how to write a good nonfiction essay

A Guide to Writing Creative Nonfiction

by Melissa Donovan | Mar 4, 2021 | Creative Writing | 12 comments

Try your hand at writing creative nonfiction.

Here at Writing Forward, we’re primarily interested in three types of creative writing: poetry, fiction, and creative nonfiction.

With poetry and fiction, there are techniques and best practices that we can use to inform and shape our writing, but there aren’t many rules beyond the standards of style, grammar, and good writing . We can let our imaginations run wild; everything from nonsense to outrageous fantasy is fair game for bringing our ideas to life when we’re writing fiction and poetry.

However, when writing creative nonfiction, there are some guidelines that we need to follow. These guidelines aren’t set in stone; however, if you violate them, you might find yourself in trouble with your readers as well as the critics.

What is Creative Nonfiction?

Telling True Stories (aff link).

What sets creative nonfiction apart from fiction or poetry?

For starters, creative nonfiction is factual. A memoir is not just any story; it’s a true story. A biography is the real account of someone’s life. There is no room in creative nonfiction for fabrication or manipulation of the facts.

So what makes creative nonfiction writing different from something like textbook writing or technical writing? What makes it creative?

Nonfiction writing that isn’t considered creative usually has business or academic applications. Such writing isn’t designed for entertainment or enjoyment. Its sole purpose is to convey information, usually in a dry, straightforward manner.

Creative nonfiction, on the other hand, pays credence to the craft of writing, often through literary devices and storytelling techniques, which make the prose aesthetically pleasing and bring layers of meaning to the context. It’s pleasurable to read.

According to Wikipedia:

Creative nonfiction (also known as literary or narrative nonfiction) is a genre of writing truth which uses literary styles and techniques to create factually accurate narratives. Creative nonfiction contrasts with other nonfiction, such as technical writing or journalism, which is also rooted in accurate fact, but is not primarily written in service to its craft.

Like other forms of nonfiction, creative nonfiction relies on research, facts, and credibility. While opinions may be interjected, and often the work depends on the author’s own memories (as is the case with memoirs and autobiographies), the material must be verifiable and accurately reported.

Creative Nonfiction Genres and Forms

There are many forms and genres within creative nonfiction:

• Autobiography and biography
• Personal essays
• Literary journalism
• Any topical material, such as food or travel writing, self-development, art, or history, can be creatively written with a literary angle

Let’s look more closely at a few of these nonfiction forms and genres:

Memoirs: A memoir is a long-form (book-length) written work. It is a firsthand, personal account that focuses on a specific experience or situation. One might write a memoir about serving in the military or struggling with loss. Memoirs are not life stories, but they do examine life through a particular lens. For example, a memoir about being a writer might begin in childhood, when the author first learned to write. However, the focus of the book would be on writing, so other aspects of the author’s life would be left out, for the most part.

Biographies and autobiographies: A biography is the true story of someone’s life. If an author composes their own biography, then it’s called an autobiography. These works tend to cover the entirety of a person’s life, albeit selectively.

Literary journalism: Journalism sticks with the facts while exploring the who, what, where, when, why, and how of a particular person, topic, or event. Biographies, for example, are a genre of literary journalism, which is a form of nonfiction writing. Traditional journalism is a method of information collection and organization. Literary journalism also conveys facts and information, but it honors the craft of writing by incorporating storytelling techniques and literary devices. Opinions are supposed to be absent in traditional journalism, but they are often found in literary journalism, which can be written in long or short formats.

Personal essays are a short form of creative nonfiction that can cover a wide range of styles, from writing about one’s experiences to expressing one’s personal opinions. They can address any topic imaginable. Personal essays can be found in many places, from magazines and literary journals to blogs and newspapers. They are often a short form of memoir writing.

Speeches  can cover a range of genres, from political to motivational to educational. A tributary speech honors someone whereas a roast ridicules them (in good humor). Unlike most other forms of writing, speeches are written to be performed rather than read.

Journaling: A common, accessible, and often personal form of creative nonfiction writing is journaling. A journal can also contain fiction and poetry, but most journals would be considered nonfiction. Some common types of written journals are diaries, gratitude journals, and career journals (or logs), but this is just a small sampling of journaling options.

Writing Creative Nonfiction (aff link).

Any topic or subject matter is fair game in the realm of creative nonfiction. Some nonfiction genres and topics that offer opportunities for creative nonfiction writing include food and travel writing, self-development, art and history, and health and fitness. It’s not so much the topic or subject matter that renders a written work as creative; it’s how it’s written — with due diligence to the craft of writing through application of language and literary devices.

Guidelines for Writing Creative Nonfiction

Here are six simple guidelines to follow when writing creative nonfiction:

• Get your facts straight. It doesn’t matter if you’re writing your own story or someone else’s. If readers, publishers, and the media find out you’ve taken liberties with the truth of what happened, you and your work will be scrutinized. Negative publicity might boost sales, but it will tarnish your reputation; you’ll lose credibility. If you can’t refrain from fabrication, then think about writing fiction instead of creative nonfiction.
• Issue a disclaimer. A lot of nonfiction is written from memory, and we all know that human memory is deeply flawed. It’s almost impossible to recall a conversation word for word. You might forget minor details, like the color of a dress or the make and model of a car. If you aren’t sure about the details but are determined to include them, be upfront and include a disclaimer that clarifies the creative liberties you’ve taken.
• Consider the repercussions. If you’re writing about other people (even if they are secondary figures), you might want to check with them before you publish your nonfiction. Some people are extremely private and don’t want any details of their lives published. Others might request that you leave certain things out, which they want to keep private. Otherwise, make sure you’ve weighed the repercussions of revealing other people’s lives to the world. Relationships have been both strengthened and destroyed as a result of authors publishing the details of other people’s lives.
• Be objective. You don’t need to be overly objective if you’re telling your own, personal story. However, nobody wants to read a highly biased biography. Book reviews for biographies are packed with harsh criticism for authors who didn’t fact-check or provide references and for those who leave out important information or pick and choose which details to include to make the subject look good or bad.
• Pay attention to language. You’re not writing a textbook, so make full use of language, literary devices, and storytelling techniques.
• Know your audience. Creative nonfiction sells, but you must have an interested audience. A memoir about an ordinary person’s first year of college isn’t especially interesting. Who’s going to read it? However, a memoir about someone with a learning disability navigating the first year of college is quite compelling, and there’s an identifiable audience for it. When writing creative nonfiction, a clearly defined audience is essential.

Are you looking for inspiration? Check out these creative nonfiction writing ideas.

Ten creative nonfiction writing prompts and projects.

The prompts below are excerpted from my book, 1200 Creative Writing Prompts , which contains fiction, poetry, and creative nonfiction writing prompts. Use these prompts to spark a creative nonfiction writing session.

1200 Creative Writing Prompts (aff link).

• What is your favorite season? What do you like about it? Write a descriptive essay about it.
• What do you think the world of technology will look like in ten years? Twenty? What kind of computers, phones, and other devices will we use? Will technology improve travel? Health care? What do you expect will happen and what would you like to happen?
• Have you ever fixed something that was broken? Ever solved a computer problem on your own? Write an article about how to fix something or solve some problem.
• Have you ever had a run-in with the police? What happened?
• Have you ever traveled alone? Tell your story. Where did you go? Why? What happened?
• Let’s say you write a weekly advice column. Choose the topic you’d offer advice on, and then write one week’s column.
• Think of a major worldwide problem: for example, hunger, climate change, or political corruption. Write an article outlining a solution (or steps toward a solution).
• Choose a cause that you feel is worthy and write an article persuading others to join that cause.
• Someone you barely know asks you to recommend a book. What do you recommend and why?
• Hard skills are abilities you have acquired, such as using software, analyzing numbers, and cooking. Choose a hard skill you’ve mastered and write an article about how this skill is beneficial using your own life experiences as examples.

Do You Write Creative Nonfiction?

Have you ever written creative nonfiction? How often do you read it? Can you think of any nonfiction forms and genres that aren’t included here? Do you have any guidelines to add to this list? Are there any situations in which it would be acceptable to ignore these guidelines? Got any tips to add? Do you feel that nonfiction should focus on content and not on craft? Leave a comment to share your thoughts, and keep writing.

12 Comments

Shouldn’t ALL non-fiction be creative to some extent? I am a former business journalist, and won awards for the imaginative approach I took to writing about even the driest of business topics: pensions, venture capital, tax, employment law and other potentially dusty subjects. The drier and more complicated the topic, the more creative the approach must be, otherwise no-one with anything else to do will bother to wade through it. [to be honest, taking the fictional approach to these ghastly tortuous topics was the only way I could face writing about them.] I used all the techniques that fiction writers have to play with, and used some poetic techniques, too, to make the prose more readable. What won the first award was a little serial about two businesses run and owned by a large family at war with itself. Every episode centred on one or two common and crucial business issues, wrapped up in a comedy-drama, and it won a lot of fans (happily for me) because it was so much easier to read and understand than the dry technical writing they were used to. Life’s too short for dusty writing!

I believe most journalism is creative and would therefore fall under creative nonfiction. However, there is a lot of legal, technical, medical, science, and textbook writing in which there is no room for creativity (or creativity has not made its way into these genres yet). With some forms, it makes sense. I don’t think it would be appropriate for legal briefings to use story or literary devices just to add a little flair. On the other hand, it would be a good thing if textbooks were a little more readable.

I think Abbs is right – even in academic papers, an example or story helps the reader visualize the problem or explanation more easily. I scan business books to see if there are stories or examples, if not, then I don’t pick up the book. That’s where the creativity comes in – how to create examples, what to conflate, what to emphasis as we create our fictional people to illustrate important, real points.

Thanks for the post. Very helpful. I’d never thought about writing creative nonfiction before.

You’re welcome 🙂

Hi Melissa!

Love your website. You always give a fun and frank assessment of all things pertaining to writing. It is a pleasure to read. I have even bought several of the reference and writing books you recommended. Keep up the great work.

Top 10 Reasons Why Creative Nonfiction Is A Questionable Category

10. When you look up “Creative Nonfiction” in the dictionary it reads: See Fiction

9. The first creative nonfiction example was a Schwinn Bicycle Assembly Guide that had printed in its instructions: Can easily be assembled by one person with a Phillips head screw driver, Allen keys, adjustable wrench and cable cutters in less than an hour.

8. Creative Nonfiction; Based on actual events; Suggested by a true event; Based on a true story. It’s a slippery slope.

7. The Creative Nonfiction Quarterly is only read by eleven people. Five have the same last name.

6. Creative Nonfiction settings may only include: hospitals, concentration camps, prisons and cemeteries. Exceptions may be made for asylums, rehab centers and Capitol Hill.

5. The writers who create Sterile Nonfiction or Unimaginative Nonfiction now want their category recognized.

4. Creative; Poetic License; Embellishment; Puffery. See where this is leading?

3. Creative Nonfiction is to Nonfiction as Reality TV is to Documentaries.

2. My attorney has advised that I exercise my 5th Amendment Rights or that I be allowed to give written testimony in a creative nonfiction way.

1. People believe it is a film with Will Ferrell, Emma Thompson and Queen Latifa.

Hi Steve. I’m not sure if your comment is meant to be taken tongue-in-cheek, but I found it humorous.

My publisher is releasing my Creative Nonfiction book based on my grandmother’s life this May 2019 in Waikiki. I’ll give you an update soon about sales. I was fortunate enough to get some of the original and current Hawaii 5-0 members to show up for the book signing.

Hi, when writing creative nonfiction- is it appropriate to write from someone else’s point of view when you don’t know them? I was thinking of writing about Greta Thungbrurg for creative nonfiction competition – but I can directly ask her questions so I’m unsure as to whether it’s accurate enough to be classified as creative non-fiction. Thank you!

Hi Madeleine. I’m not aware of creative nonfiction being written in first person from someone else’s point of view. The fact of the matter is that it wouldn’t be creative nonfiction because a person cannot truly show events from another person’s perspective. So I wouldn’t consider something like that nonfiction. It would usually be a biography written in third person, and that is common. You can certainly use quotes and other indicators to represent someone else’s views and experiences. I could probably be more specific if I knew what kind of work it is (memoir, biography, self-development, etc.).

Dear Melissa: I am trying to market a book in the metaphysical genre about an experience I had, receiving the voice of a Civil War spirit who tells his story (not channeling). Part is my reaction and discussion with a close friend so it is not just memoir. I referred to it as ‘literary non-fiction’ but an agent put this down by saying it is NOT literary non-fiction. Looking at your post, could I say that my book is ‘creative non-fiction’? (agents can sometimes be so nit-picky)

Hi Liz. You opened your comment by classifying the book as metaphysical but later referred to it as literary nonfiction. The premise definitely sounds like a better fit in the metaphysical category. Creative nonfiction is not a genre; it’s a broader category or description. Basically, all literature is either fiction or nonfiction (poetry would be separate from these). Describing nonfiction as creative only indicates that it’s not something like a user guide. I think you were heading in the right direction with the metaphysical classification.

The goal of marketing and labeling books with genres is to find a readership that will be interested in the work. This is an agent’s area of expertise, so assuming you’re speaking with a competent agent, I’d suggest taking their advice in this matter. It indicates that the audience perusing the literary nonfiction aisles is simply not a match for this book.

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Creative Nonfiction: An Overview

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This resource provides an introduction to creative nonfiction, including an overview of the genre and an explanation of major sub-genres.

The Creative Nonfiction (CNF) genre can be rather elusive. It is focused on story, meaning it has a narrative plot with an inciting moment, rising action, climax and denoument, just like fiction. However, nonfiction only works if the story is based in truth, an accurate retelling of the author’s life experiences. The pieces can vary greatly in length, just as fiction can; anything from a book-length autobiography to a 500-word food blog post can fall within the genre.

Additionally, the genre borrows some aspects, in terms of voice, from poetry; poets generally look for truth and write about the realities they see. While there are many exceptions to this, such as the persona poem, the nonfiction genre depends on the writer’s ability to render their voice in a realistic fashion, just as poetry so often does. Writer Richard Terrill, in comparing the two forms, writes that the voice in creative nonfiction aims “to engage the empathy” of the reader; that, much like a poet, the writer uses “personal candor” to draw the reader in.

Creative Nonfiction encompasses many different forms of prose. As an emerging form, CNF is closely entwined with fiction. Many fiction writers make the cross-over to nonfiction occasionally, if only to write essays on the craft of fiction. This can be done fairly easily, since the ability to write good prose—beautiful description, realistic characters, musical sentences—is required in both genres.

So what, then, makes the literary nonfiction genre unique?

The first key element of nonfiction—perhaps the most crucial thing— is that the genre relies on the author’s ability to retell events that actually happened. The talented CNF writer will certainly use imagination and craft to relay what has happened and tell a story, but the story must be true. You may have heard the idiom that “truth is stranger than fiction;” this is an essential part of the genre. Events—coincidences, love stories, stories of loss—that may be expected or feel clichéd in fiction can be respected when they occur in real life .

A writer of Creative Nonfiction should always be on the lookout for material that can yield an essay; the world at-large is their subject matter. Additionally, because Creative Nonfiction is focused on reality, it relies on research to render events as accurately as possible. While it’s certainly true that fiction writers also research their subjects (especially in the case of historical fiction), CNF writers must be scrupulous in their attention to detail. Their work is somewhat akin to that of a journalist, and in fact, some journalism can fall under the umbrella of CNF as well. Writer Christopher Cokinos claims, “done correctly, lived well, delivered elegantly, such research uncovers not only facts of the world, but reveals and shapes the world of the writer” (93). In addition to traditional research methods, such as interviewing subjects or conducting database searches, he relays Kate Bernheimer’s claim that “A lifetime of reading is research:” any lived experience, even one that is read, can become material for the writer.

The other key element, the thing present in all successful nonfiction, is reflection. A person could have lived the most interesting life and had experiences completely unique to them, but without context—without reflection on how this life of experiences affected the writer—the reader is left with the feeling that the writer hasn’t learned anything, that the writer hasn’t grown. We need to see how the writer has grown because a large part of nonfiction’s appeal is the lessons it offers us, the models for ways of living: that the writer can survive a difficult or strange experience and learn from it. Sean Ironman writes that while “[r]eflection, or the second ‘I,’ is taught in every nonfiction course” (43), writers often find it incredibly hard to actually include reflection in their work. He expresses his frustration that “Students are stuck on the idea—an idea that’s not entirely wrong—that readers need to think” (43), that reflecting in their work would over-explain the ideas to the reader. Not so. Instead, reflection offers “the crucial scene of the writer writing the memoir” (44), of the present-day writer who is looking back on and retelling the past. In a moment of reflection, the author steps out of the story to show a different kind of scene, in which they are sitting at their computer or with their notebook in some quiet place, looking at where they are now, versus where they were then; thinking critically about what they’ve learned. This should ideally happen in small moments, maybe single sentences, interspersed throughout the piece. Without reflection, you have a collection of scenes open for interpretation—though they might add up to nothing.

Write Nonfiction NOW!

Writing the Perfect Introduction for your Nonfiction Book

July 12, 2017 By Nina Amir 10 Comments

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Now that it’s summer, a lot of my authors are buckling down in these less-busy months of the year to finish their books. I most often hear them complain about one common issue: They don’t know how to start the book. They might have a general outline of how they want the book to develop, and a clear idea of the overall topics they want to cover, but those initial few pages that get the book off the ground stump them.

In many cases, the feeling of being blocked by the introduction is spurred on by apprehension about the writing process itself. A writer might be a perfectionist, worried that they won’t live up to their own standards, or they might not be confident in their abilities, concerned that they don’t have what it takes. These are real fears that many people have, and if you’re experiencing them, you are not alone.

However, it is also true that composing the introductory chapter of your book can be one of the trickiest parts of the book-writing process. It’s a task best broken down into parts and revisited throughout your writing process. And if you, like lots of writers, suffer from a mental block preventing you from getting started, breaking down your writing into smaller pieces provides a great way to start to tackle the project. The introduction is a crucial part of a nonfiction book, and you should put your all into making it the best it can be.

When to Write Your Introduction

Contrary to popular belief, there’s no rule that says you actually have to write your first chapter first. It is sometimes easier to start with the parts of the book that you have most fully formed in your mind, even if that means you have to start with a chapter in the middle of the book. Once you’ve written the parts that stick out to you, you can go back to your outline (and you should always have an outline!) to see what parts of the whole you need to start working on next.

For many people, the introduction is actually the last thing they write, after the rest of the book is done and they know how they want to frame that first chapter. I actually endorse this tactic; it gives writers more perspective, and there’s less of a chance that material you want to use later in the book ends up repeated in the introduction since you’re just dying to use that material as soon as possible.

You also can get ready for your introduction by making an outline for the introduction that you update with key points as you write. This way, you don’t forget anything you want to put in this crucial part of the book but save its final formation for the end of the process.

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What Kind of Introduction Do You Need?

You’ve figured out when you want to write your intro, but there’s another issue: You don’t know what information to include in it. There are a lot of different ways to write an introduction, and the type of book you are writing determines the kind of introduction you need.

A memoir, for instance, needs an introduction that serves to set up the narrative arc of the overall book through storytelling. If you’re writing a memoir, think of a story to lead off your first chapter that encapsulates the bigger picture of the story you are going to tell. A great example of this can be found in Susanna Cahalan’s book Brain on Fire , a story about the author’s experience contracting and then coming to grips with a brain disease that doctors initially do not understand. Her first chapter tells the story of seizures she had before the realized she was sick, but it weaves in technical medical background information that teases at the wider story to come.

If you’re writing a more straightforward nonfiction book, such as a history or a how-to, you also may want to start out with a story or anecdote to draw readers in. But then, your introduction should set up a clear explanation of your objective for writing this book and why readers should care. What’s the significance of the story you want to tell? And how will readers be able to learn from what you are writing? It’s a common convention also for these introductions to feature a brief section near the end that gives an overview of the book so readers know what’s to come. Don’t go overboard and give lots of detail, but do give enough information to help orient readers.

When in doubt about the exact style of introduction you need, check out a book that’s written on a subject or in a style that’s similar to what you want to do. There are a lot of stylistic variations you can take on the introduction.

One thing you should always do, and one thing that should be clear about my earlier examples, is use the introduction to gesture at the bigger picture at stake with the book. This is your chance to speak to the greater implications of your argument and make the case to readers about why they should be invested in reading your book.

When is the Introduction Actually Finished?

The introduction might be the last thing that you write, but it’s not going to be the last thing that you finish when writing your book. I find that the introduction is the part of the book that’s revised the most after an author’s first draft.

As an editor, I pay special attention to the introduction because I know that’s the first thing the reader will see—they often can even preview it on Amazon. You should take care to re-read and revise your introduction with each subsequent draft. Until you’ve handed in your final manuscript to your publisher to be turned into a book, think of it as a living document.

As I said earlier, the introduction is crucial—and it deserves your special attention, both during the writing process and after, in revisions. You can never give it too much attention.

About the Author

Photo courtesy of olegdudko /123RF.com

July 24, 2017 at 6:42 am

I want to write books

July 28, 2017 at 2:09 pm

THen write.

June 6, 2018 at 11:19 am

Thanks a lot for this article. It was very helpful

December 10, 2019 at 3:56 am

Thank you for this. I had a partial intro and a setting-up-info type 2nd intro which were getting all mixed up content wise. Your direction has helped me sort out which bits should go where. My intro is now more focused and the 2nd intro has become the 1st chapter. My brain thanks you too!

March 11, 2020 at 8:21 pm

Thank you for this article it is great help. I’m currently working on my first nonfiction book and needed some pointers and tips.

July 29, 2020 at 11:06 am

Are there any writer exchanges to review and make suggestions on each other’s work? thanks, coreen

September 20, 2020 at 1:18 pm

Sure there are! Do a Google search.

March 3, 2021 at 10:48 pm

Hi and thanks for your advise, Nina. I have the introduction to my book as being before the first chapter. Are you or anyone published saying that the introduction can be a chapter, the first, as it were? Thanks

September 20, 2021 at 11:58 pm

Thank you, great article. I have to do my intro first because it will keep me on track. I’m one of those that has 100 books in mind because I go off on tangents. Research is my passion and balancing the writing and reading is challenging. It’s my first memoir and it hit me after a few days of struggling with my intro, that I was right…It’s critical you said and I see why. Thank you for the validation and advice.

July 5, 2022 at 9:17 am

this was so very helpful. “Relieved” is the best word. I can write the Intro 1st or later. I’d already made notes but now I can “focus” on the chapters. Thank you.

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Nonfiction Writers University: Get the ULTIMATE nonfiction writers' shortcut...

• EXPLORE Random Article

How to Write Non Fiction

Last Updated: December 29, 2022 References

This article was co-authored by Christopher Taylor, PhD . Christopher Taylor is an Adjunct Assistant Professor of English at Austin Community College in Texas. He received his PhD in English Literature and Medieval Studies from the University of Texas at Austin in 2014. There are 11 references cited in this article, which can be found at the bottom of the page. This article has been viewed 69,990 times.

Nonfiction writing includes many different types of creative work, including essays, memoirs, biographies, and autobiographies. But nonfiction also includes different types of instructive/informational writing, such as academic textbooks, self-help books, and travel/reference books. If you're interested in writing nonfiction, you'll want to decide on a type of nonfiction that you're most interested in and read as much as you can by popular authors in that field. Once you've gotten the hang of the genre, you'll be ready to write your own compelling work of nonfiction.

Crafting a Personal Essay

• Think about things that you care about or are passionate about. Make a list of 10 subjects, then decide which subject you will have the most to say about (and/or the subject with which you have the most personal experience).
• Don't resist a topic because it will be difficult or require research. If you're passionate about that subject and you think you have a lot to say about it, then go for it.
• Be flexible. You may decide to change your mind, or you may find that some items on your list relate to one another (and could potentially be woven together).

• Since you're writing a personal essay, it's important that the topic you choose has some direct, personal significance in your life.
• Be as specific as possible when choosing your topic. Narrow it down to a memory, an occasion, etc.
• For example, instead of writing about loss, you might choose to write about a specific kind of loss (like death), then choose one specific event (like the death of a parent or friend) as your starting point.
• The various elements of your essay should all be related somehow, and you'll need to make that relationship clear to the reader to avoid confusion.
• You can always expand your topic to include other related concepts/events, or to become a larger meditation on the larger subject that your event touches on, but it's best to begin with one single topic idea and go from there.

• One common form for writing personal essays is to begin with a very specific image, instant, or memory (zoomed in, to put it in film terms) and gradually expand outward to address the larger subject.
• Another common form employs the exact opposite: starting very broad, then zooming in on the specific memory, event, etc. This can be a bit tricky, though, as a broad topic can easily lose the interest of your readers early on in the essay.
• One form that's been gaining popularity over the last few years is the lyric or hybrid essay. This combines poetry and essay elements, essentially creating a long-form nonfiction poem.
• Try writing your essay in one form, and if it doesn't feel right you can experiment with a different form.

• Try to incorporate all five senses. You won't be able to make the reader see, hear, smell, taste, or touch the things you have, but if you craft your piece of writing skillfully, the reader should feel like he/she has experienced them first hand.
• Build your images in a linear, narrative way. In other words, don't fill every tangent with long-winded descriptive passages - save that for the main "story" thread of your book or essay.
• Make sure your details are relevant. If you're just throwing in details to make the essay or book "pretty," it's probably just a distraction.

• Don't worry about typos (unless they'll be impossible to decipher) while you write your first draft. You can fix these minor errors in the editing and revision stage.
• Make sure you're using visceral details - what many writing teachers refer to as showing, not telling. For example, instead of saying outright that you were frustrated, describe the way you narrowed your eyes and furrowed your brow at someone.
• Think about whether the form you're using is working for the essay at hand. If it's not working, try something different, as the overall form will be more difficult to work with during revision.
• Consider whether or not you adequately address every aspect of your subject. As you complete your first draft, you should also think about whether or not you've left anything unresolved and make any necessary corrections.

Writing a Creative Nonfiction Book

• Think about the things that you find most captivating.
• Unlike a personal essay, you do not have to be the main subject of a nonfiction book (though you can be!).
• As you consider your subject matter, remember that you'll need to be able to write a whole book about that subject. Think about whether you'd be able to say that much about a subject before you commit to it.

• A memoir (from the French word for "memory/reminiscence") is a detailed retelling of some part of your life. Unlike an autobiography, which can cover a whole life, a memoir is usually rooted in a specific theme, event, or time and place in your life. [6] X Research source
• A travelogue discusses a place and its people, culture, and/or food. It tends to be very heavily based upon the author's experience and therefore is a subjective personal account (unlike a travel guide, which seeks to objectively convey information without any personal experience). [7] X Research source
• Nature and environmental writing should revolve around a personal experience with nature. The writing should ultimately promote some degree of awareness of current environmental issues and should ideally foster a sense of wonder, adventure, and advocacy in readers.
• A biography is a retelling of someone else's life, and it may cover a specific time period (like a memoir of someone else's life) or that person's entire life. Biographies can be captivating narrative reenactments of a person's life or you can even create a historical fiction, and can really bring the subject's story to life.
• If you have a series of related personal essays, you can organize them into a book-length essay collection. Make sure to focus your story around a central theme, form, or idea.

• Think about where you could best begin your book, and what the logical conclusion of that story should be. If writing a biography, for example, the book might end with a retelling of the subject's death.
• If you're writing a memoir, the book should adequately frame the chosen time and place in your life. It's up to you to decide where the logical conclusion of that part of your life should be, and how to tell it best.
• If you're writing a travelogue, you'll need to include details about yourself, as well as where, when, why, and how you traveled. You should make yourself easy to relate to for readers and write in a way that brings your experience to life on the page. [9] X Research source
• When writing about nature or the environment, you'll need to show a genuine engagement with nature (ideally through some form of outdoor activity), balance nature facts with your subjective thoughts and feelings, and show a level of curiosity that makes everyday objects in nature seem new and exciting. [10] X Research source

• If you're writing a biography, you will most likely need a lot of factual information. This may require reading through textbooks and other biographies, or even visits to a museum or historical society.
• If you're writing a memoir, talk to other people who knew you during that time (ideally a close relative, friend, or someone who was with you as you experienced that part of your life). You'd be amazed at how many details you've forgotten, misremembered, or completely fabricated.
• A travelogue should draw heavily upon your notes and journals from the trip, but you'll also need to conduct research on the subjects you write about. For example, you'll want to learn as much as possible about the culture and people of that region, the food most frequently associated with that culture, etc.
• A nature or environmental project should involve researching the names and descriptions of the plants, animals, and geographic areas you describe. You may also want to research how ecosystems work together in complex and unique ways in the areas you write about.

• Create scenes within your essay or book, the same way a fiction writer would portray a scene in a short story or novel.
• Think of the people in your nonfiction essay/book as characters. Are they fully developed on the page, and do readers get a good sense of their overall personalities?
• Write strong dialogue. No one can remember the exact, word-for-word transcript of every conversation they've ever had, but your recollection of conversations should be as truthful as possible and written in a way that's easy to follow.

• Make sure you work in a quiet place where you won't be distracted or disturbed.
• You can measure your writing time temporally (by how many hours have passed), or by word or page count.
• Be consistent with your schedule. It doesn't necessarily have to be every day, but it should be the same days and the same times, week in and week out.

• Focus on larger issues as you hammer out your first draft. You can correct line-level issues during the revision/editing process.
• Make sure everything is tied up by the end of the book. Don't leave anything unresolved, and make sure the reader will have a sense of closure and completion by the end of your book.

Composing Other Types of Nonfiction

• If you're going to write an informational book, you'll need to know a lot about that subject. Most informational books are written by experts in that field.
• If you're not an expert, that's okay. You'll just need to make up for it with exceptional and extensive research.
• Informational writing should provide readers with clear definitions of terms, detailed descriptions of what something is and how it works, and information on how to engage with that object (using it, finding it, etc.).
• Make sure you'll be able to write a whole book on the subject you've chosen. Again, you don't need to know everything about that subject, but it should be something that can be written about at length if you want to fill a whole book.

• Think about the intended audience/readership for your book.
• Academic texts should be written formally, avoiding any slang or colloquialisms. Academic writing should also include complex language that is technical and specialized when necessary. [14] X Research source
• You'll need to make connections clear to the reader so that seemingly disparate concepts are explicitly related and clarified.
• An academic book will treat and comment on research done by other authors in the discipline associated with your book.

• Writing an instructive book will require a good deal of research as well, but it will be research that will help you relay steps in a project (rather than research that will create the definitive book of World History, for example).
• An instructive book should break down the basic concepts of a project, define any unique terms, and give readers a thorough, step-by-step guide on how to complete that project.
• Do your research, talk to experts, and take extensive notes. Then, when the time comes, you'll be able to break down those notes (informed by the research you've done) into a simple how-to guide.
• An example of an instructional book might be a hunting guide, written for someone who's never been hunting before. The book will need to explain the ins and outs of hunting, from its most basic concepts to the most complex ways of preparing the meat, for example.

Revising and Editing Your Work

• Give yourself anywhere from a few days to a few weeks after finishing the project before you attempt to revise/edit your work.
• If you try to edit/revise right away, you'll be less likely to notice issues within the writing (typos/errors, as well as things that aren't clear or don't make sense), and you'll have a harder time cutting things that aren't necessary.
• Keep in mind that revising and editing your work is an essential part of the writing process. Do not skip over this step or spend less time on it than the other steps.

• Read your draft slowly out loud to yourself.
• Take your time and circle, highlight, or otherwise mark anything that is incorrect or incomplete. Don't make revisions as you read, though, or you could lose your place many times.
• As you read, make sure you're only reading what you've written on the page, word for word.
• In addition to typos and incomplete thoughts, look for any sentences that trip you up or confuse you as you read aloud. These sentences should also be marked for revision.
• Once you've gotten through the whole thing (or a good chunk of it, like an entire chapter), go through and make the necessary changes.

• This is another aspect of why approaching the work after a short intermission will give you the best results. You may not realize that something hasn't been resolved because you've connected all the dots in your head (which a reader obviously can't do).

• If something hasn't been fully explained or resolved, you're less likely to notice it than an outside reader. Your mind will fill in the gaps precisely because you were the author and you know what you meant to say.
• Ask your friend to help you proofread your manuscript for typos, errors, and other line-level problems.
• Let your friend know that you want honest, critical assessment (not just praise).

• If anything was rushed through or not fully explored, revisit that section and think about ways to flesh out the subject so it's more comprehensive.
• Rearrange certain sections to see if they can complement one another. A sparsely-written section may end up being much fuller and more complete by being rearranged near another section.

• Use clear, concise language. Cut out any flowery prose that distracts from the rest of your book or essay.
• No matter how fond you are of the way a sentence sounds, if it is not necessary or relevant, it shouldn't make the final cut.

Expert Q&A

You Might Also Like

• ↑ https://owl.english.purdue.edu/owl/resource/753/1/
• ↑ https://www.uvm.edu/wid/writingcenter/tutortips/nonfiction.html
• ↑ http://www.writersdigest.com/online-editor/25-tips-to-make-you-a-better-nonfiction-writer
• ↑ http://www.writersdigest.com/online-editor/8-ways-to-prepare-to-write-your-nonfiction-book-in-a-month
• ↑ http://literarydevices.net/memoir/
• ↑ http://www.writersdigest.com/tip-of-the-day/breaking-into-travel-writing-the-5-elements-of-writing-travel-articles
• ↑ http://www.ecopsychology.org/journal/ezine/naturewriting.html
• ↑ http://www.uefap.com/writing/feature/featfram.htm
• ↑ http://www.dailywritingtips.com/how-to-revise-edit-and-proofread-your-writing/
• ↑ http://www.gbcnv.edu/documents/ASC/docs/00000057.pdf
• ↑ http://writingcenter.fas.harvard.edu/pages/editing-essay-part-one

About this article

To write nonfiction, choose a topic that’s significant to you, then write a personal essay connecting it to one of your memories. For example, begin an essay about death by describing an experience of losing a loved one, then expand from there. A nonfiction book, unlike a personal essay, simply has to focus on a specific topic you’re interested in. Think of each chapter like a story, the people like “characters,” and the events like the “plot.” Even though you’re describing true events, the book will be more interesting if it’s written in an engaging style. To learn how to research and outline your nonfiction work, scroll down! Did this summary help you? Yes No

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BEST NONFICTION WRITING PROMPTS

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Write about a challenge that you experienced in your life, and then overcame., pick one of the five senses. write a descriptive piece about your surroundings based on that sense., write about a time when you explored somewhere new., write about a time that you felt happy., look at your most recent text. write a story based on that text..

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Write about a time that you made a mistake with lasting ramifications.

Write about a time when you helped someone..

• Write about a time when you felt like an outsider at an event.

Write about a time that you failed.

Choose a controversial topic from the news. write an opinion piece on it., subscribe to our prompts newsletter.

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Pick an impactful moment from your childhood. Write about it from the lens of adulthood.

The new york times runs a weekly modern love column. write your own "tiny love" column about a relationship in less than 100 words., write about your least favorite memory., write about your favorite memory., write about false news coverage of an important event., think of an item of clothing from your childhood, and write a story inspired by that., write a story where a particular piece of clothing appears three times..

• Write a story inspired by a memory of yours.

Write about a person trying to see something from another’s point of view.

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The best nonfiction writing prompts

Are you an author looking for nonfiction writing prompts to spark your creative muse? You're in the right place: we created this directory to house all the story ideas about life, people, and history you might need to succeed as a nonfiction writer. 

The great thing about nonfiction writing is that ideas can come from anywhere: in-house family drama with the parents, an argument over the Internet with a stranger about money, or a heart-to-heart talk with friends about your beliefs. So whether you're writing an essay or creative nonfiction, feel free to scour this page for inspiration. Who knows? Maybe one of the stories you write in response to a prompt will turn into your next book. 

If you're looking to cut to the chase, here’s a top ten list of our favorite nonfiction writing prompts:

• Write a story about inaction.
• Write a story about activism.
• Write about a date that was so terrible you’ll never forget it.
• Write about a secret you’ve never told the person you love.
• Write about someone (or something) you loved that you shouldn’t have.
• Pick one of the five senses. Write a descriptive piece about your surroundings based on that sense. 
• Write about a time when you helped someone. 

If you’re interested in becoming a nonfiction author, check out our free resources on the topic:

• The Non-Sexy Business of Writing Non-Fiction (free cours e)  — None of the sexy nonfiction books you see on the bestseller lists started that way. We can guarantee you that all those books were written the non-sexy way: through simple hard work that requires you to show up at the computer daily to get your words onto paper. This free ten-day course aims to help you through that process and emerge with a nonfiction book at the end of the tunnel. 
• How to Write a Memoir (blog pos t)  — Memoirs are among the most popular types of nonfiction markets in the publishing industry today. Suppose you're also interested in turning your life and experiences into a story with a beginning, middle, and end. In that case, this guide will walk you through the entire process: from outlining your memoir to writing and marketing it. 

Ready to start writing? Check out  Reedsy’s weekly short story contest  for the chance of winning $250! You can also check out our list of  writing contests  or our directory of  literary magazines  for more opportunities to submit your story.

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51 Writing About Creative Non-Fiction: The Literary Comparison Essay

You began the process of writing your literary comparison paper in the Introduction to Creative Nonfiction chapter by choosing an essay, reading it carefully, and writing a personal response. In this chapter, we will move through the remaining steps of writing your paper.

Step 3: Choose a Second Piece for Comparison

The key to a good comparison essay is to choose two subjects that connect in a meaningful way. The purpose of conducting the comparison is not to state the obvious, but rather to illuminate subtle differences or unexpected similarities.

When writing a literary comparison paper, the point is to make an argument that will make your audience think about your topic in a new and interesting way. The best comparison papers come from an analysis of two works similar enough to illuminate each other. For example, perhaps reading one helps you to better understand the other.

To this end, your next goal is to choose a second piece of literature from our text that you think can illuminate the point being made in the essay you’ve chosen. For example, if you’ve chosen “Mother Tongue,” by Amy Tan, you might choose her short story, “Two Kinds” to highlight the two sides of the mother-daughter relationship. If you’ve chosen “Complexion,” by Richard Rodriguez, you might choose Marge Piercy’s poem “To Be of Use” to highlight the authors’ focus on the  importance of hard work. Or, you might want to look at two essays to see how different authors highlight a different aspect of the same topic, like Orwell’s and Didion’s essays both entitled, “Why I Write.”

Step 4: Research

Once you’ve chosen a second piece, it’s time to enter into the academic conversation to see what others are saying about the authors and the pieces you’ve chosen.

Regardless of the focus of your essay, discovering more about the authors of the texts you’ve chosen can add to your understanding of the texts and add depth to your argument. Author pages are located in the Literature Online ProQuest database. Here, you can find information about an author and his/her work, along with a list of recent articles written about the author. This is a wonderful starting point for your research.

The next step is to attempt to locate articles about the texts themselves. For poems and short stories, it’s important to narrow down your database choices to the Literature category. For essays, you might have better luck searching the whole ProQuest library with the ProQuest Research Library Article Databases or databases like Flipster that include publications like newspapers and magazines.

Finally, you might look for articles pertinent to an issue discussed in the essay. For example, “Learning to Fall” is about dealing with a terminal illness. An article about how to help people deal with this issue could be a valuable addition to your argument.

Remember, it is helpful to keep a Research Journal to track your research. Your journal should include, at a minimum, the correct MLA citation of the source, a brief summary of the article, and any quotes that stick out to you. A note about how you think the article adds to your understanding of the topic or might contribute to your project is a good addition, as well.

Step 5: Thesis & Outline

Similar to other academic essays, the literary comparison essay starts with a thesis that clearly introduces the two subjects that are to be compared and the reason for doing so.

Begin by deciding on your basis for comparison. The basis of comparison could include items like a similar theme, the way the authors use literary elements, or the way both pieces represent an important issue.

Once you’ve decided on the basis of comparison, you should focus on the points of comparison between the two pieces. For example, if you are focusing on how the literary elements used impact the message, you might make a table of each of the literary elements. Then, you’d find examples of each element from each piece. Remember, a comparison includes both similarities and differences.

By putting together your basis of comparison and your points of comparison, you’ll have a thesis that both makes an argument and gives readers a map of your essay.

A good thesis should be:

• Statement of Fact: “Both ‘Salvation’ and ‘Falling’ talk about faith.”
• Arguable: “Simmons provides a perspective on faith that would have helped Hughes work through his own dilemma.”
• Personal Opinion: “‘Mother Tongue’ is an amazing essay.”
• Provable by the Text: “Tan uses similar strategies in both ‘Mother Tongue’ and ‘Two Kinds’ to create her message.”
• Obvious: “The daughter in ‘Two Kinds’ has a different view of her mother than Tan’s adult perspective in ‘Mother Tongue.'”
• Surprising: “Like the second half of the musical piece at the end of ‘Two Kinds,’ ‘Mother Tongue’ provides readers with the rest of the story, showing how the author has deepened her understanding of her mother and created a relationship that both honors her own values and the traditions of her mother.”
• General: “Both ‘Ain’t I a Woman’ and ‘If Shakespeare had a Sister’ highlight the plight of women.”
• Specific: “Though written by women of two very different experiences, both Truth and Woolf use similar strategies to convince their audiences that women deserve to be treated equally.”

The organizational structure you choose depends on the nature of the topic, your purpose, and your audience. You may organize compare-and-contrast essays in one of the following two ways:

• Block: Organize topics according to the subjects themselves, discussing one piece and then the other.
• Woven: Organize according to individual points, discussing both pieces point by point.

Exercises: Create a Thesis and Outline

You’ll want to start by identifying the theme of both pieces and deciding how you want to tie them together. Then, you’ll want to think through the points of similarity and difference in the two pieces.

In two columns, write down the points that are similar and those that are different. Make sure to jot down quotes from the two pieces that illustrate these ideas.

Following the tips in this section, create a thesis and outline for your literary comparison paper.

Here’s a sample thesis and outline:

Step 6: Drafting Tips

Once you have a solid thesis and outline, it’s time to start drafting your essay. As in any academic essay, you’ll begin with an introduction. The introduction should include a hook that connects your readers to your topic. Then, you should introduce the topic. In this case, you will want to include the authors and titles of both pieces. Finally, your introduction should include your thesis. Remember, your thesis should be the last sentence of your introduction.

In a literary comparison essay, you may want to follow your introduction with background on both pieces. Assume that your readers have at least heard of the author or the piece, but that they might not have read the essay in awhile. For example, if you were writing about “Learning to Fall,” you might include a brief introduction to Simmons and a short summary of the essay. The background section should be no more than two short paragraphs.

In the body of the paper, you’ll want to focus on supporting your argument. Regardless of the organizational scheme you choose, you’ll want to begin each paragraph with a topic sentence. This should be followed by the use of quotes from your two texts in support of your point. Remember to use the quote formula–always introduce and explain each quote and the relationship to your point! It’s very important that you address both literary pieces equally, balancing your argument. Finally, each paragraph should end with a wrap up sentence that tells readers the significance of the paragraph.

Here are some transition words that are helpful in tying points together:

Finally, your paper will end with a conclusion that brings home your argument and helps readers to understand the importance/significance of your essay.

In this video, an instructor explains step by step how to write an essay comparing two films. Though you will be writing about literature, the same information applies.

Here’s another instructor explaining how to write a comparison essay about two poems. Note the similarities between the two videos.

Here’s a sample paper:

Attributions:

• Content created by Dr. Karen Palmer. Licensed under CC BY NC SA .
• Content adapted from “Comparison and Contrast” from the book Successful Writing licensed CC BY NC SA .

The Worry Free Writer Copyright © 2020 by Dr. Karen Palmer is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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50 Creative Nonfiction Prompts Guaranteed to Inspire

But not to worry. I present one whole hefty list of prompts just for creative nonfiction writers.

One small note before you dive in: don’t be afraid to mix and match the prompts. Each suggestion was meant to highlight a specific line of inspiration. There is absolutely no reason that two or three of these can’t be explored within one piece.

In fact, just use my tiny suggestions as springboards. Good luck!

1. Explore a scene or story from your memory by reimagining it from an alternate perspective. Write the event from the point of view of a passing bystander, another person close to the event, a pet, or even an inanimate object. When choosing your narrator, pay attention to how objective they would have been, what they would have paid attention to, and what sort of background knowledge they would have had about the scene.

2. Tell the nonfiction story that you don’t want your mother to read. You know the one. Don’t censor yourself.

3. Recall a moment in which you felt a strong spiritual or unidentifiable energy. Describe the scene in vivid detail, with special attention to the senses. Connect that scene to your relationship with your own religious beliefs or lack thereof. Examine how you incorporated that experience into your worldview.

4. Create a timeline of events depicting your life by using newspaper headlines. Try to focus on events that didn’t involve you directly, but connect them to the pivotal events in your life.

5. Tell the story of one of your family holiday gatherings. Identify any of your family’s common trademarks, such as your one aunt that seems to tell the same joke at every Christmas, or your two uncles that always hide from the rest of the family by doing the dishes. Explore how you are linked within this family dynamic, and how these little quirks evolved and changed over the years.

6. Tell the story of a location. Possibly one that is very close to your heart that you already know well, or a new one that inspires your curiosity. Pay particular attention to your own connection to the location, however small or large that connection may be.

7. Choose a location that you’ve come to know as an adult. Compare how you interact with this setting now to how you interacted with similar settings when you were a child. How has your perspective changed?

8. Describe a time in which you expected or wanted to feel a religious or spiritual moment, but couldn’t. What were you hoping would happen? How do you choose to interpret that?

9. Recall a key lesson that parents or family members tried to impart onto you as a child. For example: “live with a healthy mind and healthy body,” or “put others before yourself.” Revisit that lesson as an adult and connect it to how you have come to interpret it as you grew up or in your adult life. Feel free to pick a less serious lesson and have a little bit of fun with it.

10. Revisit a special birthday from when you were younger. Describe specific details, with emphasis upon the senses. Now that you have years of context, how do you feel about what your parents and family did or did not do for you? What does that event mean to you now?

11. Choose an event in your life that someone else remembers differently. Describe both memories and debate the differences. Who do you think is right? Why do you think you remember it differently?

12. Choose a strong emotion and think of two memories associated with it. What are the links between those two memories?

13. Think of a lesson you learned recently and apply it to a memory. How would your behavior have changed if you had applied the lesson back then?

14. Choose a commonplace or otherwise unremarkable memory and describe it in the most dramatic and absurd way possible. For inspiration, I’m leaving you with some quotes from Douglas Adams. “The ships hung in the sky in much the same way that bricks don’t.” “He leant tensely against the corridor wall and frowned like a man trying to unbend a corkscrew by telekinesis.” “It was a deep, hollow malevolent voice which sounded like molten tar glurping out of a drum with evil on its mind.”

15. Have you seen those bizarre Illuminati videos in which some automated voice tries to prove that Arch Duke Ferdinand is actually alive and has a monopoly on the world’s dairy farms? For this prompt, think of people in your life who have believed in crazy conspiracy theories, and write about the time they first shared them with you. Think of how your beliefs might seem naïve to them, and explore the tension between the competing versions of history.

You Can’t Make This Stuff Up

16. What do you want more than anything in your life? Write about the burning hot core of your desire, and how that desire has changed over your life.

17. Recall what stressed you out most as a child. Was it the creaking stairs leading to the basement? Or being lost at the store? Explore your current relationship to that stressor. Did you ever move past that fear or anxiety? How do you interact with it now?

18. What relationship in your life has caused the most pain? Write the key scene in that relationship, when everything was at stake.

19. Write about a road trip you took, and about where all your fellow travelers ended up in life versus where you ended up. Are you glad you didn’t end up where they did, or are you jealous?

20. How has your identity changed over the course of your life? Write a scene from your teenage years that epitomizes the type of person you were, and then write a scene from recent life that shows how you’ve changed.

21. What event in your life has angered you the most? Write the scene where it happened, and tell us what you would do if it happened again.

22. What single experience most shaped who you are? Describe the experience in a single, vivid scene.

23. Who was your first friend to die? Write about how you learned of their death, and how you and their other friends mourned them.

24. Choose a happy or comfortable memory and write it in a way that makes the memory creepy or eerie to the reader. Don’t change the basic facts of the event, only select different facts and present them differently.

25. Show yourself in a scene pursuing the thing you want most in the world. Try to show the reader, without telling them, about your character flaws.

26. If you could throw five items into the fire, what would they be and why? To be clear, by throwing them in this fire, there would be no trace of them left anywhere, even if it’s something on the Internet or a memory. This is a very powerful fire. What would the consequences be?

27. What physical object or family heirloom ties together your grandparents, your parents, and yourself? Describe this object in great detail, and what it has meant to generations of your family.

This is seriously the best anthology out there for creative nonfiction.   

Lee Gutkind and Annie Dillard have created a fantastic repository of classics.

In Fact: The Best of Creative Nonfiction

28. Tell a story from your life in inverted chronological order. Start with the end, then backpedal to the middle, then tell the beginning, and then fill in the rest of the gaps.

29. Write about your favorite trip or journey, and how that high level of happiness was eventually threatened.

30. Look at some photographs of your childhood. Look at the pictures of your old room, the clothes you wore, and the places you had been. Try to remember a friend from that time period, and describe the first memory of a time when they pressured you or made you uncomfortable or angry.

31. Take a small, boring moment that happened today and write as much as you can about it. Go overboard describing it, and make this boring moment exciting by describing it in intense detail with ecstatic prose. Eventually connect this small, boring detail with the grand narrative of your life, your bigger purpose and intentions.

32. Describe the best meal you ever ate. Then describe a conflict you had with the people you shared it with, one that happened before, during, or after.

33. Recall an individual that you particularly hated. Describe their cruelty to you, and try to write yourself into an understanding of why they might have done it.

34. What was the best/worst letter you ever received or wrote? Write about the situation surrounding that letter, and why it was so important.

35. Recall a name you’ve given to a toy, a car, a pet, or a child, and tell us the story of how you and your family selected that name. Who fought over the name? What was the significance of that name? What happened to the animal or thing you named?

36. Write about experiencing the craziest natural event you’ve ever seen — tornado, earthquake, tsunami, hurricane. Dramatize the physical danger of the natural event as well as the tension between you and the people you were with.

37. Tell the story of the most important person that has shaped your town and its culture (you might have to do some research). How did the activity of that person  influence the way you grew up or live currently?

How do you find good creative nonfiction stories?    

This book masterfully teaches you how to discover the stories others will want to hear.

Creative Nonfiction: Researching and Crafting Stories of Real Life

38. Scientists have wondered for years how nature and nurture plays into the development of human minds and their choices. Explore where you and your siblings are today and the choices that brought you there. Would you like to trade places with your sibling? Would you be happy living in their shoes? How have your personal choices differed over the years?

39. Write a scene of a time when someone older than you gave you advice, and write about how you followed it or ignored it and the consequences.

40. Write a single, three-paragraph scene when your sexual desire was thwarted by yourself or someone else.

41. Describe a scene when you were stereotyping someone. Did someone challenge you, or if you only felt guilty by yourself, how did you change your behavior afterwards?

42. Describe the biggest epiphany of your life, then backtrack and tell the lead-up to that scene or the aftermath. In the lead-up or aftermath, show how the epiphany was either overrated or every bit as valuable as you’d previously thought.

43. Write about a fork in the road in your life, and how you made the decision to go the direction you did.

44. Explore an addiction you had or currently have. Whether the addiction is as serious as alcohol or cigarettes, or something much more mundane like texting, video games, or internet usage, describe in vivid detail the first time you tried it. If you quit, tell the story of how you quit.

45. Recall a scene in which you chose to remain silent. Whether it was your boss’s racist rant, or just an argument not worth having, explore the scene and why you chose not to speak.

46. Revisit a moment in your life that you feel you will never be able to forget. What about that moment made it so unforgettable?

47. What makes you feel guilty? Revisit a moment that you are ashamed of or feel guilty for and explore why that is. Describe the scene and the event and communicate why you feel this way.

48. Write about a moment in which you acted selflessly or against your own benefit. What motivated you to do so? What were the circumstances? How did you feel after words?

49. Write about the most pivotal scene in a relationship with someone in your extended family — Uncle, aunt, cousin, grandmother. Describe the tension or happiness you shared, and how that came to affect your relationship from that point onward.

50. If all else fails, try a writing-sprint. Set an alarm for 5, 10, or 15 minutes and write as much as possible within that time span. Even if you begin with no inspiration, you might be surprised with what you come up with by the end.

The definitive guide to creating riveting true life stories.     

Storycraft: The Complete Guide to Writing Narrative Nonfiction

For added pressure, try these writing websites:

• Write Or Die

If you stop writing for more than 5 seconds, everything you’ve written disappears. It’s like writing with someone with a whip behind your chair. But with this new update you can choose to get positive reinforcements, too, like a kitten or candy, or to have your words disemvoweled rather than disappear.

A points-based system to encourage writers to write 750 words every single day. You get bonus points for not skipping days, and bonus points for writing more than 750 words.

• Written? Kitten!

Every 100 words you write, you get shown a picture of a kitten. Ah, simple motivation. No word whether a dog version of the site is in the works for those who are more dog people.

For more on creative nonfiction writing, I suggest Creative Nonfiction . This website works with its print magazine counterpart to specifically cater to creative nonfiction writers and operates as an excellent starting point for more inspiration. Happy writing!

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Thank you for adding Written Kitten to the list, Bridget! We have bunnies and dogs now!

Thank you for this. Very helpful for a useless person like me

Stfu, you are amazing, and no one in this entire universe is useless, except for me, so love yourself.

This is super awesome & I am so happy to have some new ideas… creative block has been beyond bad. this is what I have needed to start unclogging it!

do you have topics i can write about

This is very helpful!

I am searching for non-fiction writing topics

Every writer NEEDS this book.

It’s a guide to writing the pivotal moments of your novel.

Whether writing your book or revising it, this will be the most helpful book you’ll ever buy.

76 Nonfiction Writing Prompts to Help You Write Better, More Engaging Content

By: Author Paul Jenkins

Posted on Published: September 9, 2022  - Last updated: July 31, 2023

Categories Writing , Inspiration

Do you sometimes struggle to come up with ideas for your articles or nonfiction works? Are you looking for ways to improve your writing and make it more engaging for your readers? If so, then you need to check out these nonfiction writing prompts! These prompts will help you come up with topics to write about and will also help you improve your writing skills. So what are you waiting for? Start using these prompts today!

33 Creative Nonfiction Prompts to Get Your Creative Juices Flowing

As a writer, it can be easy to get caught up in writer’s block. You may not know what to write about or which angle to approach a topic from. If you’re feeling stuck, why not try your hand at nonfiction? Nonfiction writing can be a great way to flex your creative muscles and explore new topics.

• Write about a time when you had to confront your fears. What were you afraid of? How did you overcome your fear?
• Write about a journey you went on- literal or metaphorical. What did you learn from the experience?
• Write about someone you admire and why they inspire you.
• Write about a memory that still makes you laugh.
• Write about a time when you had to stand up for yourself or someone else.
• Write about an experience that taught you a valuable lesson.
• Write about a goal you’ve set for yourself and why it’s important to you.
• Write about someone who has made a positive impact on your life.
• Write about a hobby or interest you have that others may find surprising.
• Write an open letter to someone- living or dead, real or fictional- thanking them for their impact on your life.
• Write about an important issue facing the world today and what needs to be done to address it.
• Write about a time when you overcame adversity.
• What was your best childhood memory?
• Who has been the biggest influence in your life and why?
• What is your favorite family tradition?
• What was the most defining moment of your teenage years?
• Write about a time when you had to confront a difficult truth.
• What was the most difficult decision you’ve ever had to make?
• What are some of the life lessons you’ve learned so far?
• How have you grown and changed over the years?
• What does happiness mean to you?
• Tell the story of a defining moment in your life.
• Write about a time when you had to confront a difficult truth about yourself.
• Write about a hobby or interest you’ve always been embarrassed to admit to.
• Write about a memory that still makes you laugh (or cry) every time you think about it.
• Write about a place you’ve always wanted to visit but haven’t had the chance yet.
• Write about someone who has had a major influence on your life, for better or worse.
• Write about a time when you had to do something you were really scared of.
• Write about a physical object that has sentimental value to you.
• Write about a time when you took a stand on something even though it was unpopular.
• Write about an experience that challenged your assumptions or worldview in some way.
• Write about a person who you admire but don’t necessarily agree with.
• Write about a time when you had to make a tough decision with no clear right or wrong answer.

10 Nonfiction Short Story Prompts

• Your most memorable childhood experience
• A time when you faced a challenge head-on
• A life-changing event
• An emotional moment that still stays with you
• A time when you had to let go of something or someone important to you
• A moment of happiness or success
• When you had an “aha!” moment
• A time when you had to confront a fear
• An experience that taught you a valuable lesson
• A memory that still makes you laugh (or cry!) today

11 Nonfiction Personal Essay Prompts

Crafting a personal essay is one of the most challenging parts of the writing process. You have to distill your experience to its essence and find a way to communicate it in a way that will resonate with your audience. No wonder many writers find personal essays some of the most difficult pieces!

• Write about a transition period in your life (moving, starting a new job, going away to college, etc.) and how it affected you.
• Pick an object with sentimental value and write about its history and what it means to you.
• Write about an event from your childhood that you still think about today.
• What are your earliest memories? Write about them in as much detail as possible.
• Who is someone you admire and why?
• What are some of the biggest challenges you’ve faced in your life? How did you overcome them?
• What do you think makes you unique?
• What are some of your biggest accomplishments? Why were they important to you in the moment, and how do they continue to affect your life today?
• Write about a time when you had to grapple with an ethical dilemma. How did you ultimately make your decision, and what were the consequences?

11 Journal Writing Prompts

Journaling is a great way to engage with the events of your day and process your thoughts and feelings.

• Write about a time when you had to face a difficult truth.
• What are some things you’re grateful for?
• What does your idea of the perfect day look like?
• How do you define happiness, and what are some things that make you happy?
• Choose one thing that you’d like to change about yourself and write about why you want to change it and how you plan to go about doing it.
• Do you have any lingering unresolved anger or resentment towards anyone? Why not try writing a letter to that person, even if you don’t plan on sending it? Getting your thoughts out can help you to let go and move on.
• What would be your dream vacation spot? Write about all the details: where would you stay, what would you do, what would you eat?
• Have you ever experienced something miraculous? Whether big or small, share your story.
• Sometimes our biggest fears turn out to be unfounded. Write about a time when this happened to you.
• When was the last time you did something for the first time? How did it feel?
• Write about someone who has had a positive influence on your life. Why are they important to you?

11 Memoir Writing Prompts

A memoir is a way to tell your story and share your experience with others. Memoirs can be written about a personal experience, someone else’s experience, or even a topic you feel passionate about.

• What is the earliest memory you have? What do you remember about it? How does it make you feel?
• Write about a time when you were faced with a difficult decision. What were the options? What did you decide? Why?
• What are some of the defining moments in your life? Why were they so significant?
• Write about a person who has had a major influence on your life. Who are they, and what did they teach you?
• What has been your most challenging experience? How did you face it? What did you learn from it?
• Describe a time when you had to overcome adversity. What was the situation, and how did you manage it?
• Is there someone in your life that you admire and look up to? Who are they, and what qualities do they possess that you admire?
• Write about an event that has shaped who you are today. What happened, and how did it change you?
• What are some of the defining moments of your childhood? Why were they so significant to you at the time?
• Tell the story of a significant relationship in your life. What was this relationship like, and what did it teach you about yourself and others?
• Everyone has regrets in life. What is something you regret, and why do you feel that way about it now?

Telling your story can be a powerful way to connect with others, process your experiences, and heal from trauma. If you’re stuck, try using one of these memoir writing prompts.

What Makes a Good Nonfiction Writing Topic

Searching for a good nonfiction writing topic can sometimes feel like looking for a needle in a haystack. There are just so many options out there! How do you choose one that will be interesting to write about and read?

Here are a few factors to keep in mind when choosing a topic for your next nonfiction piece:

• Potential interest to the audience : You want to choose a topic that you think people will want to read about. Ask yourself- would you want to read an article on this subject? If the answer is no, it’s probably not worth writing about. Of course, there are exceptions to every rule, but in general, it’s good to err on the side of writing something that you think people will find interesting and useful.
• Something you care about: It can be easier (and more fun!) to write about something you’re passionate about. When you care about your topic, it shows in your writing, and readers can sense that. Of course, you don’t have to be an expert on the subject- part of the reason you’re writing is to learn more about it yourself! However, if you aren’t interested in the topic, it will be harder to find the motivation to write about it.
• Originality: You also want to ensure that you’re choosing a topic that hasn’t been written about too much before. Finding an original angle on a well-explored subject can be difficult, but it’s not impossible. Some of the best pieces take a new perspective on a familiar topic. However, if you find that there are already dozens of articles on the same subject you wanted to write about, it might be time to move on and choose something else.

What Is a Creative Nonfiction Essay?

A creative nonfiction essay uses the real-life experiences of the nonfiction writer as material for the piece. This type of essay can be written in first person point of view and is usually focused on a single event, experience, or moment in time.

What separates a creative nonfiction essay from a simple narrative essay is the addition of literary devices such as metaphors, similes, and other poetic language. This allows the writer to create a more emotive piece that engages the reader on a different level. In addition, creative nonfiction essays often use flashbacks and other devices that help create a more linear story.

While creative nonfiction essays can be based on real-life experiences, they are still stories that need to be well-crafted to engage the reader. This means that writers must be aware of good storytelling elements, such as conflict, resolution, and character development. By incorporating these elements into their essays, writers can create compelling pieces of creative nonfiction.

Creative nonfiction essays are an interesting and challenging genre for writers. By combining real-life experiences with elements of good storytelling, writers can create engaging and emotive essays that will resonate with readers.

How to Write Creative Nonfiction

Creative nonfiction is a genre of writing that uses fiction and nonfiction elements to tell a true story. Unlike traditional journalism or academic writing, creative nonfiction allows writers to use literary devices such as metaphor and simile to bring their stories to life.

The first step in writing creative nonfiction is deciding what story you want to tell. This can be a personal story from your own life or the story of someone else you have been told. Once you have decided on a story, the next step is to start researching. This will help you to understand the events that took place and the people involved.

Next, it’s time to start writing. The key to writing creative nonfiction is to be as honest as possible. This means being willing to share your thoughts and feelings about the events that took place. It’s also important to use literary devices such as metaphor and simile to bring your story to life for the reader.

Finally, don’t forget to edit and revise your work before publishing it. This will help ensure that your story is free of errors, flows smoothly from beginning to end, and help you become a professional creative nonfiction writer.

How to Write a Good Nonfiction Essay

A nonfiction essay is a piece of writing that aims to present information about a certain subject. It can be based on anything from real-life events to personal experiences. To write a good nonfiction essay, there are some key elements that you need to keep in mind:

Decide on a topic

The first step is to decide on a topic for your essay. The topic can be anything from a personal event to something you have read about or seen. If you are having trouble deciding on a topic, try brainstorming with friends or family members. Once you have settled on a topic, the next step is to start researching.

Do your research

Before you start writing, you must do your research. This means looking for sources that will help you support your claims in your essay. When looking for sources, make sure they are credible and reliable. Once you have found some good sources, the next step is writing your essay.

Write your essay

When you are writing your essay, there are a few things that you need to keep in mind. First, ensure that your essay has an introduction, body paragraphs, and a conclusion. Second, make sure that all of your claims are supported by evidence from your research. And third, try to make your essay as interesting and engaging as possible.

Edit and revise

Once you have finished writing your essay, it is important to edit and revise it. This will help you improve the quality of your work and increase your chances of getting published. To edit and revise your work, try reading it aloud or getting someone else to read it. This will help you catch any errors or awkward phrasing you might have missed.

Submit your essay

The final step is to submit your essay to a publisher or contest. Doing this will allow you to get feedback from professionals and potentially have your work published for others to see.

How Do You Write a Nonfiction Book in 30 Days?

How is it possible to write an entire nonfiction book in such a short amount of time? Well, it certainly isn’t easy, and it isn’t for everyone. But if you have a clear vision for your book and you’re willing to put in the hard work, then it is possible.

Here are a few tips on how you can write a nonfiction book in 30 days:

1. Outline Your Book First

This may seem like a no-brainer, but you would be surprised how many people try to wing it when they write their books. A clear outline of what you want to cover in each chapter will make the actual writing process much easier and less daunting. Trust us, you will thank us later.

2. Set Aside Time Each Day to Write

Trying to cram an entire book into 30 days is unrealistic and very stressful. A better approach would be to set aside time each day to write. Set realistic goals for yourself – maybe aim to write 2-3 pages daily. If you stick to this plan, you will have a much better chance of completing your book within the 30-day timeframe.

3. Get an Editor

Once you have written your first draft, getting someone to edit your work is important. This step is crucial because it will help tighten up your writing and catch any errors you may have missed. A professional editor will also provide valuable feedback on your work which can be very helpful as you revise your manuscript.

4. Promote Your Book

Writing and publishing a book is only half the battle – the other half is promoting it! Make sure to create buzz about your book before it is released and devise creative ways to market it once it hits online stores or shelves.

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8 New Books We Recommend This Week

Suggested reading from critics and editors at The New York Times.

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Our fiction recommendations this week include a “gleeful romp” of a series mystery, along with three novels by some heavy-hitting young writers: Téa Obreht, Helen Oyeyemi and Tommy Orange. (How heavy-hitting, and how young? Consider that Obreht was included in The New Yorker’s “20 Under 40” issue in 2010 — and she’s still under 40 today. So is Oyeyemi, who was one of Granta’s “Best Young British Novelists” in 2013, while Orange, at 42, has won the PEN/Hemingway Award, the John Leonard Prize and the American Book Award. The future is in good hands.)

In nonfiction, we recommend a painter’s memoir, a group biography of three jazz giants, a posthumous essay collection by the great critic Joan Acocella and a journalist’s look at American citizens trying to come to terms with a divided country. Happy reading. — Gregory Cowles

THE MORNINGSIDE Téa Obreht

After being displaced from their homeland, Silvia and her mother move into the Morningside, a weather-beaten luxury apartment building in “Island City,” a sinking version of New York in the middle of all-out climate collapse. Silvia learns about her heritage through the folk tales her aunt Ena tells her, and becomes fascinated with the mysterious woman who lives in the penthouse apartment.

“I marveled at the subtle beauty and precision of Obreht’s prose. … Even in the face of catastrophe, there’s solace to be found in art.”

From Jessamine Chan’s review

Random House | $29

A GRAVE ROBBERY Deanna Raybourn

In their ninth crime-solving tale, the Victorian-era adventuress and butterfly hunter Veronica Speedwell and her partner discover that a wax mannequin is actually a dead young woman, expertly preserved.

“Throw in an assortment of delightful side characters and an engaging tamarin monkey, and what you have is the very definition of a gleeful romp.”

From Sarah Weinman’s crime column

Berkley | $28

THE BLOODIED NIGHTGOWN: And Other Essays Joan Acocella

Acocella, who died in January, may have been best known as one of our finest dance critics. But as this posthumous collection shows, she brought the same rigor, passion and insight to all the art she consumed. Whether her subject is genre fiction, “Beowulf” or Marilynne Robinson, Acocella’s knowledge and enthusiasm are hard to match. We will not see her like again.

"Some critics are haters, but Acocella began writing criticism because she loved — first dance, and then much of the best of Western culture. She let life bring her closer to art."

From Joanna Biggs’s review

Farrar, Straus & Giroux | $35

WANDERING STARS Tommy Orange

This follow-up to Orange’s debut, “There There,” is part prequel and part sequel; it trails the young survivor of a 19th-century massacre of Native Americans, chronicling not just his harsh fate but those of his descendants. In its second half, the novel enters 21st-century Oakland, following the family in the aftermath of a shooting.

“Orange’s ability to highlight the contradictory forces that coexist within friendships, familial relationships and the characters themselves ... makes ‘Wandering Stars’ a towering achievement.”

From Jonathan Escoffery’s review

Knopf | $29

PARASOL AGAINST THE AXE Helen Oyeyemi

In Oyeyemi’s latest magical realist adventure, our hero is a woman named Hero, and she is hurtling through the city of Prague, with a shape-shifting book about Prague, during a bachelorette weekend. But Hero doesn’t seem to be directing the novel’s action; the story itself seems to be calling the shots.

“Her stock-in-trade has always been tales at their least domesticated. … In this novel, they have all the autonomy, charisma and messiness of living beings — and demand the same respect.”

From Chelsea Leu’s review

Riverhead | $28

3 SHADES OF BLUE: Miles Davis, John Coltrane, Bill Evans, and the Lost Empire of Cool James Kaplan

On one memorable occasion in 1959, three outstanding musicians came together for what may be the greatest jazz record ever, Davis’s “Kind of Blue.” Kaplan, the author of a Frank Sinatra biography, traces the lives of his protagonists in compelling fashion; he may not be a jazz expert but he knows how to tell a good story.

“Kaplan has framed '3 Shades of Blue' as both a chronicle of a golden age and a lament for its decline and fall. One doesn’t have to accept the decline-and-fall part to acknowledge that he has done a lovely job of evoking the golden age.”

From Peter Keepnews’s review

Penguin Press | $35

WITH DARKNESS CAME STARS: A Memoir Audrey Flack

From her early days as an Abstract Expressionist who hung out with Jackson Pollock and Willem de Kooning at the Cedar Bar to her later success as a pioneering photorealist, Flack worked and lived at the center of New York’s art world over her long career; here she chronicles the triumphs, the slights, the sexism and the gossip, all with equal relish.

“Flack is a natural, unfiltered storyteller. … The person who emerges from her pages is someone who never doubts she has somewhere to go.”

From Prudence Peiffer’s review

Penn State University Press | $37.50

AN AMERICAN DREAMER: Life in a Divided Country David Finkel

Agile and bracing, Finkel’s book trails a small network of people struggling in the tumultuous period between the 2016 and 2020 U.S. presidential elections. At the center is Brent Cummings, a white Iraq war veteran who is trying to cope with a country he no longer recognizes.

“Adroitly assembles these stories into a poignant account of the social and political mood in the United States. … A timely and compelling argument for tolerance and moral character in times of extreme antagonism.”

From John Knight’s review

Random House | $32

Explore More in Books

Want to know about the best books to read and the latest news start here..

James McBride’s novel sold a million copies, and he isn’t sure how he feels about that, as he considers the critical and commercial success  of “The Heaven & Earth Grocery Store.”

How did gender become a scary word? Judith Butler, the theorist who got us talking about the subject , has answers.

You never know what’s going to go wrong in these graphic novels, where Circus tigers, giant spiders, shifting borders and motherhood all threaten to end life as we know it .

When the author Tommy Orange received an impassioned email from a teacher in the Bronx, he dropped everything to visit the students  who inspired it.

Do you want to be a better reader?   Here’s some helpful advice to show you how to get the most out of your literary endeavor .

Each week, top authors and critics join the Book Review’s podcast to talk about the latest news in the literary world. Listen here .