album review essay example

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How to write the perfect album review

A few months back, the Daily Express took it upon themselves to review PJ Harvey's most recent album , Let England Shake. They must have noted that it had been hailed elsewhere as not merely a good album, a highlight of an already stellar career, but an important work that underlined the matchless power wielded by a unique artist uncoupled from musical trends, determined not to repeat herself, in an increasingly homogenous and repetitive rock and pop world. Understandably, they clearly put their best man on the job, the better to unpick Harvey's dense mesh of musical influences and literary and historical allusions for the benefit of their immigration-fearing readership. "You might not be able to pick her out of a police lineup, but there's no lack of respect for PJ Harvey," he opened. "The album moves away from her usual style, but let's just say it's not our bag. 2/5."

Read Alexis's review of his favourite-ever record

Of course, the Daily Express isn't the first place you'd look for an in-depth examination of a cutting-edge experimental rock album, but these 38 words seem indicative of a wider malaise. There's no doubt these are lean times for professional reviewers of records. The job was once freighted with importance, a vital, mediating link between artist and audience. Today, it's been battered by both the rise of illegal downloading, which some would argue has negated the need for reviews at all – if you want to know what an album's like before release you can probably find out for yourself – and the fear caused by declining circulation: at least one major music magazine is fairly obviously engaged not in reviewing albums, but in trying to second-guess what their readers are going to think about them, terrified of causing offence, which seems to be spectacularly missing the point.

I think that's a shame, partly because writing album reviews is my job , but mostly because I think music is important: it deserves to be discussed and evaluated properly, and no one's come up with a better way of doing it. The rise of the internet may mean there's no such thing as a definitive album review any more, but that doesn't matter: frankly, the more people discussing and evaluating, the better. That's why it's exciting that on the Guardian's music website, as of today, every reader is invited to have a stab at writing a review of pretty much any album ever made. Around threemillion albums each now have their own page on the site – and whether a critic like me has reviewed it or not, the invitation is there for you to do so. As the critic Anthony Lane once pointed out, a review has only ever really been the first line of an argument.

That said, I'm not sure how much advice I can offer about the actual writing of reviews. I'm pretty certain the more you listen to an album before you review it, the better – repeated exposure to music sharpens your opinions, whether good or bad – and the more you research an album or the artist who made it, the better: the most arcane tangential fact can sometimes illuminate your understanding of it. Beyond that, I wouldn't for a minute suggest that anything I do as a critic should be viewed in a prescriptive way. I'm not big on close textual reading of the music in a major-triads-in-12/8-time sense, because I tend to view an album as more than a purely sonic experience. Whether you think so or not, your response to an album is often influenced by things other than the actual sound of it. But I think one of the greatest books about rock music ever written is the late Ian MacDonald 's astonishing anatomical study of the Beatles' oeuvre, Revolution in the Head , which is so reliant on close textual study that it comes with a glossary of musical terms attached.

I write a lot of jokes into my copy, partly because I find the world of rock and pop music unfailingly hilarious, as arenas full of ridiculous people doing ridiculous things are wont to be, and partly I'm very aware I'm writing for a broadsheet newspaper. Few people buy the Guardian just to read the album reviews, which means you're dealing with a lot of what you might call passing trade, and one way to lure passing trade in is to try to make them laugh (it's also why I don't assume much background knowledge on the part of the reader – I want the review to be accessible to everybody, regardless of their familiarity with the artist being reviewed). But my favourite rock critic of all, the great Jon Savage , almost never writes jokes, despite being one of the funniest men I've ever met. He views writing about music as a serious, almost academic business, although – if you're planning on going down that route yourself – it's worth noting that all his seriousness and academic study is entirely in service to communicating the simple pleasure of listening to music: he makes you want to hear the records he writes about, whether good or bad. That might be the only real rule there is in rock criticism. That, and don't dismiss the new PJ Harvey album in 38 words.

Over to you …

What do you think makes the perfect review? Tell us in the comments below. Then look up your favourite albums and start writing reviews of your own.

Pop and rock

More on this story

Write your review of almost any album ever released

My favourite album: the Saturday Night Fever soundtrack

My favourite album: Back in Black by AC/DC

My favourite album: The Smell of Our Own by the Hidden Cameras

My favourite album: Pirate's Choice by Orchestra Baobab

My favourite album: His 'n' Hers by Pulp

My favourite album: Astral Weeks by Van Morrison

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Run-D.M.C, Raising Hell: Album Review Essay

Introduction.

Hip-hop songs are as pervasive in our culture and have been popular for a long time. Rappers are one of the most prominent pop artists currently alive. This style of music is already impacting rock, soul music, rhythm, blues, and dance music (Böhmer, 2021). Although this might seem the norm, it has not always been that way. Acknowledging the crucial role of Raising Hell by Run-DMC in this widespread acceptance is essential. It was probably one of the first rap albums to gain widespread appeal and become a cultural touchstone when released three decades ago. Joseph “Run” Simmons and Darryl “DMC” McDaniels performed (rappers) on the album, which Def Jam studios recorded between January 16 and April 8, 1986. Jason “Jam Master Jay” Mizell, their DJ, was subsequently enlisted (Böhmer, 2021).

The excellence of “Walk This Way,” an Aerosmith title track derived from the 1975 collection Toys in the Attic , is inextricably tied to the popularity of Raising Hell (Ducker, 2021). Despite its popularity, hip-hop commentators have noted that the song is not Run DMC’s finest work. It is merely a rendition of the official version with rapped lyrical content and only a few subtle changes to complement their rhythmic pattern (Ducker, 2021). This song was hailed as a crossover success because it dismantled the barriers that had restricted rap to a narrow demographic.

“Peter Piper”

As an opening to their iconic flow on the mic, Run-DMC both rap one word on the children’s rhyme-themed song “Peter Piper” in the opening track. Instead of the flashier, electronic creation of rap music at the time, this sound, like most of their productions, was categorized by sparse drum computer beats with sporadic samples and little scratching. With lyrics that mocked and bragged about rapping and their accomplishments, this song was in keeping with the group’s previous sounds. This track’s rapping style, which embodied the standard back-and-forth by Run-DMC, was smooth and calculated rather than aggressive.

“It’s Tricky”

This song is regarded as the best Run-DMC has ever produced, perfectly capturing the duo’s distinctive back-and-forth MCing style (Böhmer, 2021). It has a unique hard beat and the enticing “My Sharona” sound sample, and the duo alternately finishes each other’s phrases with witty boasts. Unlike most other songs, this song does not feature overt or covert deejaying scratches. The rapping style is methodical and relaxed throughout the piece rather than overly aggressive.

“My Adidas”

“My Adidas” became such a pop culture phenomenon that it earned the group the first endorsement deal for sneakers for non-athletes (Ducker, 2021). Over an exceptional hard machine beat, this song also perfectly encapsulates the duo’s distinct back-and-forth MCing style. Run-DMC’s style, which includes sporadic background deejaying scratches, is evident in this song. Additionally, in keeping with the arrogant themes of hip-hop, Run-DMC uses the same attitude to brag about its Adidas shoes. The rapping style is not aggressive but smooth and relaxing.

“Walk This Way”

This track, which is regarded as a pioneer of crossover rap music, best captures Run-MCing DMC’s style, which involves a back-and-forth tête-à-tête between the two MCs, rapping over rock music (Böhmer, 2021). Despite the rock-based melody that permeates the entire song, the track does not shy away from Run-DMC’s signature style, which involves sporadic background deejaying scratches. Hip-hop is known for its boastful themes, which are more prevalent in this song.

“Is It Live”

This is a drum and guitar-driven song with the beats from the guitar matching their voices. The melodies match the rap-metal hybrids used. In addition, some lyrical attacks are enhanced by the keyboards, with the rappers performing energetically. Master Jay quickly shows his turntable skills, making the performance lively, especially when the rappers boast about themselves.

“Perfection”

The song uses drums as Jay is beatboxing, but overly, the song has a stripped-down aesthetic. They use live drums, while Run and DMC are mainly on the mic, each singing short verses and backing each other at intervals. The performance is intense, and the rappers are vigorous and eager to finish each other’s lines (Ducker, 2021).

“Hit It Run”

This is a piece of proverbial music with a solo rap performance by DMC, giving the audience a beatbox fix. In his six verses, which were quite short, DMC performs with much energy, giving the audience an impression that he is full of adrenaline and, most of all, anti-matter, which is one of the group’s MCing styles. The song has flowing rhythms, and DMC seems to be making the music using his mouth because he raps the lines fiercely.

“Raising Hell”

It is an intense rock-infused song, hence using a thunderous electric guitar. ‘Raising Hell” recoils previous tracks by the group like “Rock Box,” which was also categorized as rock rock-infused genre. For the first time, Rick Rubin leads in the accustomed proverbial song, where he gives an energetic performance. This is different because Eddie Martinez is usually the lead singer for Run-DMC. For the first time, Rick Rubin leads in the accustomed proverbial song, where he gives an energetic performance. This is different because Eddie Martinez is usually the lead singer for Run-DMC. The style used in this track is a high level of ferocity, while they maintain their usual style of straight-faced demeanor when they are on the microphone. Their full range of MCing skills can be noticed through the performance, especially by Run and DMC, as they flex and Run, warning their doubters. DMC portrays some energy, too, as he moves ruthlessly, boasting about his contemporaries (Ducker, 2021)

“You Be Illin”

It is a pure hip-hop track discussing how some people will be ill. The lyrics are entertaining, the track has piano beats, and one could also tell they use horns. The rhythm is well-balanced, with well-coordinated musicality and melodies that are well-balanced. The song has a cohesive, impressive sound (Böhmer, 2021).

“Dumb Girl”

The song is about girls who do not think keenly before making sensible decisions. The track utilizes the best kick drums, hence the heavy bass that can be recognized. It is classic hip-hop that does not shy away from using a mix of beats; from time to time, the audience can feel the static and rap from the MCs(Coleman, 2018).

“Son of Byford”

It is a 27-second-long track that interludes well and has Run doing some beatboxing. They use both a guitar and piano and the MCs have vigor and seem angry as they sing out the wicked rhyme. Jam Master Jay is seen on the turntable working as a perfectionist, and the audience can hear bells and squeals resulting in an exciting mix of beats

“Proud To Be Black”

The track is about African-American history over the years with the aim of referring to black historical figures to empower the audience. It is the last in the album and has a strong performance that takes 3 minutes and 15 seconds, giving the listeners black lessons and encouraging them to celebrate their black heritage. The style lacks the influence of the rock genre and instead uses drum machine scratches (Ducker, 2021).

Raising Hell is the third album for Run-DMC and made a major hit upon its launch in 1986 and put rap music into the limelight. The album became famous because of the rap-rock song featured, “Walk This Way,” which was a unique genre that was very exciting to many.

Böhmer, D. (2021). A scene in retrospect: Run-DMC – “Raising hell” – Everything is noise . Everything Is Noise. Web.

Coleman, M. (2018). Raising Hell -Run-DMC . Web.

Ducker. (2021). Revisiting Run-DMC’s ‘Raising hell’ (1986) | Tribute . Albumism. Web.

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IvyPanda. (2024, April 12). Run-D.M.C, Raising Hell: Album Review. https://ivypanda.com/essays/run-dmc-raising-hell-album-review/

"Run-D.M.C, Raising Hell: Album Review." IvyPanda , 12 Apr. 2024, ivypanda.com/essays/run-dmc-raising-hell-album-review/.

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IvyPanda . 2024. "Run-D.M.C, Raising Hell: Album Review." April 12, 2024. https://ivypanda.com/essays/run-dmc-raising-hell-album-review/.

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IvyPanda . "Run-D.M.C, Raising Hell: Album Review." April 12, 2024. https://ivypanda.com/essays/run-dmc-raising-hell-album-review/.

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Writing Tips

8 Tips on How to Write a Music Review

3-minute read

16th May 2020

When you write a music review, you’re aiming to share your impression of the music with the reader. And when you’re reviewing an album, these tips will help you to write something that is readable and engaging.

Before you start writing a review, listen to the music from start to finish at least twice. As you listen, note down your initial thoughts and feelings.

Next, think about how you will introduce and summarize the music. As well as sitting down to listen critically to the music, it might help to listen through speakers or headphones as you go about your day.

2. Research Is Key

Once you’ve listened to the music, do your research. Read articles and interviews with the artist to gather facts about them and the music you’re reviewing. It can also help to read other people’s reviews so you become familiar with the language used in music writing.

3. Think About Context

Think about the music in the context of its genre and the artist’s history. How does it compare with the rest of its genre? Is it a classic example of bubblegum pop, or does it bend the boundary between heavy metal and hardcore punk? And how does it compare to the artist’s previous work?

4. Consider Different Angles

Think about all aspects of the album: how it works as a whole, the individual songs, the lyrics, the artwork , the instrumentation, and its production. Set out your overall impression and go into detail on anything you find interesting (e.g., a theme running through the lyrics or a repeating melody).

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5. Avoid Bias

If you write for as wide an audience as possible, try to be objective. Whether it’s music by your favorite artist or a band and genre you hate, try not to let this cloud your judgement. If you don’t like an artist or a genre, this doesn’t necessarily mean that the quality of the music is bad.

6. Be Honest

It might be tempting to copy what everyone else is writing about the music, but your review should give your honest opinion. If you loved an album that the rest of the world seems to despise, let everyone know!

You can acknowledge other people’s opinions and general attitudes to the music, but it is your review and therefore your own opinion matters most.

7. Write Clearly

Your review should be clear and readable. For longer reviews, use subheadings and cover different aspects of the album in separate sections to make it easy to follow. You can also include images of the artist or the album artwork to break up the text and illustrate your writing.

8. Edit Your Review

Once you’ve written a first draft of your review, think about how to edit it. Look for ways to make it clear and memorable. It may help to read it aloud or ask others to give you feedback. Make revisions where necessary, and remember to check your spelling, grammar and punctuation .

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How to Write an Album Review

Music writing is something that cannot be taught, so in a sense editing a book called How to Write About Music is a pointless exercise.

Still, while you can’t instruct someone how to write beautiful prose about this melodious art form, you can inspire, shape and structure lessons to prompt the reader to write something about music.

As Rick Moody states in his timely foreword to the book: “Among the many differences between the music writing of the seventies, let’s say, and the music writing of our own time, is the lack of a prevailing format.” He’s right! In the twenty-first century there are hundreds of magazines, thousands of music blogs, YouTube channels, newspapers, etc. all clamoring for well-written reviews, think pieces and musings on popular and not-so-popular music. There are no longer strict word count restrictions when writing for a website; the possibilities are endless and that’s daunting. Yet while so much has changed in the way we listen to and consume music, the basic concept of an album remains the same. Thus, the exercise of describing and critiquing an album is still a very valid and sought after form of music writing.

It’s not an easy task, reviewing an album. The task at hand is to provide others with an informed impression of a piece of art. Marc Woodworth, in his introduction to the chapter on the album, reminds a writer of album reviews to write on their own terms. “The critic both uses and is sometimes blind to his prejudices and ideals – the more you know about yourself and how you process what you’re writing and given that self-knowledge, the better … Don’t write as someone who doesn’t care about what you care about.”

Here’s what the experts have to say about writing an album review:

Try listening ‘in the wild’

“I listen to music as I would ‘in the wild’ before I approach it critically. That means listening to it regularly on headphones to and from work usually.” Matt LeMay, senior contributor, Pitchfork

“One thing I try to do consistently is listen to an album I’m reviewing in a variety of contexts. A lot of people might think of a music critic pensively listening to a record alone in a silent room and through huge, state-of- the-art headphones . . . and true, sometimes I do that. But that’s not the only way people listen to music, and I try to remember that when I’m writing about a record. I want to take it out for a test-drive— to try it out in real life. I try to listen on speakers and on headphones. I try to give it a few spins (pen and notebook in hand, usually) focused specifically on the music and when I’m playing it in the background of doing something else. Sometimes I’ll listen alone and sometimes with other people. Music filters into our lives in a variety of ways, and I try to keep this in mind when I’m evaluating it.” - Lindsay Zoladz, Associate Editor, Pitchfork

Listen often – but don’t overthink!

“A lot of people ask me how many times I try and listen to an album before reviewing it, and the truth is that there is no magic number. It really depends on how far in advance I’m given a record; sometimes I’ll live with a promo copy of a record for months before I have to sit down and organize my thoughts about it, and in other cases—especially with bigger, major label releases—I’ll hear an album for the first time a day or two before I have to file the review. I prefer situations between these two extremes. If you have too long to marinate on an album, you can sometimes overthink your opinion and second-guess your gut reaction—specifically if you see a lot of people arguing about it a lot on the internet. But of course, you don’t want to feel rushed, either. A lot of my favorite albums are “growers” that didn’t immediately grab me on first listen, but I came to appreciate them over many consecutive listens, and I try to consider this when listening and writing.” - Lindsay Zoladz, Associate Editor, Pitchfork

Do your research

“In general, it’s crucial for me to immerse myself in the music first, then, depending on the artist, do as much research as possible by reading interviews and articles. This research is not only for fact-gathering purposes, but also to understand how meaning is created and reinforced throughout the media, how publicity might have affected how people are writing about the music in question, and whether or not any of it aligns with my personal beliefs.” – Martin Lin, Editor-in-Chief, Tiny Mix Tapes

Try constructing a narrative

“I’ve realized that I try to make everything I write, even reviews, into some sort of narrative—there has to be a story or I don’t know what to say. And then I just smooth it all together into a legible story.” - Michael Azerrad, author, journalist and Editor-in-Chief of the Talkhouse

Embrace the editing process

“I wrote a 1500-word review about the Slint boxset (multiple LPs, book, and DVD) in the Wire magazine. I listened to the music, watched the film several times, and started by simply thinking about exactly what struck me as most significant about the band, their reputation, their album Spiderland and the historical gap between the time of its creation and the present. Once I had a lot of sentences more or less worked out in my head, I wrote a preliminary draft. Then I revised it many times, adding and expanding and cutting back and reshuffling certain key points. Then I sent it to the editor and we had several back-and- forth edits and changes. He wanted me to add some things and I thought about how I would do that effectively. It’s not just about “your voice” or “inspiration”—to write is to work with editors, to revise, and to sometimes change your mind and your emphasis.” - Drew Daniel, Assistant Professor, Department of English, Johns Hopkins University

Beware the pressures of reviewing in a digital era…

“With album reviews, there was a time when writers got advance albums two or three months before the general public ever heard it. So you could spend some time crafting a meaningful argument that was really unaffected by the fan reception of a record, or by the promotional campaign of that record. That landscape has changed so dramatically that writers don’t have much of an advantage over anyone else. Everyone has an opinion the moment an album is leaked or released, and editors are going to (understandably) demand that their writers join that chorus as quickly as possible so their outlet’s coverage doesn’t feel stale. When you’re under that kind of deadline pressure, as a writer, I think it’s much harder to write something personal and meaningful and structurally sound, so readers often get something half-cooked or something that pretty much repeats the safe status quo opinion that’s floating around out there.” - Casey Jarman, Managing Editor, the Believer

Try this exercise to begin to formulate your review:

Album reviews should not be limited to music you know you love or know you hate. Challenge yourself to explore the unknown. Write a review of an album that you know absolutely nothing about by an artist you have never even heard of, music that has never crossed your path before. Try looking to genres you are unfamiliar with.

Write an album review of approximately 1000 words that describes your impressions of an album by an artist you are completely unfamiliar with. How to find an album you’ve never heard of? Go outside. Go to a record store, library, Goodwill or garage sale and find something that catches your eye. Maybe it’s the album artwork that draws you in. Maybe it’s a band name. If exploring in the real world isn’t an option, dig on iTunes, Spotify, Pandora or other sites.

First listen to the record from start to finish at least twice and begin to write down your first impressions. How does it feel? What does it sound like? What does it remind you of? Then write up your notes into a short paragraph that just describes the music.

Okay, now you can Google. Use the incredibly vast resources available to you to find out about this artist. Where are they located? What’s their story?

Now revisit the paragraph you wrote about the music and combine what you’ve learned about the artist with your first impressions.

Consider these questions while writing:

1. How will you succinctly introduce this record?

2. How does this record fit within its genre or, more broadly, pop or rock history?

3. Where would you want to listen to this record?

About How to Write About Music

If writing about music is like dancing about architecture, you'd do best to hone your chops and avoid clichés (like the one that begins this sentence) by learning from the prime movers. How to Write About Music offers a selection of the best writers on what is perhaps our most universally beloved art form. Selections from the critically-acclaimed 33 1/3 series appear alongside new interviews and insights from authors like Lester Bangs, Chuck Klosterman, Owen Pallet, Ann Powers and Alex Ross.

How to Write About Music includes primary sources of inspiration from a variety of go-to genres such as the album review, the personal essay, the blog post and the interview along with tips, writing prompts and advice from the writers themselves.

Music critics of the past and the present offer inspiration through their work on artists like Black Sabbath, Daft Punk, J Dilla, Joy Division, Kanye West, Neutral Milk Hotel, Radiohead, Pussy Riot and countless others. How to Write About Music is an invaluable text for all those who have ever dreamed of getting their music writing published and a pleasure for everyone who loves to read about music.

To find out more about the book then visit the store page , or the website .

Find out more about titles and buy the latest releases from Ally-Jane Grossan at Bloomsbury.com.

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A Step by Step Guideline on Reviewing a Music Album

By Film Threat Staff | January 5, 2020

Most students experience a lot of challenges writing a review for a music album. However, this exercise can be an exciting process considering that almost everyone likes music, especially young people. Nonetheless, reviewing a music album involves a lot and not only listening to a song. You have to understand the song’s type of genre, the writer’s background, and what inspired the writer to write the song. Also, you should give your honest opinion regarding the song without being biased by emotions.

Also, you will need to familiarize with different terminologies on music production through research and listening to the song. This is to allow you to write factual information on the opinion.

Tips on Reviewing a Song Album

The following are well researched and practical tips on how you will write a music album review. Follow the guide provided below to complete the review writing process expertly. It’s especially helpful to use a tool like unison.audio .

Listening to the Song

When listening to the song several times, you are likely to observe different insights. You will also get the pattern of the song that will guide into understanding the rhythm of the song. For instance, if you listen to a song for the first time and put your focus on the lyrics and then to other aspects of a song. It becomes easier to comprehend both the storyline of the song and the usage of instruments.

It is also possible to learn the melody of the song. Try to make an effort and stretch to figuring out different aspects of the reviewed album. You should know that some songs can be complex to evaluate.

Familiarize Yourself with the Music Terminologies

A high standard review paper has well-researched content and strategically utilized terminologies. There are too many terminologies that you will need to know during the review writing. Know this that if you want to apply a term in a review, make sure it well fits. Avoid using a word wrongly; it can deter the message you want to pass across.

If possible, research online for the meaning of most terms used in reviewing a song and understand how to use them. Some of the essay help services have uploaded samples of reviews you can check. Learn the different styles applied in review samples you get. You may find terminologies like tempo, beats, harmony, tone etc.

Develop an Outline for the Review

Before you can start the actual writing of the music review paper, create an outline. You have to know the structure you will use in writing the review. So, get to understand the right format to use. If you have no clue about it, do a research online for samples on different outlines used in writing a music review. The following is an example of how a standard review outline looks like;

An introduction section

The introduction is an essential part because it invites the reader into what you have written. You must ensure that you grasp their attention and interest to continue reading your review.

This part provides all the strong points and ideas you have discovered about the album and the writer. Explain in detail by giving evidence to back up every point you make.

The conclusion

The conclusion wraps everything that has been written in the body part. Just put a summary of every point. Do not mention anything new. Once that is done, give the reader your opinion about the album. Did you like it?

Structure of the Review Paper

Once you have an outline, it is easier to structure the essay the way you wish. First, introduce the artist. Then write about the artist background story. When did the artist start the music, what has been achieved, how many years in the industry and the genre of music done by the artist? Also, include the number of albums that have been done. All this information can easily be

Describe Your Music Album

Describe the collection. Talk about the melody, the lyrics and the themes around it. Describe emotive instances by using the lyrics. You can even quote parts of the lyrics to make the review more objective. How did the instruments use to make up the melody? Such a question should be of help. If you are having a hard time describing the album because you do not know how you can learn online. Search how to write a music album review , and you will get numerous recommendations.

Conclude the Review

Make your conclusion brief. Offer your opinion, and it should be more honest. Did you like the song? Yes or no and provide a reason for your answer. Then go through the review to check for mistakes such as spellings, grammar or sentence errors. No one would like to read a poorly edited paper.

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How To Write A Music Review: An Ultimate Guide

Everyone loves music. Whether you’re a fan of hip hop or country, classical or rock-n-roll, music is the soundtrack of our lives. But not all music is created equal. Some of it hits us harder than others. Some can take us to the heights of emotion, and some lulls us to sleep in an elevator. Whatever type of music you listen to, chances are that you’d like to know what’s good or what’s bad before you waste your time downloading a new album or purchasing a vinyl collector’s edition. That’s where music reviews come in. A music review will tell you what a critic thought of a piece of music so you can make an informed decision about whether you will enjoy that music. However, writing a music review isn’t as simple as saying whether you liked it. Instead, you need to offer specific and clear reasons for your reaction. In this article, we’ll take a look at the steps to writing a music review.

Define Fundamentals

First, however, we need to say a word about the role of music reviews in today’s streaming environment. In years past, most listeners would learn about new bands and new music from reviews, whether written in music magazines or delivered orally by friends or influencers. However, today, listeners are more likely to encounter new music as part of the automatic recommendations and tailored playlists delivered by music streaming services like Spotify. As a result, the role of the music review is less about exposing readers to new music and is now more about ratifying opinions about which albums are important, essential, or must-listens.

It is important not to get too personal when writing about music. Reviews are normally not about your likes and dislikes, they are more about analysis. In some cases, you can add some personal touch, but in most, it is better to avoid it. You should show an understanding of music in general, not your taste.

Delegate If You Don’t Have Time

One of the most important areas for music reviews is actually in academic writing, where instructors assign music reviews in a variety of courses to help students think about understanding a variety of musical genres and their connection to subjects outside and beyond music. However, most students are not professional music critics and don’t always know how to write an effective music review. Reputable academic writing services like Write My Paper Hub can help students to do their essays and papers. These online services allow students to pay experts for the academic writing they need. Is it a good idea for an essay about music or a music review? It all depends on how you feel about the assignment and how much time you have. If the deadline is too close, and you know that it is difficult for you to concentrate on such a broad topic rather fast — it is better to delegate it. If you are not a big fan of music in general, you may like some songs, but you don’t understand fundamentals — again, it is better to delegate. If you feel like it can be nice to dig into this topic and get more information, express your option — write a review yourself.

Write a Music in Six Steps

If you are going to write your own music review, either for a class or for publication, you need to follow a few simple rules to make sure you give your audience the best music review experience.

Listen to the music. This might seem obvious, but the first step in any music review is to listen to the music you plan to review. Ideally, you will listen to the album at least twice so you can form an initial impression and also consider how it hits you on a repeat listen, when some of the novelty has worn off. Keep track of your feelings and write notes about your reactions as you listen through the album.
Research the album and the artist. When you have formed your own view and opinion, begin researching the album and the artist. Find out the background and the inspiration for the music, as well as any unusual songwriting or technical production information that might cast light on the purpose of the album so you can judge how well the album achieved the artist’s goals.
Compare the music to its broader context. Where does the album fit in the broader context of its genre, or in the history of music? Is there something new and innovative? Does it carry on time-honored traditions? Such questions can help to evaluate the overall importance and meaning of the album under review.
Consider your own biases. We all have particular music or artists we like or don’t like, but just because we don’t like someone doesn’t mean the quality of their music is bad, nor does our favorite artist always produce top-shelf material. As you work on your review, consider your perspective and preferences and try to adjust for them so you can provide an objective analysis of whether the album is good or bad.
Always be honest. It can be tempting to follow the crowd and write what you think they want to hear. But if you love an album that other critics don’t like, or hate one they do, your readers will rather know your honest opinion than a fake opinion you think will gather the most likes on social media. Audiences can recognize when a writer isn’t shooting straight, and they are less likely to keep reading if they don’t trust you are being square with them.
Follow good writing practices. It goes without saying that it’s important to follow good writing practices, including clarity and conciseness. Be sure to revise and edit your work carefully to make sure it is readable and easily understood by your target audience.

While it is not a good idea to let someone write your music for you, it is a good idea to delegate writing about it when you are not exactly in the mood. However, if you are, just follow the tips above and be ready in a matter of hours to write a music review from scratch.

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Home — Essay Samples — Entertainment — Song — Review On The Album “The Life Of Pablo” By Kanye West

Review on The Album "The Life of Pablo" by Kanye West

Categories: Music Industry Song

About this sample

Words: 430 |

Published: Mar 3, 2020

Words: 430 | Page: 1 | 3 min read

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To create a successful music album, you must first understand the importance of a good review . A good review can help your fans discover new music and encourage them to purchase your album.

However, writing a perfect music review can be challenging because there are so many factors to consider. This blog post will outline the steps you need to take to write a perfect album review.

The Basics Of Writing An Album Music Review

What to include, what to avoid writing, criteria for rating music.

After finding a new band, the reviewer must decide what the album is about. Whose perspective will they assign the review? Is it a more general perspective, or is it just the reviewers?

The reviewer must also decide what they will discuss, such as lyrics or sound. They might also want to consider content to discuss what the album means and whether or not the listener will like it.

Once these big decisions are made, the reviewer can get started.

Write A Review Of A Music Album That Triggers Your Readers.

Your album review needs to be organized, particularly if you’re writing an overview or a critique. This can be difficult because your review will be built from many different thoughts and ideas that run throughout it.

If you’re in the music review phase, you will want to focus on the following things: presenting thoughts and ideas, framing your review, and making sure that everything you present is connected to the album being reviewed in other to trigger positive feelings about the musician, of course, it’s not always a positive one but album review is usually positive compared to album critic.

When writing an album review, think about your readers. They want to know a little bit about the artist, what their music sounds like, the mood the listener should be in, and any information they might find helpful.

Think about what they would like to know. A few things should be included in a good music review :

Who is the artist?
When did the album come out?
How did it come about?
Has the artist released any other albums?
What do you know about their past?
Is the artist’s attitude similar to what you usually find in their releases?
Do their songs harken back to another era?
Do they conform to the current music scene? If it’s not a CD, where did you get it? Do they have a catalog?
What is the quality of their work?
What can you recommend instead?
What is your role in musical supervision? What’s the name of the catalog?
Whose record is it? Who owns the publishing rights?

The more you answer these questions, the more insight we can give a perfect album review.

Remember that the artist may have had a manager; we review their history to aid in our evaluations.

Want to write a review for your favorite album?

Here are some steps to help you write a review that satisfies your readers and makes it a bestseller. First, you must differentiate yourself from other writers and decide how to write the review. Then, learn how to do an abstract.

Keep writing about the album until you have enough for a review. Also, if you’re reviewing a particular work, say so and provide an English translation of the title or some other text that will make it clear.

Reviewers must be honest. If you have a reason not to like the album, say why it could be about something other than the music.

Reviews should also include some analysis, which should at least touch on the following questions: What causes the music to be characterized as “grainy” with “claustrophobic” and “minimalism?”

Which aspects of the music set these parameters? Do the same things work in other genres, or do they work in music with a similar premise? How do these aspects affect the music initially and as the album progresses? Is there anything else going on here?

Of course, different people listen to or enjoy different music. Therefore, nobody has to agree 100% on what constitutes a good album, much less on a bad one. However, it’s useful to discuss the technical aspects of the music.

A music review is one of the most commonly requested services on many websites. While not everyone can write high-quality reviews, learning the basics of what reviewers of all depths go through will be easier to write your own reviews.

This is a helpful step because it will help you determine if the company in question is a good fit for your needs and tastes. It is important to take into account your audience.

For example, if you are writing a review of a popular band and your readership is of all ages, you will have to be careful not to come off as pompous and arrogant.

You want to keep people at a level where they can learn from the information without feeling that you are being too heavy-handed to influence the audience. It’s hard to gauge the humor in something so subjective.

You have to find the right balance between a fun and fascinating book and one that is dry and boring.

Make sure to read: How to Write a Music Review: The Ultimate Expert Guide

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Song&Music Review Examples and Samples

See how to write music review samples for yourself.

A Comprehensive Guide to Song and Music Reviews

In the world of music, song reviews play a significant role in shaping public opinion and promoting talent. These reviews provide musicians with constructive feedback and help listeners discover new artists and songs. Whether you’re a seasoned music critic, an aspiring reviewer on Slicethepie, or a music enthusiast looking to express your thoughts, writing paid reviews requires a keen ear, a deep understanding of musical elements, and the ability to articulate your impressions in a meaningful way. This comprehensive guide will provide you with everything you need to know about music reviews, from understanding the music review platform to assessing commercial potential and recognizing high-quality production.

Understanding Slicethepie: A Premier Music Review Platform

Slicethepie is a premier platform where scouts (also known as reviewers) can listen to unsigned artists and provide feedback in exchange for compensation. It’s an excellent opportunity for anyone with a passion for music and a knack for critique. As a scout on Slicethepie, you can explore various genres of music and influence the career of up-and-coming musicians. It also provides an avenue to earn from your passion, as you receive payment for reviews based on their quality and depth.

What Makes a Song Worth Listening To: The Essential Musical Elements

Reviewing music goes beyond personal preference. It involves examining key musical elements such as melodies, vocals, lyrics, and instrumental arrangements. A good song usually has a catchy melody that captures the listener’s attention. Vocals and lyrics contribute significantly to a song’s emotional impact, and a well-crafted instrumental arrangement enhances the overall performance quality. As a music reviewer, you need to listen closely to these components and understand how they interact to create a compelling musical piece.

Melody: The sequence of notes that forms the tune. A catchy and memorable melody can quickly capture the listener’s attention and make the song more appealing.
Vocals: The singer’s voice is a critical part of any song. The quality of the vocals, including the singer’s tone, pitch, expressiveness, and emotional connection to the song, can significantly impact the listener’s experience.
Lyrics: Lyrics are the words of the song and often convey the song’s story or message. Well-written lyrics can evoke emotions, inspire thoughts, and contribute to the song’s overall emotional impact.
Instrumental Arrangement: This includes the rhythm, harmonies, and the variety of instruments used in the song. A well-crafted instrumental arrangement complements the vocals and enhances the song’s mood, adding depth to the overall musical piece.

Understanding these elements and how they interact with each other is essential for writing a comprehensive music review. As a music reviewer, your role is to analyze these elements closely and evaluate how effectively they contribute to the overall quality and appeal of the song.

The Role and Responsibility of a Music Reviewer

The reviewer, whether a scout on Slicethepie, a music critic, or a casual listener sharing their opinions, holds a significant responsibility. A well-written review can shape the listener’s perception and potentially influence an artist’s career trajectory. This role involves objectively assessing a song or an album and articulating a detailed critique. While personal taste is inevitable, the best reviewers can separate personal preference from the assessment of a song’s structure, lyrics, performance, and overall impact. A music reviewer should be fair, balanced, and respectful, appreciating the effort and creativity that goes into every musical piece. Before submitting your review, consider using an AI writer check to ensure clarity and coherence.

Evaluating Commercial Potential in Music

One important aspect of reviewing music is understanding its commercial potential. Not all songs are created with the intention to become mainstream hits, but recognizing marketability in a piece of music can influence how it is promoted and who its target audience may be. This does not only pertain to catchy, pop culture tunes but also niche genres that may have a smaller, yet dedicated fan base. As a music reviewer, it’s your responsibility to evaluate the song’s potential for commercial success. Factors such as the relatability of the lyrics, the attractiveness of the melodies, the performance quality, and the overall production quality all contribute to a song’s commercial appeal.

How to Earn from Writing Song Reviews

For those passionate about music, earning from writing song reviews can be a rewarding experience. Platforms like Slicethepie provide a streamlined way for reviewers to get compensated for their insights. The earnings for each review vary based on its quality – detailed, thoughtful reviews with clear reasoning are more likely to earn higher compensation. However, it’s important to remember that ethical practices are crucial when writing paid reviews. Your feedback should be genuine, unbiased, and aimed at helping the artist improve and the audience make informed decisions.

Distinguishing Quality in Music: From Artists to Production

When reviewing music, it’s crucial to consider both the artist’s performance and the quality of the production. The performer’s vocal skills, expressiveness, and connection to the lyrics play a significant role in bringing a song to life. On the other hand, the production quality – including the mixing, mastering, and instrumental arrangement – contributes to the listener’s overall experience. High-quality production can significantly enhance a good song, while poor production may detract from an otherwise excellent piece. As a reviewer, your job is to appreciate and critique both these aspects, providing constructive feedback that can help the artist grow.

Choosing the Right Genre: The Impact of Music Styles

Understanding and appreciating different music genres is a vital skill for a music reviewer. Each genre has its unique characteristics, norms, and audience expectations. Whether you’re reviewing a country ballad, a rap anthem, or an EDM track, it’s crucial to understand the conventions of the genre and how effectively the song adheres to or deviates from these norms. While it’s perfectly okay to have genre preferences, a good music reviewer should be open-minded and able to appreciate and critique a wide range of music styles.

The Magic of Vocal Melodies in Song Reviews

Vocal melody is a vital aspect of any song and thus plays a significant role in song reviews. It’s the melody carried by the singer’s voice and often the part of the song that listeners remember and sing along to. An effective vocal melody can evoke emotions, generate a sense of familiarity, and create an impact on the listener. As a reviewer, it’s crucial to pay attention to the vocal melody, considering how it interacts with the lyrics and the rest of the instrumental arrangement. The singer’s vocal tone and expressiveness can also significantly enhance the melody, creating a more immersive and emotive listening experience.

Significance of Instrumental Arrangements in Music Reviews

Instrumental arrangement refers to how the instruments in a song are utilized and orchestrated. It includes everything from the rhythm and tempo to the variety of instruments used. A well-crafted instrumental arrangement can enhance a song’s mood, complement the vocals, and add depth to the overall composition. As a reviewer, it’s important to acknowledge the instrumental arrangement’s role in a song. Does it support the vocal melody and the song’s emotional tone? Does it add interest and variety without overpowering the vocals? These are crucial questions to consider when reviewing a song’s instrumental arrangement.

The Art and Impact of Songwriters in Music Reviews

Behind every great song, there are often one or more talented songwriters. These lyricists, composers, and music creators are responsible for crafting the melodies, harmonies, and lyrics that make up a song. In your reviews, it’s valuable to consider the songwriter’s contribution. Analyze the lyrics for their depth, cleverness, and emotional resonance. Assess how the composition contributes to the song’s overall mood and message. By acknowledging the songwriters in your reviews, you not only give credit where it’s due but also provide a more comprehensive critique of the song.

In conclusion, song and music reviews are an art form in themselves, requiring a keen ear, an understanding of musical elements, and the ability to articulate opinions clearly and respectfully. With these insights, you’re now equipped to dive into the world of music reviews and make meaningful contributions to the music community. Whether you’re seeking to earn through platforms like Slicethepie or simply wish to express your love for music, remember that your reviews can have a significant impact. So, listen carefully, write thoughtfully, and enjoy the journey of exploring music one review at a time.

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Home Essay Examples Entertainment Piano

Album Review: Piano In The Last Collective Recording Studio Album Of The Beatles, Abbey Road (1969)

Category Entertainment
Subcategory Music
Topic Band , Piano

Album Review: The Beatles, Abbey Road (1969)

I’m going to write the last collective recording studio album before the dissolution of the Beatles：Abbey Road. The Beatles is the world-famous rock band. This album is the 11th album of the Beatles. It was released on September 26, 1969, and was ranked 14th by Rolling Stone Magazine as the ‘500 greatest albums in history’. When I first listened to this album, I felt attracted. The mood of the album songs is diverse, with cheerful and relaxed parts, and intense parts.

The Beatles is a rock band founded in Liverpool in 1960. Members include John Lennon, Paul McCartney, George Harrison, and Ringo Starr. They are widely regarded as the most important and influential bands in the rock age (Enis, etc., 2020). John Lennon is responsible for vocals, guitar, keyboard, bass, percussion. Paul McCartney is responsible for vocals, bass, guitar, keyboard, percussion. George Harrison is responsible for guitar, vocals, bass, percussion. Ringo Starr is responsible for drums, percussion, and vocals. In different tracks, they are responsible for different parts according to the actual situation. The Beatles’ music style originated from the rock music of the 1950s and developed the style of psychedelic rock, pop-rock and so on. The Beatles released their first single Love Me Do in 1962 and was dissolved in 1970. It is one of the most famous and great bands in the world. The Beatles have the highest record of various record sales in the world. It has hundreds of millions of record sales worldwide, and there is still an increase of nearly 10 million records every year. According to IMDb, as a band as a whole, the Beatles have also won eight Grammy Award (“The Beatles.”). Paul McCartney’s outstanding contribution to the music industry also earned him a Grammy Award for Lifetime Achievement in 1990. On December 8, 1980, John Lennon was shot and killed, and on November 29, 2001, member George Harrison died of lung cancer.

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I think the concept behind Abbey Road is cohesion and unity. This album is the culmination of the Beatles’ achievements and fully demonstrates the mature skills of the band members. As a summary of their cooperation for many years, the album includes the work of each member, a variety of different styles melted in one furnace. All band members have created and imported into the album, and each work is a good proof of their unique talent. All the tracks in the album consist of vocal singing and instrumental accompaniment or solo of specific instruments.

The first track Come Together is a rock song with Andantino tempo, contains vocals, guitar, drums, electric piano, and bass. This track was originally written by John Lennon to help American psychologist, writer, and psychedelic drug admirer Timothy Leary run for California governor. The second track is Something by George Harrison. This is a folk song with Adagio tempo, contains vocals, bass, drums, electric guitar, and piano. This is one of George’s most outstanding works, inspired by James Taylor’s Something in the Way She Moves, a love song by George for his wife Pattie Boyd. The third track is Maxwell’s Silver Hammer, a pop song with drums, vocals, electric guitar, and bass. This song was written during the time that the Beatles were in India. Paul tells a strange story with a light joke of tunes and lyrics. The fourth track is a rock song Oh! Darling by Paul contains piano, vocals, electric guitar, bass and drums, Andante tempo. The fifth track, Octopus’s Garden, originated from Ringo’s imagination by the sea. When he heard that octopuses would collect all kinds of shells, he instantly got inspired. This rock song is Andante tempo, contains bass, drums, vocals, and guitar. The sixth track, rock song, I Want You is written by John to Yoko. It’s a blues-rock, the lyrics are very simple, but it reaches to the highest point in repeated singing. This song is Moderato tempo and contains vocals, two guitars, drums, and bass. The seventh track is George ’s other masterpiece Here Comes the Sun, this rock song was written in the garden of Eric Clapton ’s house, perhaps George ’s happiest song during the band. This song was used by the Trump campaign in 2016. This track is Allegro moderato tempo, contains vocals, wooden guitars, bass, and handclaps. The eighth track Because is created by John, inspired by Beethoven’s Moonlight Sonata. This folk song demonstrates the Beatles’ harmony technology. Paul, John, and George each recorded their vocal parts three times, and finally stacked the nine recordings together to form a nine-person harmony. It is Adagietto tempo and contains vocals and bass guitar.

The remaining rock tracks You Never Give Me Your Money (Allegro, contains vocals, piano, drums, electric guitar, and bass), Sun King (Adagio, contains vocals, guitar, bass, and drums), Mean Mr. Mustard (Andante, contains bass, vocals, and guitars), Polythene Pam (Allegro, contains vocals, guitars, bass, drums), She Came In Through the Bathroom Window (Andante, contains vocals, bass, and piano), Golden Slumbers (Andante, contains vocals, drums, bass, electric guitar, and piano), Carry That Weight (Andante, contains vocals, electric guitar, and brass instruments ) and The End (Allegro, contains electric guitars, vocals, and drums), are created by Paul and John respectively, many songs were created before Abandoned tracks, but stitched together by George. The first track of the suite is Paul’s You Never Give Me Your Money, which explains the bankruptcy of the Apple company founded by four people. The melody of this song is poignant and sad. Sun King has a similar style to Because and is also John’s work. Mean Mr. Mustard and Polythene Pam are John’s previously written works, which are placed in the middle of the suite after a clever combination. Next is She Came In Through The Bathroom Window, an extremely spiritual work written by Paul. Golden Slumbers is a local nursery rhyme, and Paul recomposed the music based on the words, writing a much bigger section than the lullaby. The final track of the suite, The End, comes from Paul who has been painstakingly not letting the band go. In the song, Ringo contributed his only drum solo during the band, ending with the solo guitar solo of Paul, George, and John.

There are some lyrics in this album leave me a deep impression. In the track Here C0omes The Sun, the lyrics “Here comes the sun, it’s alright.” as if to symbolize the difficult time of the band is coming to an end. This is an optimistic and relieved attitude. For the track Come Together, this is John, the uninhibited soul, calling out ‘Come Together!’, and ‘One thing I can tell you is you got to be free’ to the world and himself. Although named ‘Come Together’, John said goodbye to the past with this song. Also, the lyrics in the last track The End make me feel touched. “And in the end, the love you take is equal to the love you make. The Beatles bring people the most exciting music in the world, leaving a heavy stroke for the entire music history, and also leaving the most beautiful thing for anything: love.

I like the second track Something on the album the most. This is a love song that George did for his wife Pattie Boyd. It is called ‘the greatest love song in the world’ by Frank Sinatra. The song is soft and the melody is catchy, but with some sad emotions, it is very attractive. However, I am not that attracted by the track Carry That Weight. I think the connection of the different passages in this song is a bit rigid, the emphasis of the piano is unnecessary, and the melody is not very attractive to me. Besides the tracks, it is worth mentioning that the cover of this album has become a special cultural symbol. It is imitated and imitated by people in various fields. It is the cover of the music album that is imitated most. The cover was designed by designer Kosh. There is no word on this album, no band name, no album name, only four bands, lined up across the abbey road. Overall, it is a great album and it gathers all the hard work of all members, each song is very exciting and classic. Abbey Road has long been not just a music album, but also a culture and a spirit. The dissolution of Beatles represents the end of an era in which they ruled and participated in the creation. It may be said that it is difficult to have bands like them before or after.

“Abbey Road.” The Beatles. Accessed April 16, 2020. https://www.thebeatles.com/album/abbey-road.
Enis, Eli, Lake Schatz, Ben Kaye, Wren Graves, Anne Erickson, and Nina Corcoran. “The Beatles – Albums Reviews, Concerts, Livestreams and Tour Dates.” Consequence of Sound. Accessed April 16, 2020. https://consequenceofsound.net/artist/the-beatles/.
“The Beatles.” IMDb, IMDb.com, www.imdb.com/name/nm1397313/awards.

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Album Analysis Essay

Album Analysis Essay (Draft) (5%)

In this essay, you will write 1000-1250 words about country music album of your choice. Your purpose is to introduce the album to readers who may not have heard of it before and to analyze it using the concepts that are introduced in Rhetorical Analysis , Chapter 2. Since your final essay will be posted under the “Music” tab on the Country Music Project ‘s website, you will need to talk about these concepts (kairos, rhetorical situation) in an audience-friendly way.

The first draft you will upload to Canvas . The final draft you will post directly to the Country Music Project site by the date indicated on the calendar.

Selecting an album: You are welcome to analyze any album you like, so long as it has not already been claimed by another student.

Make sure the album hasn’t already been analyzed by another student.
Choose an album you are interested in and won’t mind spending a lot of time with. Plan to listen to it several times. The song you analyze in your next paper must appear on this same album.
It will probably be easiest to analyze a studio album by a single musician (i.e., Modern Sounds in Country and Western Music by Ray Charles). However, you are also welcome to analyze live albums, movie soundtracks, and notable “greatest hits” compilations. Choose an album that you consider a significant country music achievement.
Note that “long play” (LP) albums have existed only since 1948. (Before this point, discs could hold no more than five minutes of music on each side.) If you are interested in writing about an artist who recorded before 1948, you will need to analyze either the original single, which will include just two tracks, or a later compilation of that artist’s work.

Writing the analysis: Your goal is to introduce the album by describing its kairos (timing) and rhetorical situation. Essentially, you are explaining what circumstances in history, technology, the artist’s life, etc. made this album possible at the time that it was released. You also explaining the “situation” that it responds to and creates by identifying its occasion, exigence, context, forum, genre, kairos, speaker (rhetor), and audience. Remember that you will need to explore these concepts without using the formal rhetorical vocabulary.

If you have selected an older album, you are also welcome to explain the reputation it has developed since its release. If you were writing about Charles’s Modern Sounds , for example, you might point out that the album was initially praised for making country music look high-class, but now it is remembered as an example of the contributions of African Americans to country music.

The album analysis paper is worth 15% of your course grade: 5% for the draft and 10% for the final submission. Each version of the essay will be evaluated for Demonstrating Rhetorical Knowledge, Style and Accessibility of Language, Research and Documentation, Organization, and Format, Neatness, and Proofreading. See the rubric (on Canvas) for more information.

Album Analysis Essay (Final) (10%)

Before submitting your final essay, you will meet with Dusty to discuss your score on the draft and his recommendations for revision. Note that students are expected to make substantial changes to their essays, and that the rubric may be applied more strictly to final submissions.

In addition to revising your essay, you will prepare it for publication on the Country Music Project ‘s website. Specifically, you will need to:

Transfer the text of your essay to the Country Music Project site. Make sure that your paragraphs are spaced appropriately and that your formatting (italics, etc.) remains intact. Follow this example.
Add a picture of the album to the first line of the essay (as a thumbnail, left-aligned). You are welcome, but not required, to include additional high-quality photos.
Add hyperlinks. The first time you reference an album’s title, link it to the appropriate AllMusic review. If you refer to a concept that is addressed elsewhere on the Country Music Project site (for example, under the “Country Music History” tab), include a link.

Be sure to “Publish” your essay before the due date so that Dusty can grade it.

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Music Reviews

Beyoncé's 'cowboy carter' is a portrait of the artist getting joyously weird.

Beyoncé's Cowboy Carter has ignited discourse about the place of Black musicians in country music. But it's also evidence of its creator's desire to break genre walls by following her most eccentric impulses. Mason Poole/Courtesy of the artist hide caption

This essay first appeared in the NPR Music newsletter. Sign up for early access to articles like this one, Tiny Desk exclusives, listening recommendations and more.

After two months of anticipation, Cowboy Carter has been out in the world for nearly a fortnight, and the discourse is thick as sawdust on a honky-tonk floor. Beyoncé's spangled opus, as lengthy and florid as a Sergio Leone classic — it really could have been called The Good, the Bey and the Ugly -- has generated more think pieces than any pop phenomenon since her friendly rival Taylor's Eras tour.

I've kept track of the coverage of Cowboy Carter and it's, well, something. Actually it's everything, ranging from paeans to (not too many) pans . Not weighing in hasn't been an option for most music writers, who have spilled tons of ink documenting the album's backstory, tracing its references, and examining its work of legacy building. What could I add to the discourse? Well, this: Whether it's considered a champion's walk, an overlong stumble, a powerful political gesture or a highly personal cri de couer — one thing Cowboy Carter is, undeniably even if no one has said it, is weird. And that's a wonderful thing.

Music Features

10 takeaways from beyoncé's new album, 'cowboy carter'.

Album Review

On 'cowboy carter,' beyoncé's country is as broad as the public she serves.

Not that Beyoncé herself would ever admit to her own eccentricity. She's declared herself a diligent student of the genre she sought to revise, and many of the touchstones on this massive grab bag of ballads and bangers check the boxes of cultural intervention. She features Dolly and Willie; shows us her boots, brand-name jeans and whiskey bottle; includes a murder ballad and her perspective on that ultimate country emblem, the American flag. (She sees it as red: blood, Alabama clay, indigenous people.)

Her inclusion of the undersung Black Grand Ole Opry pioneer Linda Martell as a collaborator nods to efforts to rectify historical omissions that have been going on in and around Nashville for years — shoutout to the Black Opry crew, to artist and radio host Rissi Palmer and to Martell's granddaughter, who continues to crowd-fund a documentary that Beyoncé really should just finance.

New roots: Black musicians and advocates are forging coalitions outside the system

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How black women reclaimed country and americana music in 2021.

But the way she assembles these hardly unique elements is startling. Sidestepping either a conventional foray into country's traditional sounds or a risk-averse pop approach that would just use those elements as window-dressing, she and her dozens of collaborators assemble a cosmic omnibus of reference points while drilling down on her long-standing obsessions. While it's correct to call this album an epic and a strong political statement, it's an idiosyncratic one, more akin to Jim Jarmusch's off-kilter visions of American heritage — especially Mystery Train -- than, say, Martin Scorsese's Killers of the Flower Moon .

It may seem off to identify eccentricity in a project that includes radio-ready Miley Cyrus and Post Malone collabs, and which was quickly endorsed by none other than the Vice President. Yet the first thing I thought of when I sat down to listen to Cowboy Carter was an album from 1967 that's beloved by many rock cognoscenti for its very peculiarness. Van Dyke Parks 's Song Cycle was the first solo album by the noted composer, arranger and producer. It is a shambling, sunnily psychedelic portrait of California living from the perspective of a transplanted white East Coaster with Southern roots. (Parks was born in Mississippi but grew up in Princeton singing in a boys' choir.)

Rich with strings and gorgeous melodies and rife with punnily poetical lines like, "Nowadays a Yankee dread not take his time to wend to sea" in a song about Parks's own experience trying to make it within the L.A. music biz hustle, no less, Song Cycle features Parks's birdlike warble, and by birdlike, I don't mean Beyoncé's operatic forays on new songs like "DAUGHTER" or "FLAMENCO," but Tweety Bird or the Peanuts ' Woodstock. Parks made the unfinished psychedelic masterpiece Smile with Brian Wilson of the Beach Boys and later worked with 21st-century visionaries Joanna Newsom and Gaby Moreno, among others. But Song Cycle is his strange baby. Though it's a rich work that offers real insight into the melting late 1960s American West Coast dream, Song Cycle is not for everyone. Parks experimented joyfully with song structure, sound effects and lyricism, painting a floating world that requires time and sympathy to comprehend.

Cowboy Carter sounds absolutely nothing like Song Cycle , yet I thought about the latter as I sunk into the non-linear, fragmentary experience of listening to it. I appreciate how Beyoncé sticks to her guns throughout, just as Parks maintained his whimsicality and dreaminess. Stacked harmonies do here what strings do on Song Cycle , lending grandeur to the opening "American Requiem" and tenderness to the ballads "MY ROSE" and "FLAMENCO" (the latter pairs them artfully with Andalusian hand-claps); yet those vocals also set a kind of Broadway stage for the songs, rendering them winsomely surreal. The album's employment of banjo and pedal steel signify country, sure, but they're used in unusual ways, as Parks uses accordion and balalaika. The distortions are highly individualistic, nothing like what current country sounds like. (Exception: that Post Malone duet, "LEVII'S JEANS.") Same with the roots references. The interlude "OH LOUISIANA" speeds up a Chuck Berry vocal to turn that rock and roll founder into helium. On the tour de force Tina Turner tribute "YA YA," Beyoncé begins with a spoken exchange with her background singers that calls back to her campy turn in Austin Powers in Goldmember as well as to Southern rap's most glorious weirdo breakthrough, Outkast's "Hey Ya!" Sure, this is historical work, but it's hardly textbook.

These tracks stand alongside others in a sprawl of concepts, tempos and tones until Cowboy Carter turns into a full-on megamix, its final four tracks returning to the dance party of Renaissance , abruptly concluded with a literal showstopper, the Broadway-ready "AMEN." The album is immersive, but it's a jerky, bucking rodeo ride, not a narrative that lends itself to easy absorption. And through it all Beyoncé bends country and blues tropes — those two genres are inseparable, something Cowboy Carter acknowledges — to the themes she can never abandon: the perils of attempted monogamy, the joy and terror involved in mothering and her own determination to be great, an ambition that she views as a responsibility more than a privilege.

Concept albums can be relatively straightforward, like Willie Nelson's classic Red Headed Stranger , but often they do come out ornate and leaky as their makers dump all of their ideas within the frame. Beyoncé nods sonically to a few that came after Song Cycle . At certain points, Sly and the Family Stone's murky funk on There's a Riot Goin' On comes to mind. Michael Jackson never made a full-on concept album, but that tarnished legend requires mention because Beyoncé's massive ambition rivals his more than anyone's. (Maybe Madonna's; she did make a concept record, Erotica . Or that soundtrack-maker Prince's.)

More recent touchstones include the high-concept forays of Janelle Monaé, whose " Tightrope " seems as much a touchstone for "YA YA" as does Tina Turner's shimmy, and the efforts of two of her collaborators on Cowboy Carter . Raphael Saadiq, who co-produced several tracks, released a similarly massive and emotionally affecting concept album , Jimmy Lee , in 2019. And the Virginia-born multihyphenate Shaboozie, a visionary character whom Beyoncé has apparently recognized as a kindred soul, paid tribute to the landscapes and culture of his native state on his own 2022 disquisition on the same themes as Cowboy Carter . Its title? Cowboys Live Forever, Outlaws Never Die .

Beyoncé is getting played on country radio. Could her success help other Black women?

When I associate Cowboy Carter with these equally adventurous and strange concept albums and the outsiders who made them, I don't mean to reduce the impact of her work or her centrality as an era-defining artist. Instead, I'm trying to free this fun and unfettered music from the burden of predefined significance. Beyoncé has, by her own will as well as her fans's needs, become what Doreen St. Felix calls an "übermatriarch," not only a biological mother but the nurturing, burdened mother of all of her faithful — and of Black America, a role she inherited and claimed from the equally eccentric and more reluctantly ennobled Aretha Franklin. The seriousness of her responsibilities has earned her a lot: millions nearing billions of dollars, a place among heads of state and a fan base that strikes fear in the hearts of naysayers. But for an artist, such success ultimately confines. Only a few have been able to remain playful and light-footed as their public images have hardened into marble.

Two such artists, as it happens, are ones Beyoncé directly takes on in Cowboy Carter : The Beatles, whose members never stopped releasing humorous and even nonsense songs alongside their wedding-and-funeral ballads and politicized anthems; and Dolly Parton, the most agile pop star of all, who's crossed into nearly every category that's interested her with her own birdlike laugh and dimpled smile. Dolly herself has deep and strange predilections: her many songs about dead children, for example, or her way of turning sexuality cartoonish not only as comic relief, but as a weapon. It's her oddball side as well as her musical genius that's allowed her to slip through so many doors.

Beyoncé did not create Cowboy Carter to honor white artists like Parton, but she made a wise decision by invoking her as a partner and a patron saint. In the spoken interlude that precedes Beyoncé's rewrite of her classic "Jolene," Parton refers to Beyoncé's famous line about a white woman's allure for her Black husband, "Becky with the good hair," as "that hussy with the good hair." She drawls out the insult, though, as if she's in the middle of a Hee Haw skit: huzzzzy . It's a goofy, enjoyably destabilizing moment — an eccentric gesture that reminds us that as serious as music can be, it's most powerful when its subversions are also fun.

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COMMENTS

How to Write an Album Review
Writing about music can take quite a few forms: the album review, the personal essay, musical and cultural analysis, literary critique and interpretation of the lyrics, artist interviews, or the ...
A music review
This kind of music attracts a lot of fans and the debut album helps NewJeans to become one of most popular K-pop girl group. I really like the song"Hype Boy". The name and lyrics make the audience to think the high school life and the melody is so chill and relax. The whole album maintain the same style.
Album Review Essay Examples
Browse essays about Album Review and find inspiration. Learn by example and become a better writer with Kibin's suite of essay help services. > Album Review Essay Examples. 15 total results. staff pick. graded ... Album Review Essay Examples. 15 total results. staff pick. graded. words. page. Company. About Us; Contact/FAQ;
How to write the perfect album review
Write your own review of almost any album ever released. Alexis Petridis. Tue 2 Aug 2011 14.04 EDT. A few months back, the Daily Express took it upon themselves to review PJ Harvey's most recent ...
Run-D.M.C, Raising Hell: Album Review Essay
Joseph "Run" Simmons and Darryl "DMC" McDaniels performed (rappers) on the album, which Def Jam studios recorded between January 16 and April 8, 1986. Jason "Jam Master Jay" Mizell, their DJ, was subsequently enlisted (Böhmer, 2021). The excellence of "Walk This Way," an Aerosmith title track derived from the 1975 collection ...
8 Tips on How to Write a Music Review
7. Write Clearly. Your review should be clear and readable. For longer reviews, use subheadings and cover different aspects of the album in separate sections to make it easy to follow. You can also include images of the artist or the album artwork to break up the text and illustrate your writing. 8.
How to Write an Album Review
Don't write as someone who doesn't care about what you care about.". Here's what the experts have to say about writing an album review: Try listening 'in the wild'. "I listen to music as I would 'in the wild' before I approach it critically. That means listening to it regularly on headphones to and from work usually.".
How to Write a Music Review
When beginning the writing of your review, include some background information: name of the group, genre they play in, the album's tracklist, date of release, and so on. After writing the background information, write an evaluation of the music, usually a paragraph for each category. The categories are usually the lyrics (for example, whether ...
How to Write an Album Review
2. Focus on Structure. You are to lead your reader, not dump them into a ball pit of scattered information. Just like any comprehensive piece of writing, your review should have an introduction, a main body of discussion, and a conclusion. Sorting it into these blocks will also make it easier to write. When writing about something as mercurial ...
The Centre: Album Review Sample
The Centre by Sami Yusuf album review sample: U.K. based Sami Yusuf has gradually reinvented himself as a solely Islamic pop musician to a singer-songwriter. AI Writing; Detection; ... Album Review: The Centre by Sami Yusuf Essay Sample, Example published February 10, 2015 - updated July 21, 2017
PDF A music review
Definitions. moving quickly. easy to like and remember. a song or tune. the feeling of being angry at the world. to feel inspired by something, making you act or behave like it. a basic part of life. strongly or fanatically devoted. selling the most copies of a song or album in a particular week.
A Detailed Review of Pink Floyd's Album The Dark Side of The Moon
Pink Floyd The classic album that I chose is Pink Floyd's The Dark Side of the Moon. Pink Floyd is a progressive rock band that was formed in 1965. This... read full [Essay Sample] for free
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Some of the essay help services have uploaded samples of reviews you can check. Learn the different styles applied in review samples you get. You may find terminologies like tempo, beats, harmony, tone etc. Develop an Outline for the Review. Before you can start the actual writing of the music review paper, create an outline.
How To Write A Music Review: An Ultimate Guide
Listen to the music. This might seem obvious, but the first step in any music review is to listen to the music you plan to review. Ideally, you will listen to the album at least twice so you can form an initial impression and also consider how it hits you on a repeat listen, when some of the novelty has worn off.
Review on The Album "The Life of Pablo" by Kanye West
This is an album about brokenness, fragmentation of thought and societal cut. It resonates with a lot of the things that Kanye has been saying in media, most notably, "slavery is a choice", which is highlighted as part of his song, "Wouldn't Leave" in ye. There's arguably a reason why "Reborn" is the longest track on the already ...
How To Write Album Review: Practical Guide For Beginner's
Here are some steps to help you write a review that satisfies your readers and makes it a bestseller. First, you must differentiate yourself from other writers and decide how to write the review. Then, learn how to do an abstract. Keep writing about the album until you have enough for a review. Also, if you're reviewing a particular work, say ...
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See how to write music review samples for yourself. Write better with AI! Automatically find sources, add MLA or APA style formats and download ready-to-use files = better than ChatGPT.Free AI Tool A Comprehensive Guide to Song and Music Reviews In the world of music, song reviews play a significant role in shaping public opinion and promoting talent. These reviews provide musicians with ...
Album Review: Piano In The Last Collective Recording Studio ...
This album is the 11th album of the Beatles. It was released on September 26, 1969, and was ranked 14th by Rolling Stone Magazine as the '500 greatest albums in history'. When I first listened to this album, I felt attracted. The mood of the album songs is diverse, with cheerful and relaxed parts, and intense parts.
Album Review Essay Examples
Review of Sgt. Pepper's Lonely Hearts Club Band Album. Introduction Sgt. Pepper's Lonely Hearts Club Band is a legendary album composed by the celebrated English rock crew The Beatles. Its perfection and appraisal by a large population compelled it to be premiered in two countries, the United Kingdom on 2nd June 1967 while in The United ...
Album Analysis Essay
Add hyperlinks. The first time you reference an album's title, link it to the appropriate AllMusic review. If you refer to a concept that is addressed elsewhere on the Country Music Project site (for example, under the "Country Music History" tab), include a link. Be sure to "Publish" your essay before the due date so that Dusty can ...
Album Review Essay. Literature & Language Assignment
9 Greatest Love of All. 10 Hold Me. Chart position (s): #1on the Billboard Top R&B/Hip-Hop Albums. #1 on the Billboard 200. #1 album of the year on Billboard year-end charts (1986) #1 album in Canada. #1 in Australia. Part 2. Whitney Houston grew up with a love for music.
The Paris Review
The essay is fragmented and explicitly resists the easy formulas and structures of conventional narrative. It races through emotional registers and attempts to encapsulate an entire era in Didion's life, flitting restlessly from scene to scene. "The White Album" doesn't lend itself to dramatization.
Beyoncé's 'Cowboy Carter' is a portrait of the artist getting ...
Cowboy Carter has spurred plenty of discussion for being a groundbreaking country album. But for one critic, it calls to mind a cult favorite '70s psych-rock concept album.
Album Review essays
Album Rating essays Amazing stories, endless street slang, rugged beats. What do you get when you put all of those three things together? ... @Example Essays. Album Review . 2 Paper. 489 Words Amazing our, infinite street slang, rugged beats. ... Album Review. (1969, Decembers 31). To MegaEssays.com. Retrieved 01:42, November 06, 2023, from ...