Essay on Water for Students and Children

500+ words essay on water.

Water is one of the most important substances for life on earth to function. It is equally important for humans as well as animals. Water does not merely help us survive, but it is significant for our day to day functioning. It has numerous uses when we come to think about it. Majority of our earth is covered with water itself, but, not all of it is safe for consumption. Therefore, it makes it essential for us to utilize this transparent substance chemical wisely. Moreover, if we look at the shortage of water happening in our country, it makes it all the more important to conserve it immediately.

essay on water

Uses of Water

As we have already said that water has numerous uses, we will see where it is used. This part will most importantly help us realize the importance of water . It will make humans aware of what absence of water in the following areas can do to human life. As India’s main occupation is agriculture, water is exhaustively used here. Irrigation and cattle rearing requires a lot of water. Thus, a lot of farmers’ livelihood depends on it.

Further, industries use water for various purposes. It comes in handy when cooling, manufacturing and transporting several goods. For instance, thermal power plants consume quite a substantial amount of water for their running.

Furthermore, the domestic use of water cannot be left behind. In the day to day life of the common man, water plays a vital role. That is to say, from drinking water to washing utensils, we need water every step of the way.

After that, plants need water to survive and make food. It is one of the main elements which help them grow. Hence, water is extremely important for humans, animals, and plants to survive .

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Do not Waste Water

While water is quite essential and yet so scarce, however, people fail to realize this fact. They waste water with little or no care for the results of this activity. There are various ways in which one can avoid wasting water . To begin with, all households must get their leaking taps checked. They should fix them immediately as every drop is precious.

Similarly, we must choose buckets instead of showers for bathing. This is a very debatable topic and it needs to be settled. Showers waste a lot of water, so people must prefer buckets. This particular habit is quite commonly found in most of the households. People do not turn off their taps while brushing their teeth and washing utensils. Always remember to keep the tap off when doing so.

In addition, encourage rainwater harvesting system in all homes. This can help conserve water like never before.

In short, water is essential for the survival of mankind. But, it is, unfortunately, being waster rapidly. Every citizen and government must come together to tackle this issue. Governments must ensure all areas get water equally. On the other hand, citizens must keep in mind to use it wisely and not waste it unnecessarily.

FAQs on Water

Q.1 State the importance of water.

A.1 Water is of the utmost importance for human and animal life. It gives us water to drink. It also comes in great use for farmers and industries. Even common man requires water for various purposes like drinking, cleaning, bathing and more.

Q.2 List the ways to avoid wastage of water.

A.2 Everyone must avoid wasting water. We can do so by fixing our leaking taps, avoiding showers for bathing, and turning off taps when brushing. Furthermore, we can adopt rainwater harvesting system to conserve water.

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'Blessing' is a four stanza poem with some inconsistent usage of end-rhyme, dealing with the major event of a broken water pipe in a deprived slum on the outskirts of Bombay. The imagery used in the poem emphasises the poverty of the people and how important and how sacred drinking water is to these people. The poem starts with a short, two line stanza that serves the purpose of framing the poem and establishing the context or back story of the poem.

water is blessing essay

The skin cracks like a pod.

There never is enough water.

Here the 'skin' could be a literal reference to a person's skin that has become chapped and chafed by constant exposure to the hot sun, or could a more figurative reference to the dry dusty ground that also cracks and splits during heat-waves and droughts. Also, when a person becomes dehydrated their lips and gums begin to shrink and their skin becomes dry and loose. The word 'pod' refers to a seed pod that opens in the hot weather to release its seeds. When taken together these descriptive words paint a rather bleak, even violent image. The poet's choice of words reminds the reader that we are dealing with a hot country where thirst is common, after all, 'there never is enough water.' 

The second stanza begins by asking the reader to imagine water dripping into a cup, to imagine the tiny splash as the water droplet hits the bottom of the cup. It is as if the person describing the dripping water hasn't had a drink in months and, just like a man dying of thirst in a desert, is fantasising about a delicious drop of thirst-quenching water. Like the first stanza, the second stanza reinforces the idea that within the context of this poem water is a very precious and rare thing, not to be wasted at any cost. The fact that the tiny droplet of water creates an 'echo' in the mug suggests that the mug is almost entirely empty, like a drop of cool water hitting a parched tongue. Moreover, what kind of person owns a tin mug? A rich man, or a poor man? We could say that the reference to a tin mug implies that this person is also very poor. Most interestingly of all, the last line of the second stanza personifies the echoing splash of the water as 'the voice of a kindly god', which not only makes the water seem even more precious and divine but also part of a god and therefore something miraculous and deeply special.

water is blessing essay

The third and longest stanza of the poem tells us a story of a burst water pipe and how suddenly this precious resource was transformed from a tiny, precious drip into a powerful torrent of water. Such is the value and importance of water to these people that throughout the poem it is referred to as if it was a precious metal like gold or silver.

The poet describes the gushing water as a 'sudden rush of fortune' like someone winning the jackpot on a slot machine and the money rushing out of the machine. As the precious water splashes onto the ground the word 'rush' could suggest that people are 'rushing' around trying to save as much of it as they can. We are told that it is the public (municipal) pipe that has burst, which could either be a water pump that is available to everyone or maybe just a large water pipe that runs through the slum. Either way a large water pipe has burst and it is a cause of some panic and excitement. Again the poet uses figurative language to compare the water to precious metal when she writes 'silver crashes to the ground'. Caught in the right light water can look like silver, or a highly polished mirror, only in this instance the poet uses the word 'silver' to emphasise how precious a commodity it is. As the water beings to flow and drain away it finds a 'roar of tongue.' Now, this is an interesting metaphor and also an example of synecdoche which is a figure of speech in which a part is used for the whole or the whole for a part, the special for the general or the general for the special, as in ten sail for ten ships. In this poem the word 'roar' refers to a group of people since we only have one tongue each and therefore the plural 'tongues' suggests a group. It could be that the tongues are 'roaring' with thirst, or perhaps that people are merely shouting and their combined voices constitutes the 'roar' of a crowd. It seems that the poet is being purposefully ambiguous to make readers think about the idea of thirst and to remind everyone that there are lots of other people involved in this event. And indeed, as the poem continues people are starting to appear from their huts with all manner of pots and pans to carry the water, so perhaps the 'roar of tongues' is actually a shout of alarm and panic to tell people that they need to try and save as much of the water as possible.

The word 'congregation' has been used as it has two important meanings within the context of this poem. Firstly it refers to a congregation or group of people, but it also refers to a group of people in a church or being given religious instruction. Again, the poet is using ambiguous religious language, the effect being to make the process of saving the spilling water a kind of religious ritual, which in turn emphasises the precious nature of the water. The poet has already described the water as a gift from a 'kindly' god, so if the water is a gift from god it is only right that the act of collecting it should bear some resemblance to a religious ritual. This is also further evidence that these people are religious people and that they see accidents as acts of god and not just freak occurrences.

water is blessing essay

People from 'all the streets around' rush to save the water. This could mean that their water is somehow restricted, perhaps they have to pay for it and as such a burst pipe represents a chance to save some free water. Maybe it is rationed in case it runs out. It is highly unlikely that people in a British city would all rush out to the road with their pots and pans and buckets to save water if a water pipe burst on the street! It is described that they use cheap containers to save the water and their 'frantic' hands also suggest that there is an atmosphere of panic. However, all is not doom and gloom since the small children are playing in the water, the highlights in their hair 'polished to perfection' after a life spent outside in the hot 'liquid' sun. 

Watch the video below to help you remember the key poetic terms and the forms and structure of poetry to help you achieve the top grades.

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Metro Atlanta has a unique water story. You may know that water keeps metro Atlanta going and growing. It has been an important part of the success of our economy and central to our region’s culture and history, which are some of the many reasons we work so hard to protect our water. In fact, since the creation of the Metropolitan North Georgia Water Planning District over 20 years ago, the per capita water use has dropped by more than 30%, thanks in part, to the water conservation efforts of metro area residents, utilities, schools, and businesses.

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water is blessing essay

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The “Blessing” Poem by Imtiaz Dharkerby Essay

In the poem “Blessing”, Imtiaz Dharkerby uses metaphors, juxtaposition, and imagery to accentuate the problem of water deficit for impoverished children. The use of metaphors allows the author to conjure up appropriate associations in readers’ minds. For instance, the line in stanza 2, “the voice of a kindly god” is a figure of speech meant to show how much importance children attach to the sound of falling water.

The second device used by the author is juxtaposition, which can be seen in the second and third stanzas. In the second one, the word “drip” is used to showcase that the shortage of water is so extreme that even a drip is seen as a moment of blessing. The third stanza contains the phrase “sudden rush”, which is juxtaposed to the earlier “dip”, implying that the moment when the pipe bursts is a special moment for children.

The third device is imagery, which is present in the fourth stanza. The author uses the phrase “liquid sun” to create the association with hope. In the poem, the sudden abundance of water allows children to see the reflection of the sun. The choice of the adjective “liquid” emphasizes the presence of water. The reflection of the sun in the water is also a symbol of hope for dehydrated children.

These devices allow the author to demonstrate the dire situation of children living in impoverished regions. Metaphors enable the audience to mentally connect with the described events. Juxtaposition showcases the uniqueness of the moment, while imagery allows the audience to understand the significance of seemingly mundane phenomena. Ultimately, the author intends to enthuse the readers with empathy toward dehydrated and impoverished children.

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IvyPanda. (2023, June 14). The “Blessing” Poem by Imtiaz Dharkerby. https://ivypanda.com/essays/the-blessing-poem-by-imtiaz-dharkerby/

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water is blessing essay

Blessing Summary & Analysis by Imtiaz Dharker

  • Line-by-Line Explanation & Analysis
  • Poetic Devices
  • Vocabulary & References
  • Form, Meter, & Rhyme Scheme
  • Line-by-Line Explanations

water is blessing essay

"Blessing" appears in Imtiaz Dharker's collection Postcards from God (1997). It depicts the sudden bursting of a water pipe in a neighborhood where water is scarce. As a shower of municipal water rains down, the surrounding residents run to cool off under it and gather it in containers. Though the scene is communal and joyful, it's also "frantic" and a little disturbing: the "sudden / rush of fortune" highlights the mass deprivation that it has only briefly relieved. Inspired by the Dharavi neighborhood of Mumbai, India, the poem is both a community snapshot and a comment on inequality and climate change.

  • Read the full text of “Blessing”

water is blessing essay

The Full Text of “Blessing”

“blessing” summary, “blessing” themes.

Theme Scarcity, Poverty, and Desperation

Scarcity, Poverty, and Desperation

Line-by-line explanation & analysis of “blessing”.

The skin cracks ... ... is enough water.

water is blessing essay

Imagine the drip ... ... a kindly god.

Sometimes, the sudden ... ... a congregation:

Lines 12-17

every man woman ... ... frantic hands,

Lines 18-23

and naked children ... ... their small bones.

“Blessing” Symbols

Symbol Water

  • Line 2: “There never is enough water.”
  • Lines 3-6: “Imagine the drip of it, / the small splash, echo / in a tin mug, / the voice of a kindly god.”
  • Lines 7-11: “Sometimes, the sudden rush / of fortune. The municipal pipe bursts, / silver crashes to the ground / and the flow has found / a roar of tongues.”
  • Line 19: “screaming in the liquid sun,”
  • Lines 22-23: “as the blessing sings / over their small bones.”

“Blessing” Poetic Devices & Figurative Language

  • Line 1: “The skin cracks like a pod.”
  • Lines 7-8: “Sometimes, the sudden rush / of fortune.”
  • Line 19: “the liquid sun”
  • Line 20: “their highlights polished to perfection,”

Juxtaposition

  • Line 1: “skin cracks like”
  • Line 2: “never,” “enough”
  • Line 4: “small splash”
  • Line 7: “Sometimes,” “sudden”
  • Line 8: “municipal pipe,” “bursts”
  • Line 10: “flow,” “found”
  • Line 12: “man,” “woman”
  • Line 13: “streets”
  • Line 14: “butts,” “pots”
  • Line 15: “brass,” “copper”
  • Line 16: “plastic buckets,”
  • Line 17: “frantic hands”
  • Line 18: “naked”
  • Line 19: “screaming,” “liquid”
  • Line 20: “highlights polished,” “perfection”
  • Line 21: “flashing light”
  • Line 22: “blessing,” “sings”
  • Line 23: “small,” “bones”
  • Line 3: “Imagine,” “drip,” “it”
  • Line 5: “in,” “tin”
  • Line 7: “Sometimes,” “sudden rush”
  • Line 11: “From,” “huts”
  • Line 14: “pots”
  • Line 15: “copper”
  • Line 20: “highlights”
  • Line 21: “light”
  • Line 23: “over,” “bones”

“Blessing” Vocabulary

Select any word below to get its definition in the context of the poem. The words are listed in the order in which they appear in the poem.

  • Municipal pipe
  • Congregation
  • (Location in poem: Line 1: “The skin cracks like a pod.”)

Form, Meter, & Rhyme Scheme of “Blessing”

Rhyme scheme, “blessing” speaker, “blessing” setting, literary and historical context of “blessing”, more “blessing” resources, external resources.

The Poem Aloud — Imtiaz Dharker introduces and reads her poem.

An Interview with the Poet — Dharker discusses her life and work.

Dharker at the Poetry Archive — A short biography and exhibit about the poet.

The Author's Website — Check out Imtiaz Dharker's personal website, featuring media coverage, the poet's visual art, and more.

Water Scarcity and Climate Change — "Blessing" describes a problem that afflicts many communities worldwide. Read an NPR report about water shortages in the Global South.

LitCharts on Other Poems by Imtiaz Dharker

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Blessing (Imtiaz Dharker poem)

By imtiaz dharker, blessing (imtiaz dharker poem) summary and analysis of summary and analysis of.

"Blessing" by Imtiaz Dharker recounts the instances of a municipal pipe bursting in a community afflicted with drought. In the first stanza, the speaker states that the skin cracks like a pod because there is never enough water. In the following stanza, the speaker describes the sounds of water: the drip of it, the small splash, an echo in a tin mug, and the voice of a kindly god.

In the third stanza, the speaker recounts the occasional and fortunate occurrence of a municipal pipe bursting. Silver crashes to the ground and the flow finds a roar of tongues. A congregation of men, women, and children come from the huts of surrounding streets to butt in. They use pots, brass, copper, aluminum, plastic buckets, and frantic hands to gather the water.

In the last stanza of the poem, naked children scream as they play in the liquid sun. Their highlights are polished to perfection in the flashing light. Water is described as a blessing that sings over the children's small bones.

"Blessing" by Imtiaz Dharker illustrates the way that water is transformed into a form of currency and a divine blessing in an urban community afflicted with drought. In particular, the poem focuses on the way the children in the community encounter the blessing of water. In the first stanza, the poet briefly describes drought with the lines, "The skin cracks like a pod. / There never is enough water" (Lines 1-2). As "the skin" is unspecified, it could refer to all types of skin: human, animal, and the surface of the earth. A pod is an elongated seed vessel of a plant that splits open on both sides when ripe. Like humans, plants need water to survive and grow.

Dharker has stated that the setting of the poem is Dharavi (considered one of the largest slums in Asia) in the city of Mumbai during the dry season. However, this specific setting is not explicitly named in the poem, making it applicable to other marginalized communities that experience drought. The simile of the skin cracking like a pod is specific to the poem's setting because pods (for example, cardamom) are often used as a food source in India. The rhythm of these first lines is a pattern of unstressed and stressed syllables that is maintained until the final word of the second line: "water." Dharker often employs irregular patterns of rhythm in her poems, meaning that when she chooses to break a fixed rhythm, it holds significance. Here, the emphasis is on water because of the severe drought that characterizes normal life for the community in the poem.

The poem is composed of four stanzas of varying lengths written in free verse. The first stanza is brief and bare-boned compared to the rest in order to convey the severity of the drought. In the second stanza, the speaker further develops the description of the drought by instructing the reader to imagine the sounds of water: "the drip of it, / the small splash, echo / in a tin mug, / the voice of a kindly god" (Lines 3-6). "Drip" and "splash" are examples of onomatopoeia: they describe the sound of water. Significantly, the speaker does not evoke a large rushing body of water, but rather the sounds of small amounts only. This contributes to the sense of desperation that occurs in places of severe drought. Between sixty and seventy percent of the human body is composed of water; it is essential for survival. The word "god" rhymes with "pod," showing that it is up to a higher source to determine whether the community's skin will crack like a pod due to drought or if their cups will be filled with life-giving water.

In the poem, the sounds of water are described as "the voice of a kindly god" (Line 6). This demonstrates that the people living in the poem's urban setting consider water to be a divine source and are grateful for whatever amount they can access. It is not in mosques or temples that these people encounter god, but rather in the moments when their survival is ensured for a time by the appearance of something as essential as water. Here, god is not capitalized, a choice that aligns with the frequent criticisms of religious fundamentalism elsewhere in Dharker's work.

The third stanza is the longest in the poem, describing the accidental appearance of water. The first lines that describe this read, "Sometimes, the sudden rush / of fortune," and the sounds and the sentence structure themselves give the impression of the movement of water (Lines 7-8). The sibilance of the /s/ in the words "sometimes" and "sudden" and the /sh/ of "rush" mimic the gushing sound of water. This is also a nominal sentence; it does not contain a verb. The poetic syntax of this phrase evokes the suddenness of the situation before even recounting what happened.

The word "municipal" specifies the poem's setting as urban. It also implies that the water supply is controlled by the government. It is only by accident (the pipe bursting) that the people living in Dharavi are able to access this water. The word "water" is then replaced by the word "silver," denoting it as a precious resource. This "flow has found / a roar of tongues," imbuing the water with life and sentience (Lines 10-11). The "roar of tongues" begins to evoke the chaos of the situation as people gather to collect and enjoy the water. People come from the huts as "a congregation" of men, women, and children (Line 12). The religious connotation of the word "congregation" illustrates that water is an equalizing and divine force. It is equalizing because everyone in the community requires it and will come together to collect it.

Like in the earlier stanza where the speaker instructs the reader to imagine the sounds of water, this passage describing the burst pipe is rich with sonic imagery. Everyone "for streets around / butts in, with pots, / brass, copper, aluminium, / plastic buckets, / frantic hands" to collect the water (Lines 13-17). The /b/ and /p/ add a percussive element to this list of words that seem to spill forth, evoking the hubbub of the crowd. The "frantic hands" are a synecdoche for the people in the community.

Using enjambment, the poet continues the list from the third stanza to the fourth, and hones in on the image of children playing in the water. People of all ages gather around the burst pipe, but it is the children who particularly turn the event into a celebration. They run, naked and screaming in the liquid sun, enjoying the water that has come their way. The imagery of this passage focuses on the way that light and water interact: the light is a "liquid sun," the children's "highlights" are "polished to perfection," and the light flashes with their movement. Light indicates hope, and here the water defines a moment of hope and joy.

Just as the sound of water is deified earlier in the poem as "the voice of a kindly god," water is referred to as a blessing that sings in the final stanza (Line 6). Children are included in the list of people who butt in from the surrounding streets to gather water with pots, buckets, and hands, but it is only children who play in the water at the end. The poet bestows active and divine qualities upon water "as the blessing sings / over their small bones" (Lines 22-23). Ending with this image shows the necessity of children (as well as their playful presence in the world) for the continuation of life. The act of gathering water demonstrates hope for survival, but the poem's central image is the playing children. The total gratitude and enjoyment of which children are capable contributes to the community's survival as a whole.

The image overall, however, is bittersweet. The focus on the children's "small bones" not only refers to their developing frames, but could also suggest their bodies are skeletal as a result of malnourishment, dehydration, and stress. If the reader is to understand the line "There never is enough water" as foreshadowing, then this last image of the children playing in the water suggests sadness and lack as well as momentary joy.

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Blessing (Imtiaz Dharker poem) Questions and Answers

The Question and Answer section for Blessing (Imtiaz Dharker poem) is a great resource to ask questions, find answers, and discuss the novel.

Study Guide for Blessing (Imtiaz Dharker poem)

Blessing (Imtiaz Dharker poem) study guide contains a biography of Imtiaz Dharker, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

  • About Blessing (Imtiaz Dharker poem)
  • Blessing (Imtiaz Dharker poem) Summary
  • Character List

water is blessing essay

The Poem “Blessing” by Imtiaz Dharker

In the poem “Blessing”, Imtiaz Ali bases the poem on a situation in which water is a very rare commodity and describes the scene that is created on the special occasion when water is available in plenty.The title of the poem is short, but not straightforward. When a reader initially reads the title ‘blessing’, the reader has no clue as to what the poem will be about. The first thing that came to my mind when I read the title was that the theme of the poem would relate to something religious, more specifically the Muslim religion, as it is written by a Pakistani Poet.

However, it metaphorically symbolizes how much a common resource such as water is treasured. Imtiaz Dharker has deliberately done this to create suspense on what the poem is about, shocking the reader when he/ she starts to read it.Imtiaz Dharker has written this poem in 3rd person where he narrates a moment in time when water is available in an area.

The poem is structured into 4 uneven stanzas in free verse further imposing the theme of the poem- the inconsistency in water availability.The first stanza introduces the theme with the quote there is never enough water.

The suspense on what the poem is about is then broken as the reader is now aware that the poem is based on water scarcity. To further impose this theme in this verse, the poet has used the quote ‘the skin cracks like a pod’ which creates an image of dry, dehydrated skin.

water is blessing essay

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“ Thank you so much for accepting my assignment the night before it was due. I look forward to working with you moving forward ”

The use of simile here, along with the onomatopoeia cracks creates a vivid image in the readers mind making them feel as if they too are dehydrated and are craving for water.In the next stanza, Dharker has created vivid images that make the reader crave and understand the importance of a common resource such as water.

A simple sentence such as “imagine the drip of it” can make the reader feel so intrigued by something that we usually take for granted. When the reader reads the word imagine the reader automatically forms an image in their mind on what the poet is describing. By using such a small but powerful word, Dharker has been able to draw the attention of the reader and make them focus on the message he is trying to portray. Other images that support this are “the small splash” and “echo in a tin mug”. The poet has created sound images to create an overall sensory depiction of a picture that has a very strong impact on the reader. The poet has very vividly symbolized water as a treasure to the people living near by.

The quotes “Sometimes, with the sudden rush of fortune” and “silver crashes to the ground” are seen to support this idea. The use of the prefix sometimes further imposes how rare water is available in the area. The uses of the words fortune and silver metaphorically symbolize water. The poet has tried to convey the message of how water is a natural form of money that is needed to live in this world, without which there would be no life.

Dharker has created an atmosphere of of urgency through this poem further imposing how important water is as a resource. A quote to support this would be has found a roar of tongues and naked children screaming in the liquid sun. The roar of tongues is a great example of the use of imagery where the reader gets a sense of the urgency of how necessary water is. The poet has deliberately used this to make the reader feel sympathetic towards the people and appreciate a resource that we usually take for granted.

The naked children screaming in the liquid sun further imposes this idea. The use of the word screaming is usually used in a situation of urgency or extreme happiness. In this case, it relates to both. By finding treasure, the people of the place are ecstatic and frantic hands cant seem to stay away from the water.The use of naked children suggests that the people in this area are struck by poverty and liquid sun suggests the setting of the poem, being in a very dry and hot sunny place.

The lack of punctuation used in the 3rd stanza helps further impose the idea of urgency in the poem. Every man woman child for streets around buts in is a quote to support this. The lack of punctuation automatically makes the reader read this line in a hurry therefore making the reader feel a sense of exhaustion and hurriedness. Further more, every man woman child suggests that so many people rely on one municipal pipe further imposing the rarity of water in the area.

We take many things for granted in our lives. Water, food and electricity are just a few. The poem “Blessing” by Imtiaz Dharker sends a reality check to those who are not aware of it. Through this poem, Dharker sends a strong message of how many parts of the world don’t receive common resources such as water making the reader feel more genuinely appreciative of the things they get. The poet uses several language techniques in order to portray this message, which is successful, impacting the reader at great heights with such simple words.

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The Poem “Blessing” by Imtiaz Dharker

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  • Imtiaz Dharker: Blessing

An analysis of 'Blessing'.

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The structure of the stanzas is a metaphor for the water in the pump. “The skin cracks like a pod. There is never enough water.”

This is the first stanza it is very short just as the water is only dripping. As we go further the stanzas get longer “Sometimes, the sudden rush of fortune… plastic buckets, frantic hands,”

This stanza shows the pipe bursting and water rushing out and in the poem this is shown by the size of the stanza.

The sentence structure is also a metaphor for the water. “The skin cracks like a pod. There is never enough water.”

Here the sentences are short just as they are short of water, where as in the third stanza the sentences get longer. “From the huts, a congregation: every man woman and child for streets around butt in, with pots, brass, copper, aluminium, plastic buckets, frantic hands,”

This sentence is long as it shows the rush of water and the lack of commas used in the first part emphasis the rush and the use of commas in the second part quickens the pace.  

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The theme of the poem is showing the differences between the rich and the poor. This is done by displayed by the lack of water for the poor. “silver crashes to the ground”

To these people water is just as valuable as silver, to them water is there wealth. Imtiaz Dharker uses silver as it is similar to water in colour. This metaphor is also repeated when it says “polished to perfection”

This is a preview of the whole essay

Many different poetic techniques have been used to create an image in the readers head. “Imagine the drip of it, the small splash, echo in a tin mug” the uses of onomatopoeias helps create a clear image.    

I enjoyed reading this poem very much as the poet uses different techniques to show reality in poorer countries. Having the title as “Blessing” is also very good as it shows the water as holy and something to be worshiped. “Flashing light, as the blessing sings, over their small bones.” In this poem the water is also a metaphor for religion. The flashing light is the light of god and the water splashing over there small bones, is symbolising baptism.    

Nothings changed

The poem is set out in six stanzas, each of eight fairly short lines. This kind of regularity in the layout creates a sense of control: the poet is very clear about what he is feeling and not suddenly flying into a rage.

But within that pattern the length of the sentences varies from a whole stanza to just two words. To explore the effect of the sentence structure in the poem, look at these examples:

The structure is clearly divided into six stanzas, each of eight fairly short lines, appropriate for the clearly divided apartheid society and for a poem about ” District Six. ‘

The rhyme of, ‘heels’, ‘seeds’ and ‘weeds’ perhaps suggests the footsteps that the stanza begins with.

The second stanza concentrates on strong images of body parts.

“But my feet know, and my hands, and the skin about my bones, and the soft labouring of my lungs, and the hot white, inward turning anger of my eyes.”

This could be suggesting how closely the poet’s is tied to the place.

The third stanza uses angry words like, ‘brash’, ‘flaring’ which shows the

poet’s anger leading up to the ‘gatepost’ and the injustice of the ‘whites only inn.’

Note the pun on the word, ‘inn’ meaning both a place to stay and the act of

entering. The alliteration of, ‘guard at the gatepost’ draws attention to this part of

the poem which holds the key issue.

The fourth stanza contains images of, ‘glass’ which is a good image for

the invisible barrier of apartheid separating white and black people. The line, ‘No

sign says it is’ echoes the line in the second stanza; in apartheid it is what is NOT

said that is important i.e. people in power don’t like to talk about the division of whites and black but it happens all the same.

The fourth stanza’s, ‘crushed ice white glass’ belongs to the rich white

areas and contrasts with the fifth stanza’s ‘plastic table’s top’ that is for the poor

black people. The line, ‘it’s in the bone’ suggests that this divide is the result of

people’s bodies, their race and colour.

The sixth stanza again shows anger, a desire for, ‘a stone, a bomb’ to

break the glass and symbolically to end the separation between white and black.

Yet the last line, ‘nothing’s changed’ suggests that the author has little hope that

such an action would make things better. A pessimistic ending.

An analysis of 'Blessing'.

Document Details

  • Word Count 794
  • Page Count 2
  • Subject English

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  • The Regulatory Review In Depth

The Regulatory Review

Plugging Holes in the Clean Water Act

Jackson nichols.

water is blessing essay

Scholar sees design flaws in federal water pollution law as fueling rival legal theories.

How can you protect something if it no longer exists? As demand for freshwater increases and supply decreases due to climate change, rivers and reservoirs are beginning to run dry across the United States.

Conventional environmental law, which includes the Clean Water Act (CWA), is insufficient to protect and preserve waterways from allocation-based and climate change threats, argues Erin Ryan , a professor at Florida State University College of Law .

In a recent article, Ryan contends that, by addressing quality alone, federal water governance fails to connect the “inextricably intertwined” elements of water quality and quantity. Ryan suggests that this gap in federal regulations over water allocation has fueled support for two legal theories—the public trust doctrine and the rights of nature movement.

From the outset, Congress expressly delineated the goals and method of the CWA—to restore the nation’s waters for drinking, swimming, and fishing by regulating water pollution and limiting previously unregulated discharges.

Ryan identifies three primary mechanisms within the CWA for targeting pollutants. First, regulators establish discharge standards for individual pollutants that limit the collective discharge of a certain pollutant by all known dischargers. Second, regulators set performance standards that dischargers must follow that are customized to reflect the toxicity of each pollutant discharged.

Finally, the CWA contains a permitting system on all pollutants released into regulated waterways from point sources , which range from factories to storm drains. One limitation of this permitting system is the lack of control over non-point sources, which include most agricultural activities, and remain in the hands of state regulators.

The CWA also encompasses the concept of cooperative environmental federalism, with federal and state regulators working together to protect water quality, and places CWA regulations firmly above any contrary state laws. In contrast, the regulation of water quantity—how much water remains within a regulated waterway— occurs almost entirely through state allocation laws independent of the CWA.

Ryan classifies state allocation laws as “the means by which state and local governments determine how much water may be removed from a waterway for agricultural, commercial, and domestic uses.” She points to these laws as the main determinant for whether enough water stays in the waterway to dilute pollutant discharges permitted by the CWA and to maintain navigational, ecological, aesthetic, and recreational functions.

Ryan contends that the heart of the disconnect between quality and quantity regulation stems from the bifurcation of water regulation into two distinct bodies of law—federal water pollution law and state allocation law. The roadblocks hindering the creation of comprehensive national standards are jurisdictional barriers, historical practice, pure practicality, and constitutional limits on federal power, notes Ryan.

The only explicit provision of the CWA that Ryan identifies as weighing in favor of water quantity is Section 404 , which protects wetlands by prohibiting their elimination as standing bodies of water without permit approval.

As a result, Ryan concludes that the CWA is a “necessary but insufficient tool” for protecting threatened waterways due to the limited scope of its design. Without waterways to protect, Ryan argues , pollution control becomes meaningless.

Ryan observes that escalating water demand has paired with aridification and drought to drive rampant water scarcity. Taken together, Ryan coins this situation a “disharmonic convergence” that highlights central failures of U.S. environmental law when it comes to water regulation.

While gaping holes in federal regulatory schemes coincided with shrinking local waterways, she maintains that this landscape spurred advocates for the environment to plug the holes left by the CWA with different legal tools.

The first legal plug that Ryan dissects is the public trust doctrine. Finding its roots in Roman common law, public trust principles enshrine “the air, running water, the sea, and consequently the shores of the sea” as being common to mankind. Today, this doctrine means that states retain sovereign ownership and responsibility for managing waterways for the benefit of the public.

Beyond this managing principle, states implement this doctrine using different forms of law—from state constitutional amendments to statutory law—applied to a range of protected resources and values.

Despite its potential for preservation, Ryan warns that the doctrine’s inherent limitation lies in its inherent anthropocentrism . By explicitly protecting human interests in natural resources, the doctrine’s utilitarian calculus focuses on the benefits waterways and other resources confer on the populace.

In contrast, Ryan describes the rights of nature movement as biocentric because it protects interests in nature directly, rather than only protecting human interests. Instead of assigning rights to humans to enjoy the resource, the movement asks the law to protect the resource itself, or even give it legal personhood. Through this doctrine, a body of water in question could attain heightened legal protection that encompasses both quality and quantity restrictions.

Ryan identifies the origins of the movement in indigenous cultures worldwide, with its emergence in the Western legal tradition coming only in 1972 from an adverse ruling in a U.S. Supreme Court decision. In addition, Ryan compiles a collection of examples from the United States where tribal and local governments have enacted rights of nature rulings or laws to varying degrees of success.

Similar to the public trust doctrine, the movement contains local variation based on what receives protection and to what extent, who speaks for rights holders that cannot speak themselves, and what legal mechanisms vindicate nature’s rights.

Ryan argues that both theories display common ground in practice despite springing from different environmental ethics. Both speak to concerns “underserved” by conventional environmental law, both protect values underappreciated in cost-benefit analyses, and both embody last resort arguments in court.

Ryan concludes by reiterating the potential of these theories to be ideological laboratories of experimentation that evolve and galvanize communities outside of the courtroom. With the nation’s drying waterways, Ryan expresses hope that Congress will develop the CWA to plug the holes that these theories are being called on to fill.

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The Supreme Court’s Wetland Saga Continues

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Rejecting federal agencies’ interpretation of the Clean Water Act, the Supreme Court limits the application of federal law over wetlands.

Klein examines ‘Matisse and Water’

water is blessing essay

John Klein , a professor in the Department of Art History & Archaeology in Arts & Sciences at Washington University in St. Louis, contributed one of three principal essays to “Matisse and the Se a.” The monograph accompanies a special exhibition of the same title currently on view at the Saint Louis Art Museum.

Related Media Coverage

Matisse exhibit at St. Louis Art Museum shows artist spellbound by the sea

St. Louis Post-Dispatch

Examining the significance of the sea across the career of French modernist Henri Matisse, “Matisse and the Sea” places particular focus on his iconic coastal painting “Bathers with a Turtle” (1907-08). In “Matisse and Water,” Klein, an internationally known Matisse specialist, details the artist’s lifelong quest to paint water in a variety of modes, from realistic and local to abstract and symbolic.

In Matisse’s work, Klein writes, “water attains a metaphoric richness as a medium of tranquility that fulfills one of Matisse’s central goals for his art: that it provide comfort, pleasure, solace, and the satisfaction of beholding something that has never been encountered but seems inevitable.”

“Matisse and the Sea” is published in April by the Saint Louis Art Museum and by Hirmer Publishers. It is distributed by the University of Chicago Press and available in the museum gift shop. The exhibition remains on view through May 12. For more information, visit slam.org .

Comments and respectful dialogue are encouraged, but content will be moderated. Please, no personal attacks, obscenity or profanity, selling of commercial products, or endorsements of political candidates or positions. We reserve the right to remove any inappropriate comments. We also cannot address individual medical concerns or provide medical advice in this forum.

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‘They are my blessings’: Parents welcome twins on Leap Day

A'Novia and A'Marrion Brown were born Feb. 29, 2024

( KSLA /Gray News) - A Texas couple became the parents of not one, but two babies on Leap Day.

Rayevaneisha Adams and Omarrion Brown are now parents of twins A’Novia and A’Marrion Brown. They were born at the Christus St. Michael Health Center in Texarkana.

The twins were both 5 pounds and 7 ounces, measuring 18 inches.

KSLA reported that Adams was scheduled for a C-section on Feb. 27 because the babies were breached. However, doctors decided to wait until Leap Day for delivery.

“They are my blessings. If it wasn’t meant, they would not be born on today, so I thank God for allowing me to birth them today,” said Adams.

The couple said friends and family are already asking what date the twins will celebrate their birthday.

“Honestly, I thought about celebrating February 28 and March. It’s two of them, so we can make it a double, double day celebration,” she said.

Four Leap Day babies were delivered at Christus St. Michael, according to KSLA.

Copyright 2024 KSLA via Gray Media Group, Inc. All rights reserved.

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"Blessing" by Imtiaz Dharker

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Published: Feb 12, 2019

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Plastic forms the bulk of debris affecting marine ecosystems. Earlier work documented plastic ingestion in wild bottlenose dolphins in Sarasota Bay, off Florida’s west coast. The researchers wondered if prey fish that consume microplastics, or tiny plastic pieces, could be a source of exposure to dolphins.

They collected 29 fish, representing four species, from Sarasota Bay and took samples from muscle and the gastrointestinal tract. During veterinary checkups, conducted through catch-and-release methods, the researchers also retrieved stomach content samples from seven dolphins. Back in the lab, they screened all samples for microplastics, analyzing properties such as color, shape, and texture.

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The findings offer insight into the variety of plastic found in dolphins, but larger sample sizes are necessary to understand sources of exposure, according to the authors. Because dolphins and humans reside on similar levels of the food chain, the results may indicate seafood safety risks for people as well.

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Ciguatera is a type of seafood poisoning caused by ciguatoxins, harmful chemicals produced by marine algae in the group Gambierdiscus. Monitoring seafood for ciguatoxin contamination is difficult because mere traces of the chemicals can make people sick but are hard to detect. A model of toxin infiltration into the food web could help forecast ciguatera outbreaks.

To build their model, the researchers integrated data on Gambierdiscus growth and toxicity, as well as on the feeding preferences and behavior of seaweed-eating fish. They collected samples of algae from eight sites around the Florida Keys and the Virgin Islands, recording water temperature at each location. Next, they analyzed the samples for Gambierdiscus, measuring cell density and estimating toxin levels. Drawing on published studies, the team gathered information on the type and amount of seaweed that coral reef fish consume monthly. Then, they assessed their model’s ability to simulate ciguatoxin uptake by reef fish.

Model outputs suggested a lack of alignment among the parameters, indicating that one parameter may not necessarily predict another. For example, algal cell densities were not correlated with estimates of ciguatoxin buildup in fish, perhaps because highly toxic strains of Gambierdiscus skewed the relationship. By contrast, toxin levels in algal samples were generally correlated with toxin accumulation in fish. In addition, in one case where all model parameters aligned, the model predicted a major toxin infusion into reef fish, indicating a possible ciguatera outbreak.

Future studies should target specific species of seaweed for measuring ciguatoxin levels and adjust for species across sites and seasons, according to the authors. Ultimately, ciguatoxin modeling could be incorporated into other monitoring programs, such as seafood screening, to shape strategic responses to potential ciguatera outbreaks.

Citation : Parsons ML, Richlen ML, Smith TB, Anderson DM, Abram AL, Erdner DL, Robertson A. 2024. CiguaMOD I: a conceptual model of ciguatoxin loading in the Greater Caribbean Region . Harmful Algae 131:102561.

(Julie Leibach is a senior science writer at MDB, Inc., a contractor for the NIEHS Division of Extramural Research and Training.)

Read the current Superfund Research Program Research Brief . New issues are published on the first Wednesday of every month.

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Ukraine’s Deepening Fog of War

Two years after Russia’s full-scale invasion, Ukrainian leaders are seeking a path forward in the face of ferocious assaults and daunting unknowns.

A Russian strike this week in Kramatorsk, Ukraine, damaged a water filtration plant, cutting the water supply to part of the city. Credit... Tyler Hicks/The New York Times

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Marc Santora

By Marc Santora

Reporting from Kyiv, Ukraine

  • Feb. 24, 2024

The forecasts are anything but optimistic: The best Ukraine can hope for in 2024, many Western officials and analysts say, is to simply hold the line.

Only a year ago, Ukraine was brimming with confidence. It had defied expectations , staving off Russia’s attempt to take over the country. Western nations, buoyed by Ukraine’s success, promised aid to help Ukrainians break through Russian lines.

But the flow of much-needed weapons from allies into the country was unpredictable, and slow. Ukraine’s own domestic arms production was mired in bureaucracy, top military officials have said. And the command structure of the army was not changing quickly enough to manage a force that had expanded from 200,000 troops to nearly a million in a matter of months.

Those weaknesses, and some strategic battlefield missteps, stymied Ukraine’s widely telegraphed counteroffensive, which resulted in only marginal territorial gains. At the same time, Russia was fortifying its defensive lines, converting its economy to war production, conscripting hundreds of thousands of fighters and adjusting its strategy for renewed offensives this winter.

Now, as the war enters its third year, leaders in Kyiv are trying to find a new path forward amid ferocious Russian assaults, while facing a series of daunting unknowns.

A worker in emergency gear stands atop the debris of a badly damaged building.

The most urgent of these is out of Ukraine’s control: Will the United States Congress come through with billions more in military and economic aid? Without that, Western officials and military analysts have said, Ukraine’s war effort would be at grave risk.

But other issues are within Ukraine’s power to address. Can its civilian leaders muster the will to enact a potentially unpopular mobilization plan to replenish its depleted forces? Can the military command and the civilian government mend the rifts that have divided them and that led to the recent firing of Ukraine’s top general ?

“Of course, uncertainty always affects all processes,” Oleksiy Danilov, the secretary of the Ukrainian National Security and Defense Council, said in an interview. “We can talk for a very long time now about how the war has changed, because it is completely different than it was in February and March 2022. But the main thing that should be there is certainty.”

For now, Ukraine has to move forward without that certainty. Even as he presses the case for more Western support, President Volodymyr Zelensky is starting to take steps to improve some of the systemic problems under his control.

For instance, Kyiv has added several command headquarters to oversee brigades more efficiently. And while the new top general, Gen. Oleksandr Syrsky, is a product of the Soviet military system, Mr. Zelensky has installed a younger generation of generals under him who he hopes will bring more innovation to the battlefield.

The minister of defense, Rustem Umerov, has vowed to accelerate the development of ammunition production in Ukraine. He has also introduced a new procurement process to replace a post-Soviet system that was slower and more susceptible to corruption; one goal is to ensure the system integrates more seamlessly with those of other nations.

Another initiative is the Future Force Project, which brings together experts from different departments of the government, with the assistance of NATO partners. Its mission is to better organize the Ukrainian military for the needs of fighting a large-scale war, seeking to improve things like communication and coordination between branches.

It is based on best practices in Western militaries and already has the verbal blessing of the president, military officials said.

Despite these expected changes, military analysts and Western officials have voiced sobering assessments of Ukraine’s chances against a Russian Army with superior troop numbers and ammunition stockpiles, and a clear willingness to sacrifice thousands of soldiers to achieve even small gains.

As Ukraine confronts these imbalances, it also faces the once unthinkable prospect of waging a long war without American military backing.

With U.S. support held up for months by a faction of increasingly isolationist Republicans in Congress, severe shortages of ammunition have contributed to Ukrainian losses — like the brutal and ultimately unsuccessful fight to hold on to Avdiivka — which in turn has led to Ukraine suffering heavier casualties, further straining its already depleted forces.

Ukrainian military commanders will need to find ways to slow that vicious cycle while the political leaders engage in yet another desperate diplomatic push to try to fill the void left by the United States.

Mr. Zelensky must also repair the relationship between the civilian government and the military. The tensions simmered for months amid disagreements over halting mobilization efforts and military priorities competing with the political need to show allies progress.

Military officials were concerned last year that the government wanted a road map for victory without telling them the amount of men, ammunition and reserves they would have to execute any plan, according to Gen. Viktor Nazarov, an adviser to the former commanding general in Ukraine’s army, Gen. Valeriy Zaluzhny.

“This is what, unfortunately, our political leadership did not understand or did not want to understand when they demanded strategic plans from the military without strategic reserves and resources,” General Nazarov said in an interview.

General Zaluzhny leveled many of these same criticisms at the government before his dismissal. In an essay for CNN, for example, he contended that regulatory and production issues had hampered the defense industry, leading to “production bottlenecks — in ammunition, for instance — which further deepen Ukraine’s dependence on its allies for supplies.”

Both men were dismissed in Mr. Zelensky’s military shake-up early this month. But Mr. Zelensky named General Zaluzhny a “Hero of Ukraine” and shared a public embrace in an effort to demonstrate unity. And General Nazarov said the disagreements should not obscure the fact that the military and civilian government wanted the same thing: victory. Without that, he said, there is no military and there is no government.

Officials in the president’s office declined requests for interviews.

Despite the public tensions between the civilian administration and the military command, Mr. Zelensky may have some room to maneuver as he tries to patch up the relationship.

Though his rating in opinion polls has slipped slightly, he still enjoys broad public support. Almost 70 percent of Ukrainians believe he should remain in office for however long the country is under martial law, and that elections should be postponed until it is lifted, according to a survey released this week by the Kyiv International Institute of Sociology.

Mr. Zelensky and the military leadership are in lock step in professing that they are not interested in any cease-fire that would be struck on terms favorable to President Vladimir V. Putin of Russia.

The Ukrainian leader has said time and again that Russia needs to relinquish any territory it has captured. He has also emphasized that any pause in fighting would not lead to the end of the war. It would simply give Russia time to rearm.

Kyiv’s position is “not only about the territory, but also about the security,” Mr. Zelensky told Fox News on Thursday. The world, he said, should know by now that Mr. Putin simply cannot be trusted.

At the moment, General Syrsky has conceded, the initiative has shifted to the Russians and Ukraine must focus on strategic defense — maximizing Russian losses while fighting smartly to preserve its own fighting force.

General Syrsky has also spoken about the need to increase domestic arms production as well as developing and exploiting new technologies. But, like his predecessor, he will have to make strategic plans without knowing fully what resources his army will have at its disposal.

Simply put, he needs more soldiers.

That challenge is in Kyiv’s control, but the government has yet to reveal a plan to deal with it.

A bill that would overhaul the mobilization process — and potentially add up to 500,000 conscripts — is making its way through the Ukrainian Parliament. But lawmakers nervous about the political ramifications have already added some 1,300 amendments to the proposed law and it is not clear when it will be ready for a vote.

Beyond the thorny politics of the issue, Mr. Zelensky must demonstrate to the public the dire need for new troops without undermining morale, causing social unrest or damaging the already battered economy.

As the world assesses Ukraine’s prospects and the Kremlin pushes a narrative meant to convince onlookers that it cannot be beaten, Mr. Zelensky must work equally hard to show that Ukraine can win.

On Saturday, the second anniversary of Russia’s full-scale invasion, Mr. Zelensky visited the shuttered airport at Hostomel outside Kyiv, where Ukrainians soldiers fought back Russian paratroopers in a key early battle that helped save the capital.

“Any normal person wants the war to end,” Mr. Zelensky said in a video recording. “But none of us will allow our country to end.”

“That is why we always add ‘on our terms’ to the words about ending the war,” he said. “That is why the word ‘independent’ will always stand next to the word ‘Ukraine’ in future history. Let’s fight for it. And we will win.”

Marc Santora has been reporting from Ukraine since the beginning of the war with Russia. He was previously based in London as an international news editor focused on breaking news events and earlier the bureau chief for East and Central Europe, based in Warsaw. He has also reported extensively from Iraq and Africa. More about Marc Santora

Our Coverage of the War in Ukraine

News and Analysis

President Vladimir Putin of Russia said the West faced the prospect of a nuclear conflict  if it intervened more directly in the war in Ukraine , alluding to comments by President Emmanuel Macron of France about the possibility of sending NATO troops to Ukraine .

Amid a monthslong political impasse in the United States over aid to Ukraine, the Biden administration is considering whether to provide Kyiv with weapons from the Pentagon’s stockpiles .

The loss of the eastern city of Avdiivka was a blow for Ukraine. But Russia’s advance has been particularly harsh on  the farmers and miners in neighboring towns and villages , leaving them poised to flee.

Holding a Sliver of Hope: A Russian mother knows her son, a conscript, died 14 months ago in a battle in eastern Ukraine. But she is still waiting for him.

A Long Fight: On the second anniversary  of Russia’s invasion, many weary but determined Ukrainians  are taking a longer view of the war , pinpointing the Maidan uprising of 2014 as the start of a 10-year conflict with their adversary.

Sending a Message: Two years since the start of the war in Ukraine, President Vladimir Putin of Russia has fully embraced the image of an unpredictable strongman  ready to escalate his conflict with the West.

How We Verify Our Reporting

Our team of visual journalists analyzes satellite images, photographs , videos and radio transmissions  to independently confirm troop movements and other details.

We monitor and authenticate reports on social media, corroborating these with eyewitness accounts and interviews. Read more about our reporting efforts .

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