the difference prose and essay

What's the difference between essay and prose ?

Definition:

• (n.) An effort made, or exertion of body or mind, for the performance of anything; a trial; attempt; as, to make an essay to benefit a friend.
• (n.) A composition treating of any particular subject; -- usually shorter and less methodical than a formal, finished treatise; as, an essay on the life and writings of Homer; an essay on fossils, or on commerce.
• (n.) An assay. See Assay, n.
• (n.) To exert one's power or faculties upon; to make an effort to perform; to attempt; to endeavor; to make experiment or trial of; to try.
• (n.) To test the value and purity of (metals); to assay. See Assay.

Example Sentences:

• (1) Two days after Michael Morpurgo, author of War Horse , published a beautiful essay calling for this year's First World War commemorations to " honour those who died " and "celebrate the peace we now share", Michael Gove has delivered the government's response.
• (2) The rationale for pursuing the development and use of germ-line selection and modification techniques is examined in this essay.
• (3) This essay reviews research on interhemispheric transfer time derived from simple unimanual reaction time to hemitachistoscopically presented visual stimuli.
• (4) What is correct in a tweet might not be in an essay; no single register of English is right for every occasion.
• (5) Unsurprisingly, one of the three lonely references at the end of O'Reilly's essay is to a 2012 speech entitled " Regulation: Looking Backward, Looking Forward" by Cass Sunstein , the prominent American legal scholar who is the chief theorist of the nudging state.
• (6) The present essay gives a brief review of the findings on sex differences in the human brain.
• (7) Evidence exists in the literature to suggest that the reliability of short (c. 10 minutes) essay questions may be higher.
• (8) This pictorial essay should assist the radiologist in recognizing esophageal abnormalities on chest films and in recognizing their place in the spectrum of chest film abnormalities.
• (9) This two-part essay identified major characteristics of War Surgery and explores the essential training and education required to prepare civilian and military surgeons for the practice of war surgery.
• (10) They then wrote essays justifying their ideas for the new classroom; provided a budget, using a variety of maths skills; created an inventory of furniture, lighting and other items; producing a 3D scale model of their classroom and a 2D computer-generated picture.
• (11) In the last part of the essay he discusses the characteristics of traditional Chinese medical ethics.
• (12) Upon further consideration, we concluded the essay did not include some key facts and its overall tone was not consistent with what we seek to publish.
• (13) You can date the phrase back further, to 1998, when Peggy McIntosh used the word "privilege" in her essay White Privilege: Unpacking the Invisible Knapsack .
• (14) Over the past 40 years her voice has been marked, first and foremost, by a supreme intellectual confidence, a tone evident from the first line of the first essay (Notes on Camp) that made her name in 1964: "Many things in the world have not been named.
• (15) The life of Oliver Wendell Holmes was selected as the subject for a lecture in the 1974 History of Medicine series at Yale University School of Medicine because, as the Latin subtitle of the essay suggests, he represents a fortunate and uncommon, but by no means unique, synthesis of the practical and aesthetic, of science and the humanities.
• (16) Facebook Twitter Pinterest In an essay for the Hollywood Reporter, Camille Paglia writes that Swift promotes a ‘silly, regressive public image’.
• (17) In a 2010 essay, Berman wrote of visiting the Bronx again, with trepidation, fearing that the borough's notorious self-immolation would have left nothing of the world he remembered.
• (18) Batoor is a talented photojournalist who worked on the PR team at the US Embassy in Kabul before he was targeted for a bold and confronting photo essay on the exploitation of Afghanistan’s "dancing boys" in the Washington Post.
• (19) Today we are starting a new series called ‘Facing my fear’, launching with an essay from a young widow who had to return to the city where she first met her late husband .
• (20) As Geoff Dyer notes in his essay for Dewe Mathews's book, her images may "bear a conceptual resemblance to Sternfeld's, but they are taken within the already charged zone of memory that is the Western Front.
• (n.) The ordinary language of men in speaking or writing; language not cast in poetical measure or rhythm; -- contradistinguished from verse, or metrical composition.
• (n.) Hence, language which evinces little imagination or animation; dull and commonplace discourse.
• (n.) A hymn with no regular meter, sometimes introduced into the Mass. See Sequence.
• (a.) Pertaining to, or composed of, prose; not in verse; as, prose composition.
• (a.) Possessing or exhibiting unpoetical characteristics; plain; dull; prosaic; as, the prose duties of life.
• (v. t.) To write in prose.
• (v. t.) To write or repeat in a dull, tedious, or prosy way.
• (v. i.) To write prose.
• (1) Comic writing can be a brutal, unforgiving business, yet it can produce great and multi-layered prose, combining comedy, pathos and satire.
• (2) The prose rhythm and colloquial diction here work against exaggeration, but allow for humour.
• (3) In the first, span and free-recall measures were obtained for 24 subjects, each tested with four types of spoken material (nonsense syllables, random words, fourth-order approximations to English, and normal prose).
• (4) But his magnificent, exact rendering of the world, in his mordant, civilised and generous prose, has no comparison.
• (5) With prose that takes the English language and infuses it with inflections and a history that is uniquely Igbo, discernibly Nigerian and unmistakably African, Achebe's is a realism that ensures the enduring relevance of his fiction.
• (6) It was concluded that CAs are more effective and more efficient than prose for teaching clinical decisionmaking.
• (7) Young and old adults were tested for recall of ideas presented in a 641 word prose passage.
• (8) "The inauguration address was poetry, and now people are looking for some prose," said Alden Meyer, policy director at the Union of Concerned Scientists.
• (9) Louise Glück’s prose-poem collection, Faithful and Virtuous Night , won for poetry.
• (10) He writes poetry and prose, he writes news reports and short stories.
• (11) Pinter adores poetry, would perhaps have preferred his poetry to have taken precedence over his plays, and his prose often has the compression and musicality of poetry, what he calls the "question of rhythm".
• (12) These models account for a broad range of memory-related processes, including word recognition, sentence verification, prose comprehension, and sentence production.
• (13) • Various Voices: Prose, Poetry and Politics 1948-98 is published by Faber (£9.99).To order it at the special price of £7.99 plus 99p p&p, freephone 0500 600 102 or send a cheque payable to The Guardian CultureShop to 250 Western Avenue, London, W3 6EE.
• (14) His narrative has the simple directness of the finest English prose: the overall effect is both intimate and majestic Perhaps he was lucky.
• (15) Featuring handwritten lyrics and prose drawn from his notebooks and scraps of paper he kept in ringbinders, the selection was put together with the help of journalist Jon Savage .
• (16) Ada banyak prakarsa dari bawah ke atas, mulai dari usaha pengelolaan sampah hingga tingkat nol sampai proses pengelolaan air kotor secara komunal.
• (17) Subjects suffering from persecutory delusions, psychiatric controls and normal subjects were required to recall immediately six passages of prose, half of which contained mildly threatening propositions.
• (18) But given how addictive the prose was in Constellation, where Marra was lyrical but also drover quickly, those who loved the John Leonard Prize winner a couple of years back are certainly hungering for more.
• (19) P3 measures, physiological (body temperature, heart rate, subjective alertness), and cognitive performance (digit span, prose memory, digit symbol) variables were assessed.
• (20) Someone with a decent prose style should do a proper translation of it.

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Words possibly related to " prose "

prosimetrical

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Synonyms in Detail: prose and essay Usage & Differences

What context can i use each word in.

Learn when and how to use these words with these examples!

The novel was written in beautiful prose. [prose: noun]

She spoke in clear and concise prose. [prose: adjective]

He wrote an essay on the benefits of exercise. [essay: noun]

Her essay was well-structured and persuasive. [essay: adjective]

Definitions of prose and essay

Key differences and similarities of prose and essay

Good things to know

Which word is more common.

Prose is more commonly used than essay in everyday language, as it refers to any non-poetic writing. Essay is more commonly used in academic and professional settings, where structured writing is required.

What’s the difference in the tone of formality between prose and essay?

Essay is typically more formal and structured than prose , making it more appropriate for academic and professional settings. Prose can be written in a variety of styles and tones, making it more versatile and suitable for informal contexts.

This content was generated with the assistance of AI technology based on RedKiwi's unique learning data. By utilizing automated AI content, we can quickly deliver a wide range of highly accurate content to users. Experience the benefits of AI by having your questions answered and receiving reliable information!

• Literary Terms
• Definition & Examples
• When & How to Write a Prose

I. What is a Prose?

Prose is just non-verse writing. Pretty much anything other than poetry counts as prose: this article, that textbook in your backpack, the U.S. Constitution, Harry Potter – it’s all prose. The basic defining feature of prose is its lack of line breaks:

In verse, the line ends

when the writer wants it to, but in prose

you just write until you run out of room and then start a new line.

Unlike most other literary devices , prose has a negative definition : in other words, it’s defined by what it isn’t rather than by what it is . (It isn’t verse.) As a result, we have to look pretty closely at verse in order to understand what prose is.

II. Types of Prose

Prose usually appears in one of these three forms.

You’re probably familiar with essays . An essay makes some kind of argument about a specific question or topic. Essays are written in prose because it’s what modern readers are accustomed to.

b. Novels/short stories

When you set out to tell a story in prose, it’s called a novel or short story (depending on length). Stories can also be told through verse, but it’s less common nowadays. Books like Harry Potter and the Fault in Our Stars are written in prose.

c. Nonfiction books

If it’s true, it’s nonfiction. Essays are a kind of nonfiction, but not the only kind. Sometimes, a nonfiction book is just written for entertainment (e.g. David Sedaris’s nonfiction comedy books), or to inform (e.g. a textbook), but not to argue. Again, there’s plenty of nonfiction verse, too, but most nonfiction is written in prose.

III. Examples of Prose

The Bible is usually printed in prose form, unlike the Islamic Qur’an, which is printed in verse. This difference suggests one of the differences between the two ancient cultures that produced these texts: the classical Arabs who first wrote down the Qur’an were a community of poets, and their literature was much more focused on verse than on stories. The ancient Hebrews, by contrast, were more a community of storytellers than poets, so their holy book was written in a more narrative prose form.

Although poetry is almost always written in verse, there is such a thing as “prose poetry.” Prose poetry lacks line breaks, but still has the rhythms of verse poetry and focuses on the sound of the words as well as their meaning. It’s the same as other kinds of poetry except for its lack of line breaks.

IV. The Importance of Prose

Prose is ever-present in our lives, and we pretty much always take it for granted. It seems like the most obvious, natural way to write. But if you stop and think, it’s not totally obvious. After all, people often speak in short phrases with pauses in between – more like lines of poetry than the long, unbroken lines of prose. It’s also easier to read verse, since it’s easier for the eye to follow a short line than a long, unbroken one.

For all of these reasons, it might seem like verse is actually a more natural way of writing! And indeed, we know from archaeological digs that early cultures usually wrote in verse rather than prose. The dominance of prose is a relatively modern trend.

So why do we moderns prefer prose? The answer is probably just that it’s more efficient! Without line breaks, you can fill the entire page with words, meaning it takes less paper to write the same number of words. Before the industrial revolution, paper was very expensive, and early writers may have given up on poetry because it was cheaper to write prose.

V. Examples of Prose in Literature

Although Shakespeare was a poet, his plays are primarily written in prose. He loved to play around with the difference between prose and verse, and if you look closely you can see the purpose behind it: the “regular people” in his plays usually speak in prose – their words are “prosaic” and therefore don’t need to be elevated. Heroic and noble characters , by contrast, speak in verse to highlight the beauty and importance of what they have to say.

Flip open Moby-Dick to a random page, and you’ll probably find a lot of prose. But there are a few exceptions: short sections written in verse. There are many theories as to why Herman Melville chose to write his book this way, but it probably was due in large part to Shakespeare. Melville was very interested in Shakespeare and other classic authors who used verse more extensively, and he may have decided to imitate them by including a few verse sections in his prose novel.

VI. Examples of Prose in Pop Culture

Philosophy has been written in prose since the time of Plato and Aristotle. If you look at a standard philosophy book, you’ll find that it has a regular paragraph structure, but no creative line breaks like you’d see in poetry. No one is exactly sure why this should be true – after all, couldn’t you write a philosophical argument with line breaks in it? Some philosophers, like Nietzsche, have actually experimented with this. But it hasn’t really caught on, and the vast majority of philosophy is still written in prose form.

In the Internet age, we’re very familiar with prose – nearly all blogs and emails are written in prose form. In fact, it would look pretty strange if this were not the case!

Imagine if you had a professor

who wrote class emails

in verse form, with odd

            line breaks in the middle

of the email.

VII. Related Terms

Verse is the opposite of prose: it’s the style of writing

that has line breaks.

Most commonly used in poetry, it tends to have rhythm and rhyme but doesn’t necessarily have these features. Anything with artistic line breaks counts as verse.

18 th -century authors saw poetry as a more elevated form of writing – it was a way of reaching for the mysterious and the heavenly. In contrast, prose was for writing about ordinary, everyday topics. As a result, the adjective “prosaic” (meaning prose-like) came to mean “ordinary, unremarkable.”

Prosody is the pleasing sound of words when they come together. Verse and prose can both benefit from having better prosody, since this makes the writing more enjoyable to a reader.

List of Terms

• Alliteration
• Amplification
• Anachronism
• Anthropomorphism
• Antonomasia
• APA Citation
• Aposiopesis
• Autobiography
• Bildungsroman
• Characterization
• Circumlocution
• Cliffhanger
• Comic Relief
• Connotation
• Deus ex machina
• Deuteragonist
• Doppelganger
• Double Entendre
• Dramatic irony
• Equivocation
• Extended Metaphor
• Figures of Speech
• Flash-forward
• Foreshadowing
• Intertextuality
• Juxtaposition
• Literary Device
• Malapropism
• Onomatopoeia
• Parallelism
• Pathetic Fallacy
• Personification
• Point of View
• Polysyndeton
• Protagonist
• Red Herring
• Rhetorical Device
• Rhetorical Question
• Science Fiction
• Self-Fulfilling Prophecy
• Synesthesia
• Turning Point
• Understatement
• Urban Legend
• Verisimilitude
• Essay Guide
• Cite This Website

Calculate for all schools

Your chance of acceptance, your chancing factors, extracurriculars, writing a prose essay.

I've got an assignment to write a prose essay, but I'm not exactly sure what that means. Can any of you help me understand the definition of a prose essay and maybe some tips on how to write one?

A prose essay is a type of essay written in prose, which is a natural, flowing form of language, as opposed to verse or poetry. Essentially, when you're asked to write a prose essay, you're being asked to write an essay in complete sentences, organized into paragraphs, that clearly communicates your thoughts and ideas.

To write a prose essay, follow these steps:

1. Understand the prompt: Read the essay prompt or question carefully and make sure you fully comprehend what is being asked of you. Ask your teacher if you're unclear about what the point of the question is.

2. Brainstorm and outline: Jot down your thoughts and ideas related to the prompt and begin organizing them into a logical structure. Create an outline to serve as the framework for your essay, with a clear introduction, body, and conclusion.

3. Introduction: Start with an engaging opening line that grabs the reader's attention and introduces the topic. Provide some background information and outline the main points you plan to cover in the essay.

4. Body paragraphs: Each paragraph should focus on a single main point that supports your overall argument. Use evidence, examples, and analysis to back up your claims and explain how they connect to the essay's central theme.

5. Transitions: Smoothly transition between paragraphs and ideas with appropriate phrases and sentences. This will help improve the readability and flow of your essay.

6. Conclusion: Summarize the most important points made in the body paragraphs and restate the thesis or main argument. Offer some insight or thoughts about the implications of your analysis.

7. Edit and revise: Carefully review your essay for clarity, coherence, grammar, and spelling errors—even small typos may give your reader the impression that you don't care all that much about what you're writing about. Make necessary changes to improve readability and ensure that your essay effectively addresses the prompt. Reading your essay out loud can sometimes be a good way of identifying snag points.

Finally, remember to keep your language clear and concise, while still using a variety of sentence structures and vocabulary to make your essay more engaging. Good luck with your prose essay assignment!

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What Is Prose?

The Quick Answer

Table of Contents

The Difference between Prose and Poetry

The difference between prose and prosaic writing, examples of prose, why prose is important.

• I'm not lying when I say a dog is full of love. I know from experience that a wet dog loves you the most.
• The truth I do not stretch or shove When I state the dog is full of love. I've also proved, by actual test, A wet dog is the lovingest. (US poet Ogden Nash)

Anastrophe (deliberately using the wrong word order)

• A stare long and threatening

Assonance (repeating vowel sounds in nearby words)

• The concept of mothering more overtly

Consonance (repeating consonant sounds in nearby words)

• Pick a lock and crack it.

Deliberate repetition (deliberately repeating ideas or words)

• I shall tell you, and you shall listen, and we shall agree.

Euphemisms (using agreeable words to replace offensive ones)

• He was so well oiled he lost his lunch .

Logosglyphs (using words that look like what they represent)

• With eyes like pools

Metaphors (saying something is something else)

• The volcano spewed its flaming Earth sauce .

Onomatopoeia (using words that sound like what they represent)

• Don't growl at customers.

Oxymoron (using contradictory terms)

• Non-prosaic prose

Similes (describing something as being like something else)

• The British accepted her absence like Americans accept the missing full stop in "Dr Pepper".
• Use literary devices to create non-prosaic prose.
• Flair in prose is like salt in soup. None is usually fine. A little is often an improvement. A lot is always a disaster.

This page was written by Craig Shrives .

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The difference between prose and poetry seems easy to explain: one has blocks of text and fully-fleshed characters, the other has line breaks and pretty words. That’s it, right?

Despite their visual quirks, prose and poetry share many similarities: prose can be musical, poetry can have plots and characters, and both are millennia-old traditions. As such, it would be wrong to prescribe a rigid decision tree for writing prose vs. poetry—many writers have both in their toolkits, relying on each form to communicate different truths.

“Poetry creates the myth, the prose writer draws its portrait.” —Jean-Paul Sartre

So what is the difference between poetry and prose? And which should you write for which occasions? Again, we won’t give hard-and-fast rules, but we can explore their differences in depth and discuss their possibilities.

First, we’ll discuss the features of prose and poetry independently, then we’ll loop back to examine both their differences and their areas of overlap.

Prose Vs. Poetry: Contents

Prose Versus Verse: Line Breaks

Prose is more functional than poetry, how to read prose, further readings in fiction and nonfiction, artistic definitions of poetry vary, poetry uses language richly, how to read poetry, further readings in poetry, poetry vs. prose: a clear example of each, 5 similar features of prose and poetry, 10 differences between prose and poetry, poetry vs. prose venn diagram, prose vs. poetry: a final note on literary binaries, prose vs. poetry: defining prose.

Prose is the more common writing form that everyone is comfortable reading and writing. This article relies on prose—as do most ( but not all! ) novels, and just about all news stories, instruction manuals, scientific papers, and so on.

The most straightforward rule of thumb for knowing that you’re reading prose (as opposed to its counterpart, verse ) is that there are no defined line breaks : words go all the way to the edge of the page without “turning back” early.

A rule of thumb for prose (as opposed to its counterpart, verse ) is that there are no defined line breaks.

Again, that’s how this blog article works, along with most other writing, from tweets to short stories to scientific papers.

So why would you stop writing prose, and move over to the with-line-breaks type of writing known as verse? The line breaks aren’t arbitrary, but reflect an underlying difference in how prose and verse tend to be structured. To quote the always-helpful Wikipedia:

“Where the common unit of verse is based on meter or rhyme, the common unit of prose is purely grammatical, such as a sentence or paragraph.”

So is verse (writing with line breaks) always poetry? While two are often used synonymously, defining poetry requires more than just scanning for line breaks: as we’ll discuss below, poetry is also about the rich and musical use of language.

Prose is not the counterpart of poetry, but the counterpart of verse.

So prose is not the counterpart of poetry, but rather the counterpart of verse. So verse is not what strictly defines poetry. In fact, not all poetry is in verse—specifically, prose poetry isn’t. In other words, prose and poetry do overlap, whereas prose and verse don’t.

Most poetry is in verse, but some poetry is in prose.

We go into more detail on line breaks, stanzas, and the use of page space in the sections below.

A helpful pattern in understanding prose vs. poetry is as follows: prose tends to work in clearer meanings, and to be less musical (that is, working with the inherent rhythms and sonic properties of language) and less densely packed with meanings, literary devices , and associations, than poetry.

As such, prose writing tends to be linear: while a prosaic sentence can twist and turn, it tends to share clear information, generally in a logical order.

Prose tends to work in clearer meanings, and to be less musical and dense, than poetry.

Again, exceptions exist, notably prose poetry : prose writing—writing with no line endings or defined rhythmic meter—that is highly musical and dense, and that is generally more impressionistic and multifaceted than most prose in the meanings it conveys.

And then there’s prose writing that is enigmatic and dreamlike rather than clear and orderly, such as the stream-of-consciousness prose writing in James Joyce’s Ulysses .

These exceptions prove the rule, though: most other prose, from this blog article your friend’s next Facebook post to Mary Shelley’s Frankenstein , tends to follow the delineation described here.

We’ll allow Hemingway a last word with a slightly macho, not-applicable-to-every-prose-work, but still helpful description of prose: “Prose is architecture, not interior decoration.”

Sound good? To get a stronger feel for prose and further acquaint yourself with prose writing, take a look at the readings below.

This article gives close reading strategies for prose writing.

How to Read Prose: Close Reading Strategies for Prose Writers

The articles below outline helpful practices for numerous kinds of prose writing, from flash fiction to the novel, focusing especially on the common ingredients of storytelling .

• Crafting a Story Outline
• Freytag’s Pyramid
• Literary Devices in Prose
• Writing Flash Fiction
• Writing the Short Story
• Writing the Novella
• Writing the Novel

Prose vs. Poetry: Defining Poetry

Poetry is the oldest literary form, predating the written word (and therefore, prose) by several millennia. Up until the printing press revolutionized the distribution of literature, poetry was the main form for storytellers, who used meter and rhythm to perform oral retellings of their work.

So, what is poetry? As we’ve seen in our introduction to prose above, most—but not all—poetry is written in verse: writing with line breaks, organized around rhythm or meter rather than grammar. Still, we’ve also seen that verse is not what defines poetry, nor is all poetry based in verse.

So it’s not simply another word for verse. Is there an agreed-upon artistic definition of poetry as a literary form? (Spoiler: No.)

Artistic definitions of poetry change from poetic movement to poetic movement—and from poet to poet.

For example, William Wordsworth said that poetry is “the spontaneous overflow of powerful feelings… recollected in tranquility.” This sentiment—largely reflective of the Romantic era—certainly rings true for some poetry. However, New Formalist poets work with poetry to distill and reflect emotion through form and meter: in other words, structure over emotion.

The point is, there’s no singular way to define or understand the artistic aims of poetry. Rather, all poets must define these aims for themselves and write accordingly.

Poets must define the artistic aims of poetry for themselves and write accordingly.

Learning about poetry requires familiarizing yourself with what other poets have already done. This list of poetry movements can jumpstart your understanding of poetry’s complex and various histories.

Good poetry, from any tradition, sings and resonates beyond the merely “prosaic.”

Whatever literary tradition you ascribe to, poetry has a clear job to be rich, musical, evocative. Good poetry, from any tradition, sings and resonates in a way that goes beyond the merely “prosaic,” as in the following poem excerpt by Derek Walcott:

You will love again the stranger who was your self. Give wine. Give bread. Give back your heart to itself, to the stranger who has loved you

all your life, whom you ignored for another, who knows you by heart.

So poetry, in any tradition, is the “cheesecake of language”: packed to the brim with sonic and expressive power. In poetry, it’s not enough to make a rational point straightforwardly, like the prosaic sentence you’re reading is doing.

Samuel Taylor Coleridge said this beautifully, and we can give him the last word in defining poetry.

“Poetry: the best words in the best order.” —Samuel Taylor Coleridge

Cool, right? If you’d like to learn more, check out our guides for reading and understanding poetry.

This article gives close reading strategies for poetry writing.

How to Read Poetry Like a Poet

The articles below outline helpful practices poetry writing, including deep dives on common literary devices in poetry and established poetry forms.

• What is Poetry
• Poetry Forms
• Writing and Publishing a Poetry Book

Let’s cap the definitions of poetry and prose above by simply giving a clear example of each.

Here is some beautiful fiction writing that is definitely prose:

They were nearly born on a bus, Estha and Rahel. The car in which Baba, their father, was taking Ammu, their mother, to hospital in Shillong to have them, broke down on the winding tea-estate road in Assam. They abandoned the car and flagged down a crowded State Transport bus. With the queer compassion of the very poor for the comparatively well off, or perhaps only because they saw how hugely pregnant Ammu was, seated passengers made room for the couple, and for the rest of the journey Estha and Rahel’s father had to hold their mother’s stomach (with them in it) to prevent it from wobbling. That was before they were divorced and Ammu came back to live in Kerala.

—Arundhati Roy, The God of Small Things

And here is some writing that is definitely poetry:

We are such stuff As dreams are made on; and our little life Is rounded with a sleep.

—Shakespeare, The Tempest

Having defined prose and poetry above, the reality is that they can be more similar than you might imagine. We’ll discuss their differences in a moment, but first, it’s important to understand the shared potential that each form holds:

• Musicality and rhythm
• Use of colloquial speech
• Use of literary devices
• Ability to tell stories
• Show, don’t tell

1. Musicality and Rhythm

It’s a common misconception that only poetry can be musical. While rhythm and meter are important aspects of a poem’s construction, musicality begins with language, not with structure.

An immediate example of “musical prose” is The Great Gatsby by F. Scott Fitzgerald. Susan Bell, writer of The Artful Edit , argues that Gatsby finds its success precisely because of the story’s musical, elegant storytelling—certainly, the book has a charged poeticism that feels just as decadent and tasteful as the high society of the Roaring Twenties. Below is some undeniably musical prose:

2. Use of Literary Devices

Things are like other things, which is the essence of literary devices. While some devices are unique to each form—poems have enjambment, prose can begin in media res —a successful piece of writing requires literary devices .

3. Use of Colloquial Speech

Yes, some writing uses lofty and erudite language. However, contemporary prose and poetry writers, from all eras, recognize the importance of speaking to their audience.

Colloquial speech is one way of speaking to your audience. A colloquialism is a turn of phrase with a specific social and temporal context. For example, “groovy” belongs to the American 1970s, Victorian Brits called a brave person “bricky,” and Gen Z’ers “stan” on Twitter.

In literature, Jay Gatsby’s “old sport” is just as colloquial as the poem “A Study of Reading Habits ,” which uses phrases like “right hook” and “load of crap.”

4. Storytelling

Another common misconception is that poetry doesn’t tell stories. While fiction and nonfiction are the genres of prose, poetry also possesses a powerful narrative voice.

Singular poems can tell grand stories, especially poetry in antiquity. The Epic of Gilgamesh , The Odyssey , and Beowulf are all stories in verse, as are novel-poems like Autobiography of Red .

Additionally, contemporary poetry collections often tell stories, just with less linearity. Louise Gluck’s collection Wild Iris is told from the perspective of a flower, and as the seasons change, the flower observes the infinite singularity of mankind, God, and the Universe.

5. Show, Don’t Tell Writing

It’s important for storytellers to demonstrate their ideas without spoon feeding the reader. In other words, writers should Show instead of Tell.

Don’t tell me the moon is shining; show me the glint of light on broken glass. —Anton Chekhov

We consider “Show, Don’t Tell” a golden rule of writing. Brush up on it here !

We’ve discussed their similarities, but the difference between poetry and prose is usually fairly clear in practice. The following ten items distinguish the two. To help demonstrate our point, we represent each form with a well known piece of literature. Poetry examples were pulled from Dylan Thomas’ “ Do Not Go Gentle Into That Good Night ,” and prose examples come from “ The Cask of Amontillado ” by Edgar Allan Poe.

1. Prose vs. Poetry: Use of Page Space

In prose, a line of text begins and ends at the margins of the page. In poetry, the author uses shorter lines, broken before the page margins to introduce multiple meanings. Line breaks are an enduring feature of what differentiates prose and poetry, adding extra emphasis to certain words and sounds.

You’ll notice in prose that a partial line occurs only before a new paragraph.

In poetry, the line breaks mean something more intentional. The ending words can help uphold meter and rhyme schemes, and it also emphasizes important words: “night” and “light” are repeatedly pit against each other in Thomas’ villanelle .

2. Prose vs. Poetry: Paragraphs vs. Stanzas

Prose passages divide single ideas into sentences, and those sentences go on to form paragraphs. A new paragraph signifies the introduction of new ideas or the continuation of relevant information.

The equivalent of a paragraph in poetry is the stanza. Stanzas are groupings of lines which act as units of meaning, with different stanzas containing different ideas and images.

3. Prose vs. Poetry: Single vs. Multiple Meanings

In prose, the meaning of each word is usually straightforward, with double meanings (like puns and irony) clearly expressed. Most prose relies on clear meanings to deliver clear, linear messages.

By contrast, the language of poetry contains multitudes. One word can hold many different meanings, and ideas can be broken into both sentences and lines.

Take the line “old age should burn and rave at close of day.” The word rave can mean multiple things: it can mean to rant and rave as old people (stereotypically) do, or it can mean to rage and fight against. The pun here is intended to energize the reader,

4. Prose vs. Poetry: Noun-Verb Placements

In Standard English , which is the common (but not default) language of prose, nouns and verbs are found close to each other. This is a facet of “clear communication”—it’s important to know who is doing what as efficiently as possible.

We have bolded the noun-verb pairs in an excerpt from both the poem and prose piece.

Notice how the noun-verb pairs can stray from each other much more easily in poetry. Dylan Thomas inserts a noun-verb pair between a noun-verb pair in each stanza—which is much harder to use effectively in prose.

Notice that, in prose, a noun can have multiple verbs attached to it, but the first verb is almost always next to the noun.

5. Prose vs. Poetry: Rhyme (Sometimes)

There are two types of rhyme: internal and external rhyme. External rhyme occurs at the ends of lines, such as the many “-ight” words in Thomas’ poem.

Internal rhyme refers to words that rhyme with each other inside the same beat. These rhymes are not always intentional or charged with meaning, but they occur, such as in this sentence from Poe’s story:

“We had passed through walls of piled bones , with casks and puncheons intermingling, into the inmost recesses of the catacombs.”

Bones and catacombs aptly rhyme with each other. Note, rhyme is not a necessary feature of any prose and many poems. Though some poetry forms do require rhyme schemes, contemporary poets tend to eschew rhyming.

6. Prose vs. Poetry: Meter (Sometimes)

Like rhyme, meter is an (often) optional component of poetry writing. Meter refers to the stress patterns of syllables and the number of syllables per line. Well-executed meter can give poetry a certain musical quality.

Thomas’ poem is written in iambic pentameter, a requirement of the traditional villanelle form. This means there are 10 syllables in each line, following an unstressed-stressed pattern. To understand syllable stress, read Thomas’ poem out loud, and note how every second syllable is emphasized harder than the first.

Prose does not rely on meter to tell a story.

Prose does not have any metrical requirements, and thank goodness for that. Meter can be extraordinarily tough to impose on a poem, but it also affects how the reader interprets the piece. However, prose does not rely on meter to tell a story, as these poetry devices often instill multiple meanings in a piece.

7. Prose vs. Poetry: Pragmatic vs. Imaginative Focus

On a macro-level, the vision of poets and prose writers tends to differ. Prose has a pragmatic focus, meaning that each word should clearly advance a specific idea or narrative. The focus of prose is storytelling, so the author has a duty to use words diligently.

While poetry can tell stories, a poem rarely focuses on plot points, settings, and characters.

While poetry can tell stories, a poem rarely focuses on plot points, settings, and characters. Rather, poetry has an imaginative focus. Words are allowed to break their conventional bounds in the goal of expressing emotions, and ideas can stack upon each other like grains of sand in a sand castle.

So, what’s pragmatic about Poe, and what’s imaginative about Thomas? Every word in Poe’s piece describes details and events that push the reader towards the climax. At no point does the reader jump out of the narrative to speculate or stargaze.

In Thomas’ poem, the words don’t point the reader towards a specific event, but they do encourage the reader to think deeply about abstract ideas. Old or young, the reader will contend with ideas of life, death, justice, goodness, and the judgment against our souls. In 19 lines of mostly concrete images, the poet asks us to read imaginatively—and in the process, to learn what we believe.

8. Prose vs. Poetry: Paraphrasability

A piece of prose can be summarized. If you ask “what is ‘The Cask of Amontillado’ about?”, it is possible to paraphrase the story and get the gist of its deeper meaning. In short, Poe’s story observes a man desperate for revenge, only to find that revenge often hurts both the punisher and the punished.

Poetry is generally harder to summarize than prose, because it tends to include greater multiplicities of meaning.

Poetry is generally harder to summarize than prose, because it tends to include greater multiplicities of meaning. No one can tell you what a certain poem means. They can tell you what it isn’t —for example, “Do Not Go Gentle” is not about heartbreak, war, or the summertime—but deciding what a poem means requires a reader’s own attention.

For example, one could summarize Thomas’ poem as “an ode to Thomas’ dying father, with a vengeful bent against mankind’s eventual death.” But, does saying that invoke Thomas’ juxtaposition of light and dark? His use of rhyme to draw a conceit? His need to believe in the transience of the soul? By the time you’ve summarized the poem, you’ve written something as long as the poem itself. Poetry cannot be paraphrased.

9. Prose vs. Poetry: Point of View

Prose and poetry treat “point of view” in very different ways. A point of view (POV) refers to who is telling the story. The storyteller doesn’t always have a name or a face, but they do inevitably change how a story is read.

In prose, there are 4 main POVs:

• First Person (I): The story is told in the first person, from a character who is either the protagonist or adjacent to the protagonist. The Cask of Amontillado uses the first person POV.
• Second Person (You): The story is told in the second person. Often, the writer will substitute “the protagonist” for “you,” making the story’s actions feel more intimate and personal. Second Person storytelling is rare, but not unheard of.
• Third Person Limited (He/She/They): The story is told in the third person, and it focuses on the perspective of the protagonist. We have access to most of their thoughts and feelings, but our access to other people is limited by the protagonist’s perspective. Sometimes, writers combine this with the intimacy of 1st person narration, in a technique called free indirect discourse .
• Third Person Omniscient (He/She/They): The story is told in the third person, and the narrator has access to everyone’s thoughts, feelings, and actions. We can jump from person to person with ease, interweaving webs of complex narratives together.

Some stories will also take a Third Person Mixed approach, meaning the meat of the story is told from the protagonist’s perspective, but the reader occasionally jumps to someone else’s POV or to a historical time period.

While poetry can use the same pronouns (I/You/He/She/They), it uses POV differently. A poem is always told from the perspective of “the speaker.” The speaker can be the poet themselves—Dylan Thomas is certainly the voice behind his poem, and he is certainly talking to his father. However, the correct approach is to always call the poem’s POV “the speaker,” as a poem can inhibit many different voices at once. Finally, poetry is much easier to apply to yourself when the speaker isn’t anyone in particular.

10. Prose vs. Poetry: Concision

Prose and poetry writers should both write concisely. Concise writing eschews redundancies and makes every word count. However, concision means something different for the two forms.

In prose, concision generally means that not a word is wasted in conveying information. Concise prose expresses its meaning clearly.

Concise prose expresses its meaning clearly.

Of course, good prose can still be long-winded, as long as this heightens the effect of the work. Take this sentence from Poe’s story:

“It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good-will. I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation.”

These sentences are 19 and 27 words long, respectively. They can also be summarized as follows: “Fortunato thought my smile bore good-will, not the desire to immolate him.”

What does Poe’s long-windedness afford him? Despite being easily paraphrased, every word does count in these two sentences, because they are a part of the narrator’s characterization. He is a long-winded schemer, and that affects how the story must be told, since Poe has chosen the first person to make us intimate with the narrator’s internal conflict.

Poetry is a different situation. Because poetry has line breaks, stanzas, and (sometimes) rhyme and meter, its concision takes a different form. In a poem, it’s great if every word contains heavy meaning; it’s even greater when words contain multiplicities and challenge the reader’s ideas. Economy in poetry is maximizing its impact, musicality, and richness—not necessarily its clear, single meaning.

Economy in poetry is maximizing its impact, musicality, and richness—not necessarily its clear, single meaning.

If you stretched a poem into prose, it would read like a terrible short story, because the concision afforded to poetry is different than that of prose. Concise prose focuses more on clarity of meaning, and poetry more on maximizing the richness and impact of every syllable.

Any article like this risks making literature seem binary, as though prose and poetry were totally discrete entities; so in closing, it’s good to note again that writers, especially contemporary writers, often work at the intersection of prose and poetry, resulting in genres like the prose poem , the lyrical essay or the poetry novel . (And we haven’t even touched on scriptwriting, which is a different form of communication altogether.)

There is much to explore outside of poetry and prose; this article simply covers the basics. As you advance on your writing journey, don’t be afraid to experiment with words outside of the traditional “prose vs. poetry” binary. You might be shocked by what you can accomplish!

Explore both Prose and Poetry at Writers.com

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Sean Glatch

Great summary. I write poetry, prose poems, flash fiction and short stories so I’m using the grab bag of everything you said here! Never taught about line breaks, though. I see some poets going willy nilly all over the page. Maybe there just aren’t any rules where this is concerned…

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