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Code Blue is the second of six (as of June 2023) features by Poland-born, Netherlands-based film-maker Urszula Antoniak, and the second one I’ve seen. The first one I saw, Magic Mountains , was made in 2020, nine years after Code Blu e but both feature single women locked in near-mortal struggles, with intimacy an issue. Does that make this a feature of her work or a coincidence? Three’s a trend, as they say, so I don’t know. Either way, Antoniak is someone to watch. She has a way with space and sound, and on the evidence of the work I’ve seen, makes stylish films bristling with menacing moods and atmospheres of psychological imperilment.
There is a lot of sinister stuff in Code Blue, a humming, clicking tale that might not be quite what it at first appears. Lean, almost ascetic Bien de Moor plays Marian, a nurse on an end-of-life ward who calmly goes about her job looking after people who have scant moments left in this world. She holds their hand as they die, then washes and lays out their corpses after having unhooked the vacated bodies from all the clinical paraphernalia. She watches silently as relatives of the mortally ill visit, and looks on dispassionately as one visitor whispers urgently into a loved-one’s ear: “Just die! Just die!” Marian also, occasionally, administers a life-ending injection to hasten one of her oldsters out of this world. Because they asked her to? We don’t know. Bad guy or good guy? Angel of mercy or angel of death? The question hovers.
Marian’s apartment is like a hospital ward, sparse, with a bed with hospital corners, in which Marian lies at night with her hands folded across her chest like one of the dead bodies she attends to at work. She has little keepsakes from some of her dead patients – a comb with a few stray hairs in it, a pencil, a plastic toy. Hers is a solitary life, though she seems to have a little unrequited passion for a fellow dweller in her apartment block, a man played by Lars Eidinger, something of a dab hand at weirdos.
Marian is more than a bit of a weirdo herself, of course. At one point she watches from her apartment as two men outside drag a young woman off into the sand dunes and rape her. How she reacts only reinforces the sense that Marian is locked in a struggle with herself over expressions of intimacy. I’ll say no more, but it’s unsettling.
We sense, because Antoniak shows us Marian vaguely stalking Konrad (Eidinger), that she’d like a relationship with him. As she comes home from the hospital seated on the bus, is that him we can see standing next to her, the guy whose groin she inclines her head towards as if to sniff it? It’s definitely him in the video shop where she buys a violent film to watch later at home, while painting a wall red. And it’s also definitely him she is watching through the tiny hole she has made in her curtains, so she can see him in his apartment over the way and one floor down.
Later, she’ll be formally introduced to Konrad at a party she has forced herself to go to, after which all the quasi-relationships and the fleeting intimacies of her life, the yearning and silent contemplation, will come to a sudden head in a mood-change so abrupt it’s shocking, and which casts a different light on what we’ve seen up till now. It’s sexually graphic too, if this sort of thing isn’t your bag.
The entire film tacks towards the silent, until it suddenly doesn’t, with Bien de Moor’s performance at the necessarily withdrawn end of the spectrum, until it shockingly isn’t (and what a face de Moor has for tragedy). The sense of pent-up emotion being suddenly released is epic, awful, monstrous, but there’s also a question suddenly forming about the film’s central relationship, which might not be at all what it appears.
As a psychological study it veers towards the melodramatic and there’s a touch of Dario Argento in Antoniak’s stygian scene-setting. But exactly as in Magic Mountains , there’s an amphetamine rush when Antoniak suddenly flicks all the switches to maximum, and everything suddenly goes from barely a simmer to rolling boil.
Does she do this in all her films? Better watch another one and find out. Nothing Personal , I think, her debut feature, from 2009. Can’t wait.
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Code Blue | Review
Nothing Personal: Only feelings likely to get hurt are Antoniak’s after critics get done with this hollow exercise in provocation
Signs posted all over the Croisette warning that Urszula Antoniak’s new film Code Blue “may hurt the audience feelings” got a few laughs – until the dire thing finally screened to an audience. Neither as offensive as promised nor necessarily cathartic, this colourless portrait of masochistic sacrifice is ill-conceived in almost every department. Violent, sterile, and ugly, one has to wonder what the filmmaker was hoping viewers would take away from this movie other than a few extra wrinkles in the forehead. Blue will likely only appeal to those who actively seek out gratuitous misanthropy in their entertainment.
Code Blue , which is named after the hospital code that indicates a patient needs immediate reanimation, follows a nurse named Marian who cares for and euthanizes terminally ill patients (the controversial euthanasia topic would perhaps be the part that was expected to hurt people’s feelings). She lives an ascetic existence in a chillingly modern condo with nary a piece of furniture. Despite her homely appearance, her leisure time consists of watching smutty movies that she rents from the video store (which are prone to set her off into fits where she paints Abstract Expressionist murals on her walls, completely nude of course), as well as spying on a neighbor ( Everyone Else ‘s Lars Eldinger) from her living room window. When she witnesses a brutal attack in the field outside of her apartment building, she is frightened and intrigued to notice that the neighbor-of-her-desire was, likewise, a transfixed and un-acting spectator of the incident.
Like a giraffe after electro-shock therapy, Marian (Bien De Moor) is awakened by an idea of intimacy and voyeurism that whets her appetite for naughtiness. The only problem is, she’s been sedated for so much of her adult life that she assumes a brutish agenda for catching up on lost time (i.e. she wants someone to get rough on her). With enough overt symbolism about death and sacrifice to fill out a whole ‘nother book in the New Testament, Antoniak jettisons subtlety for trite religious metaphors pertaining to awakenings and redemption that provoke groans more than anything else.
However, both youthful and craggy, De Moor is perfectly cast for this role, even if it is drastically mishandled. She has a charisma and sympathy, but also mystery, that lends her actions a certain credibility that would be were probably difficult to pull off. Eldinger, on the other hand, is a bit more awkward in his role as a sleazy and enigmatic fellow. His boyish features clash with the ferocity of some of his actions later in the film, and it makes an already hokey resolution all the more artificial. The lensing is technically suburb, but too heavy on the suggestive blues and reds that burst within the minimal frames. In its own perfectly festival-approved construction, Code Blue won’t register any blips on the spectrum of over-conceived controversial fare. Somehow, despite its risible content, it manages to blend right in.
Reviewed on May 16th at the 2011 Cannes Film Festival – Directors’ Fortnight Section
Rating 2 stars
Blake Williams is an avant-garde filmmaker born in Houston, currently living and working in Toronto. He recently entered the PhD program at University of Toronto's Cinema Studies Institute, and has screened his video work at TIFF (2011 & '12), Tribeca (2013), Images Festival (2012), Jihlava (2012), and the Pacific Film Archive in Berkeley. Blake has contributed to IONCINEMA.com's coverage for film festivals such as Cannes, TIFF, and Hot Docs. Top Films From Contemporary Film Auteurs: Almodóvar (Talk to Her), Coen Bros. (Fargo), Dardennes (Rosetta), Haneke (Code Unknown), Hsiao-Hsien (Flight of the Red Balloon), Kar-wai (Happy Together), Kiarostami (Where is the Friend's Home?), Lynch (INLAND EMPIRE), Tarantino (Reservoir Dogs), Van Sant (Last Days), Von Trier (The Idiots)
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Code blue: the movie.
2018 ‘コード・ブルー –ドクターヘリ緊急救命–’ Directed by Masaki Nishiura
A medical team is dispatched to the patients on a helicopter to provide medical care in the field as soon as possible. One day, four young physicians are assigned to this latest medical system. The doctors experience traumatic medical situations, deal with personal ambitions, witness the fragility of life, and they grow personally and professionally.
Tomohisa Yamashita Yui Aragaki Erika Toda Manami Higa Yosuke Asari Kippei Shiina Tetta Sugimoto Daiki Arioka Ryo Narita Yuko Araki Fumika Baba Masanobu Ando Mackenyu Rino Katase Kasumi Yamaya Tomomi Maruyama Kinari Hirano
Director Director
Masaki Nishiura
Writer Writer
Naoko Adachi
Editor Editor
Tatsuya Yanagisawa
Songs Songs
Mr.Children
TOHO Fuji Television Network
Alternative Titles
Code Blue the Movie, 劇場版コード・ブルー -ドクターヘリ緊急救命-, Code Blue -急救直升机- 剧场版, 空中急诊英雄, 紧急救命电影版, 緊急救命, Code Blue, 電影版空中急診英雄─海空災難最終救援─, 劇場版 コード・ブルー-ドクターヘリ緊急救命-, 空中急诊英雄 剧场版, 코드 블루 -닥터 헬기 긴급 구명- 극장판
Action Adventure
Releases by Date
27 jul 2018, 08 nov 2018, releases by country.
127 mins More at IMDb TMDb Report this page
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Review by Charitycase33 ★★½ 2
Mackenyu went to my high school
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Code Blue: The Movie
Drama, 2h 7m
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Code blue: the movie photos.
A team of doctors takes on the disasters and accidents at Japan's Narita airport.
Genre: Drama
Original Language: Japanese
Director: Masaki Nishiura
Producer: Hiroki Wakamatsu , Morio Amagi
Writer: Naoko Adachi
Runtime: 2h 7m
Production Co: Cine Bazar
Cast & Crew
Tomohisa Yamashita
Kousaku Aizawa
Yui Aragaki
Megumi Shiraishi
Mihoko Hiyama
Manami Higa
Haruka Saejima
Yôsuke Asari
Kazuo Fujikawa
Daiki Arioka
Soma Natori
Shunpei Haitani
Akari Yokomine
Masaki Nishiura
Naoko Adachi
Screenwriter
Hiroki Wakamatsu
Morio Amagi
Tatsuya Yanagisawa
Film Editing
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Code Blue: Murder
Documentary offering unprecedented access to the detectives and CSIs in the Specialist Crime Units of South Wales, following them as they deal with the most serious crimes from the first cal... Read all Documentary offering unprecedented access to the detectives and CSIs in the Specialist Crime Units of South Wales, following them as they deal with the most serious crimes from the first call-out to the crime scene and, ultimately, to court. Documentary offering unprecedented access to the detectives and CSIs in the Specialist Crime Units of South Wales, following them as they deal with the most serious crimes from the first call-out to the crime scene and, ultimately, to court.
- Matthew Gravelle
- Richard Jones
- Rob Gulliford
- 1 User review
- Self - Narrator
- Self - Head of Major Crime
- Self - Katherine's First Boyfriend
- Self - Lead Negotiator
- Self - Detective
- Self - Jack's Niece
- Self - Katherine's Best Friend
- Self - Family Liaison Officer
- Self - Interview Coordinator
- Self - Search Coordinator
- Self - Detective Sergeant
- Self - Family Liaison Coordinator
- Self - Detective Chief Inspector
- Self - Interview Officer
- All cast & crew
- Production, box office & more at IMDbPro
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User reviews 1
- kateann1027
- Jan 7, 2020
- How many seasons does Code Blue: Murder have? Powered by Alexa
- April 4, 2019 (United Kingdom)
- United Kingdom
- Code Blue: Mordalarm
- Cardiff, Wales, UK
- Shiver Cymru
- See more company credits at IMDbPro
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- Runtime 46 minutes
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Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. The definitive site for Reviews, Trailers, Showtimes, and Tickets ... Code Blue 1h 21m
Steve. 2023-07-04. 0. Code Blue is the second of six (as of June 2023) features by Poland-born, Netherlands-based film-maker Urszula Antoniak, and the second one I've seen. The first one I saw, Magic Mountains, was made in 2020, nine years after Code Blu e but both feature single women locked in near-mortal struggles, with intimacy an issue.
Code Blue: Directed by Urszula Antoniak. With Bien de Moor, Lars Eidinger, Annemarie Prins, Sophie van Winden. Marian, a middle aged nurse, devotes herself to her patients like a saint. Sometimes she even takes on the role of a redeemer, by helping the gravely ill to the soothing order of ultimate silence. When she gets linked to a neighbor in an act of common voyeurism, she becomes fascinated ...
Code Blue: Directed by Arthur Alston. With Vincent Pastore, Sal Rendino, Gano Grills, Jade Scott Yorker. Depicts the lives of four childhood friends exposed to the grim elements of an inner-city life, where survival is most important. They enter the realms of peddling, corruption, and murder.
Code Blue: Cannes Review. Urszula Antoniak's self-consciously dour mood piece centers on a terminal-ward nurse whose humane treatment of her patients contrasts with her own punishing self-denial.
Code Blue. 2011, Drama/Mystery & thriller, 1h 21m. --. Tomatometer 2 Reviews. 47%. Audience Score 50+ Ratings. Want to see. Your AMC Ticket Confirmation# can be found in your order confirmation email.
In its own perfectly festival-approved construction, Code Blue won't register any blips on the spectrum of over-conceived controversial fare. Somehow, despite its risible content, it manages to blend right in. Reviewed on May 16th at the 2011 Cannes Film Festival - Directors' Fortnight Section. Rating 2 stars
Code Blue Critic Reviews and Ratings Powered by Rotten Tomatoes Rate Movie. Close Audience Score. The percentage of users who made a verified movie ticket purchase and rated this 3.5 stars or higher. ... Offers. STREAM THE BIGGEST MOVIES AT HOME image link. STREAM THE BIGGEST MOVIES AT HOME. For a limited time, get 6 months of Peacock for just ...
Marian, a middle aged nurse, devotes herself to her patients like a saint. Sometimes she even takes on the role of a redeemer, by helping the gravely ill to the soothing order of ultimate silence. When she gets linked to a neighbor in an act of common voyeurism, she becomes fascinated by him. Faced with the fragility of these newfound emotions ...
Code Blue is a 2011 Dutch drama film written and directed by Urszula Antoniak and starring Bien de Moor. It premiered in the Directors' Fortnight section at the 2011 Cannes Film Festival. Plot. This article needs a plot summary. Please add one in your own words.
Dr. Stancic is a warrior for having opened a Lifestyle medicine clinic. Many renowned researchers and advocates of plant-based nutrition appear in this documentary: Dr. Colin T Campbell, Dr Esselstyn, Dr Barnard, Dr Williams, Dr Ornish, Dr Gregor... the pioneers pushing this movement. Overall a wonderful watch!
Released , 'Code Blue' stars Bien de Moor, Lars Eidinger, Annemarie Prins, Sophie van Winden The movie has a runtime of about 1 hr 21 min, and received a user score of 48 (out of 100) on TMDb ...
Code Blue: The Movie: With Tomohisa Yamashita, Yui Aragaki, Erika Toda, Manami Higa. The 'helicopter doctor' team is back and ready to take on the disasters and accidents at Japan's Narita airport and points near and far. They work together through these professional emergencies and deal with their personal calamities.
Code Blue provides the prescription to do just that. The solution is simple; the common sense practice of lifestyle medicine can prevent nearly 80% of chronic diseases. 518 IMDb 8.8 1 h 37 min 2020. 13+.
7 people found this review helpful. Other reviews by this user. 0. Jun 13, 2021. Completed 0. Overall 10. Story 9.5. Acting/Cast 10. Music 9.5. Rewatch Value 10. Wrap up of the entire series. ... Code Blue Mou Hitotsu No Senjou Special (2018) (Sequel and bridge to movie) Code Blue: The Movie (2018)
Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. The definitive site for Reviews, Trailers, Showtimes, and Tickets
Code Blue: Redefining the Practice of Medicine: Directed by Marcia Machado. With Saray Stancic, David L. Katz, Neal Barnard, T. Colin Campbell. Would you change your habits to live a longer, healthier life? code blue provides the prescription to do just that. The solution is simple. The common sense practice of Lifestyle Medicine can prevent nearly 80% of chronic diseases.
Synopsis. A medical team is dispatched to the patients on a helicopter to provide medical care in the field as soon as possible. One day, four young physicians are assigned to this latest medical system. The doctors experience traumatic medical situations, deal with personal ambitions, witness the fragility of life, and they grow personally and ...
Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. The definitive site for Reviews, Trailers, Showtimes, and Tickets ... Code Blue: The Movie Reviews
madbird-61243 20 April 2019. Because of the 6.4 rating, I think of skipping the movie. Luckily I have not. It is so rare that same cast can be kept for 10 years. Solely because of this, the movie should be given a high rating on the effort of casting. And turn out the movie can at least keep up with the high standard of the previous dramas.
Audience Reviews for Code Blue: The Movie. There are no featured reviews for Code Blue: The Movie because the movie has not released yet (). See Movies in Theaters Movie & TV guides ...
Code Blue: Murder: With Matthew Gravelle, Richard Jones, Rob Gulliford, Bryan Heard. Documentary offering unprecedented access to the detectives and CSIs in the Specialist Crime Units of South Wales, following them as they deal with the most serious crimes from the first call-out to the crime scene and, ultimately, to court.