michigan mfa creative writing

5 Uncommon Tips on Your MFA Creative Writing Application

A couple of years ago, I made the decision to apply to MFA programs in creative writing. Compared to medical school or law school, the application process for an MFA can sometimes feel like a crapshoot, with the odds of getting into a fully-funded program hovering somewhere below four or five percent (and some programs like Iowa, Michigan, Michener—gulp—even less!). Still, it seems that every year, a few applicants manage to get admitted to a handful of programs, which brings up the question of whether the process is as random as one might initially think.

As a caveat, I’ve never served as a reader for any programs’ admissions committee (for a genuine insider look, follow Elizabeth McCracken’s twitter and listen to everything she says!), but I happen to have been lucky enough to get accepted to several fully funded schools on my first try. Whenever someone asks me for advice, I get a little queasy, because I barely knew what I was doing back then. However, I’d like to think that I’ve had some time to reflect on the process and have spoken to many people, including students who’ve been accepted and faculty members. I’ve since graduated from my MFA and hold (at the time of writing) a Zell postgraduate fellowship in fiction at the University of Michigan.

I’ll skip the general consensus—polish the writing sample, apply to more than one school, get feedback on your materials, etc. Instead, I’ll offer some less common ones that I thought worked for me. I hope they help with your application, and I’m certainly indebted to many writers who came before me and similarly shed light on their own experiences.

• Presenting yourself . Most of us writers tend to dislike being pigeonholed, or to accept the idea that there are certain themes or styles we keep reverting to again and again.  I definitely struggled with this (and continue to) but for the application process, presenting ourselves in a way that is unified and meaningful can sometimes spell the difference between sticking out in the pile or not. I write a lot about the Philippines, where I grew up, and this location not only influences the setting of my stories, but also informs my thematic sensibility as well as my identity. My personal statement talked about my background growing up in a predominantly Christian and Chinese-Filipino family, the conflicts at the dinner table as a result of our ethnic and religious upbringing, and how these issues are explored in my work. My fiction samples were chosen with this in mind (of course, they also happened to be my best work at the time), and I imagine my recommendation letters further attested to my experience as an immigrant. As a result, I believe I demonstrated myself as someone who deeply cares about what I write and has something important to say about the world around me. A place or region might not be the element that binds your application materials together. It might be a style, philosophy, or occupation—but whatever it is, it should resonate meaningfully in all aspects of your work (you can even ask your recommenders to talk about it). If readers can come away with the feeling that they know you and what motivates you to write, then you only need to show that you also can write.
• Range and length of sample . This might sound like a contradiction to the above, but it really isn’t. Rather, this is the part where you get a chance to display your skill and flexibility as a writer. For my sample, I chose three stories with varying styles: fabulist, comedic, and straight realist. They also differed in their lengths: short, medium, and long. What kept them all together was the setting of the Philippines, which again referred back to my personal statement and kept them from feeling haphazardly chosen. You might wonder if this is a good idea, since schools often just ask for 25 to 30 pages of creative sample, and might even say something to the effect that they’re looking for “a demonstration of sustained, quality work.” I debated with myself on the correct approach, and you might not agree with my conclusions: If programs clearly ask for just a single story, and if they feel more traditional in their aesthetics, then perhaps sending a longer story is better. However, the risk of sending one story is the risk of increasing subjectivity, and has to do more with the practical reality of the selection process than anything else. We all know that readers have different tastes, and if for some reason they don’t connect with the first few pages of your work, they most likely won’t read on. If you present them with a shorter work first, they might be willing to read the beginning of the second story, and if they still don’t like that, then the third. If each story is different stylistically, you’re increasing the chances that one of these would be appealing to the readers, and they might reconsider the stories that they passed on the first read.
• Potential . I’ve heard anecdotes of applicants being turned down because the admission committee thought they were “overqualified” to be studying in an MFA program. This probably doesn’t apply to most of us, but the principle remains: administrators are looking for people they believe can get something out of the two-to-three-year experience. In other words, they’re looking for writers’ potential as much as writers’ ability. I can certainly speak to this. When I applied, I’d barely taken any creative writing workshops. I’d just started writing literary fiction and I was unpublished. I took screenwriting as an undergrad (a related field, I know) but I still emphasized the things I anticipated learning from an MFA, including the benefit of being in a community. I did not downplay my background in screenwriting (and as it happened, also journalism), but I was able to articulate how each tradition influenced me as a writer. You might be someone who’s majored in creative writing as an undergrad and knew for a long time that you want to write literary fiction. That’s okay (in fact I think that’s great!). But you still have to find a way to communicate your limitations while playing to your strengths. To a large extent, it seems to me more of an attitude check: nobody wants to be with the writer who feels privileged and entitled to a seat at the MFA table.
• Preparedness . Sometimes, perhaps because I got in on my first try, I wonder if my acceptance was a fluke, and if I was really ready for the MFA experience. Of course, I’ve heard many people who felt similarly, some who even have a lot of creative writing background under their belt. The impostor syndrome aside, I do think that it’s good to gain as much exposure to the literary world as possible before applying to an MFA program. This not only gives you a better sense of why you write and what you write (going back to my first point), but moreover it increases the likelihood that once you are accepted, you’ll know how to make the most out of your time and the resources being offered. I had a wonderful experience at the University of Michigan—indeed, I’ve never read or written more in my life than I did at that point, and I could not have asked for a better set of cohort or mentors. I have grown exponentially as a writer. Rightly or wrongly, though, I did consciously set myself apart as someone who was a beginner, who had the most to learn about writing literary fiction. This attitude has enabled me to develop in leaps and bounds. At the same time, I could see how—had I been further along in my progress—I could’ve used the MFA in a different way: writing that novel I’ve always wanted, giving more thought to the direction of my career, the business side of the industry, finding an agent, etc. I think there’s something valiant and admirable about finding yourself as a result of experimenting during the MFA years, but it might also be worth considering and being aware of the different trajectories in entering a program. As a suggestion for preparing yourself pre-MFA-application, I highly suggest going to a conference (the Napa Writers’ Conference, Wesleyan Writers Conference, and the Key West Literary Seminar being some of the more well-known ones I’ve personally attended and recommend).
• On success . My final note on the application process is less of a tip and more of a reminder. When the time comes around to February or March, and should you find yourself not getting into the programs of your choice, recuperate from the rejections and take them in stride. View the result both as a sobering reminder of the odds stacked up against anyone applying for an MFA, and also as an opportunity to become better prepared, so that if you do get in later, you will be in an improved position. Similarly, should you be fortunate enough to get into your top programs, view the achievement as the means to an end, and not the end in itself. If a study were to be conducted on MFA admittances, I’m almost sure that the findings would show that acceptances to programs are in no way predictive of future success in publishing. Only diligence and perseverance are positive indicators of writerly success, and in this sense, we all can take comfort in the fact that all of us have a fair shot if we’re in it for the long haul.

Image: The Hopwood Room, where some workshops are held at the Helen Zell Writers’ Program, University of Michigan.

Related Posts

You are what you eat., 2 thoughts on “5 uncommon tips on your mfa creative writing application”.

I thoroughly enjoyed reading this post. It’s exactly what I dd in my sample. Anyone who wants to see real successful samples of statements of purpose should read this post: 10 Statement Of Purpose Examples: How To Wow The Admission Committees Of Fully-Funded MFA Programs (Guide + Samples +Tips) https://www.creativewritingnews.com/statement-of-purpose-examples-2/

As an inexperienced writer, with only a background in taking screenwriting courses during their undergrad, I found this post to be helpful. I plan on applying to multiple MFA programs this fall and at times the imposter syndrome feels real. I’m unsure whether to include sections of completed work that I’m proud of, or short stories that might be able to show more sides of myself as a writer. I’m sure the LoR and Statement of Purpose will be key in getting accepted, but I still feel nervous all the same with putting myself out there. Thanks for the advice. Cheers!

Leave a Comment Cancel Reply

Your email address will not be published. Required fields are marked *

Save my name, email, and website in this browser for the next time I comment.

Notify me of follow-up comments by email.

Notify me of new posts by email.

This site uses Akismet to reduce spam. Learn how your comment data is processed .

Department of English Western Michigan University Kalamazoo MI 49008-5331 USA (269) 387-2572

Master of Fine Arts in Creative Writing

Please send all inquiries to [email protected].

The Master of Fine Arts in Creative Writing is a 48-hour degree program for students who wish to become professional writers of playwriting, fiction, or poetry. The program requires students to take two sections of ENGL 6100: Literary Forms (one in and one out of genre), twelve hours of workshop in their genre, three to six hours of workshop out of their genre, three to six hours for thesis writing, and eighteen hours of elective credit, six of which must be from literature courses. The Master's of Fine Arts in Creative Writing does not require a GRE.

Graduates from the MFA program pursue their writing careers in a variety of ways. Sometimes they decide to teach the craft of writing at the college or university level, and many of our students go on to doctoral study in prestigious programs such as those at the University of Georgia, the University of Iowa, the University of Houston, and Ohio University.

The MFA meets the minimal academic qualification appropriate for those who wish to teach the craft of writing at the college or university level. 

How to apply

Find forms and other helpful information for your graduate program.

• Admissions and Aid
• Student Life

Creative Writing MA

Program overview.

Develop your talent and build a portfolio of short stories, novel excerpts, poems, creative nonfiction essays or a combination of these genres. A graduate degree in Creative Writing will prepare you to teach English at a community college, publish your work, or apply to MFA and PhD programs. For students already teaching English at the secondary level, a graduate degree in Creative Writing will enhance your study in the discipline.

Program Snapshot

Why this program & what you'll learn, program highlights, careers & outcomes.

Many of our graduates have gone on to top MFA and PhD programs, landed teaching jobs at community colleges, and published books.

Request Information about CMU

By submitting this form, I agree to receive calls, emails and/or text messages from Central Michigan University to discuss furthering my education.

Privacy Policy

Fully Funded MFA Programs in Creative Writing

As part of our series  How to Fully Fund Your Master’s Degree , here is a list of universities that have fully funded MFA programs in creative writing. A Master’s of Fine Arts in creative writing can lead to a career as a professional writer, in academia, and more.

Fully funded MFA programs in Creative Writing offer a financial aid package for full-time students that includes full tuition remission as well as an annual stipend or salary during the entire program, which for Master’s degrees is usually 1-2 years. Funding usually comes with the expectation that students will teach or complete research in their field of study. Not all universities fully fund their Master’s students, which is why researching the financial aid offerings of many different programs, including small and lesser-known schools both in the U.S. and abroad, is essential.

In addition to listing fully funded Master’s and PhD programs, the ProFellow fellowships database also includes external funding opportunities for graduate school, including fellowships for dissertation research, fieldwork, language study, study abroad, summer work experiences, and professional development.

Would you like to receive the full list of more than 1000+ fully funded Master’s and PhD programs in 60 disciplines? Download the FREE Directory of Fully Funded Graduate Programs and Full Funding Awards !

Here is the list of 53 universities that offer fully-funded MFA programs (Master’s of Fine Arts) in Creative Writing.

University of Alabama (Tuscaloosa, AL): Students admitted to the MFA Program are guaranteed full financial support for up to 4-years. Assistantships include a stipend paid over nine months (currently $14,125), and full payment of up to 15 credit hours of graduate tuition.

University of Arizona (Tucson, AZ): All accepted MFA students receive full funding through a graduate teaching assistantship for 3 years. This package includes tuition remission, health insurance, and a modest stipend (in 2018 it was about $16,100 per academic year).

Arizona State University (Tempe, AZ): 3-year program. All students admitted to the MFA program who submit a complete and approved teaching assistantship application are awarded a TA by the Department of English. Each assistantship carries a three-course per year load and includes a tuition waiver and health insurance in addition to the TA stipend ($18,564 per year). In addition, students have diverse opportunities for additional financial and professional support.

University of Arkansas (Fayetteville, AR): Four-year program. Teaching assistantships currently carry an annual stipend of $13,500 for students with a BA. TAs also receive a waiver of all tuition costs and teach two courses each semester. Nearly all of our accepted students receive TAs. Additionally, the students compete each year for several fellowships.

Boise State University (Boise, Idaho): 3-year fully funded MFA program dedicated to poetry and fiction. All students receive a tuition waiver, health insurance, and a Teaching Assistantship with a stipend of $11,450 per year.

Bowling Green State University (Bowling Green, OH): 2-year program, graduate assistantships (including stipend and scholarship) are available for all eligible face-to-face students. 100% tuition scholarship. Graduate stipend (the 2020-21 stipend is $11,500).

Brown University (Providence, RI): All incoming MFA students received full funding. All graduate students receive a fellowship that pays a monthly stipend and provides tuition remission, the health fee, and health insurance. The stipend for the 2020-2021 academic year is $29,926. Also, students in good standing receive a summer stipend of $2,993.

Boston University (Boston, MA): Tuition costs will be covered for every admitted student for the MFA degree in the BU Creative Writing Program. In addition, admitted students will receive university health insurance while they are enrolled, and all admitted students will receive stipend support of roughly $16,000 for the academic year.

Cornell University (Ithaca, NY): All MFA degree candidates are guaranteed 2 years of funding (including a stipend, a full-tuition fellowship, and student health insurance).

University of California Irvine (Irvine, CA): 3-year program. The Department is committed to providing 3 full years of financial support to all domestic students in the MFA Programs in Writing. Financial support for MFA students is given in the form of Teaching Assistantships providing full tuition coverage as well as University health insurance. Students will earn an estimated $22,569 for the academic year.

University of California San Diego (La Jolla, CA): MFA in Writing students are eligible for financial support if they study full-time, maintain good academic standing and make timely progress toward the degree. All students are eligible for full funding, including international students provided they meet the English language certification requirement for teaching assistants.

University of California Riverside (Riverside, CA): All incoming students are granted a full fellowship and stipend for their first year. After the first year, students receive full tuition and a salary through teaching assistantships.

Florida Atlantic University (Boca Raton, FL): 3-year program. All of the MFA students qualify for a position as a Graduate Teaching Assistant. The GTA position comes with a tuition waiver and a stipend. The standard stipend is $9,000, but some enhanced stipends are available. The Graduate College offers several fellowships for current graduate students.

Florida State University (Tallahassee, FL): The majority of students receive support in the form of a teaching assistantship and are provided with a stipend, a tuition waiver, and a health-insurance subsidy. MFA students receive a three-year assistantship. For 2022-23, MA/MFA stipends will be $16,400, and typically these amounts go up each year. Also, The FSU Graduate School offers several fellowships and awards.

Georgia College & State University (Milledgeville, GA): The MFA Program offers workshops in fiction, creative nonfiction, and poetry, and students take cross-genre workshops. All students admitted to the MFA program receive a Graduate Assistantship for all 3 years that includes a stipend and tuition remission.

University of Houston (Houston, TX): MFA students can receive a teaching assistantship for 3 years. Starting salary for MFAs is $17,935/9 months. Students in the Creative. As part of the assistantship, students are awarded either a Graduate Tuition Fellowship, which remits tuition, or a Creative Writing Program Fellowship, which covers the cost of tuition.

University of Idaho (Moscow, Idaho): All English Teaching Assistants (TA’s) are offered full tuition waivers. Teaching Assistants are given a stipend of $14,000 per year. Also offers three scholarships and three outstanding fellowships to support qualified MFA, graduate students.

University of Illinois, Urbana-Champaign (Urbana, IL): Three-year MFA program. Students accepted into the MFA program will receive full tuition waivers, guaranteed teaching assistantships.

Indiana University (Bloomington, IN): M.F.A. programs offer a generous teaching package to creative writing students. All applicants receive consideration for appropriate fellowships that will carry a stipend of about $19,000, plus tuition and fee-remission that covers roughly 90% of the cost of enrollment.

Iowa State University (Ames, IA): 3-year MFA program. Starting half-time 20 hours per week teaching assistantships for MFA students total $19,250 over 10 months and also receive a full-tuition waiver scholarship (approximate value $10,140) and health insurance coverage. The department has several resources available through which to offer fellowships and scholarships to qualifying new students.

University of Iowa (Iowa City, IA): 2-year residency program. Financial assistance is available for all students enrolled in the program, in the form of teaching assistantships, research assistantships, and fellowships. Most fellowships and assistantships provide either tuition scholarships or full tuition remission.

John Hopkins University (Baltimore, MD): 2-year program. All students receive full tuition, health insurance, and a generous teaching fellowship, currently set at $30,500 per year. Some students work as assistant editors on The Hopkins Review. They often win prizes such as Stegner Fellowships or grants from the National Endowment for the Arts.

University of Maryland (College Park, MD): This 3-year program accepts 8 applicants who are fully funded by Teaching Assistantships for up to three years of graduate study. Our aid packages include a stipend of about $20,000 per academic year and 60 credit hours of tuition remission.

Miami University (Oxford, OH): All students admitted to the MFA program in Creative Writing hold generous Graduate Assistantships (which include a summer stipend). Non-teaching assistantships may also be available.

University of Miami (Coral Gables, FL): An intensive two-year study with a third year option. The James Michener Fellowships and Teaching Assistantships support all our graduate students. Awards include a full tuition waiver and annual stipend of $18,915.

University of Michigan (Ann Arbor, MI): All MFA students accepted into the program are offered a full tuition waiver, a stipend of $23,000/yearly as well as $5,000 in summer funding, and health care benefits. Additionally, various fellowships and prizes are awarded each year to MFA students.

University of Minnesota (Minneapolis, MN): All admitted MFAs receive full funding, in the form of teaching assistantships or fellowships. Teaching assistantships carry a full tuition waiver, health benefits, and a stipend of about $18,600. Also, a variety of fellowships are available for graduate students.

University of Mississippi (University, MS): All of our students are fully funded.  We offer two main sources of funding, the Grisham Fellowships and Teaching Assistantships.

University of Nevada Las Vegas (Las Vegas, NV): 3-year program. All MFA students admitted to the Creative Writing International program at UNLV are offered Graduate Assistantship funding of $15,000 per year (which includes in-state tuition and provisions for health insurance).

Northwestern University (Evanston, IL): Funding is provided for 3 full years, summers included. Tuition is covered by a tuition scholarship during any quarter in which you are receiving a stipend.

University of Notre Dame (Notre Dame, IN): Every student admitted to the MFA receives a full-tuition scholarship, a fellowship that carries a full stipend of $16,000 per year and access to a 100% health insurance subsidy.

North Carolina State University (Raleigh, NC): A two-year, fully-funded program, They accept only about a dozen students each year and offer full funding in the form of a graduate teaching assistantship to all eligible admitted applicants.

Ohio State University (Columbus, OH): All admitted students are fully funded for our 3-year MFA program in Creative Writing. In addition, all students receive either a graduate teaching associateship, a Graduate School fellowship or a combination of the two. For graduate teaching associateships, the student receives a stipend of at least $17,000 for the nine-month academic year.

University of Oregon (Eugene OR): A two-year residency MFA program. All incoming MFA students funded with a teaching appointment. Student instructors receive tuition remission, monthly stipends of approximately $18,000.

Oregon State University (Corvallis, OR): All students admitted to the MFA program will automatically receive a standard teaching Graduate Teaching Assistantship contract, which provides full tuition remission and stipend of approximately $12,800 per year to cover living expenses. In addition to tuition remission, all graduate students have the option to receive 89% coverage of health insurance costs for themselves and their dependents.

University of Pittsburgh (Pittsburgh, PA): 3-year MFA program. All students admitted to the program will receive Teaching Assistantships for two or three years. All Teaching Assistantships include salary, medical benefits, and tuition remission.

Rutgers University–Newark (Newark, NJ): Each full-time incoming student receives in-state Tuition Remission and a Chancellor’s Stipend of 15K per year. Students are also eligible for Teaching Assistantships, and Part-Time Lectureships teaching Comp or Creative Writing. Teaching Assistantships are $25,969 (approximate) plus health benefits.

University of South Florida (Tampa, FL): 3-year program. MFA students receive a tuition waiver, a teaching assistantship that comes with a stipend, and enrollment in group health insurance.

Southern Illinois University (Carbondale, IL): Almost all MFA students hold graduate assistantships, which provide stipends for the academic year and full remission of tuition. The annual stipend, which comes with tuition remission, ranges from $13,000 to $14,500.

Syracuse University (Syracuse, NY): Three-Year M.F.A. in Creative Writing. All students are fully funded. Each student admitted receives a full-tuition scholarship in addition to an annual stipend of $17,500.

University of South Carolina (Columbia, SC): 3-year MFA program. The MFA at Carolina is pleased to provide fellowship and/or assistantship funding to all accepted students, earning our program the designation of “fully funded” from Poets and Writers.

University of Tennessee — Knoxville (Knoxville, TN): There is no cost to apply to the MFA program. All of our PhD candidates and MFA students are fully funded, with generous opportunities for additional financial support.

University of Texas in Austin (Austin, TX): All students in the New Writers Project receive three years of full funding through a combination of teaching assistantships (TA), assistant instructorships (AI), and fellowship support. The complete package includes full tuition remission, health insurance, and a salary.

University of Texas James Michener Center (Austin, TX): A three-year, fully funded residency MFA program that provides full and equal funding to every writer. All admitted students receive a fellowship of $29,500 per academic year, plus total coverage of tuition.

Vanderbilt University (Nashville, TN): Each year a small, select class of talented writers of fiction and poetry enroll in Vanderbilt’s three-year, fully-funded MFA Program in Creative Writing. The University Fellowship provides full-tuition benefits, health insurance, and a stipend of $30,000/yearly. In 2nd year and third-year students have the opportunity to teach for one semester.

University of Virginia (Charlottesville, VA): Three-year MFA program. Students will receive fellowship support and/or teaching income in the amount of $20,000 each academic year, as well as full funding of your tuition, enrollment fees, and the health insurance premium for single-person coverage through the university.

Virginia Tech (Blacksburg, VA): Three-year MFA degree offers tracks in Poetry and Fiction, and all students are fully and equally funded via GTA-ships of more than $20,000 per year.

Washington University in St. Louis (St. Louis, MO): Because of selectivity and size they are able to offer all the new students full and equal financial aid for both years in the program in the form of a University Fellowship, which provides a complete tuition waiver plus a stipend sufficient for students to live comfortably in our relatively inexpensive city. All MFA students receive health insurance through Washington University.

Western Kentucky University (Bowling Green, KY): Three-year, fully-funded, residential MFA program in creative writing offering generous assistantships, which will allow MFA students to gain valuable experience tutoring and teaching.

West Virginia University (Morgantown, WV): A three-year program. All Master of Fine Arts students receive a full tuition waiver and an assistantship, which includes a stipend valued at $16,750.

Wichita State University (Wichita, Kansas): Most of the MFA students are GTAs who teach two composition classes each semester. They pay no tuition, receive $4,250 each semester and may buy discounted health insurance. The MFA program also awards two $12,500 fellowships each year.

University of Wisconsin–Madison (Madison, WI): All accepted MFA candidates receive tuition remissions, teaching assistantships, generous health insurance, and other financial support. In addition to the approximately $14,680 paid to each MFA annually in exchange for teaching, every MFA candidate will receive another $9,320 in scholarships each year.

University of Wyoming (Laramie, WY): All of our full-time MFA students are fully funded with two-year graduate assistantships. Currently, assistantships include a stipend of $12,330 per academic year, a tuition and fees waiver, and student health insurance. Students also receive summer stipends of up to $2,000 for the summer.

Would you like to receive the full list of more than 1,000+ fully funded PhD and master’s programs?  Get your copy of ProFellow’s FREE Directory of Fully Funded Graduate Programs and Full Funding Awards !

©️ ProFellow, LLC 2021, all rights reserved.

Related Posts:

• Free Workshop! Find 5+ Fully Funded Graduate Programs to Achieve Your Career Goals
• Free Webinar! Find 5+ Fully Funded Graduate Programs to Achieve Your Career Goals
• Fully Funded PhD Programs in School Psychology
• Fully Funded PhD Programs in Health Informatics
• Fully Funded PhD Programs in the United Kingdom

Creative Arts Fellowships , Fully Funded Master's Programs , Writing Fellowships

Why You Should Ignore the News About the “Catastrophic” Academic J...

Benefitting the environment and the economy: the 1 hotels fellowship e..., find and win paid, competitive fellowships.

Be alerted about new fellowship calls for applications, get insider application tips, and learn about fully funded PhD and graduate programs

Fellowship Resources

• Calls for Applications
• Upcoming Fellowship Deadlines
• Fellowships Database
• Interviews with Fellows
• International Fellows Network
• Graduate Funding Directory

Fellowship Tips

• What is a Fellowship?
• Fully Funded Course
• Graduate School Funding
• Fellowship Application Tips
• Fulbright Application Tips
• Fellowship Application Guide
• Our Mission, History & Values
• ProFellow Winner Testimonials
• Fully Funded Course Testimonials
• Fellowship Industry Report
• Advertise With Us
• Terms & Privacy

ProFellow is the go-to source for information on professional and academic fellowships, created by fellows for aspiring fellows.

©2011-2024 ProFellow, LLC. All rights reserved.

Are you seeking one-on-one college counseling and/or essay support? Limited spots are now available. Click here to learn more.

15 Best Creative Writing MFA Programs in 2024

May 15, 2024

Whether you studied at a top creative writing university or are a high school dropout who will one day become a bestselling author , you may be considering an MFA in Creative Writing. But is a writing MFA genuinely worth the time and potential costs? How do you know which program will best nurture your writing? If you’re considering an MFA, this article walks you through the best full-time, low residency, and online Creative Writing MFA programs in the United States.

What are the best Creative Writing MFA programs?

Before we get into the meat and potatoes of this article, let’s start with the basics. What is an MFA, anyway?

A Master of Fine Arts (MFA) is a graduate degree that usually takes from two to three years to complete. Applications typically require a sample portfolio, usually 10-20 pages (and sometimes up to 30-40) of your best writing. Moreover, you can receive an MFA in a particular genre, such as Fiction or Poetry, or more broadly in Creative Writing. However, if you take the latter approach, you often have the opportunity to specialize in a single genre.

Wondering what actually goes on in a creative writing MFA beyond inspiring award-winning books and internet memes ? You enroll in workshops where you get feedback on your creative writing from your peers and a faculty member. You enroll in seminars where you get a foundation of theory and techniques. Then, you finish the degree with a thesis project. Thesis projects are typically a body of polished, publishable-quality creative work in your genre—fiction, nonfiction, or poetry.

Why should I get an MFA in Creative Writing?

You don’t need an MFA to be a writer. Just look at Nobel Prize winner Toni Morrison or bestselling novelist Emily St. John Mandel.

Nonetheless, there are plenty of reasons you might still want to get a creative writing MFA. The first is, unfortunately, prestige. An MFA from a top program can help you stand out in a notoriously competitive industry to be published.

The second reason: time. Many MFA programs give you protected writing time, deadlines, and maybe even a (dainty) salary.

Third, an MFA in Creative Writing is a terminal degree. This means that this degree allows you to teach writing at the university level, especially after you publish a book.

Fourth: resources. MFA programs are often staffed by brilliant, award-winning writers; offer lecture series, volunteer opportunities, and teaching positions; and run their own (usually prestigious) literary magazines. Such resources provide you with the knowledge and insight you’ll need to navigate the literary and publishing world on your own post-graduation.

But above all, the biggest reason to pursue an MFA is the community it brings you. You get to meet other writers—and share feedback, advice, and moral support—in relationships that can last for decades.

Types of Creative Writing MFA Programs

Here are the different types of programs to consider, depending on your needs:

Fully-Funded Full-Time Programs

These programs offer full-tuition scholarships and sweeten the deal by actually paying you to attend them.

• Pros: You’re paid to write (and teach).
• Cons: Uprooting your entire life to move somewhere possibly very cold.

Full-Time MFA Programs

These programs include attending in-person classes and paying tuition (though many offer need-based and merit scholarships).

• Pros: Lots of top-notch non-funded programs have more assets to attract world-class faculty and guests.
• Cons: It’s an investment that might not pay itself back.

Low-Residency MFA Programs

Low-residency programs usually meet biannually for short sessions. They also offer one-on-one support throughout the year. These MFAs are more independent, preparing you for what the writing life is actually like.

• Pros: No major life changes required. Cons: Less time dedicated to writing and less time to build relationships.

Online MFA Programs

Held 100% online. These programs have high acceptance rates and no residency requirement. That means zero travel or moving expenses.

• Pros: No major life changes required.
• Cons: These MFAs have less name recognition.

The Top 15 Creative Writing MFA Programs Ranked by Category

The following programs are selected for their balance of high funding, impressive return on investment, stellar faculty, major journal publications , and impressive alums.

FULLY FUNDED MFA PROGRAMS

1) johns hopkins university , mfa in fiction/poetry.

This two-year program offers an incredibly generous funding package: $39,000 teaching fellowships each year. Not to mention, it offers that sweet, sweet health insurance, mind-boggling faculty, and the option to apply for a lecture position after graduation. Many grads publish their first book within three years (nice). No nonfiction MFA (boo).

• Location: Baltimore, MD
• Incoming class size: 8 students (4 per genre)
• Admissions rate: 4-8%
• Alumni: Chimamanda Adichie, Jeffrey Blitz, Wes Craven, Louise Erdrich, Porochista Khakpour, Phillis Levin, ZZ Packer, Tom Sleigh, Elizabeth Spires, Rosanna Warren

2) University of Texas, James Michener Center

The only MFA that offers full and equal funding for every writer. It’s three years long, offers a generous yearly stipend of $30k, and provides full tuition plus a health insurance stipend. Fiction, poetry, playwriting, and screenwriting concentrations are available. The Michener Center is also unique because you study a primary genre and a secondary genre, and also get $4,000 for the summer.

• Location : Austin, TX
• Incoming class size : 12 students
• Acceptance rate: a bone-chilling less-than-1% in fiction; 2-3% in other genres
• Alumni: Fiona McFarlane, Brian McGreevy, Karan Mahajan, Alix Ohlin, Kevin Powers, Lara Prescott, Roger Reeves, Maria Reva, Domenica Ruta, Sam Sax, Joseph Skibell, Dominic Smith

3) University of Iowa

The Iowa Writers’ Workshop is a 2-year program on a residency model for fiction and poetry. This means there are low requirements, and lots of time to write groundbreaking novels or play pool at the local bar. All students receive full funding, including tuition, a living stipend, and subsidized health insurance. The Translation MFA , co-founded by Gayatri Chakravorti Spivak, is also two years long but with more intensive coursework. The Nonfiction Writing Program is a prestigious three-year MFA program and is also intensive.

• Incoming class size: 25 each for poetry and fiction; 10-12 for nonfiction and translation.
• Acceptance rate: 2.7-3.7%
• Fantastic Alumni: Raymond Carver, Flannery O’Connor, Sandra Cisneros, Joy Harjo, Garth Greenwell, Kiley Reid, Brandon Taylor, Eula Biss, Yiyun Li, Jennifer Croft

Best MFA Creative Writing Programs (Continued) 

4) university of michigan.

Anne Carson famously lives in Ann Arbor, as do the MFA students in UMichigan’s Helen Zell Writers’ Program. This is a big university town, which is less damaging to your social life. Plus, there’s lots to do when you have a $25,000 stipend, summer funding, and health care.

This is a 2-3-year program in either fiction or poetry, with an impressive reputation. They also have a demonstrated commitment to “ push back against the darkness of intolerance and injustice ” and have outreach programs in the community.

• Location: Ann Arbor, MI
• Incoming class size: 18 (9 in each genre)
• Acceptance rate: 2%
• Alumni: Brit Bennett, Vievee Francis, Airea D. Matthews, Celeste Ng, Chigozie Obioma, Jia Tolentino, Jesmyn Ward

5) Brown University

Brown offers an edgy, well-funded program in a place that only occasionally dips into arctic temperatures. All students are fully funded for 2 years, which includes tuition remission and a $32k yearly stipend. Students also get summer funding and—you guessed it—that sweet, sweet health insurance.

In the Brown Literary Arts MFA, students take only one workshop and one elective per semester. It’s also the only program in the country to feature a Digital/Cross Disciplinary Track.  Fiction and Poetry Tracks are offered as well.

• Location: Providence, RI
• Incoming class size: 12-13
• Acceptance rate: “highly selective”
• Alumni: Edwidge Danticat, Jaimy Gordon, Gayl Jones, Ben Lerner, Joanna Scott, Kevin Young, Ottessa Moshfegh

6) University of Arizona

This 3-year program with fiction, poetry, and nonfiction tracks has many attractive qualities. It’s in “ the lushest desert in the world, ” and was recently ranked #4 in creative writing programs, and #2 in Nonfiction. You can take classes in multiple genres, and in fact, are encouraged to do so. Plus, Arizona’s dry heat is good for arthritis.

This notoriously supportive program is fully funded. Moreover, teaching assistantships that provide a salary, health insurance, and tuition waiver are offered to all students. Tucson is home to a hopping literary scene, so it’s also possible to volunteer at multiple literary organizations and even do supported research at the US-Mexico Border.

• Location: Tucson, AZ
• Incoming class size: usually 6
• Acceptance rate: 1.2% (a refreshingly specific number after Brown’s evasiveness)
• Alumni: Francisco Cantú, Jos Charles, Tony Hoagland, Nancy Mairs, Richard Russo, Richard Siken, Aisha Sabatini Sloan, David Foster Wallace

7) Arizona State University 

With concentrations in fiction and poetry, Arizona State is a three-year funded program in arthritis-friendly dry heat. It offers small class sizes, individual mentorships, and one of the most impressive faculty rosters in the game. Moreover, it encourages cross-genre study.

Funding-wise, everyone has the option to take on a teaching assistantship position, which provides a tuition waiver, health insurance, and a yearly stipend of $25k. Other opportunities for financial support exist as well.

• Location: Tempe, AZ
• Incoming class size: 8-10
• Acceptance rate: 3% (sigh)
• Alumni: Tayari Jones, Venita Blackburn, Dorothy Chan, Adrienne Celt, Dana Diehl, Matthew Gavin Frank, Caitlin Horrocks, Allegra Hyde, Hugh Martin, Bonnie Nadzam

FULL-RESIDENCY MFAS (UNFUNDED)

8) new york university.

This two-year program is in New York City, meaning it comes with close access to literary opportunities and hot dogs. NYU also has one of the most accomplished faculty lists anywhere. Students have large cohorts (more potential friends!) and have a penchant for winning top literary prizes. Concentrations in poetry, fiction, and creative nonfiction are available.

• Location: New York, NY
• Incoming class size: ~60; 20-30 students accepted for each genre
• Acceptance rate: 6-9%
• Alumni: Nick Flynn, Nell Freudenberger, Aracelis Girmay, Mitchell S. Jackson, Tyehimba Jess, John Keene, Raven Leilani, Robin Coste Lewis, Ada Limón, Ocean Vuong

9) Columbia University

Another 2-3 year private MFA program with drool-worthy permanent and visiting faculty. Columbia offers courses in fiction, poetry, translation, and nonfiction. Beyond the Ivy League education, Columbia offers close access to agents, and its students have a high record of bestsellers. Finally, teaching positions and fellowships are available to help offset the high tuition.

• Incoming class size: 110
• Acceptance rate: not publicized (boo)
• Alumni: Alexandra Kleeman, Rachel Kushner, Claudia Rankine, Rick Moody, Sigrid Nunez, Tracy K. Smith, Emma Cline, Adam Wilson, Marie Howe, Mary Jo Bang

10) Sarah Lawrence 

Sarah Lawrence offers a concentration in speculative fiction in addition to the average fiction, poetry, and nonfiction choices. Moreover, they encourage cross-genre exploration. With intimate class sizes, this program is unique because it offers biweekly one-on-one conferences with its stunning faculty. It also has a notoriously supportive atmosphere, and many teaching and funding opportunities are available.

• Location: Bronxville, NY
• Incoming class size: 30-40
• Acceptance rate: not publicized
• Alumni: Cynthia Cruz, Melissa Febos, T Kira Madden, Alex Dimitrov, Moncho Alvarado

LOW RESIDENCY

11) bennington college.

This two-year program boasts truly stellar faculty, and meets twice a year for ten days in January and June. It’s like a biannual vacation in beautiful Vermont, plus mentorship by a famous writer. The rest of the time, you’ll be spending approximately 25 hours per week on reading and writing assignments. Students have the option to concentrate in fiction, nonfiction, or poetry. Uniquely, they can also opt for a dual-genre focus.

The tuition is $23,468 per year, with scholarships available. Additionally, Bennington offers full-immersion teaching fellowships to MFA students, which are extremely rare in low-residency programs.

• Location: Bennington, VT
• Acceptance rate: 53%
• Incoming class: 25-35
• Alumni: Larissa Pham, Andrew Reiner, Lisa Johnson Mitchell, and others

12)  Institute for American Indian Arts

This two-year program emphasizes Native American and First Nations writing. With truly amazing faculty and visiting writers, they offer a wide range of genres, including screenwriting, poetry, fiction, and nonfiction. In addition, each student is matched with a faculty mentor who works with them one-on-one throughout the semester.

Students attend two eight-day residencies each year, in January and July, in Santa Fe, New Mexico. At $12,000 in tuition a year, it boasts being “ one of the most affordable MFA programs in the country .”

• Location: Santa Fe, NM
• Incoming class size : 21
• Alumni: Tommy Orange, Dara Yen Elerath, Kathryn Wilder

13) Vermont College of Fine Arts

VCFA is the only graduate school on this list that focuses exclusively on the fine arts. Their MFA in Writing offers concentrations in fiction, poetry, and nonfiction; they also offer an MFA in Literary Translation and one of the few MFAs in Writing for Children and Young Adults . Students meet twice a year for nine days, in January and July, either in-person or online. Here, they receive one-on-one mentorship that continues for the rest of the semester. You can also do many travel residencies in exciting (and warm) places like Cozumel.

VCFA boasts amazing faculty and visiting writers, with individualized study options and plenty of one-on-one time. Tuition for the full two-year program is approximately $54k.

• Location : Various; 2024/25 residencies are in Colorado and California
• Incoming class size: 18-25
• Acceptance rate: 63%
• Alumnx: Lauren Markham, Mary-Kim Arnold, Cassie Beasley, Kate Beasley, Julie Berry, Bridget Birdsall, Gwenda Bond, Pablo Cartaya

ONLINE MFAS

14) university of texas at el paso.

UTEP is considered the best online MFA program, and features award-winning faculty from across the globe. Accordingly, this program is geared toward serious writers who want to pursue teaching and/or publishing. Intensive workshops allow submissions in Spanish and/or English, and genres include poetry and fiction.

No residencies are required, but an optional opportunity to connect in person is available every year. This three-year program costs about $25-30k total, depending on whether you are an in-state or out-of-state resident.

• Location: El Paso, TX
• Acceptance rate: “highly competitive”
• Alumni: Watch alumni testimonies here

15) Bay Path University

This 2-year online, no-residency program is dedicated entirely to nonfiction. Featuring a supportive, diverse community, Bay Path offers small class sizes, close mentorship, and an optional yearly field trip to Ireland.

There are many tracks, including publishing, narrative medicine, and teaching creative writing. Moreover, core courses include memoir, narrative journalism, food/travel writing, and the personal essay. Tuition is approximately $31,000 for the entire program, with scholarships available.

• Location: Longmeadow, MA
• Incoming class size: 20
• Alumni: Read alumni testimonies here

Best MFA Creative Writing Programs — Final Thoughts

Whether you’re aiming for a fully funded, low residency, or completely online MFA program, there are plenty of incredible options available—all of which will sharpen your craft while immersing you in the vibrant literary arts community.

Hoping to prepare for your MFA in advance? You might consider checking out the following:

• Best English Programs
• Best Colleges for Creative Writing
• Writing Summer Programs
• Best Writing Competitions for High School Students

Inspired to start writing? Get your pencil ready:

• 100 Creative Writing Prompts 
• 1 00 Tone Words to Express Mood in Your Writing
• 60 Senior Project Ideas
• Common App Essay Prompts

Best MFA Creative Writing Programs – References:

• https://www.pw.org/mfa
• The Creative Writing MFA Handbook: A Guide for Prospective Graduate Students , by Tom Kealey (A&C Black 2005)
• Graduate School Admissions

Julia Conrad

With a Bachelor of Arts in English and Italian from Wesleyan University as well as MFAs in both Nonfiction Writing and Literary Translation from the University of Iowa, Julia is an experienced writer, editor, educator, and a former Fulbright Fellow. Julia’s work has been featured in  The Millions ,  Asymptote , and  The Massachusetts Review , among other publications. To read more of her work, visit  www.juliaconrad.net

• 2-Year Colleges
• ADHD/LD/Autism/Executive Functioning
• Application Strategies
• Best Colleges by Major
• Best Colleges by State
• Big Picture
• Career & Personality Assessment
• College Essay
• College Search/Knowledge
• College Success
• Costs & Financial Aid
• Data Visualizations
• Dental School Admissions
• Extracurricular Activities
• High School Success
• High Schools
• Homeschool Resources
• Law School Admissions
• Medical School Admissions
• Navigating the Admissions Process
• Online Learning
• Outdoor Adventure
• Private High School Spotlight
• Research Programs
• Summer Program Spotlight
• Summer Programs
• Teacher Tools
• Test Prep Provider Spotlight

“Innovative and invaluable…use this book as your college lifeline.”

— Lynn O'Shaughnessy

Nationally Recognized College Expert

College Planning in Your Inbox

Join our information-packed monthly newsletter.

• Admissions - Undergraduate
• Academic Programs
• Tuition and Fees
• Financial Aid
• Military and Veterans
• Graduate Admissions
• Online Programs
• International Programs
• Orientation
• Visit Campus
• Request Information

Northern offers its 7,600 students an abundance of opportunities to explore their interests in and out of the classroom. From our brand new residence halls to our groundbreaking academic programs, we invite you to start your story at a school that can offer you the world -- whatever you want that world to look like.

• Undergraduate Catalog
• Graduate Catalog
• Academic and Career Advisement Center
• Dean of Students
• Center for Student Enrichment
• Counseling and Consultation Services
• Health Center
• Sports and Recreation
• University Calendars
• All Student Resources

Northern students are deeply involved in real-world scientific and creative research, professional conferences and educational community service from the start. Present at a national conference, travel abroad, or earn a leadership role in a student organization. What will you do at NMU?

• Alumni Association
• NMU Foundation
• Northern Center
• Continuing Education
• Educational Access Network (EAN)
• Youth Programs
• Northern Today
• Events Calendar

Northern's campus is right in the heart of Marquette, MI and stretches all the way to the sandy shores of Lake Superior. Northern has a distinctive sense of place – some refer to it as the upper hand, but we refer to it as "home".

Northern Michigan University, located in Marquette, MI, is a dynamic four-year, public, comprehensive university. Explore our website and see all that NMU has to offer.

MFA Program in Creative Writing - NMU English

MFA Program in Creative Writing

MFA Program

"The heart wants what it wants, and it wants the time and space to write. That is the gift. Our students sift through language, lands, and experiences and come out the other side with some of the finest writings being produced today. You can check out our track record and it's all there—the student successes, the publication credits, all of that. But what you can't see are all the hours our MFA students spend with faculty polishing their voice and craft, or that moment when an emerging writer experiments with another genre or medium and comes away with a hybrid artsy work that shines and shines. I'm honored to be a part of our writing community here at NMU because we are the perfect mix of weirdness and dedication, seriousness and playfulness, and we also have cats."

-  Dr. Patricia Killelea  

• Prospective Student
• Current Student

Prospective Students

NMU's Master of Fine Arts in Creative Writing program is a three-year, 48-credit degree. Students will take workshops in more than one genre (we offer fiction, nonfiction, poetry, and occasionally screenwriting), two literature courses plus one critical theory course. All new teaching assistants also take a Teaching Practicum to ready you for teaching responsibilities your first semester

While you're here, check out our literary magazine  Passages North , which is run primarily by graduate students, and our events page , which details our visiting writers program.

How to Apply

A strong application includes a writing sample that gives us a sense of your aesthetic and your obsessions, a personal statement that helps us understand what you'd like to get out of your three years studying writing in a wintery place, and some sense that you are a kind and enthusiastic community member. Prospective students may apply as writers of poetry, nonfiction, fiction, or hybrid work, and may apply in more than one genre. Once enrolled in the program, students do not need to commit to a genre; our official MFA degree is in creative writing, rather than any particular genre, so students are free to write across and between genres.

Teaching Assistantships

The funding package includes a $11,461 yearly stipend and a full tuition waiver (for both in-sate and out-of-state students). Health insurance is not at this time included in the package although some free services are provided by the University's  Health Center . After the first year, other Graduate Assistantships are also available, including as the managing editor of Passages North or the assistant director of the Writing Center.

What Our Professors Have to Say

Current Students

Below is a narrative calendar, of sorts, to guide your three years in the MFA program, including links to relevant pages. Many forms and guidelines you'll need are located on the  English Department's Student Forms & Info page . We also have an  English Department Share Drive , which provides teaching resources and sample documents meant to serve as models for grant apps and other academic paperwork situations. Email MFA Director Matt Frank at [email protected]  with any specific questions. 

During your first semester, many of you will take EN 509: Teaching Practicum and some of you will be teaching for the first time. We’d also recommend taking a workshop in the first semester, or at least the first year. Your time and attention will be pulled in many directions–teaching, possibly settling into a new community, acclimating to the language and power structures of academia–and it’s easy to lose track of what likely brought you here in the first place as you manage your day-to-days. A workshop will get you writing, will connect you with other writers in all stages of the program, and will introduce you to a faculty member who may end up being a part of your thesis committee. While there is often a heavy and important element of peer feedback in workshops, it’s also a goal of workshop to insist that you spend some of your best creative hours focusing selfishly on your own practice, your own work. In semesters when you may not have a workshop, your own writing time may slip to the bottom of your to-do list, but if you take a workshop early, and you establish some writing habits and expectations for yourself, you may find yourself more insistent about guarding your writing time even when it is not assigned.

Keep in mind the larger plan of study for the program. Overall, you’ll be taking workshops in more than one genre, a couple of literature classes, a theory class. There is a small amount of room for an elective: keep in mind that you can build yourself an internship (in the past students have interned with NMU’s Grants Office and Passages North, but we can talk about external internships as well if you do the leg work to set things up) or a class in another department (for example, an upper-level biology course or a directed student with a faculty member in history). Most classes can be taken in any order; EN 600, for example, can be taken before EN 500, and that may be the case for you depending on what is offered when you’re here.

Every year there will be a couple of required Professional Development days (PD days) for funded graduate students. On these days, faculty, alums, fellow grad students, and/or NMU staff will present or lead discussions about topics relevant to your professionalization: teaching, publishing, navigating the university. Keep an eye on your email for announcements about these days.

By the end of the first year, be thinking about your thesis. You won’t need to submit a proposal until the fall of your second year, but let your interests and your curiosities be guiding your reading and your writing so that when Fall semester comes around you can begin sketching out a plan. As well, be thinking about which faculty member you’d like to be working with one-on-one. Each MFA student needs to select one Thesis Director and two Thesis readers. Note that there is a cap on the number of thesis students each faculty member can work with, so you might want to reach out early if you’ve got somebody in mind.

There are several opportunities for additional funding. In early February of each year, you can apply for a  $1500 summer Excellence in Education grant . Note that the Ex in Ed grant application requires a letter of recommendation, a detailed budget, and possibly--depending on your project--Institutional Review Board (IRB) approval, so give yourself some time to build the application. Go to the  English Department's share drive  (log in using your regular NMU login info) for a handful of sample successful applications to consult as models. In March, applications open for the  King-Chavez-Parks Future Faculty Fellowship . 

It’s likely you’ll teach EN 111: Composition I both of your first two semesters, but opportunities to teach EN 110: Good Books, EN 211: College Composition II, and EN 215: Intro to Creative Writing will arise down the road. The Department Head will reach out to solicit your preferences. Other grad assistantships include the Assistant Director of the Writing Center and the Managing Editor of Passages North. (The funding packages of these two gigs are the same as those of Teaching Assistants.) Talk to the Department Head, the Editor-in-Chief of Passages, or the Director of the Writing Center to learn more and to express interest in those jobs.

What else should you consider in your first year? Get involved as an editor with  Passages North . Attend  Visiting Writers  readings and get in touch with the Director of the Visiting Writers program to let them know what writers you’d like to invite to read. Consider joining the  Graduate Students Association (GSA) . Make friends, keep in touch with your life outside the program, read just for fun sometimes, figure out how to survive and maybe even enjoy winter, close your school email occasionally, watch your trash TV: i.e., don’t forget to be a person, and if the expectations start to feel overwhelming don’t be afraid to reach out to your professors, to the Department Head, or to the MFA Director Matt Frank at [email protected]  anytime.

Second Year

In your second year, you’ll be starting to hone your thesis project. In the Fall, you’ll write a thesis proposal. This is a 500-word document describing how you see your project at this time: what is your work about, what structures do you imagine, what writing from the world influences and inspires you. The thesis proposal guidelines are here , but in general state your plan. We know the work will change as you dive deeper inward, but the proposal is a chance to articulate to yourself and to some people who are not you what you envision yourself working towards. You’ll also choose a Thesis Director and two Thesis Readers from the faculty to comprise your thesis committee. Consider the creative writing faculty, of course, but also look to professors who teach in other areas of the department.

Consider when you’ll register for thesis credits. You’re required to take 8-12 over the course of the program. Taking 4 credits in two or three different semesters is the most common way to accomplish this, but they can be taken in smaller chunks as well, depending on your plan of study. When you take 4 thesis credits, you’ll do work on your thesis project that is equivalent to the amount of work you’d do taking a workshop or a literature class. You’ll consult with your Director to establish a schedule of reading, writing, feedback expectations, one-on-one meetings, etc.

Again, you might consider applying for an  Excellence in Education grant  or the  Future Faculty Fellowship , if eligible. You can be awarded the Ex in Ed grant twice over your three years here. (Any two of the three years, even your final year.)

In your second year, continue to be a person and reach out to first-year students who are still acclimating to the program and the UP to share your tips and tricks for a balanced grad student life.

In the third year, you’ll finish that thesis (though you might not believe it while you’re actually in the pit of it). Work with your Thesis Director and Readers to build a work you're proud to share, but keep in mind that there may be a gap--of time, of revision--between a successfully completed thesis and a publishable manuscript. That's okay! You'll be working closely with your Thesis Director as you take your thesis credits, but also remember to keep your two Readers in the loop. Communicate about your progress, your timetable, and establish expectations of feedback. While in the past we had rigid page minimums, the increasing amount of hybrid and flash writing has inspired us to allow theses to be more flexible about page counts. Do think of your thesis, however, as a book-length project, and consult with your Thesis Director to establish a page count that makes sense for your particular project.

Keep in mind your thesis will include an introductory essay. This essay may be a chronicle of the building of the thesis, it may be a book proposal written with future publishers in mind, it may describe your craft as you close-read your own work in the context of the larger literary world, or it maybe be something more playful or experimental. Again, talk it out with your Thesis Director.  This page on The Commons  links you to recent theses submitted by NMU graduates; you can find models of the thesis introduction by reading through the pdfs posted there. 

The deadline for submitting theses is one month before graduation, so often in early April or even late March if you graduate in the Winter. Leave yourself time to prepare the the thesis according to the  University's specific thesis submission guidelines . Theses are submitted to The Commons, which provides public access to your work, but if you'd prefer your thesis to remain private, you may request an embargo on downloads. The process is detailed on the same page as the guidelines.

Remember to  register for graduation  in your final semester. Prepare to be celebrated and to share some of your work at our year-end MFA reading, one of our favorite days of the year. And keep in touch after you move on to your next wonderful thing.

A Few Other General Resources

• On campus  mental health counseling  is free to all students.
• Click here for accommodations or support from the  Disability Services office . 
• Some health services are available to graduate students at no cost through the  NMU Health Center . 
• Resources for queer students and queer allies are available on the  NMU Allies page .
• The  Student Equity and Engagement Center  provides support for safe and diverse learning environments. See also these  specific student interest groups  if you're interested.
• Visit the  NMU Food Pantry . 
• Northern Michigan University is located upon the ancestral homelands of the Anishinaabe Nation. Visit the  Center for Native American Studies  for "active learning and service learning opportunities that strengthen student engagement, interaction, and reciprocity with Indigenous communities."
• For COVID-19 updates, visit NMU's  Safe on Campus  page.

Share your story!

• Best Colleges
• Application Advice

• Hidden Gem Colleges

The 10 Best Creative Writing MFA Programs in the US

The talent is there. 

But the next generation of great American writers needs a collegial place to hone their craft. 

They need a place to explore the writer’s role in a wider community. 

They really need guidance about how and when to publish. 

All these things can be found in a solid Master of Fine Arts in Creative Writing degree program. This degree offers access to mentors, to colleagues, and to a future in the writing world. 

A good MFA program gives new writers a precious few years to focus completely on their work, an ideal space away from the noise and pressure of the fast-paced modern world. 

We’ve found ten of the best ones, all of which provide the support, the creative stimulation, and the tranquility necessary to foster a mature writer.

We looked at graduate departments from all regions, public and private, all sizes, searching for the ten most inspiring Creative Writing MFA programs. 

Each of these ten institutions has assembled stellar faculties, developed student-focused paths of study, and provide robust support for writers accepted into their degree programs. 

To be considered for inclusion in this list, these MFA programs all must be fully-funded degrees, as recognized by Read The Workshop .

Creative Writing education has broadened and expanded over recent years, and no single method or plan fits for all students. 

Today, MFA programs across the country give budding short story writers and poets a variety of options for study. For future novelists, screenwriters – even viral bloggers – the search for the perfect setting for their next phase of development starts with these outstanding institutions, all of which have developed thoughtful and particular approaches to study.

So where will the next Salinger scribble his stories on the steps of the student center, or the next Angelou reading her poems in the local bookstore’s student-run poetry night? At one of these ten programs.

Here are 10 of the best creative writing MFA programs in the US.

University of Oregon (Eugene, OR)

Starting off the list is one of the oldest and most venerated Creative Writing programs in the country, the MFA at the University of Oregon. 

Longtime mentor, teacher, and award-winning poet Garrett Hongo directs the program, modeling its studio-based approach to one-on-one instruction in the English college system. 

Oregon’s MFA embraces its reputation for rigor. Besides attending workshops and tutorials, students take classes in more formal poetics and literature.  

A classic college town, Eugene provides an ideal backdrop for the writers’ community within Oregon’s MFA students and faculty.  

Tsunami Books , a local bookseller with national caché, hosts student-run readings featuring writers from the program. 

Graduates garner an impressive range of critical acclaim; Yale Younger Poet winner Brigit Pegeen Kelly, Cave Canem Prize winner and Guggenheim fellow Major Jackson, and PEN-Hemingway Award winner Chang-Rae Lee are noteworthy alumni. 

With its appealing setting and impressive reputation, Oregon’s MFA program attracts top writers as visiting faculty, including recent guests Elizabeth McCracken, David Mura, and Li-young Lee.

The individual approach defines the Oregon MFA experience; a key feature of the program’s first year is the customized reading list each MFA student creates with their faculty guide. 

Weekly meetings focus not only on the student’s writing, but also on the extended discovery of voice through directed reading. 

Accepting only ten new students a year—five in poetry and five in fiction— the University of Oregon’s MFA ensures a close-knit community with plenty of individual coaching and guidance.

Cornell University (Ithaca, NY)

Cornell University’s MFA program takes the long view on life as a writer, incorporating practical editorial training and teaching experience into its two-year program.

Incoming MFA students choose their own faculty committee of at least two faculty members, providing consistent advice as they move through a mixture of workshop and literature classes. 

Students in the program’s first year benefit from editorial training as readers and editors for Epoch , the program’s prestigious literary journal.

Teaching experience grounds the Cornell program. MFA students design and teach writing-centered undergraduate seminars on a variety of topics, and they remain in Ithaca during the summer to teach in programs for undergraduates. 

Cornell even allows MFA graduates to stay on as lecturers at Cornell for a period of time while they are on the job search. Cornell also offers a joint MFA/Ph.D. program through the Creative Writing and English departments.

Endowments fund several acclaimed reading series, drawing internationally known authors to campus for workshops and work sessions with MFA students. 

Recent visiting readers include Salman Rushdie, Sandra Cisneros, Billy Collins, Margaret Atwood, Ada Limón, and others. 

Arizona State University (Tempe, AZ)

Arizona State’s MFA in Creative Writing spans three years, giving students ample time to practice their craft, develop a voice, and begin to find a place in the post-graduation literary world. 

Coursework balances writing and literature classes equally, with courses in craft and one-on-one mentoring alongside courses in literature, theory, or even electives in topics like fine press printing, bookmaking, or publishing. 

While students follow a path in either poetry or fiction, they are encouraged to take courses across the genres.

Teaching is also a focus in Arizona State’s MFA program, with funding coming from teaching assistantships in the school’s English department. Other exciting teaching opportunities include teaching abroad in locations around the world, funded through grants and internships.

The Virginia C. Piper Center for Creative Writing, affiliated with the program, offers Arizona State MFA students professional development in formal and informal ways. 

The Distinguished Writers Series and Desert Nights, Rising Stars Conference bring world-class writers to campus, allowing students to interact with some of the greatest in the profession. Acclaimed writer and poet Alberto Ríos directs the Piper Center.

Arizona State transitions students to the world after graduation through internships with publishers like Four Way Books. 

Its commitment to the student experience and its history of producing acclaimed writers—recent examples include Tayari Jones (Oprah’s Book Club, 2018; Women’s Prize for Fiction, 2019), Venita Blackburn ( Prairie Schooner Book Prize, 2018), and Hugh Martin ( Iowa Review Jeff Sharlet Award for Veterans)—make Arizona State University’s MFA a consistent leader among degree programs.

University of Texas at Austin (Austin, TX)

The University of Texas at Austin’s MFA program, the Michener Center for Writers, maintains one of the most vibrant, exciting, active literary faculties of any MFA program.

Denis Johnson D.A. Powell, Geoff Dyer, Natasha Trethewey, Margot Livesey, Ben Fountain: the list of recent guest faculty boasts some of the biggest names in current literature.

This three-year program fully funds candidates without teaching fellowships or assistantships; the goal is for students to focus entirely on their writing. 

More genre tracks at the Michener Center mean students can choose two focus areas, a primary and secondary, from Fiction, Poetry, Screenwriting, and Playwriting.

The Michener Center for Writers plays a prominent role in contemporary writing of all kinds. 

The hip, student-edited Bat City Review accepts work of all genres, visual art, cross genres, collaborative, and experimental pieces.  

Recent events for illustrious alumni include New Yorker publications, an Oprah Book Club selection, a screenwriting prize, and a 2021 Pulitzer (for visiting faculty member Mitchell Jackson). 

In this program, students are right in the middle of all the action of contemporary American literature.

Washington University in St. Louis (St. Louis, MO)

The MFA in Creative Writing at Washington University in St. Louis is a program on the move: applicants have almost doubled here in the last five years. 

Maybe this sudden growth of interest comes from recent rising star alumni on the literary scene, like Paul Tran, Miranda Popkey, and National Book Award winner Justin Phillip Reed.

Or maybe it’s the high profile Washington University’s MFA program commands, with its rotating faculty post through the Hurst Visiting Professor program and its active distinguished reader series. 

Superstar figures like Alison Bechdel and George Saunders have recently held visiting professorships, maintaining an energetic atmosphere program-wide.

Washington University’s MFA program sustains a reputation for the quality of the mentorship experience. 

With only five new students in each genre annually, MFA candidates form close cohorts among their peers and enjoy attentive support and mentorship from an engaged and vigorous faculty. 

Three genre tracks are available to students: fiction, poetry, and the increasingly relevant and popular creative nonfiction.

Another attractive feature of this program: first-year students are fully funded, but not expected to take on a teaching role until their second year. 

A generous stipend, coupled with St. Louis’s low cost of living, gives MFA candidates at Washington University the space to develop in a low-stress but stimulating creative environment.

Indiana University (Bloomington, IN)

It’s one of the first and biggest choices students face when choosing an MFA program: two-year or three-year? 

Indiana University makes a compelling case for its three-year program, in which the third year of support allows students an extended period of time to focus on the thesis, usually a novel or book-length collection.

One of the older programs on the list, Indiana’s MFA dates back to 1948. 

Its past instructors and alumni read like the index to an American Literature textbook. 

How many places can you take classes in the same place Robert Frost once taught, not to mention the program that granted its first creative writing Master’s degree to David Wagoner? Even today, the program’s integrity and reputation draw faculty like Ross Gay and Kevin Young.

Indiana’s Creative Writing program houses two more literary institutions, the Indiana Review, and the Indiana University Writers’ Conference. 

Students make up the editorial staff of this lauded literary magazine, in some cases for course credit or a stipend. An MFA candidate serves each year as assistant director of the much-celebrated and highly attended conference . 

These two facets of Indiana’s program give graduate students access to visiting writers, professional experience, and a taste of the writing life beyond academia.

University of Michigan, Ann Arbor (Ann Arbor, MI)

The University of Michigan’s Helen Zell Writers’ Program cultivates its students with a combination of workshop-driven course work and vigorous programming on and off-campus. Inventive new voices in fiction and poetry consistently emerge from this two-year program.

The campus hosts multiple readings, events, and contests, anchored by the Zell Visiting Writers Series. The Hopgood Awards offer annual prize money to Michigan creative writing students . 

The department cultivates relationships with organizations and events around Detroit, so whether it’s introducing writers at Literati bookstore or organizing writing retreats in conjunction with local arts organizations, MFA candidates find opportunities to cultivate a community role and public persona as a writer.

What happens after graduation tells the big story of this program. Michigan produces heavy hitters in the literary world, like Celeste Ng, Jesmyn Ward, Elizabeth Kostova, Nate Marshall, Paisley Rekdal, and Laura Kasischke. 

Their alumni place their works with venerable houses like Penguin and Harper Collins, longtime literary favorites Graywolf and Copper Canyon, and the new vanguard like McSweeney’s, Fence, and Ugly Duckling Presse.

University of Minnesota (Minneapolis, MN)

Structure combined with personal attention and mentorship characterizes the University of Minnesota’s Creative Writing MFA, starting with its unique program requirements. 

In addition to course work and a final thesis, Minnesota’s MFA candidates assemble a book list of personally significant works on literary craft, compose a long-form essay on their writing process, and defend their thesis works with reading in front of an audience.

Literary journal Great River Review and events like the First Book reading series and Mill City Reading series do their part to expand the student experience beyond the focus on the internal. 

The Edelstein-Keller Visiting Writer Series draws exceptional, culturally relevant writers like Chuck Klosterman and Claudia Rankine for readings and student conversations. 

Writer and retired University of Minnesota instructor Charles Baxter established the program’s Hunger Relief benefit , aiding Minnesota’s Second Harvest Heartland organization. 

Emblematic of the program’s vision of the writer in service to humanity, this annual contest and reading bring together distinguished writers, students, faculty, and community members in favor of a greater goal.

Brown University (Providence, RI)

One of the top institutions on any list, Brown University features an elegantly-constructed Literary Arts Program, with students choosing one workshop and one elective per semester. 

The electives can be taken from any department at Brown; especially popular choices include Studio Art and other coursework through the affiliated Rhode Island School of Design. The final semester consists of thesis construction under the supervision of the candidate’s faculty advisor.

Brown is the only MFA program to feature, in addition to poetry and fiction tracks, the Digital/Cross Disciplinary track . 

This track attracts multidisciplinary writers who need the support offered by Brown’s collaboration among music, visual art, computer science, theater and performance studies, and other departments. 

The interaction with the Rhode Island School of Design also allows those artists interested in new forms of media to explore and develop their practice, inventing new forms of art and communication.

Brown’s Literary Arts Program focuses on creating an atmosphere where students can refine their artistic visions, supported by like-minded faculty who provide the time and materials necessary to innovate. 

Not only has the program produced trailblazing writers like Percival Everett and Otessa Moshfegh, but works composed by alumni incorporating dance, music, media, and theater have been performed around the world, from the stage at Kennedy Center to National Public Radio.

University of Iowa (Iowa City, IA)

When most people hear “MFA in Creative Writing,” it’s the Iowa Writers’ Workshop they imagine. 

The informal name of the University of Iowa’s Program in Creative Writing, the Iowa Writers’ Workshop was the first to offer an MFA, back in 1936. 

One of the first diplomas went to renowned writer Wallace Stegner, who later founded the MFA program at Stanford.

 It’s hard to argue with seventeen Pulitzer Prize winners and six U.S. Poets Laureate. The Iowa Writers’ Workshop is the root system of the MFA tree.

The two-year program balances writing courses with coursework in other graduate departments at the university. In addition to the book-length thesis, a written exam is part of the student’s last semester.

Because the program represents the quintessential idea of a writing program, it attracts its faculty positions, reading series, events, and workshops the brightest lights of the literary world. 

The program’s flagship literary magazine, the Iowa Review , is a lofty goal for writers at all stages of their career. 

At the Writers’ Workshop, tracks include not only fiction, poetry, playwriting, and nonfiction, but also Spanish creative writing and literary translation. Their reading series in association with Prairie Lights bookstore streams online and is heard around the world.

Iowa’s program came into being in answer to the central question posed to each one of these schools: can writing be taught? 

The answer for a group of intrepid, creative souls in 1936 was, actually, “maybe not.” 

But they believed it could be cultivated; each one of these institutions proves it can be, in many ways, for those willing to commit the time and imagination.

Related Posts

Dental hygiene has become a popular profession for students wanting to enter the health profession.…

Ranked as the #1 healthcare job, physician assistants enjoy an exciting and fulfilling career. PAs…

In 2019 there were over 130,000 phlebotomists nationwide. These medical professionals are responsible for drawing…

RELATED ARTICLES MORE FROM AUTHOR

The Best Universities in Europe

The 10 Best Universities in Japan

The Best Master’s in Public Administration Programs in the US

The Best Master’s in Education Programs

10 Colleges With Amazing Study Abroad Programs

The Best Early Childhood Education Colleges

POPULAR POSTS

The 10 Best Marine Biology Colleges in the US

Here Are the 10 Best Optometry Schools in the US

Here Are the 10 Best Dental Schools in the US

Popular category.

• Acceptance Rates 253
• Hidden Gem Colleges 81
• Medical Schools 76
• Ivy League Schools 62
• Law Schools 49
• Performing Arts 45
• Art Schools 42
• Health Sciences 40
• Summer Programs 39
• Terms of Use
• Privacy Policy

One of the more best parts of going to college or university is joining a community — a place with its own set of traditions and customs. While every person

Your Journey Starts Here

MFA in Creative Writing

Writing for the 21st century.

The Alma College MFA features a strong literature-based curriculum and offers inspirational and exploratory residency experiences designed to develop your ability to read and think critically and to write with a high level of artistic proficiency. This program offers study in three concentrations:

• Creative Nonfiction

About the Program

Designed for the modern student, the two-year program follows a low residency format. You’ll complete five 10-day intensive residencies (or six residencies for a dual genre concentration) and four terms of one-on-one study with a faculty advisor (five terms for a dual genre concentration).

Over the course of the term, the primary focus will be your own creative writing. Students submit five monthly packets of work to their faculty advisors. Each packet includes approximately 25 pages of creative work as well as craft papers, three to four pages each, on a technique or techniques gleaned from assigned reading. Each term’s reading and writing activities require a minimum of 25 hours per week. It may also include conferencing with other students.

In addition, writers who have completed an MFA or Ph.D. at any accredited college or university may apply for a postgraduate semester in the Alma College MFA program to further their study in creative writing.

At A Glance

10-day intensive residency experiences during the two-year program

Writing genres

Join us to learn more about the program. Registration is required.

Poetry & The MFA: A Virtual Open House

Thursday, September 26 7:00 PM – 8:00 PM

The Alma MFA in Creative Writing is hosting an open house event featuring a sample lesson and discussion by MFA poetry faculty.  They will discuss and take questions on studying poetry writing at the graduate level at Alma.

Creative Non-Ficiton & The MFA and Application Questions: A Virtual Open House

Thursday, October 17, 2024 7:00 PM – 8:00 PM

An Alma College MFA’s creative nonfiction faculty mentor will offer a sample lesson and discuss pursuing nonfiction writing at the graduate level.

MFA Veterans Writing Workshop

Thursday, November 16 10:00 AM until 2:00 PM

Veterans have stories to tell—stories that are powerful, healing, and inspirational. To honor those words and help bring them to light, Alma MFA in Creative Writing offers this no-cost one-day workshop for all who have served in the military.

20-Minute Sessions

Thursday, August 8 & Thursday, September 5 6:00 PM until 8:00 PM

Schedule time with Program Director Sophfronia Scott to get your individual questions answered about applying to the program.

Student & Alumni Spotlights

No one describes the Alma experience better than those living it. Explore their stories, in their own words, below.

• Alyssa Evans, `26
• Seny Gonzalez Guardado, `25
• Frank Thomas, `24

Studying abroad was something I always wanted to do when I was in undergrad, but never got around to it. Joining the Alma College MFA program, I was able to combine my two biggest passions, which are traveling and writing.

I give a lot of credit to the director of the MFA program, Sophfronia Scott. She has built a program and a group of people who are so talented and welcoming — eager to offer you a seat at the table and make you feel like you belong.

I don't necessarily want to be in a place where everyone is like me — they look like me, walk like me, talk like me, think like me. In that situation, I don't grow. That's what the Alma College MFA program provides.

Get to Know MFA in Creative Writing

Who is it for.

The Alma MFA is for students who want to make a serious commitment to the craft of writing. Our students come from all walks of life and varying levels of experience. There will be those who are published and those who are not. There will be students who have been in workshop before and those for whom this will be their first. But what everyone will have in common is a passion for writing and reading and a willingness to learn. They long to be around other creatives who care about writing as much as they do and want to talk about the work — a lot! They wish to pursue a degree and a literary life in a way that allows them to maintain their work and family lives. The best and most efficient way to do this is with the low residency MFA in Creative Writing.

The program provides ongoing focus and the deep dive both graduate and postgraduate students need to understand their craft and to learn how they want to show up in the world as writers. For complete details of the program, view the MFA Student Handbook.

Your MFA Decision Journal

We created this helpful tool to help you explore your goals and guide your exploration.

Admissions and Aid

Not sure where to begin we’re here to help you every step of the way..

Our team is glad to answer your questions and walk you through the application and financial aid process. Contact the program director, or download Your MFA Decision Journal to help you better understand your motivations and goals.

Application Requirements

• College transcripts for each college or university attended
• Curriculum vitae (CV) or resume
• Length: A maximum of 25 pages for fiction or creative nonfiction, a maximum of 10 pages for poetry — no more than one poem per page.
• Discuss your specific interest in the Alma College MFA and your preparation for pursuing a formal study of creative writing.
• Your strengths and weaknesses as a writer.
• Goals for your two years in the program.
• Additional experience including what you can bring to our artistic community.
• Literature essay; 3-4 pages. In this essay please discuss the books and writers that have influenced you.
• Two letters of recommendation.

There is no application fee.

Application Deadlines

• Summer Residency (August 20-27, 2025; Oxford) – Deadline to apply: May 30 You will receive an admission decision in two weeks.
• Winter Residency (December 27, 2024-January 4, 2025; Lake Junaluska, NC) – Deadline to apply: November 30

Tuition and Fees

Learn more about the tuition and fees and cost of attendance for the MFA in Creative Writing.

Tuition Policy

All applicable fees and charges are payable in advance of enrollment. Tuition is due on a term basis. Each term begins with residency so tuition is due before the first day of each new residency. Tuition and fees are subject to change without notice. All MFA students will be billed for the term (tuition; room and board for students staying on campus; the single-room fee for students who request a single room, if available), with the exception of graduating students who are charged room and board (if staying on campus) and the graduation residency fee.

Financial Aid

Our students take advantage of the program’s low residency format to continue with their current employment and finance their education from their own resources. Students are encouraged to complete the  f ree application for federal student aid (FAFSA) .

Do you have a mentor or supervisor that can refer you to this program? When they refer you to the Alma College MFA in Creative Writing, you will receive a $2,000 scholarship.

Refer a Writer

If you need additional assistance or have other questions, contact the Financial Aid Office at (989) 463-7347.

Enrollment Deposit Fee

Accepted applicants are required to pay an enrollment deposit of $300. $100 of this fee is applied as a credit to the student’s account for the first term. Another $100 serves as a security deposit from which the college may recover expenses incurred by the student for damages to college property. The final $100 is a processing fee. Any unexpended portion of the security deposit can be gifted back to the college upon graduation or is refunded to the student after graduation.

Make my Deposit

Academic Calendar

Summer Residency August 20-27, 2025

Mentored Studies Term July-November

End of Term, Final Grades Due: December 10, 2024

Winter Residency – Lake Junaluska, NC December 27, 2024 – January 4, 2025

Mentored Studies Term January-May

End of Term. Final Grades Due: May 17, 2025

Post graduate term in creative writing.

Writers who have completed an MFA or Ph.D. at any accredited college or university may apply for a postgraduate semester in the Alma College MFA program to further their study in creative writing.

The term, like the MFA format, provides for one-on-one work with a faculty advisor. The writer works with their advisor to develop a study plan for the term that includes deadlines, feedback expectations, and points of contact such as a mid-semester check-in and written evaluations. The term is designed to be genre flexible. Writers may choose to work in the genre in which they earned their degree (fiction, creative nonfiction, or poetry), or they may use the time to try a genre they have not written in before. They may also work in a genre not offered in their degree program, but in which an Alma faculty mentor has expertise such as playwriting or screenwriting. Postgraduate students receive their first choice of faculty advisor, so if a writer wants to study one of these specialties they should choose accordingly.

Writers may work to complete a current manuscript or use the term to jumpstart a new project. They are free to develop their own study plans and goals, which need not be tied to the MFA’s programming and requirements. For example, writers are not required to write critical papers, though a faculty advisor may suggest craft books if they determine it may benefit the writer’s project.

Residency Attendance

Each postgraduate term must begin with attendance at an MFA residency. This requirement is waived for graduates of the Alma MFA, though most writers will agree that the residency experience is one of the highlights of studying writing at Alma.

The term is a 13-credit offering

• 11 credits for the term
• Two credits for the residency

Term tuition (six months): $5,000 Optional residency, fees include room and board:

• Local (Alma, MI): $1,352
• International (Venice, Italy): $5,500 / per person – (Double room for Single use) $4,935 / per person – (Twin room for two people – sharing) *Fee does not include airfare.

Admissions Deadlines

• Winter 2024: November 30, 2024
• Summer 2025: May 30, 2025

To apply, students must complete Alma College’s  Application for Non-Degree Enrollment Status  and submit to the registrar.

Have any questions?

Contact us today for more information on this program and more.

Program Director

Sophfronia Scott (989) 463-7394 [email protected]

Admissions Office 800-321-ALMA [email protected]

Jump to navigation Skip to content

Search form

• P&W on Facebook
• P&W on Twitter
• P&W on Instagram

Find details about every creative writing competition—including poetry contests, short story competitions, essay contests, awards for novels, grants for translators, and more—that we’ve published in the Grants & Awards section of Poets & Writers Magazine during the past year. We carefully review the practices and policies of each contest before including it in the Writing Contests database, the most trusted resource for legitimate writing contests available anywhere.

Find a home for your poems, stories, essays, and reviews by researching the publications vetted by our editorial staff. In the Literary Magazines database you’ll find editorial policies, submission guidelines, contact information—everything you need to know before submitting your work to the publications that share your vision for your work.

Whether you’re pursuing the publication of your first book or your fifth, use the Small Presses database to research potential publishers, including submission guidelines, tips from the editors, contact information, and more.

Research more than one hundred agents who represent poets, fiction writers, and creative nonfiction writers, plus details about the kinds of books they’re interested in representing, their clients, and the best way to contact them.

Every week a new publishing professional shares advice, anecdotes, insights, and new ways of thinking about writing and the business of books.

Find publishers ready to read your work now with our Open Reading Periods page, a continually updated resource listing all the literary magazines and small presses currently open for submissions.

Since our founding in 1970, Poets & Writers has served as an information clearinghouse of all matters related to writing. While the range of inquiries has been broad, common themes have emerged over time. Our Top Topics for Writers addresses the most popular and pressing issues, including literary agents, copyright, MFA programs, and self-publishing.

Our series of subject-based handbooks (PDF format; $4.99 each) provide information and advice from authors, literary agents, editors, and publishers. Now available: The Poets & Writers Guide to Publicity and Promotion, The Poets & Writers Guide to the Book Deal, The Poets & Writers Guide to Literary Agents, The Poets & Writers Guide to MFA Programs, and The Poets & Writers Guide to Writing Contests.

Find a home for your work by consulting our searchable databases of writing contests, literary magazines, small presses, literary agents, and more.

Poets & Writers lists readings, workshops, and other literary events held in cities across the country. Whether you are an author on book tour or the curator of a reading series, the Literary Events Calendar can help you find your audience.

Get the Word Out is a new publicity incubator for debut fiction writers and poets.

Research newspapers, magazines, websites, and other publications that consistently publish book reviews using the Review Outlets database, which includes information about publishing schedules, submission guidelines, fees, and more.

Well over ten thousand poets and writers maintain listings in this essential resource for writers interested in connecting with their peers, as well as editors, agents, and reading series coordinators looking for authors. Apply today to join the growing community of writers who stay in touch and informed using the Poets & Writers Directory.

Let the world know about your work by posting your events on our literary events calendar, apply to be included in our directory of writers, and more.

Find a writers group to join or create your own with Poets & Writers Groups. Everything you need to connect, communicate, and collaborate with other poets and writers—all in one place.

Find information about more than two hundred full- and low-residency programs in creative writing in our MFA Programs database, which includes details about deadlines, funding, class size, core faculty, and more. Also included is information about more than fifty MA and PhD programs.

Whether you are looking to meet up with fellow writers, agents, and editors, or trying to find the perfect environment to fuel your writing practice, the Conferences & Residencies is the essential resource for information about well over three hundred writing conferences, writers residencies, and literary festivals around the world.

Discover historical sites, independent bookstores, literary archives, writing centers, and writers spaces in cities across the country using the Literary Places database—the best starting point for any literary journey, whether it’s for research or inspiration.

Search for jobs in education, publishing, the arts, and more within our free, frequently updated job listings for writers and poets.

Establish new connections and enjoy the company of your peers using our searchable databases of MFA programs and writers retreats, apply to be included in our directory of writers, and more.

• Register for Classes

Each year the Readings & Workshops program provides support to hundreds of writers participating in literary readings and conducting writing workshops. Learn more about this program, our special events, projects, and supporters, and how to contact us.

The Maureen Egen Writers Exchange Award introduces emerging writers to the New York City literary community, providing them with a network for professional advancement.

Find information about how Poets & Writers provides support to hundreds of writers participating in literary readings and conducting writing workshops.

Bring the literary world to your door—at half the newsstand price. Available in print and digital editions, Poets & Writers Magazine is a must-have for writers who are serious about their craft.

View the contents and read select essays, articles, interviews, and profiles from the current issue of the award-winning Poets & Writers Magazine .

Read essays, articles, interviews, profiles, and other select content from Poets & Writers Magazine as well as Online Exclusives.

View the covers and contents of every issue of Poets & Writers Magazine , from the current edition all the way back to the first black-and-white issue in 1987.

Every day the editors of Poets & Writers Magazine scan the headlines—publishing reports, literary dispatches, academic announcements, and more—for all the news that creative writers need to know.

In our weekly series of craft essays, some of the best and brightest minds in contemporary literature explore their craft in compact form, articulating their thoughts about creative obsessions and curiosities in a working notebook of lessons about the art of writing.

The Time Is Now offers weekly writing prompts in poetry, fiction, and creative nonfiction to help you stay committed to your writing practice throughout the year. Sign up to get The Time Is Now, as well as a weekly book recommendation for guidance and inspiration, delivered to your inbox.

Every week a new author shares books, art, music, writing prompts, films—anything and everything—that has inspired and shaped the creative process.

Listen to original audio recordings of authors featured in Poets & Writers Magazine . Browse the archive of more than 400 author readings.

Ads in Poets & Writers Magazine and on pw.org are the best ways to reach a readership of serious poets and literary prose writers. Our audience trusts our editorial content and looks to it, and to relevant advertising, for information and guidance.

Start, renew, or give a subscription to Poets & Writers Magazine ; change your address; check your account; pay your bill; report a missed issue; contact us.

Peruse paid listings of writing contests, conferences, workshops, editing services, calls for submissions, and more.

Poets & Writers is pleased to provide free subscriptions to Poets & Writers Magazine to award-winning young writers and to high school creative writing teachers for use in their classrooms.

Read select articles from the award-winning magazine and consult the most comprehensive listing of literary grants and awards, deadlines, and prizewinners available in print.

• Subscribe Now

University of Michigan, Ann Arbor

• Printable Version
• Log in to Send
• Log in to Save

MFA Program

Poetry: Aaron Coleman, Kelly Hoffer, Tung-hui Hu, Khaled Mattawa Fiction: Julie Buntin, Gabe Habash, Peter Ho Davies Creative Nonfiction: Aisha Sabatini Sloan

The program offers full funding for two years, which includes full tuition remission and monthly stipend through fellowships and graduate student instructorships. The program will be able to offer six qualifying graduates one year of post-MFA funding.

Michigan Quarterly Review

The program hosts the Zell Visiting Writers Series, through which invited guests give readings, hold craft talks, and offer individual consultations with students. Other program features include opportunities to teach with 826michigan and InsideOut Detroit, curate the student reading series, and partner with other area literary organizations.

Brittany Bennett, Vievee Francis, Donovan Hohn, Airea D. Matthews, Celeste Ng, Chigozie Obioma, Hanna Pylväinen, Paisley Rekdal, Jia Tolentino, Jesmyn Ward

Please log in to continue. LOG IN Don't yet have an account? SIGN UP NOW -- IT'S FREE!

This is an attempt at creating an objective ranking of graduate creative writing programs.

For further and more detailed information on how the scores are generated see the methodology page.

Lists of authors without graduate creative writing degrees or whose degree status is unknown are available. Send questions, comments and corrections to [email protected] .

Disclaimer: No endorsement of these ratings should be implied by the writers and writing programs listed on this site, or by the editors and publishers of Best American Short Stories , Best American Essays , Best American Poetry , The O. Henry Prize Stories and The Pushcart Prize Anthology .

Michener Center for Writers

Mfa in writing.

The Michener Center for Writers is the only Creative Writing M.F.A. program in the world that provides full and equal funding to every writer—yet it is our extraordinary faculty and sense of community that most distinguishes us. Our program is a three-year, fully-funded residency M.F.A. with a unique multi-disciplinary focus. Writers apply and are admitted in a primary genre—fiction, poetry, playwriting or screenwriting—and study in both their primary and a secondary genre(s). There are no teaching duties, a luxury that allows our Fellows to commit themselves fully to their writing. And because only twelve writers are admitted each year, our faculty can devote ample time and energy to every writer. With unparalleled support and the deeply held belief that literary art matters now more than ever, the Michener Center offers writers 3 years of unencumbered space to make the work that only they can make.

News & Events

2024 emmy nominations: mcw alumni & their work.

The 2024 Primetime Emmy nominations were announced this week. We’re thrilled to see three MCW alumni and their work in the mix!   Shōgun, written… Read more

5 New Books by MCW Alumni to Read This Summer

1. The World After Alice by Lauren Aliza Green “When Morgan and Benji surprise their families with a wedding invitation to Maine, they’re aware the… Read more

Alumn John McManus Wins American Short(er) Fiction Prize

Alumn John McManus (MCW 2004) is the winner of the 2024 American Short(er) Fiction Prize, judged by Dantiel W. Moniz for his story “Jack Sprat’s… Read more

MCW Alumn Monica Macansantos Awarded Shearing Fellowship

MCW Alumn Monica Macansantos (MCW 2013) been awarded a Black Mountain Institute 2024-2025 Shearing Fellowship. The fellowship brings writers to the UNLV campus for one year… Read more

MCW Alumn Rachel Kondo to Receive Austin Film Festival New Voices Award

Rachel Kondo (MCW 2016), co-creator of Shōgun on FX, has been awarded the 2024 New Voice Award from Austin Film Festival. Kondo is being honored alongside… Read more

Alumni Work Streaming This Summer

Look out for MCW alumni work in your feed this summer: TV series Shōgun (FX) and Fallout (Prime Video), and podcast Pack One Bag (Lemonade… Read more

MCW Fellow Darius Atefat-Peckham is Keene Prize Runner-Up

Michener Center Fellow Darius Atefat-Peckham has been named a runner-up for the 2024 UT Keene Prize for Literature, for an excerpt from his forthcoming book… Read more

Alumn Abe Koogler’s Play Opens to Positive Reviews

Michener Center Playwriting Alumnus Abe Koogler‘s play Staff Meal has opened to rave reviews, with recent coverage from The New York Times, Vulture, Observer, New York Theatre… Read more

The Michener Center aims to be a welcoming, inspiring, and invigorating community where writers feel safe and supported to take chances on the page. We are extremely proud that there is no hierarchy here—all students receive equal funding—and we firmly believe that our egalitarian approach fosters a higher level of work that more competitive environments suppress.

Our MFA candidates have come from places as varied as western India, South Korea, eastern Europe, and northern Idaho. Their backgrounds and experiences lend to the pages they produce, which are unique and uniquely vital. We aren’t seeking writers of any particular aesthetic, but rather we are looking for writers whose work is distinct, urgent, and arresting.

Each year, we receive hundreds of applications for twelve seats in the cohort. We accept only full-time, in-residence candidates for the three-year program. There is no low-residency or part-time option.

Applicants must meet the UT Graduate School’s minimum requirements for consideration, which include completion of a Bachelor’s Degree prior to enrollment. The Michener Center no longer requires GRE scores.

James Michener was the Pulitzer-Prize-winning author of over 40 books, including Texas , Hawaii , and Tales of the South Pacific . In his final years, he and his wife, Mari Yoriko Sabusawa, moved to Austin, TX, where they endowed the Texas Center for Writers, a three-year MFA in Creative Writing at the University of Texas. The first cohort of Michener Fellows graduated in 1996. After Mr. Michener’s death in 1997, the Center was renamed in his honor.

To ensure both continuity and fresh perspectives, the Michener Center faculty is built with fixed and moving parts. Writers from UT’s departments of English, Theatre and Dance, and Radio-Television-Film comprise our Resident Faculty, and each year we also welcome an exciting roster of distinguished Visiting Faculty. That our faculty members—resident and visiting—are as passionate about their teaching as they are their writing is of the utmost importance. Like our students, our faculty afford the program a wealth of varied experience, an abiding sense of shared enterprise, and deep commitment to the making of literary art. For more on our outstanding faculty in each genre, visit our Faculty page .

The W’s Creative Writing MFA nationally ranked

Mississippi University for Women’s low-residency Master’s of Fine Arts (MFA) in Creative Writing program has been recognized on a national scale by Intelligent.com, which ranked the program 10 th in the country.

“We are thrilled to be recognized as number 10 on Intelligent’s ranking of the top 50 MFA programs. This places our low-residency program among prestigious traditional MFA programs such as Harvard, The University of Iowa (both ranked higher), and the University of Alabama (which ranked lower this year), and we seem to be the highest ranked low-residency program,” said Kendall Dunkelberg, chair of the Department of Languages, Literature and Philosophy and director of the MFA program.

To determine rankings, Intelligent compiles information from various sources including U.S. News & World report, BestColleges.com, U.S. Department of Education College Scorecard and the Bureau of Labor Statistics to name a few.

While proud of the program’s top-10 ranking, Dunkelberg acknowledges that it is subjective.

“We also recognize that any ranking is subjective and cannot consider everything a prospective MFA student will consider.  Intelligent’s ranking prioritizes ‘flexibility, faculty, course strength, cost and reputation,’ all areas at which we strive to excel. We want to be the number one option for the students who choose us,” he said.

The W’s MFA in Creative Writing expects around 28 students for the fall semester, as it kicks off its 10 th year.

The program is a hybrid between online and in-person classes. Much of the course load is achieved through synchronous online classes during the regular semester. There are also four shorter residency classes held on location, such as campus for the Eudora Welty Writers’ Symposium or at the annual Association of Writers and Writing Program conference.

“We also encourage students to take coursework in more than one genre, and we include cross-genre experiences in our residencies. In addition to the typical MFA offerings of Poetry, Fiction and Creative Nonfiction, our program has a vibrant Playwriting track that has benefitted greatly from collaboration with the MFA in Theatre Education. The W’s low tuition with no out-of-state fees, makes us an attractive option. And our faculty, students and alumni stand out for their many achievements, publications in magazines, books and performances of plays written by our playwrights,” Dunkelberg said.

Career paths for an MFA in Creative Writing vary, but writing is almost always at the core.

Dunkelberg added, “An MFA degree is considered a terminal degree, meaning that it qualifies you to teach at the university level. We also encourage our students to seek careers in publishing and other careers that involve writing. Our graduates are teaching in community colleges and universities, working in PR or social media marketing, working for arts organizations, such as the Mississippi Arts Commission, among many other careers.”

To learn more about The W’s MFA in Creative Writing, please visit www.muw.edu/mfacreativewriting/.

About The W

Located in historic Columbus, Mississippi, The W was founded in 1884 as the first state-supported college for women in the United States. Today, the university is home to 2,227 students in more than 70 majors and concentrations and has educated men for 40 years. The university is nationally recognized for low student debt, diversity and social mobility which empowers students to BE BOLD.

Be Bold. Tower with Blue.

• Disclosures
• File Report
• Ethics Line
• Legislative Update
• Accessibility

Our M.A. and Ph.D. Degrees

Our programs promote innovative approaches to the study of literature, culture, and film that cut across traditional periods and national and disciplinary boundaries. Comprised of a diverse faculty who publish in literary, cultural, visual, and ethnic studies, the Department of English fosters rigorous intellectual exchange in and out of the classroom, as well as with scholars from other universities through our Research Workshops .

Our Graduate Programs Offer:

• A critical understanding of the various methods and theoretical approaches to the field, as well as thorough knowledge of literary canons and traditions
• Opportunities to interpret and analyze texts, genres, and media
• Training in research and writing for expert audiences
• Training in the teaching of college literature and critical thinking
• Training in the Digital Humanities

Current Research

CHROMATIC MODERNITY

Professor Joshua Yumibe publishes Chromatic Modernity , a groundbreaking new study of color cinema, media, and culture in the 1920s, with Columbia University Press.

Generous Thinking

Dr. Kathleen Fitzpatrick proposes a radical rethinking of the university in her new book, Generous Thinking , with Johns Hopkins University Press.

Critical Comics Studies

English PhD candidate Sean Guynes launches cutting-edge new book series on comics with the University of Nebraska Press.

MOUTHS OF RAIN

“I am lustful now for my own name.” Audre Lorde, “Outside”

Doctoral candidate Briona Jones receives an advance contract from the New Press for Mouths of Rain , an edited collection devoted to the long history of Black Lesbian intellectual production. 

The Lemonade Reader

Dr. Kinitra Brooks, the Leslie Endowed Chair of African American Literature, publishes The Lemonade Reader , an edited collection exploring Beyoncé’s groundbreaking visual album.

Navigating Teacher Licensure Exams

Dr. Emery Petchauer, Associate professor and coordinator of the English Education program, recently published Navigating Teacher Licensure Exams , with Routledge. The book explores the high-stakes exams that aspiring educators must pass to become licensed teachers and the range of experiences students have with these exams.

OUr Grad students

Present at conferences, recieve grants & awards, publish books and articles, doctoral placements.

CONTEMPORARY LITERATURE & COMPUTATIONAL CRITIQUE

In the fall of 2018, Dr. Laura McGrath (PhD 2018) was appointed Postdoctoral Fellow at Stanford University, and Assistant Director of the Literary Lab. Next fall, she will begin her new job as Assistant Professor of English at Temple University

READ MORE >

ENVIRONMENTAL HUMANITIES AND POSTCOLONIAL ECOCRITICISM

In the fall of 2019, Dr. Cajetan Iheka (PhD 2015) was appointed Associate Professor at Yale University, moving from his prior position as Assistant Professor at the University of Alabama.

VIDEO GAMES, NARRATIVE, & SEXUALITY

In the fall of 2019, Dr. Cody Mejeur (PhD 2019) was appointed Visiting Assistant Professor of Game Studies in the Department of Media Study at the University of Buffalo.

Early modern literature and sexuality studies

In the fall of 2018, Dr. Abdulhamit Arvas was appointed Assistant Professor of Theater in the Department of Theater and Dance at the University of California, Santa Barbara, where he is also affiliated with the English Department.

Certifications & Specializations

• New in 2019 : Certificate in Film Studies
• Certificate in College Teaching
• Certificate in the Digital Humanities
• Certificate in Global Studies in the Arts and Humanities
• Interdisciplinary Graduate Specialization in Women and Gender
• Specialization in Animal Studies: Social Science and Humanities Perspectives

In-House Journals

Cr: the new centennial review.

CR: The New Centennial Review is devoted to comparative studies of the Americas that suggest possibilities for a different future. 

The Journal of Popular Culture

The Journal of Popular Culture  continues to break down the barriers between so-called “low” and “high” culture and focuses on filling in the gaps that a neglect of popular culture has left in our understanding of the workings of society.

The American Indian Studies Series

Contagion   is the journal of the Colloquium on Violence and Religion (COV&R), an international association of scholars founded in 1990 and dedicated to the exploration, criticism, and development of René Girard’s mimetic model of the relationship between violence and religion in the genesis and maintenance of culture.