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Last Updated : 25 Dec, 2022 07:14 AM

Published : 25 Dec 2022 07:14 AM Last Updated : 25 Dec 2022 07:14 AM

கனெக்ட்: திரை விமர்சனம்

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மருத்துவரான கணவர் ஜோசப் (வினய்) கரோனாவால் இறந்ததும் அவர் மனைவி சூசனுக்கும் (நயன்தாரா) மகள் அனாவுக்கும் (ஹனீயா நஃபீஸ்), சூசனின் தந்தை ஆர்தர் (சத்யராஜ்)தான் ஆறுதல். அவர், இவர்களிடம் வீடியோ காலில் அவ்வப்போதுபேசிவருகிறார். இந்த நேரத்தில் சூசனுக்கும் அனாவுக்குமே கரோனா பாசிட்டிவ் வந்துவிட, வெவ்வேறு அறைகளில் தனிமைப்படுத்தப்படுகிறார்கள். அப்போது அனா செய்யும் ஒரு செயலால் அவரைத் தேடி வந்து ஒட்டிக்கொள்கிறது ஒரு முரட்டுப் பேய். யாரும் உதவி செய்ய இயலாத பொதுமுடக்கக் காலத்தில் அந்த அடங்கா பேயை எப்படி விரட்டி, தன் மகளை சூசன் மீட்கிறார் என்பதுதான் கதை.

கரோனா காலகட்டத்தில் ஜூம் மீட்டிங், வீடியோ கால் வியாபாரம் என கற்றுக்கொண்ட நமக்கு அதேமுறையில் பேய் விரட்டும் வேலையை சொல்லி இருக்கிறது, படம். ஏற்கனவே‘மாயா’, ‘கேம் ஓவர்’ படங்களில் அதிகமாக பயங்காட்டிய இயக்குநர் அஸ்வின்சரவணன், இதிலும் அந்தப் பயத்தையே தர முயன்றிருக்கிறார். அவரின்முந்தைய படங்களின் கதையில் இருந்த அழுத்தமும் பார்வையாளர்களை ஈர்க்கும் திரைக்கதையும் இதில் கொஞ்சம் ‘மிஸ்சிங்’.

மகளுக்குப் பிடித்திருக்கும் பேயை விரட்டுவதுதான் கதை என்பதாலும் அதற்கான காட்சிகள், பல ஹாரர் படங்களில் பார்த்தது என்பதாலும் பெரிதாக ஈர்க்கவில்லை. ஆரம்பத்தில் சுவாரஸ்யமாகச் செல்லும் கதை, பேய் விஷயத்துக்குள் வந்ததும் சுருண்டுவிடுகிறது. ஆனால், கடைசி 20 நிமிடக் காட்சிகள், படமாக்கப்பட்ட விதத்தில் படபடப்பையும் பீதியையும் தந்துபோகிறது.

அதற்கு, மணிகண்டன் கிருஷ்ணமாச்சாரியின் ஒளிப்பதிவும் அவர்பயன்படுத்திய லைட்டிங்கும் ரிச்சர்ட்கெவினின் படத்தொகுப்பும் பிரித்விசந்திரசேகரின் பின்னணி இசையும், சச்சின் சுதாகரன் மற்றும் ஹரிஹரனின் ஒலி வடிவமைப்பும் அழகாக உதவி இருக்கின்றன. என்றாலும் அது மட்டும் போதாதே!

மகளுக்கு ஏதோ ஆகிவிட்டது என்பதைப் புரிந்து தவிக்கும்போதும், அவளை மீட்கப் போராடும் ஒரு தாயின் மனநிலையை சிறப்பாக வெளிப்படுத்தி இருக்கிறார், நயன்தாரா. அவர் மகளாக நடித்திருக்கும் ஹனீயா நஃபீஸ், தெய்வத்தை நம்பும் தந்தை சத்யராஜ், கொடுமையான பேயை விரட்டும் மும்பை பாதிரியார் அனுபம் கெர், நயன்தாராவின் கணவராக வரும் வினய் உட்பட அனைவரும் பாத்திரமறிந்து நடித்திருக்கிறார்கள்.

‘ஆன்லைன் மூலம் பேயோட்டுதல்’ என்ற புதுமையில், இன்னும் வலுவான கதையை அமைத்திருந்தால் பார்வையாளர்களுடன் ஆழமாக ‘கனெக்ட்’ ஆகியிருக்கும் இந்த ‘கனெக்ட்’.

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அன்பு வாசகர்களே....

இந்த ஊரடங்கு காலத்தில் வீட்டை விட்டு வெளியே வராமல் நமக்கு நாமே சமூக விலகல் ( Social Distancing) செய்து கொள்வோம். செய்தி ஊடகங்களின் வழியே உலகுடன் தொடர்பில் இருப்போம். பொதுவெளியில் இருந்து தனிமைப்படுத்திக் கொண்டு கரோனா பரவலைத் தடுப்பதில் நம் பங்கை முழுமையாக இந்த சமூகத்துக்கு அளிப்போம்.

CoVid-19 கரோனா தடுப்பு / விழிப்புணர்வு கையேடு - இலவசமாக டவுன்லோடு செய்து பயன்பெறுங்கள்!

- வாசகர்கள் நலனில் அக்கறையுடன் இந்து தமிழ் திசை

தவறவிடாதீர்!

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Glimpses from the big and glitzy SPECIAL PREMIERE of #Connect 🌟 full video coming soon! #ConnectFromDec22 in theatres near you. @VigneshShivn #Nayanthara @AnupamPKher #Sathyaraj #VinayRai @haniyanafisa @Ashwin_saravana @SonyMusicSouth pic.twitter.com/YJKYrPMf0b — Rowdy Pictures (@Rowdy_Pictures) December 20, 2022

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KUTHIRAIVAAL MOVIE REVIEW CLICK TO RATE THE MOVIE

Kuthiraivaal is a film written by G Rajesh and directed by Manoj Jahson and Shyam Sunder, and produced by Pa Ranjith and Vignesh Sundaresan under the banners Neelam Productions and Yaazhi Films respectively. The film has Kalaiyarasan and Anjali Patil playing the lead roles while Chetan, Anandsami, Lakshmi Paati, and others play crucial supporting characters. The music is composed by Pradeep Kumar and Martin Visser, and the cinematography is by Karthik Muthukumar.

Saravanan (played by Kalaiyarasan) is a banker who dreams of a horse without a tail, and when he wakes up, he has a horse tail attached to him. How did the tail grow? What is it trying to tell him? He seeks answers from a soothsayer, a maths teacher and an astrologer, with each one giving their interpretation to the horse tail. The rest of the film deals with Saravanan's journey to understand the meaning of the tail. 

Kuthiraivaal begins exactly how Franz Kafka's Metamorphosis begins. A man wakes up and becomes an insect in Kafka's story, whereas here, Kalaiyarasan grows a tail as he wakes up. There is a certain similarity between both these protagonists. Both have mundane 9-5 jobs, and are fed up with it. They find everything around them boring. And this new addition/transformation puts a lot of things into perspective for them. 

This start is gripping because of the nature of the premise which is absurd. The absurdity keeps growing as Saravanan keeps meeting different people. He meets an old lady who explains/interprets other people's dreams, and she interprets this tail to be a part of his dream. A Maths Professor (Chetan) tells him that the tail is a symbol of his sexual needs. An astrologer tells him that it indicates oncoming impotency. With so many possibilities, the way the story ends is what is beautiful about Kuthiraivaal. It's one of those films that makes you exclaim loudly how beautiful the writing is. 

However, the complexity in the writing is also what serves as its pitfall. The abstractness is too high, and at times we even forget what we saw a few minutes ago. It takes a lot of time to get used to this screenplay pattern, and there is a high chance of getting disconnected with the narrative. In addition to it, you have a lot of jargon thrown around like a chain reaction, the engagement takes a hit at the end. 

Despite these engagement issues, what keeps the film going is Pradeep Kumar and Martin Visser's music, along with the sound effects. A testament to this would be the scene where Saravanan meets the astrologer. The sound of Om and the sound of Vivaldi's Four Seasons keep playing in his head at the same time. It creates a feeling of chaos, and this same feeling is created by the production design as well. The cinematography by Karthik Muthukumar has colours that create a psychedelic feel in you, and the tilted frames add on to the madness of the film that Kuthiraivaal is. In short it is tough to describe what he has exactly done without spoiling the film, but it is nothing short of amazing. 

It is tough to portray a character as complex and layered as Saravanan, but Kalaiyarasan does a fantastic job here. Whenever Saravanan has a thought, his tail starts to twitch, and Kalaiyarasan is supposed to act as if there's electricity shooting up his body. Those movements are a tight-rope walk. A slight miss in timing would result in them being comical, and at the same time, overdoing it would make him predictable. The rest of the cast including Anjali Patil play the perfect foil to him, and come up with restrained, beautiful performances. 

Overall, Kuthiraivaal is a terrific experimental film... a kind of film one hasn't seen in Tamil Cinema. The way it explores the magical realism genre deserves a lot of applause. The performances by all the actors led by Kalaiyarasan stand out and are natural. Technically too, the film is top-notch, and can make your jaw drop - courtesy - the culmination of Rajesh's writing, Pradeep and Visser's music, Karthik's visuals and Antony Ruben's sounds. But is this film everyone's cup of tea? That is a question that remains unanswered. Probably giving the film a watch would tell you the answer.

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பிரேக்கிங் சினிமா செய்திகள், திரை விமர்சனம், பாடல் விமர்சனம், ஃபோட்டோ கேலரி, பாக்ஸ் ஆபிஸ் செய்திகள், ஸ்லைடு ஷோ, போன்ற பல்வேறு சுவாரஸியமான தகவல்களை தமிழில் படிக்க இங்கு கிளிக் செய்யவும்      

KUTHIRAIVAAL NEWS STORIES

பா.இரஞ்சித் தயாரிப்பில் வித்தியாசமாக உருவாகும் 'குதிரை வால்'.. என்ன மாதிரி படம்.?

பா.இரஞ்சித் தயாரிப்பில் வித்தியாசமாக உருவாகும் 'குதிரை வால்'.. என்ன மாதிரி படம்.?

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BEHINDWOODS COLUMN

Cinemanatomy, confessions of a passionate ex-.

''Movie reviews at Behindwoods are not as easy as what the audience might think it is'', Behindwoods, Dhananjayan

When I walked into Behindwoods, I had just one thing in mind. That one thing that many people have in their minds too. ‘Save Cinema’. I obviously did not know from what, but yeah I wanted to save cinema.   When I sat on my chair, relieved of the fact that I was finally there after a month long hardcore interview process, I learned that my colleagues were far more up to date about cinema than I was. I was surprised. So much that I just could not bat an eyelid and when I finally managed to bat one, the calendar had secretly swallowed two full years.   At Behindwoods, I had no training. I instead, was offered a large number of experiences and plenty of chances to learn from my mistakes. From writing news stories and articles to music reviews and slideshows to working on special events to serving as the creative head of the video team, I had absolute fun. It is probably in the gene of Behindwoods – to work with a smile on our faces. However, when there is a movie release, our faces suddenly turn serious.    Movie reviews at Behindwoods are not as easy as what the audience might think it is. It is an arithmetic calculation of the directorial excellence multiplied by the exuberance of the audience divided by the technicalities in the movie. Yes, it is as ‘head-scratching’ as mentioned. It is Math. A subject most of us hate. Finding X has always been a nightmare for us. Now you know why we are all serious about it.   Of course we’ve made mistakes. Sometimes when I wake up in the morning, I would see my Twitter feed filled with hate messages and comments. People have rechristened me with interesting names (mostly unpleasant) and have also suggested me other career options like begging and looting. I sometimes wouldn’t even know why I was being targeted (so would the people who target), until I get to office and find out that it was some post in Behindwoods by someone that offended them.    But over the last couple of years, I have made miniscule attempts to save cinema. I have even written columns about fan fights, piracy and other issues that linger in cinema. However, there is a bitter truth that I soon learned. People just don’t care.   For them, cinema has always been a hobby, a pastime, a mere source of entertainment out of their busy schedules. So they obviously wouldn’t care about the hundreds of lives that eat, drink and breathe cinema every day.   People continue to watch new movies online and fan fights continue to prevail in full josh. Whenever we post a picture of Ajith, we would be called Ajithwoods and when it is a picture of Vijay we become Vijaywoods. We just cannot help it. For them, it is entertainment. Sometimes I have even wished there was an actor named “Behind” so that people would call us “Behindwoods” when we post his picture.   But ultimately, what makes Behindwoods one of the top entertainment websites of Tamil Cinema? ANS: It is because we have a strong and passionate team that works day and night (literally) to keep the audience up to date of what is happening in Tamil Cinema.   From Videos to Interviews to News stories to articles to slide shows to Box Office Reports to Music Reviews to Movie Reviews – they all appear as mere products of Behindwoods to the general public. But there is a humongous amount of effort that is being put in to build every element of these products.   We are huge from the outside. But nobody would ever believe that a leading entertainment website churns out so much content from a three bedroom apartment in Guindy. It is not about the space we work in, but the people in it, who form a successful organization.    Sincere thanks to my fellow colleagues who traveled with me these couple of years, making my life at Behindwoods worthwhile.   It is indeed hard and disappointing to walk out of this remarkable media house. But I would always keep my head raised high as a proud ex-employee of Behindwoods.    I would also like to thank all celebrities like Dhananjayan sir, SJ Suryah sir, Parthiban sir, Sreekar Prasad sir, Vedhika, Surbhi, Taapsee, Dany, Anandhi, Hip Hop Aadhi to name a few and many others who have directly or indirectly appreciated my work.   I do not believe in superstitions. But there is one superstitious belief that Behindwoods has taught me. If you are ambitious about something and work with utmost passion to achieve it, the universe will bring it to you.   I will see you all from the other side of cinema.   Abhishek Krishnan Ex Senior Sub Editor www.behindwoods.com   Tweet

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  1. Connect (aka) Conect review

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