persuasive essays about zoos

Should Animals Be Kept in Zoos? Essay

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Cover Letter

Works cited.

This essay explores the dilemma of keeping animals in zoos. In this essence, the legitimacy of restricting the animals is investigated.

Moreover, the essay seeks to establish harmony between advocacy for abolition of zoos and the need to preserve some species of animals. In addition, there is the necessity to control the interaction between animals and human beings.

I have observed that there is no solution to such dilemmas. Any observer has to establish a middle ground and maintain balance between the arguments. This is because it is not possible to take a radical action on the issue at hand.

I had an experience of arguing over the issue, which has two equal sides while writing the paper. I was able to examine both sides of the argument and analyze the arguments.

While it seemed appropriate to me that people should keep animals in the zoos prior to this assignment, my perception changed after analyzing both sides of the argument. I had to take a middle ground and analyze the perceptions as a neutral observer.

When writing the arguments in the paper, it became difficult to make an objective analysis of the arguments due to the influence of personal opinion. It is difficult to establish a middle ground that does not favor either side.

The topic of the essay generates significant interest in me because most people assume that animals have their specific places in the ecosystem, which are subject to manipulation by human beings at will.

On the other hand, liberal people advocate that fair competition can exist between animals and people naturally. This article proves that neither case is entirely true.

Throughout the history of humanity, interaction with animals has been inevitable. Superiority of human beings has made them highly competitive. Other living things have to adapt to new environments or leave their natural habitat to create space for human beings and their activities.

The human population is evenly distributed around the world. On the other hand, animal population is partially distributed, with different species occupying different parts of the world. Since animals have always fascinated people, there has always been the urge to observe animals and their behavior.

In addition, all living organisms on earth survive through competition for resources with each other (McKinley & Shepard 65). This has led to endangerment of some species of animals. Generally, animals are considered important to human beings, regardless of the material value of each species.

Gradually, it has become important to protect animal species that are facing the danger of extinction, either due to encroachment of their immediate space in the ecosystem, or due to competition with other organisms whose lives depend on common resources.

For this reason, zoos have been built, and animals are kept inside for the sole purpose of preservation of animal life or for entertainment (Norton 42). It is true that the zoos protect a small number of animals from the competition that exists in their natural habitat.

In this way, they protect the species from extinction, and satisfy human being’s curiosity as people go for sightseeing at zoos as a recreational activity (Norton 21).

Most zoos keep wild animals, and majority of the animal population at the zoos is made up of animals that are rarely seen by human beings in their immediate environment. These animals are used to roaming in the jungle and forests.

Others are used to swimming freely in the seas and rivers. However, due to limited space, zoos keep the animals in a much smaller and controlled environment. Obviously, there is restriction of freedom for the animals in order to contain them in the zoo.

For most of their lives, the animals in the zoo do not lead a normal life like other wild animals. They are protected from the competition in the ecosystem due to their perceived importance to human beings. However, this is a serious impediment to their freedom too.

Animals are not allowed to roam freely during the day or night, as they would have done in a free environment. On the other hand, the rigors of competing with other wild animals are eliminated from their lives.

Moreover, the animals receive special treatment as they are provided with veterinary care, a service that other animals in the jungle and sea do not normally get (Robinson 53).

It is arguable that the setting of a zoo is analogous to a prison were felons are incarcerated to protect the society from their potentially harmful tendencies.

One might easily conclude that the animals in the zoo are in some kind of psychological distress due to disruption of their normal course of life and their detainment.

This view assumes that animals, like human beings, have the ability to discern the importance of freedom. Furthermore, the notion argues that animals have thoughts and feelings just like human beings.

It is difficult to establish these arguments as facts due to the limited emotional interaction between animals in the zoo and their keepers.

Thus, the idea that animals perceive physical freedom in a similar way as human beings is subject to debate (Mullan & Marvin 75).

Zoos are not primarily intended to curtail the freedom of an animal, but are designed to protect the animal from harsh environment. Normally, there are efforts to create an environment similar to the particular animal’s habitat in the zoo.

It is also difficult to assess whether the artificial environment created by zookeepers is identical to the natural habitat suitable for the animals.

This observation means that it is not entirely true that the zoos are aimed at curtailing the freedom of the animals (Brooman & Legge 85). Consequently, the animals may be better off at the zoo.

Moreover, it is not true that zoos completely change the normal course of life for the animals within it since there is an effort to simulate their natural habitat.

Some people are of the opinion that animals are inferior to human beings. This suggests that zoos are meant to restrict the animals within the zoo environment to protect human beings’ interest.

Some animals are dangerous to human life, while others compete against human being for resources. This is an obvious observation that has been under scientific study.

On the other hand, animals could be perceived to be equal to human beings. This means that the animals can compete for resources fairly against human beings.

Some people use this perspective to argue against establishment of zoos, which in their perspective, are the making of an unfair competition between animals and human beings.

The highlighted perceptions and observations present the dilemma of the existence of zoos. In a critical analysis of all radical perceptions, no single argument is proved entirely appropriate for the issue of zoos.

If zoos were to be eliminated as a way of protecting and preserving animal life, there would be dire consequences for humans and the animals themselves (Acampora 45).

It is an obvious observation that some animals would become extinct due to predation and competition from other animals in the natural habitat. People could also be affected by the interactions and conflicts between the animals and human beings.

While some animals would pose direct danger to human beings, others would affect the creations of human beings such as organized agriculture. It is thus obvious that a conflict will result from the freedom of animals.

However, this presents another question for argument since there is fairness in sharing of natural resources by living organisms in such a situation.

Although a relatively small number of animals are kept in the zoo, majority of animals are free and live in the wilderness. This brings up the issue of the scale of restriction of animals within zoos.

Keeping all animals in the zoo and eliminating them from their natural environment is an extreme action. This kind of an action would present a situation of extreme interference with nature. It is only logical that a balance between freedom of animals and existence of zoos has to be established.

Animals could be kept in an open environment that is similar to their natural habitat as much as possible. This would eliminated the problem of having animals in a zoo were cages similar to prison cells are used to contain the animals.

On the issue of competition, it would be unfair to let animals live free and compete against human beings in the natural environment. People would eliminate animals from the ecosystem due to their superiority in terms of logical reasoning.

This makes it necessary to provide some kind of protection for the animals. In this essence, zoos can neither be justified nor completely denounced.

Acampora, Ralph R.. Metamorphoses of the zoo: animal encounter after Noah . Lanham, Md.: Lexington Books, 2010. Print.

Brooman, Simon, and Debbie Legge. Law relating to animals . London: Cavendish, 1997. Print.

Mullan, Bob, and Garry Marvin. Zoo culture . 2nd ed. Urbana: University of Illinois Press, 1999. Print.

Norton, Bryan G.. Ethics on the ark: zoos, animal welfare, and wildlife conservation . Washington: Smithsonian Institution Press, 1995. Print.

Robinson, Phillip T.. Life at the zoo: behind the scenes with the animal doctors . New York: Columbia University Press, 2004. Print.

Shepard, Paul, and Daniel McKinley. The subversive science; essays toward an ecology of man, . Boston: Houghton Mifflin, 1969. Print.

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Opinion Guest Essay

Modern Zoos Are Not Worth the Moral Cost

  Credit... Photographs by Peter Fisher for The New York Times

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By Emma Marris

Ms. Marris is an environmental writer and the author of the forthcoming book “Wild Souls: Freedom and Flourishing in the Non-Human World.”

• June 11, 2021

After being captives of the pandemic for more than a year, we have begun experiencing the pleasures of simple outings: dining al fresco, shopping with a friend, taking a stroll through the zoo. As we snap a selfie by the sea lions for the first time in so long, it seems worth asking, after our collective ordeal, whether our pleasure in seeing wild animals up close is worth the price of their captivity.

Throughout history, men have accumulated large and fierce animals to advertise their might and prestige. Power-mad men from Henry III to Saddam Hussein’s son Uday to the drug kingpin Pablo Escobar to Charlemagne all tried to underscore their strength by keeping terrifying beasts captive. William Randolph Hearst created his own private zoo with lions, tigers, leopards and more at Hearst Castle. It is these boastful collections of animals, these autocratic menageries, from which the modern zoo, with its didactic plaques and $15 hot dogs, springs.

The forerunners of the modern zoo, open to the public and grounded in science, took shape in the 19th century. Public zoos sprang up across Europe, many modeled on the London Zoo in Regent’s Park. Ostensibly places for genteel amusement and edification, zoos expanded beyond big and fearsome animals to include reptile houses, aviaries and insectariums. Living collections were often presented in taxonomic order, with various species of the same family grouped together, for comparative study.

The first zoos housed animals behind metal bars in spartan cages. But relatively early in their evolution, a German exotic animal importer named Carl Hagenbeck changed the way wild animals were exhibited. In his Animal Park, which opened in 1907 in Hamburg, he designed cages that didn’t look like cages, using moats and artfully arranged rock walls to invisibly pen animals. By designing these enclosures so that many animals could be seen at once, without any bars or walls in the visitors’ lines of sight, he created an immersive panorama, in which the fact of captivity was supplanted by the illusion of being in nature.

Mr. Hagenbeck’s model was widely influential. Increasingly, animals were presented with the distasteful fact of their imprisonment visually elided. Zoos shifted just slightly from overt demonstrations of mastery over beasts to a narrative of benevolent protection of individual animals. From there, it was an easy leap to protecting animal species.

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• Are Zoos Good or Bad for Animals? The Argument, Explained

Debates about the ethics of zoos abound — but when it comes to animal welfare, there are certainly more cons than pros.

Explainer • Entertainment • Policy

Words by Björn Ólafsson

For many people, zoos are the only chance they’ll have in their entire lives to see beautiful animals native to far-flung ecosystems — lions, elephants, pandas, lemurs — the list goes on. And they’re popular — over 181 million people visit a U.S. zoo every year . But zoos face criticism from animal welfare organizations and environmental activists for inhumane treatment of the animals they claim to protect. Zoos maintain that they are important aspects of conservation and education. 

So, what are the advantages and disadvantages of zoos ?  Let’s take a look at the pros and cons of these controversial organizations. 

What Are Some Pros and Cons of Zoos ?

First, not all zoos are created equal. While it is easy to imagine animal ethics as a binary of evil and moral, zoos can vary widely on how they treat their animals, how much space they are given and how the animals are obtained. Still, most zoos tend to have the same positives and negatives overall. 

Arguments Against Zoos

Poor conditions for animals.

Animals Often Only Have Quite Limited Space

Many zoos’ enclosures are too small, especially for animal species that are used to roaming, flying or swimming large distances in the wild. For example, polar bears are used to home ranges of about 1,000 square kilometers in the wild — large swaths of land and ice they enjoy exploring . In zoos, they get a couple hundred square feet. 

Zoos Are  Crowded

In addition to limited space, many zoos cram in as many animals as possible into the enclosures. Many visitors prefer seeing animals up close, instead of peering at them from afar, hidden in their dens or nests. This encourages zoos to increase the number of animals per exhibit,  increasing the likelihood of visitors seeing animals on the move near the boundaries of the enclosure. 

Animals Are Trapped in Unnatural Environments

Anyone who has visited a zoo knows the exhibits are a far cry from the natural landscape they are trying to imitate. Nearly all zoo enclosures contain fences, glass or other barriers for visitors to look through, which are inherently artificial. And the natural-seeming landscapes can sometimes be made out of astroturf, concrete or plastic.

Confinement May Alter the Behavior of Animals

The lack of space, unnatural environments and crowded conditions can directly affect the behavior of animals ; most notably in the form of what’s known as “stereotypy.” Stereotypy is a condition in which non-human animals engage in repetitive behaviors with no apparent purpose, such as pacing for hours on end, wagging tails abnormally or picking their own fur. 

The structure of zoos increases the likelihood of stereotypic behavior due to a lack of enrichment, mundane environments and boring, repetitive schedules. This prevalence of stereotypy in zoos even has its own name: “zoochosis,” or psychosis caused by zoos . 

‘Surplus’ Animals Can Be Killed

After an animal has reproduced successfully and the zoo no longer requires the animal to maintain an exhibit, the animal is deemed “surplus.” At this point, the animal’s welfare is no longer profitable . Zoos can sell the animal to private owners (who may keep the animal in tiny cages for amusement or kill the animal for taxidermy purposes), sell the animal to other zoos or enclosures, or “euthanize” the animal. 

Animals Are Often Mistreated 

Animal mistreatment is much more than hitting or beating an animal. It also includes harmful training techniques, separation from family members and forcing animals to behave in abnormal ways. 

In a report from World Animal Protection, three-fourths of zoos include human-animal interactions , many of which can be very stressful or physically harmful for animals. In some extreme cases, visitors rode on the backs of animals (causing injury) or encroached on the animals’ enclosure (causing stress).

Investigations into popular zoos sometimes reveal that caretakers don’t always clean the exhibits frequently , leaving the animals to live near their feces. The research also reveals many zookeepers hitting animals who “misbehave,” and not helping animals with injuries sustained in the enclosures. While not all animal caretakers behave this way, the reporting suggests many zoos around the world are lax with animal welfare. 

Animals Don’t Like Being Visited

The mere presence of human beings can negatively affect wild animals, especially in massive crowds that are common at zoos. Being bombarded by the sounds, smells and appearances of swaths of humans can trigger the stress responses of some animals . Some studies show that the number of visitors correlates with the amount of stress hormones in many animal species. 

Animals Struggle to Form Connections

Many animals are highly social creatures. Elephants, lions, pigs, cows and many more species are shown to have complex connections, hierarchies and relationships with members of their own kind — especially with friends and family. However, zoo animals rarely stay with the same herd or family for their entire lives. Instead, zoos opt to transfer, sell, buy or relocate animals throughout their lifespans, making it difficult for animals to form social connections . This lack of bonding can harm the animals emotionally. 

Zoos Are for Humans, Not Animals

Most zoos are for-profit enterprises, meaning they have one goal in mind: maximizing revenue. It is easy to see how making more money can come at the expense of animal welfare. For example, a zoo is unlikely to fund an exhibit expansion if it isn’t cost-effective, regardless of its benefits for the animals inside. While many zookeepers form real bonds with their animal companions, the animals still exist under a for-profit, human-centered organization. 

Zoos Promote Human Superiority

The aesthetic nature of zoos — animals in panopticon-like enclosures, viewed 24/7 by members of a different species — can reinforce human superiority. As moral philosopher Lori Gruen writes in her book, “visitors leave the zoo more convinced than ever of human superiority over the natural world.” Of course, zoos also reinforce the idea that humans have a right to take away animals’ freedom and bodily autonomy.

Zoos Don’t Always Help with Conservation — Some Wild Animals Have to Be Caught to Bring Them to Zoos

Many animals in zoos are born in captivity, but that’s not the case for all. Many animals are taken directly from the wild , often when they are babies, to make the transition to captivity a bit easier. At times, this is done in the name of conservation, or when a wild animal is very ill. But many zoos will take animals from the wild, or buy animals from unethical animal traders. 

It’s Often Not Possible to Return Animals to the Wild

Releasing an animal into the wild isn’t always successful, especially if the animal has spent time in climates different from their native regions, like jungles, savannas or ice caps. Properly preparing animals for success in the wild is a multi-stage process that can require thousands of dollars — and it doesn’t always work . Captive-born predator species — disadvantaged by being born and raised in an artificial environment — only have a survival rate after being released into the wild of 33 percent , according to one study. As a result, re-release is not a priority for many zoos.

Zoos Are Poorly Regulated

While there exist many laws that protect animals, such as the Animal Welfare Act (AWA) and the Endangered Species Act , they only offer minimum protections . For example, the AWA excludes entire species of animals, like mice, farmed animals, birds and all cold-blooded animals. Its “minimum” standards of care usually ensure the animals’ safety, not their welfare or happiness. Many animal law experts say these regulations don’t go far enough . 

What Are the Pros of Having Zoos?

They Can Be Important for Researchers

Biologists and zoologists can benefit from studying animals in zoos. Some breakthroughs in animal behavior and treatment, like why elephants swing their trunks or how gorillas develop heart disease, have been made possible because of zoos’ ease of access . However, not all animals behave the same in captivity as they do in the wild, so not all research is possible in zoos. 

Zoos Are Educational — People May Behave “Eco-friendlier” After Going To the Zoo

Zoos can kickstart individuals’ interest in biodiversity, which is a critical aspect of environmental protection. Many zoos include calls to action in their exhibits, highlighting how endangered animals are being poached, driven away, or otherwise killed by human activity. This can inspire some people to behave more conscientiously. One limited survey found that 35 percent of eco-friendly people learned sustainable behavior from zoos . ‘

Zoos Can Help Educate Children About Animals

Zoos are a quintessential school experience for many young people. Children love learning about animals up-close in a safe environment — in fact, education is possibly the biggest advantage of modern zoos. Many programs, like school presentations, guided tours, informational exhibits, and talks with zookeepers can trigger a lifelong love of animals in children .  

But zoos aren’t perfect in this regard. According to a study of zoo visitors in the UK, only 34 percent of children learned more about animals at zoos (the result was slightly better when the children were given  a guided tour). Worse, children did not feel empowered to help with conservation efforts after visiting a zoo. This suggests that if zoos care about education, they need to more actively reach out to schoolchildren for empowerment and education. 

Going to the Zoo Is Affordable

More ethical ways of engaging with animals without removing them from their natural habitats — like whale watching, safaris, hikes, or excursions — are usually expensive or inaccessible for many people. Zoos tend to be relatively cheap for the average family that wants to learn about animals. 

Conservation

Zoos Can Protect Endangered Species from Extinction

Zoos often claim they can protect entire species from extinction through conservation programs that involve breeding more animals in captivity and then releasing them into the wild. This is especially important for endangered species like pandas. 

While these conservation efforts are truly important, they don’t represent the majority of a zoo’s activities, nor are zoos leaders in conservation worldwide. At the National Zoo, for example, only one-fifth of animals are endangered . In North America, zoos only contribute about 14 percent of all animals reintroduced into the wild as part of a conservation program. Zoos also tend to focus on headline-grabbing endangered animals to bring in visitors, like pandas, elephants or tigers, as opposed to lesser-known but crucial species, like tamarins, kakapos or wombats. 

Are Zoos Good or Bad for the Environment?

Zoos claim to support global biodiversity through conservation efforts like protecting endangered animals. This is somewhat true, although it varies greatly from zoo to zoo. 

On the other hand, zoos are big polluters and use up lots of resources , especially energy and water . Aquariums in particular use tons and tons of water. Zoo animals also generate waste that may or may not be composted or disposed of correctly.

Should Zoos Exist or Be Banned?

Given the many ways that zoos are unethical to animals, the flawed attempts to contribute to conservation, and the positioning of humans as superior to animals, many animal ethicists believe zoos should not exist — or at least, not exist in their current form . 

For example, animal philosopher Dale Jamieson says in his book Ethics on the Ark that zoos primarily “alleviate our sense of guilt for what we are doing to the planet, but they do little to help the animals we are driving to extinction.” He continues to argue that zoos exist for humans alone , and that it is very difficult to wave away the inherent immorality of depriving animals their liberty for the sake of human amusement. 

Instead, private conservation programs can benefit endangered animals without showcasing them to the public. Animal sanctuaries, which are  areas of land in which endangered and other animals are protected by humans, are also advantageous for both individual animals and global biodiversity . 

Zoos do have advantages — fostering curiosity and education chief among them. But experts believe there are other ways of accomplishing these goals without resorting to zoos with tiny enclosures. Excursions, nature documentaries, safaris, local gardens, hikes, boat tours and other ways of interacting with nature don’t involve taking animals out of their natural habitats. 

The Bottom Line

If you do choose to visit a zoo, opt for zoos that have certifications from independent animal welfare organizations. If you are interested in animal conservation, you’d be more impactful donating to a non-zoo animal protection organization instead. And if you do want to visit animals, consider an animal sanctuary or an ethical safari, where you can see animals in their native environments.

Independent Journalism Needs You

Björn Jóhann Ólafsson is a science writer and journalist who cares deeply about understanding the natural world and her inhabitants through stories and data. He reports on the environmental footprint of the meat industry, the alternative protein sector and cultural attitudes around food. His previous bylines include the EU Observer and Elemental. He lives in Spain with his two lovebirds.

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"zoos and animal welfare" argumentative/persuasive writing.

"Zoos and Animal Welfare" Argumentative/Persuasive Writing

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Apply the appropriate models to show interactions among organisms in an environment.

CHANGE AND CONSTANCY

Explain mechanisms organisms use to adapt to their environment.

Describe how selective breeding and biotechnology can alter the genetic composition of organisms.

Compare and contrast observable patterns in the physical characteristics across families, strains and species.

Explain why the extinction of a species may occur when the environment changes.

Explain that mutations can alter a gene and are the original source of new variations in a population.

• Big Ideas Purpose, topic and audience guide types of writing
• Concepts Focus, content, organization, style, and conventions work together to impact writing quality Persuasive writing attempts to influence the audience by presenting an issue and stating and supporting a position. Various types of writing are distinguished by their characteristics
• Competencies Persuasive Writing: Develop substantial, relevant and illustrative content that demonstrates a clear understanding of the purpose (content). Persuasive Writing: Employ a thoroughly elaborated argument that includes a clear position consistently supported with precise and relevant evidence where rhetorical persuasive strategies are evident (content). Persuasive Writing: Employ effective organizational strategies and structures, such as logical order and transitions, which develop a controlling idea (organization). Persuasive Writing: Use proper conventions to compose in the standard form of the English language (conventions). Persuasive Writing: Write with a sharp, distinct controlling point made about a single topic with evident awareness of task and audience (focus). Persuasive Writing: Write with precise control of language, stylistic techniques, and sentence structures that create a consistent and effective tone (style). Write persuasive pieces, specific to a purpose and audience, which have a clearly stated position or opinion, with convincing and properly cited evidence that anticipates and counters reader concerns and arguments. Write to influence the audience by:• stating and supporting a position with detailed evidence, examples, and reasons. • using persuasive techniques (e.g.: emotional appeal, statistics, description, anecdote, example, expert opinion) to strengthen the argument. • employing a distinct structure to organize the argument and the opposing viewpoints. • acknowledging and refuting opposing arguments. • evaluating sources for validity, perspective, bias, and relationship to topic.• documenting sources of information responsibly and ethically. • using sources to achieve a balanced and authoritative argument. • supporting judgments with relevant evidence and detail. Write to influence the audience by:• stating and supporting a position with detailed evidence, examples, and reasons. • using persuasive techniques (e.g.: emotional appeal, statistics, description, anecdote, example, expert opinion, analogies and illustrations) to strengthen the argument. • employing a distinct structure to organize the argument and the opposing viewpoints. • acknowledging and refuting opposing arguments. • evaluating primary and secondary sources for validity, perspective, bias, and relationship to topic. • documenting sources of information responsibly and ethically. • using sources to achieve a balanced and authoritative argument. • supporting judgments with relevant evidence and detail. • presenting the position in either a deductive or an inductive framework. Focus, content, organization, style, and conventions work together to impact writing quality

Description

The Literacy Design Collaborative teaching task provides a blueprint for seamlessly integrating literacy and content standards in a rigorous, authentic classroom experience. After determining the discipline, course, and grade level, educators use teaching tasks built around predefined template prompts. The teaching task requires students to read, analyze and comprehend written materials and then write cogent arguments, explanations or narratives in the subjects they are studying.

Students will examine the zoo as a facility in which animals are confined within enclosures and displayed to the public. In many cases, animals may also be bred to produce offspring. Although enjoyed by many, some feel zoo conditions are detrimental to the health of animals. Students will explain and support their opinion as to whether or not animals should be kept in zoos.

In this extended writing task, students will read, analyze, and gather relevant information from text(s) and write an argumentative essay. Students will…

• Apply knowledge of the distribution and management of natural resources to a current issue
• Apply knowledge of the relationship between an environment and extinction to a current issue
• Read, analyze and gather relevant information from multiple texts
• Write an evidence-based argumentative essay, and address competing views

enclosure - something that "closes" a space

welfare - a condition of being or doing well

conservation - protection from extinction

zoochosis  - obsessive, repetitve behavior associated with animals kept in prolonged captivity

extinction - dying out or termination of a species. Occurs when a species can no longer reproduce at replacement levels

endangered species - a species existing in such small numbers that it is in danger of becoming extinct

500 minutes/10 periods

"Animal Ark or Sinking Ship?" BornFree.org . Born Free Foundation, July 2007. Web. Apr. 2011. < http://www.bornfree.org.uk/fileadmin/user_upload/files/zoo_check/ publications/Animal_Ark_or_sinking_ship.pdf >.

Dixon, Thomas. "Zoos: Debatabase - Debate Topics and Debate Motions." IDEA: International Debate Education Association - Debate Resources & Debate Tools. 06 Apr. 2009. Web. 28 Jan. 2011. < http://www.idebate.org/debatabase/topic_details.php?topicID=1 >.

Horton, Jennifer. "Are Zoos Good or Bad." HowStuffWorks.com . 15 Sept. 2008. Web. Apr. 2011. < http://animals.howstuffworks.com/animal-facts/zoos-good-or-bad.htm >.

Lin, Doris. "Should Zoos Keep Endangered Species?" About.com . The New York Times Company. Web. Apr. 2011. < http://animalrights.about.com/od/wildlife/a/EndangeredZoos.htm >.

Van Tuyl, Christine.  Zoos and Animal Welfare . Detroit: Greenhaven, 2008. Print.

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Suggested instructional strategies.

Instructional Procedures

Teacher Preparation Prior to launching the teaching task in the classroom, a teacher should consider the following questions:

How much support will students need to successfully complete the task?

What parts of the process can be completed independently (during or outside of class)? What parts of the process represent new learning or substantial challenge and warrant direct instruction or guided practice during class?

What content and vocabulary instruction and activities will be provided so that students are able to successfully complete the task?

How will reading be scaffolded for my students? (Read together? Read in groups? Read independently?)

What note-taking method will students use, and does that method align with the writing task?

How will students make the transition from the reading to the writing? (outline, graphic organizer, etc.)

What writing instruction is needed to help students write their thesis statements, organize their notes, embed quotes, and cite evidence?

How will students receive feedback at various stages of the writing process to make sure they are answering the prompt, their papers are focused, their ideas are fully developed with details, examples, etc.?

Daily Plan The daily plan is flexible based on students' prior knowledge, experience and skills in reading, research and writing as well as their ability to apply subject area knowledge to a new scenario. The amount of time, in class instruction, and scaffolds needed can be increased or decreased to provide the appropriate level of challenge and support for students.

Teaching Task 2 (Argumentative/Analysis L1, L2): Should animals be kept in zoos? After reading informational texts, write an essay that addresses the question and support your position wiht evidence from the text(s). L2  Be sure to acknowledge competing views.

Task Engagement and Analysis The teacher introduces the teaching task to students by linking the task to the class content that has been taught previously and to existing knowledge, skills, and interests. The teacher asks students to read the teaching task and make notes or discuss with peers things they already know about this issue or topic.

The teacher helps the students to understand the expectations of the teaching task by asking students what they think a good response to the task might include and creating a classroom list. The teacher may share examples of the type of texts the students will produce (either actual student samples or commercially published texts). Sharing the rubric with students will clarify the expectations. (Clicking on each performance level of the rubric will enable teacher access to annotated student writing for that level.)

The teacher explains the timetable and supports available for completing the task.

Text Selection The teacher has either preselected the texts or will provide access to research sources for students to select texts. The teacher asks students to begin to record information about the sources (e.g., using notebooks, note cards, technology). The teacher may need to provide models or instruction on creating a bibliography or works cited. The students should identify author, title, publisher, date, and any other needed information (e.g., volume, editor) A discussion about the credibility or merit of sources may be needed.

Preview texts The teacher can provide students with all of the texts or offer students a list of acceptable sources from which to choose. The teacher briefly highlights each text with a summary to assist students in making appropriate text selections. The teacher asks the students to skim through each text to identify the genre, purpose, and text structure. A teacher think-aloud explaining rationale for making certain text selections may be beneficial to students.

Note-taking The teacher provides or suggests that a note-taking method be used that is consistent with the expectations for the task and the type of writing (e.g., argumentative-pro/con t-chart). Students should be encouraged to refer to the teaching task so that their notes are relevant to the prompt. Students should be encouraged to include both textual information and their own connections and implications. Students should continue to add to their bibliography or works cited.

Teachers may need to teach or reinforce practices to promote academic integrity and to help students avoid plagiarism. The ability to use and credit sources appropriately shows respect for the work of others and adds credibility to a student's argument and/or research.

Reading and Research The teacher assigns the reading, research and note-taking to students and provides instruction to support analysis and synthesis of texts. The teacher may ask students to reflect orally or in writing on key questions including:

Which parts of the text provide evidence that relates to the prompt?

What historical or current examples did you notice that relate to the prompt?

What is the text explicitly saying? What gaps or unanswered questions do you see?

What competing arguments have you encountered or thought of based on the text (argumentative)?

How do you know your sources are credible?

Depending upon the needs of students in the classroom, additional scaffolds may be necessary (e.g., whole-group reading and teacher modeling of note-taking, paired in-class reading, talking to the text, small group discussion). The teacher may either provide students with print source options or make electronic texts available to them through the use of Web 2.0 tools (e.g., Wikis, Nings) or online library databases (e.g., EBSCO, ProQuest).

Transition to Writing The teacher uses discussion based strategies such as the Paideia/Socratic seminar or small group discussions to help students make connections between their research and notes and the teaching task.

Developing a Thesis or Claim Students write an opening paragraph that includes a controlling idea and sequences the key points that will be made throughout the writing assignment. The teacher may provide models of opening paragraphs and analyze them with the class. Students may provide feedback to each other on their opening paragraphs. Students should compare their opening paragraph to the teaching task and assess whether the paragraph fully address the main points of the prompt (e.g., define and explain, compare, take a position, etc.)

Organizing Notes/Planning Students organize their notes into a graphic organizer or outline that establish a logical structure for the assignment. An outline begins with the thesis or claim, sequences key points and includes supporting evidence from texts.

Development of rough drafts Students begin writing their rough drafts. The teacher frequently checks in with students to answer questions, offer feedback, and provide writing instruction as needed. Through planning, the teacher embeds opportunities for students to receive feedback on their writing prior to the submission of the final draft either through peer conferencing, teacher conferencing, or written teacher feedback. Students revise their drafts based on the feedback they receive. The amount of time needed for the development of rough draft varies and may include time during and outside of class.

Completion of Final Draft Students either self or peer-edit their papers for conventional errors and complete the final draft.

Assessment and Reflection The teacher uses the LDC rubric to assess the students' writing and provide feedback to help students improve their performance. Patterns in student performance guide further instruction.

Analytic Scoring The rubric is structured to facilitate analytic scoring - the awarding of separate scores by readers for each of the seven scoring elements. Scorers should keep in mind that the description of work quality within any particular "cell" of the rubric may still address more than one idea, and therefore may not match a particular essay perfectly. The scorer must identify the descriptor that is the best match to a paper based on the preponderance of evidence. If the decision is truly a "coin toss," the scorer should feel free to use the "in-between" or "half" scores. A variation of analytic scoring might be used in a situation in which the emphasis of instruction at a particular time might be on a subset of the seven scoring elements. For example, if instruction is focused on development and organization, then a teacher might simply award scores for those two scoring elements.

Holistic Scoring Holistic scoring is assigning a single, overall score to a paper. Analytic and holistic scoring rubrics look much the same. The holistic scorer's job is to pick the single score (1, 2, 3, 4) that corresponds to the set of descriptors for scoring elements that best matches a paper. Again, in-between or half scores can be used. Ideally, holistic scorers are thinking about all the scoring elements as they read papers, but over time they find that they can assign holistic scores very rapidly, yet still fairly accurately. This is one of the advantages of holistic scoring. However, analytic information is not generated by this method.

Score Recording and Feedback It would be good practice for teachers to share the rubrics with students and discuss "criteria for success" relative to the scoring elements. However, it is not intended that a clean scoring rubric would be attached to every paper that is scored in all situations. It might be more appropriate to attach score slips that list the scoring element names with blank spaces after them for the recording of scores (and a space for a total score, too, perhaps). A customized rubber stamp could accomplish the same. Analytic scores do provide useful information to the students since they reference descriptors in the rubric. However, nothing beats descriptive comments that are best written in the margins of the papers where they are most appropriate.

Cut Scores for Proficiency Levels Scorers can readily compute a total score (the sum of the seven element scores) or an average score (that sum divided by 7). If translating scores to performance levels is desired, then the structure of the rubrics lends itself to the use of the following cut scores:

LDC Scores and Grades LDC scores could be translated to grades contributing to students' course grades. How this would be done is an individual teacher's decision. Teachers could establish their own cut scores for letter grades or just re-label the four performance levels as A, B, C, D. They could come up with their own way to convert LDC scores to numerical grades consistent with whatever numerical scale they use for other class work.

Click on each performance level below (Not Yet, Approaches Expectations, Meets Expectations, Advanced) to view annotated student samples.

Sean Houseknecht, Alex Shubert, Monica Cressman - Elizabethtown Area School District

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Should Animals be Kept in Zoos? Persuasion Text Planning for Year 3/4

Subject: English

Age range: 7-11

Resource type: Unit of work

Last updated

10 October 2022

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About this unit:

This is a fifteen-lesson unit of English work based on persuasive writing. It is intended for Lower Key Stage 2. This unit follows the 2014 National Curriculum objectives which are outlined below. The English objectives covered by this unit are highlighted in yellow. The fifteen lessons in this unit allow children to explore, discuss and understand persuasive writing. During the first week children will prepare and participate in a debate: ‘Should Animals be Kept in Zoos?’ In the second week, children will discuss, plan and write a piece of persuasive writing based on the persuasive writing text: ‘Should Animals be Kept in Zoos?’ Through guided and shared activities children will write their own version of this text ensuring they have included the correct language and organisational features appropriate to a piece of persuasive writing. In the third week, children will write another persuasive writing text based on whether humans should eat meat. Children will then apply what they have learned in the second week to plan, write and edit a piece of persuasive writing based on whether humans should eat meat and children will write their persuasive writing independently. To end the unit children will participate in another debate: ‘Should Humans Eat Meat?’

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Home — Essay Samples — Environment — Conservation — Pros And Cons Of Zoos

Pros and Cons of Zoos

• Categories: Animal Welfare Conservation Zoo

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Words: 417 |

Published: Mar 16, 2024

Words: 417 | Page: 1 | 3 min read

Table of contents

Pros of zoos, cons of zoos.

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As a Teenager in Europe, I Went to Nudist Beaches All the Time. 30 Years Later, Would the Experience Be the Same?

In July 2017, I wrote an article about toplessness for Vogue Italia. The director, actor, and political activist Lina Esco had emerged from the world of show business to question public nudity laws in the United States with 2014’s Free the Nipple . Her film took on a life of its own and, thanks to the endorsement from the likes of Miley Cyrus, Cara Delevingne, and Willow Smith, eventually developed into a whole political movement, particularly on social media where the hashtag #FreeTheNipple spread at lightning speed. The same year as that piece, actor Alyssa Milano tweeted “me too” and encouraged others who had been sexually assaulted to do the same, building on the movement activist Tarana Burke had created more than a decade earlier. The rest is history.

In that Vogue article, I chatted with designer Alessandro Michele about a shared memory of our favorite topless beaches of our youth. Anywhere in Italy where water appeared—be it the hard-partying Riviera Romagnola, the traditionally chic Amalfi coast and Sorrento peninsula, the vertiginous cliffs and inlets of Italy’s continuation of the French Côte d’Azur or the towering volcanic rocks of Sicily’s mythological Riviera dei Ciclopi—one was bound to find bodies of all shapes and forms, naturally topless.

In the ’90s, growing up in Italy, naked breasts were everywhere and nobody thought anything about it. “When we look at our childhood photos we recognize those imperfect breasts and those bodies, each with their own story. I think of the ‘un-beauty’ of that time and feel it is actually the ultimate beauty,” Michele told me.

Indeed, I felt the same way. My relationship with toplessness was part of a very democratic cultural status quo. If every woman on the beaches of the Mediterranean—from the sexy girls tanning on the shoreline to the grandmothers eating spaghetti al pomodoro out of Tupperware containers under sun umbrellas—bore equally naked body parts, then somehow we were all on the same team. No hierarchies were established. In general, there was very little naked breast censorship. Free nipples appeared on magazine covers at newsstands, whether tabloids or art and fashion magazines. Breasts were so naturally part of the national conversation and aesthetic that Ilona Staller (also known as Cicciolina) and Moana Pozzi, two porn stars, cofounded a political party called the Love Party. I have a clear memory of my neighbor hanging their party’s banner out his window, featuring a topless Cicciolina winking.

A lot has changed since those days, but also since that initial 2017 piece. There’s been a feminist revolution, a transformation of women’s fashion and gender politics, the absurd overturning of Harvey Weinstein’s 2020 rape conviction in New York, the intensely disturbing overturning of Roe v Wade and the current political battle over reproductive rights radiating from America and far beyond. One way or another, the female body is very much the site of political battles as much as it is of style and fashion tastes. And maybe for this reason naked breasts seem to populate runways and street style a lot more than they do beaches—it’s likely that being naked at a dinner party leaves more of a permanent mark than being naked on a glamorous shore. Naked “dressing” seems to be much more popular than naked “being.” It’s no coincidence that this year Saint Laurent, Chloé, Ferragamo, Tom Ford, Gucci, Ludovic de Saint Sernin, and Valentino all paid homage to sheer dressing in their collections, with lacy dresses, see-through tops, sheer silk hosiery fabric, and close-fitting silk dresses. The majority of Anthony Vaccarello’s fall 2024 collection was mostly transparent. And even off the runway, guests at the Saint Laurent show matched the mood. Olivia Wilde appeared in a stunning see-through dark bodysuit, Georgia May Jagger wore a sheer black halter top, Ebony Riley wore a breathtaking V-neck, and Elsa Hosk went for translucent polka dots.

In some strange way, it feels as if the trends of the ’90s have swapped seats with those of today. When, in 1993, a 19-year-old Kate Moss wore her (now iconic) transparent, bronze-hued Liza Bruce lamé slip dress to Elite Model Agency’s Look of the Year Awards in London, I remember seeing her picture everywhere and feeling in awe of her daring and grace. I loved her simple sexy style, with her otherworldly smile, the hair tied back in a bun. That very slip has remained in the collective unconscious for decades, populating thousands of internet pages, but in remembering that night Moss admitted that the nude look was totally unintentional: “I had no idea why everyone was so excited—in the darkness of Corinne [Day’s] Soho flat, the dress was not see-through!” That’s to say that nude dressing was usually mostly casual and not intellectualized in the context of a larger movement.

But today nudity feels loaded in different ways. In April, actor and author Julia Fox appeared in Los Angeles in a flesh-colored bra that featured hairy hyper-realist prints of breasts and nipples, and matching panties with a print of a sewn-up vagina and the words “closed” on it, as a form of feminist performance art. Breasts , an exhibition curated by Carolina Pasti, recently opened as part of the 60th Venice Biennale at Palazzo Franchetti and showcases works that span from painting and sculpture to photography and film, reflecting on themes of motherhood, empowerment, sexuality, body image, and illness. The show features work by Cindy Sherman, Robert Mapplethorpe, Louise Bourgeois, and an incredible painting by Bernardino Del Signoraccio of Madonna dell’Umiltà, circa 1460-1540. “It was fundamental for me to include a Madonna Lactans from a historical perspective. In this intimate representation, the Virgin reveals one breast while nurturing the child, the organic gesture emphasizing the profound bond between mother and child,” Pasti said when we spoke.

Through her portrayal of breasts, she delves into the delicate balance of strength and vulnerability within the female form. I spoke to Pasti about my recent musings on naked breasts, which she shared in a deep way. I asked her whether she too noticed a disparity between nudity on beaches as opposed to the one on streets and runways, and she agreed. Her main concern today is around censorship. To Pasti, social media is still far too rigid around breast exposure and she plans to discuss this issue through a podcast that she will be launching in September, together with other topics such as motherhood, breastfeeding, sexuality, and breast cancer awareness.

With summer at the door, it was my turn to see just how much of the new reread on transparency would apply to beach life. In the last few years, I noticed those beaches Michele and I reminisced about have grown more conservative and, despite being the daughter of unrepentant nudists and having a long track record of militant topless bathing, I myself have felt a bit more shy lately. Perhaps a woman in her 40s with two children is simply less prone to taking her top off, but my memories of youth are populated by visions of bare-chested mothers surveilling the coasts and shouting after their kids in the water. So when did we stop? And why? When did Michele’s era of “un-beauty” end?

In order to get back in touch with my own naked breasts I decided to revisit the nudist beaches of my youth to see what had changed. On a warm day in May, I researched some local topless beaches around Rome and asked a friend to come with me. Two moms, plus our four children, two girls and two boys of the same ages. “Let’s make an experiment of this and see what happens,” I proposed.

The kids all yawned, but my friend was up for it. These days to go topless, especially on urban beaches, you must visit properties that have an unspoken nudist tradition. One of these in Rome is the natural reserve beach at Capocotta, south of Ostia, but I felt a bit unsure revisiting those sands. In my memory, the Roman nudist beaches often equated to encounters with promiscuous strangers behind the dunes. I didn’t want to expose the kids, so, being that I am now a wise adult, I went ahead and picked a compromise. I found a nude-friendly beach on the banks of the Farfa River, in the rolling Sabina hills.

We piled into my friend’s car and drove out. The kids were all whining about the experiment. “We don’t want to see naked mums!” they complained. “Can’t you just lie and say you went to a nudist beach?”

We parked the car and walked across the medieval fairy-tale woods until we reached the path that ran along the river. All around us were huge trees and gigantic leaves. It had rained a lot recently and the vegetation had grown incredibly. We walked past the remains of a Roman road. The colors all around were bright green, the sky almost fluorescent blue. The kids got sidetracked by the presence of frogs. According to the indications, the beach was about a mile up the river. Halfway down the path, we bumped into a couple of young guys in fanny packs. I scanned them for signs of quintessential nudist attitude, but realized I actually had no idea what that was. I asked if we were headed in the right direction to go to “the beach”. They nodded and gave us a sly smile, which I immediately interpreted as a judgment about us as mothers, and more generally about our age, but I was ready to vindicate bare breasts against ageism.

We reached a small pebbled beach, secluded and bordered by a huge trunk that separated it from the path. A group of girls was there, sharing headphones and listening to music. To my dismay they were all wearing the tops and bottoms of their bikinis. One of them was in a full-piece bathing suit and shorts. “See, they are all wearing bathing suits. Please don’t be the weird mums who don’t.”

At this point, it was a matter of principle. My friend and I decided to take our bathing suits off completely, if only for a moment, and jumped into the river. The boys stayed on the beach with full clothes and shoes on, horrified. The girls went in behind us with their bathing suits. “Are you happy now? my son asked. “Did you prove your point?”

I didn’t really know what my point actually was. I think a part of me wanted to feel entitled to those long-gone decades of naturalism. Whether this was an instinct, or as Pasti said, “an act that was simply tied to the individual freedom of each woman”, it was hard to tell. At this point in history, the two things didn’t seem to cancel each other out—in fact, the opposite. Taking off a bathing suit, at least for my generation who never had to fight for it, had unexpectedly turned into a radical move and maybe I wanted to be part of the new discourse. Also, the chances of me going out in a fully sheer top were slim these days, but on the beach it was different. I would always fight for an authentic topless experience.

After our picnic on the river, we left determined to make our way—and without children—to the beaches of Capocotta. In truth, no part of me actually felt very subversive doing something I had been doing my whole life, but it still felt good. Once a free breast, always a free breast.

This article was originally published on British Vogue .

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Opinion: Banksy's London Zoo, art's simple joy during complex times

Scott Simon

ESSAY 08172024

A man eats an apple as he walks past a mural depicting a goat, purportedly by the street artist Banksy, on August 5, 2024 in the Richmond borough of London, England. Carl Court/Getty Images/Getty Images Europe hide caption

London has been abloom with images of animals in recent days. They are the work of Banksy, the mysterious street artist, who has posted art in unexpected places since the 1990s.

Over the past two weeks, he has spray-painted a mountain goat atop a wall buttress in west London, two elephants with their trunks reaching across a brick wall, and a rhinoceros standing on its hind legs, climbing on top of a car or — and I have to be oblique here — availing itself of the automobile below.

ARTnews said one of Banksy’s 13 million followers on Instagram declared, “This has to be a metaphor for technology replacing nature — maybe a commentary on AI and job security,” which, I confess, was not my reaction on seeing the libidinous rhino and the motorcar.

Banksy has also stenciled a pair of pelicans above a fish and chips bar, and monkeys on the side of a train bridge, swinging by their arms or tails, and a wolf, and a cat.

Each of the works posted on Banksy’s Instagram page has included the hashtag "#LondonZoo." On Tuesday, London awoke to behold a Banksy on a security shutter of the zoo, showing a gorilla lifting a cover to allow a seal and five birds to flap out, free.

Have Banksy’s recent artworks been saying, “Come see animals in this zoo!”? Or, “Isn’t it an outrage that animals are put in a zoo?”

But Vanessa Thorpe, arts correspondent for The Guardian, says the Pest Control Office, the organization that supports Banksy’s works, told her such theorizing is “way too involved … (T)he latest street art has been designed to cheer up the public during a period when the news headlines have been bleak.”

We can forget, when we look for artistic statements to fit an argument, that art can just bring cheer, too.