diss. Universitas Negeri Malang, 2018.

Kupfer, Joseph H. “Classroom Creativity: Pedagogical Adaptability in Film.” Journal of Higher Education Theory and Practice 20.1 (2020): 94-98

Kyle, Killian. “Mona Lisa Smile, Wit, and Teacher’s Pet: Three Depictions of Female Academics.” Journal of Feminist Family Therapy 29.4 (2017): 226-228.

Mona Lisa Smile . Directed by Mike Newell, performance by Julia Roberts, music by Rachel Portman, Sony Pictures, 2003

Morin, Céline. “Nuclear families and radical feminism in 2000’s American TV series.” International Journal of Media & Cultural Politics 15.2 (2019): 163-174.

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IvyPanda. (2022, July 19). "Mona Lisa Smile" Movie Analysis. https://ivypanda.com/essays/mona-lisa-smile-movie-analysis/

""Mona Lisa Smile" Movie Analysis." IvyPanda , 19 July 2022, ivypanda.com/essays/mona-lisa-smile-movie-analysis/.

IvyPanda . (2022) '"Mona Lisa Smile" Movie Analysis'. 19 July.

IvyPanda . 2022. ""Mona Lisa Smile" Movie Analysis." July 19, 2022. https://ivypanda.com/essays/mona-lisa-smile-movie-analysis/.

1. IvyPanda . ""Mona Lisa Smile" Movie Analysis." July 19, 2022. https://ivypanda.com/essays/mona-lisa-smile-movie-analysis/.

Bibliography

IvyPanda . ""Mona Lisa Smile" Movie Analysis." July 19, 2022. https://ivypanda.com/essays/mona-lisa-smile-movie-analysis/.

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An exhibition opening in January is to mingle recent fashions with precious objects spanning from the Middle Ages to the Second French Empire.

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The grand salon on display at the Louvre Museum's Napoleon III apartments.

PARIS — Mad for 18th-century interiors, Karl Lagerfeld frequently visited the Louvre , knew its holdings by heart, and drew inspiration from its sumptuous furniture and lacquered screens.

In January, some of the late German designer’s haute couture and métiers d’art creations for Chanel all that inspired will invade the storied Paris museum, which is mounting its first fashion-focused exhibition , tracing how precious objects from Byzantine times through to the Second French Empire have fueled designers’ imaginations — and continue to do so.

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Slated to run from Jan. 24 to July 21, the exhibition — whose title has yet to be finalized — is to showcase about 65 ensembles and 30 accessories. These will be installed across the 9,700 square feet that showcase the Louvre’s vast decorative arts holdings, which range from suits of armor, ceramics, ivories, tapestries, scientific instruments, jewelry, bronzes, stained glass and silverware to the lavish Napoleon III apartments.

Officially created in 1893, the department has amassed a collection of 20,000 objects, a little more than a third of which are on display at any given time.

As it has no fashion holdings, barring some lavish coats from The Order of the Holy Spirit, the Louvre is borrowing looks from an array of fashion designers and houses in France, Italy, the U.K. and the U.S. (France’s national fashion collection belongs to Les Arts Décoratifs , where Gabet was director for nine years before joining the Louvre in 2022.)

For the forthcoming exhibition, Gabet opted to focus on “more recent creation” — from the ’60s through to today — eager to demonstrate how contemporary fashion is often rooted in history, its designers gleaning inspiration for silhouettes, colors and embellishment from artworks and decorative objects.

While the Louvre has a relatively small collection of armor, Gabet noted he could easily mount an entire exhibition exploring how these protective garments, which can echo or exaggerate the body, have influenced numerous designers, including Paco Rabanne, Thierry Mugler and Balenciaga’s Demna, who closed his fall 2023 couture show with a metal Joan of Arc ballgown .

The forthcoming exhibition could bring “a different kind of audience” to look at the museum’s “very historical collections,” which Gabet acknowledged can seem foreign and extraneous, especially to young people.

Gabet, who is curating the display, said he aims to make links between the historical objects and the recent fashion creations immediately obvious, though they reflect varying degrees of inspiration — sometimes almost direct and literal, sometimes more blurred from a busy mood board.

The spirit of the exhibition is to exalt the fact that fashion designers and other creatives who are nourished by museums are often these institutions’ best ambassadors, drawing different perceptions and connections than curators or art historians, Gabet said.

He marveled how designers are drawn to different fields of artistic creation: Erdem Moralıoğlu to period textiles, Jonathan Anderson to ceramics and crafts, Maria Grazia Chiuri to artists during the Italian Renaissance, the late Lee Alexander McQueen to Renaissance tapestries, and Christian Louboutin to ceramics by Wedgwood and Manufacture Nationale de Sèvres, and giltwood furniture, since his father was a cabinetmaker.

All of the fashions and accessories will be sprinkled across the Louvre’s permanent galleries, with interior architect Nathalie Crinière conscripted for the set design. Crinière had collaborated with Gabet on large-scale exhibitions at Les Arts Décoratifs, including the blockbuster Dior one in 2017.

The exhibition will also pay homage to Madame Carven, as she and her husband were major benefactors of the Louvre, donating an important collection of 18th-century furniture and decorative objects. “So it will be different layers of relationships,” Gabet said.

Participants are to range from Dolce & Gabbana and Yohji Yamamoto “to perhaps some surprise with younger fashion designers,” he teased.

“We need to be very open minded in the way we propose dialogues between fashion and art,” Gabet said.

Indeed, the display is to address questions about “the silhouette and the body,” the question of history and inspiration, fashion’s connection to craft, and its mixing of elements from all over the world.

Fashion exhibitions also showcase more than dresses these days, exemplified by the recent Iris Van Herpen retrospective at Les Arts Décoratifs that incorporated fossils, skeletons, avant-garde artworks, microscopes and various tools and installations.

Gabet said the project at the Louvre will be unique given the depth of the collection, spanning more than a dozen centuries, and given that the exhibition is not monographic, featuring the work of about 40 designers.

He also stressed that the Louvre exhibition starts from its collection and draws links to fashion, not the other way around.

“Today, I think that fashion is even more interesting when it is shown in connection with other fields,” he said. “When you talk to a designer, of course they talk about fashion, but they also talk about art, they talk about craft, they talk about photography. It’s a big shift right now in the way fashion looks at itself — in relation to other fields of creation.”

In this vein of new perspectives, Gabet decided to tap the Louvre’s brain trust in various fields of expertise to write essays in the exhibition catalogue.

“I think it’s interesting for once to ask art historians and museum curators to share their feelings about fashion,” he said.

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mona lisa essay titles

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  1. Formal analysis of the mona lisa essay

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  2. "Mona Lisa Smile" Movie Analysis

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  3. Formal Analysis of the Mona Lisa Essay Example

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  4. Legendary portrait by leonardo da vinci

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  5. 📚 Art Work Details and Description: Mona Lisa

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  6. The Mona Lisa by Leonardo da Vinci Essay Example

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COMMENTS

  1. 66 Mona Lisa Essay Topic Ideas & Examples

    📌 Simple & Easy Mona Lisa Essay Titles; 👍 Good Essay Topics on Mona Lisa; 🏆 Best Mona Lisa Topic Ideas & Essay Examples. Mona Lisa's Elements and Principles of Art. The image involves a half-body portrait of a woman, and the enigmatic smile of the lady reflects the artist's idea of the connection between nature and humanity. ...

  2. 130 Mona Lisa Essay Topic Ideas & Examples

    The Mona Lisa is undoubtedly one of the most famous and iconic paintings in the world. Painted by Leonardo da Vinci in the early 16th century, the portrait of a mysterious woman with a slight smile has captivated audiences for centuries. If you're tasked with writing an essay about the Mona Lisa, you may be wondering where to start.

  3. Mona Lisa

    Leonardo da Vinci: Mona Lisa. Mona Lisa, oil on wood panel by Leonardo da Vinci, c. 1503-19; in the Louvre, Paris. Mona Lisa, oil painting on a poplar wood panel by Leonardo da Vinci, probably the world's most famous painting. It was painted sometime between 1503 and 1519, when Leonardo was living in Florence, and it now hangs in the Louvre ...

  4. Mona Lisa's Elements and Principles of Art Essay

    Introduction. The Mona Lisa, painted by Leonardo da Vinci, is among the most famous paintings globally.The artist painted the Mona Lisa due to his fascination with the way light appears on curved surfaces. The image involves a half-body portrait of a woman, and the enigmatic smile of the lady reflects the artist's idea of the connection between nature and humanity.

  5. Smarthistory

    The Mona Lisa is a likely a portrait of the wife of a Florentine merchant. For some reason however, the portrait was never delivered to its patron, and Leonardo kept it with him when he went to work for Francis I, the King of France. The Mona Lisa's mysterious smile has inspired many writers, singers, and painters.

  6. Mona Lisa, Leonardo da Vinci: Analysis, Interpretation

    Interpretation of Mona Lisa. Valued in excess of $1 billion, the Mona Lisa, perhaps the greatest treasure of Renaissance art, is one of many masterpieces of High Renaissance painting housed in the Louvre. The painting is known to Italians as La Gioconda, the French call her La Joconde. The work is arguably the finest ever example of portrait ...

  7. Leonardo da Vinci (1452-1519)

    Mona Lisa (ca. 1503-6 and later) Leonardo may also be credited with the most famous portrait of all time, that of Lisa, wife of Francesco del Giocondo, and known as the Mona Lisa (Musée du Louvre, Paris). An aura of mystery surrounds this painting, which is veiled in a soft light, creating an atmosphere of enchantment. ... Additional Essays ...

  8. Simple & Easy Mona Lisa Essay Topics

    An Analysis of the Mona Lisa Painting, Art, and the Human Experience. Good Essay Topics on Mona Lisa. The Viewpoint of the Mona Lisa as a Recreated Oil Painting. Realities about the Legendary Mona Lisa Painting. Marilyn Monroe Paintings by Warhol and the Mona Lisa by Da Vinci. Leonardo da Vinci's Mona Lisa Reveals the Hidden Persona.

  9. Essay on Mona Lisa

    The Mona Lisa is not just a painting; it is a piece of history that has fascinated people for over 500 years. Its simplicity and mystery make it a masterpiece that people of all ages can appreciate. 500 Words Essay on Mona Lisa Introduction to Mona Lisa. The Mona Lisa is a world-famous painting by the Italian artist Leonardo da Vinci.

  10. The detail that unlocks the Mona Lisa

    The detail that unlocks the Mona Lisa. The 1503 painting by Leonardo da Vinci is the world's most famous piece of art. Kelly Grovier explores an overlooked object that offers a different ...

  11. Mona Lisa

    The Mona Lisa (/ ˌ m oʊ n ə ˈ l iː s ə / MOH-nə LEE-sə; Italian: Gioconda [dʒoˈkonda] or Monna Lisa [ˈmɔnna ˈliːza]; French: Joconde) is a half-length portrait painting by Italian artist Leonardo da Vinci.Considered an archetypal masterpiece of the Italian Renaissance, [4] [5] it has been described as "the best known, the most visited, the most written about, the most sung about ...

  12. Why Is the Mona Lisa So Famous?

    The Mona Lisa 's fame is the result of many chance circumstances combined with the painting's inherent appeal. Encyclopædia Britannica, Inc. There is no doubt that the Mona Lisa is a very good painting. It was highly regarded even as Leonardo worked on it, and his contemporaries copied the then novel three-quarter pose.

  13. Mona Lisa

    Mona Lisa - Renaissance, Iconic, Masterpiece: The influence of the Mona Lisa on the Renaissance and later times has been enormous, revolutionizing contemporary portrait painting. Not only did the three-quarter pose become the standard, but also Leonardo's preliminary drawings encouraged other artists to make more and freer studies for their paintings and stimulated connoisseurs to collect ...

  14. ≡Essays on Mona Lisa. Free Examples of Research Paper Topics, Titles

    2 pages / 684 words. Created between 1504 and 1505, Mona Lisa is a portrait of the famous Italian Renaissance painter Leonardo Da Vinci. It represents the highest artistic achievement of Da Vinci, successfully shaping the image of a woman of the urban bourgeoisie during the rise of capitalism.

  15. Mona Lisa

    The Mona Lisa is a painting by Leonardo da Vinci, which he began around 1503 and worked on until his death in 1519. It depicts a mysteriously smiling woman known as Mona Lisa. The identity of the Mona Lisa is unresolved, but the majority of researchers believe it to be Lisa del Giocondo. The Mona Lisa is considered the most famous and renowned ...

  16. Overview Of The Mona Lisa Art Essay

    Mona Lisa is a 16th century painting made from oil and popular wood. Due to the painting's mystique and technical mystery, it is one of the world's most famous paintings. Mona Lisa also known as La Joconde or La Giocondo was made by a "Renaissance Man", an Italian artist known as Leonardo da Vinci (Sassoon, 2002).The painting was later ...

  17. Mona Lisa by Leonardo da Vinci

    The Mona Lisa is quite possibly the most well-known piece of painted artwork in the entire world. It was painted by the Leonardo Da Vinci, the famous Italian artist, between 1504 and 1519, and is a half body commission for a woman named Lisa Gherardini. Her husband, Francesco Del Giocondo requested the work by Da Vinci just after the turn of ...

  18. Mona Lisa Free Essay Examples And Topic Ideas

    26 essay samples found. The "Mona Lisa," created by Leonardo da Vinci, stands as an iconic masterpiece of Renaissance art, evoking endless fascination and analysis over centuries. Essays could delve into the historical context of its creation, exploring Leonardo's innovative techniques, such as sfumato, which contributed to the painting ...

  19. The Enigmatic Mona Lisa: Unraveling Leonardo's Masterpiece

    Essay, Pages 6 (1291 words) Views. 31618. Leonardo da Vinci's iconic painting, the Mona Lisa, created between 1503 and 1505 in Florence, is a timeless masterpiece that continues to captivate viewers with its enigmatic beauty. Depicting Monna Lisa, the wife of Francesco del Giocondo, the portrait is also known as La Gioconda.

  20. Mona Lisa Essays at WritingBros

    Analysis And Interpretation Of The Leonardo Da Vinci Masterpiece Mona Lisa. Artwork of Choice Leonardo da Vinci, Mona Lisa, 1503. Oil painting on a poplar wood panel 77cm x 53cm (30 in × 21 in) Description The painting selected for this Art Appreciation exercise is entitled 'Mona Lisa' painted by Leonardo da Vinci in 1503-1506 The ...

  21. The feminist inspiration of Mona Lisa

    Therefore, the painting representing Mona Lisa would have for true desiderata the possibility for the women to have access to the priesthood. William Varvel assures that "Mona Lisa is a kind of declaration for the rights of women". To support his argument, the author of The Lady Speaks: Uncovering the Secrets of the Mona Lisa explains how ...

  22. The art of art citations

    1) Make sure you are presenting the reader with the full name of the piece, the artist, and the date of the painting. 2) Whenever you address the work of art, it must always be italicized: Mona Lisa. 3) Make sure to place (Figure 1) in parentheses after the image. This way, when you cite the images at the end of your paper, the reader can see ...

  23. "Mona Lisa Smile" Movie Analysis

    Introduction. Mona Lisa Smile is a film based in New England in the 1950s. The movie title references the famous art by Leonardo Da Vinci called Mona Lisa. The film is a drama about a teacher who travels to teach students in New England in a school called Wellesley. Throughout the film, there are references to social issues that affect women ...

  24. The Louvre Museum in Paris is Mounting its First Fashion Exhibition

    EXCLUSIVE: Move Over Mona Lisa: Fashion Is Coming to the Louvre. An exhibition opening in January is to mingle recent fashions with precious objects spanning from the Middle Ages to the Second ...