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Psychology in Everyday Life

A portable anthology seventh edition | ©2023 samuel cohen.

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50 Essays: A Portable Anthology is a bestselling value-priced reader because its virtues dont stop at the price. The book’s carefully chosen selections engage students and include both classic essays and high-interest, contemporary readings. The editorial apparatus is flexible and unobtrusive enough to support a variety of approaches to teaching composition. The seventh edition features new voices on culturally relevant topics as well as an enhanced documentation guide establishing the importance of conducting research and evaluating sources, and new pre-reading questions to guide students as they develop their skills as critical readers.

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Samuel Cohen (PhD, City University of New York) is Associate Professor of English at the University of Missouri. He is the author of After the End of History: American Fiction in the 1990s , co-editor (with James Peacock) of The Clash Takes on the World: Transnational Perspectives on The Only Band that Matters , co-editor (with Lee Konstantinou) of The Legacy of David Foster Wallace , Series Editor of The New American Canon: The Iowa Series in Contemporary Literature and Culture , and has published in such journals as Novel , Clio , Twentieth-Century Literature , The Journal of Basic Writing, and Dialogue: A Journal for Writing Specialists. For Bedford/St. Martins, he is author of 50 Essays: A Portable Anthology and coauthor of Literature: The Human Experience .

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Sixth  Edition | ©2020  Samuel Cohen

50 Essays, Sixth Edition is a short collection of classic and contemporary essays that provide interesting and thought-provoking selections to serve as both models and prompts.  The text is a diverse collection that covers a broad range of topics, time periods, and themes. A great value option for the AP® English Language class.

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Samuel Cohen

Samuel Cohen (PhD, City University of New York) is Associate Professor of English at the University of Missouri. He is the author of After the End of History: American Fiction in the 1990s , co-editor (with James Peacock) of The Clash Takes on the World: Transnational Perspectives on The Only Band that Matters , co-editor (with Lee Konstantinou) of The Legacy of David Foster Wallace , Series Editor of The New American Canon: The Iowa Series in Contemporary Literature and Culture , and has published in such journals as Novel , Clio , Twentieth-Century Literature , The Journal of Basic Writing, and Dialogue: A Journal for Writing Specialists. For Bedford/St. Martins, he is author of 50 Essays: A Portable Anthology and coauthor of Literature: The Human Experience .

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Psychology in Everyday Life

A portable anthology sixth edition | ©2020 samuel cohen, institutional prices, portable, affordable and thought-provoking.

50 Essays: A Portable Anthology is a bestselling value-priced reader because its virtues dont stop at the price. The book’s carefully chosen selections engage students and include both classic essays and high-interest, contemporary readings. The editorial apparatus is flexible and unobtrusive enough to support a variety of approaches to teaching composition. The sixth edition features new voices on culturally relevant topics as well as sentence guides that help students develop an academic writing voice with templates for a variety of composing situations.

New to This Edition

“ 50 Essays is a comprehensive volume of provocative and timely essays, and this text encourages student discussion, interaction, and lively debate.” — Elizabeth Keefe, Gateway Community College “The particular collection of authors, perspectives, and voices that 50 Essays brings together makes this an essential text for any English Composition course.”  — Robert DeFrance, Long Beach City College “ 50 Essays has been a staple for our 100-level composition course for over seven years. It allows instructors to individualize their course, while providing appropriate and essential readings for the first-year college student.”  — Sarah Kirk, University of Alaska Anchorage

Sixth Edition | ©2020

Samuel Cohen

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Sixth Edition | 2020

Table of Contents

Samuel Cohen (PhD, City University of New York) is Associate Professor of English at the University of Missouri. He is the author of After the End of History: American Fiction in the 1990s , co-editor (with James Peacock) of The Clash Takes on the World: Transnational Perspectives on The Only Band that Matters , co-editor (with Lee Konstantinou) of The Legacy of David Foster Wallace , Series Editor of The New American Canon: The Iowa Series in Contemporary Literature and Culture , and has published in such journals as Novel , Clio , Twentieth-Century Literature , The Journal of Basic Writing, and Dialogue: A Journal for Writing Specialists. For Bedford/St. Martins, he is author of 50 Essays: A Portable Anthology and coauthor of Literature: The Human Experience .

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The Best Fiction Books » Poetry

The best american poetry, recommended by elisa new.

New England Beyond Criticism: In Defense of America's First Literature by Elisa New

With the help of a good anthology and a heaping dose of American classics, anyone can be converted to being a lover of poetry.  Elisa New , Harvard scholar and host of the new PBS series Poetry in America , recommends her favorite American poets, from Emily Dickinson to Elizabeth Bishop.

Interview by Eve Gerber

The Cambridge History of American Poetry by Alfred Bendixen & Stephen Burt (eds.)

The Emily Dickinson Archive by Emily Dickinson

Lunch Poems by Frank O'Hara

Geography III: Poems by Elizabeth Bishop

The Penguin Anthology of Twentieth Century American Poetry by Rita Dove

1 The Cambridge History of American Poetry by Alfred Bendixen & Stephen Burt (eds.)

2 the emily dickinson archive by emily dickinson, 3 lunch poems by frank o'hara, 4 geography iii: poems by elizabeth bishop, 5 the penguin anthology of twentieth century american poetry by rita dove.

Y ou proselytize for poetry as a professor at Harvard and through Poetry in America , a multi-platform program that includes online courses and an intensely-entertaining television series. What inspires you to be such a spirited self-described “poetry evangelist”?

People are so phobic about poetry and so easy to convert. An ‘aha’ moment often occurs after just one poem; people just need a nudge to incorporate poetry into their lives. Plus, the process of opening poetry up is really fun.

Your television series  Poetry in America  throws off what you’ve called “the scholarly harness.” Tell us about this approach to poetics.

The series endeavors to enhance the experience of poetry using tools that are unique to TV. When I taught Langston Hughes to students, to relay how he was influenced by jazz and blues, I brought a clumsy cassette player to class. When I taught Edna St Vincent Millay, to convey how she embodied ‘the new woman,’ I brought in 1920s magazines so students could see how she wore her hair and her hemlines.

Television allows us to portray the world of a poem in a multimedia way, mixing in images and music. And when a poem holds itself aloof from the world, television allows us to empty our screens and give words new vibrancy. The toolkit of television gives viewers an intellectual and emotional immersion in poetry that is quite magical. It’s wonderful to be part of the reemergence of smart small screen entertainment.

What characteristics classify a poem as American, by your lights?

The Cambridge History of American Poetry is your first title. Tell us about it.

This forbidding-looking tome weighs about five pounds; it makes quite a doorstop. As a person who teaches survey courses, I know students love surveys. We love sampling. When you asked me to make this list, I was thinking about a reader with an appetite for learning more about poetry. Such a reader might enjoy a smorgasbord of fascinating stuff about American poetry—like this book.

There is no better scholarly compendium than The Cambridge History of American Poetry . In its pages, one finds many of the best critics of the last thirty years, absolute authorities, in fine form, distilling their classic takes. For instance, Ed Folsom, who is the editor of The Walt Whitman Archive , covers Whitman. This book also includes emerging scholars and scholar-poets. The sheer variety of topics is stunning. Maybe you’re interested in “Poets of the South”, or in the weird world in which Edgar Allan Poe published, or in poetry’s role in the emergence of first-wave feminism. It’s nice to have a book full of so many nuggets.

While the writers are mostly from the academy, they put away the apparatus of scholarly argument and write really brilliantly. It’s a pleasure to read. You might want to start at the beginning and read all the way through, but I just like to dip in to it whenever I’m wrestling with a poem from a period I might not know that much about.

It’s an interesting fact that some of the best critical work these days comes out in books like the The Cambridge History of American Poetry . Many of the best critics understand that books purchased as reference works are probably going to have more readers than scholarly monographs; the critics give books like this the best that they’ve got.

The editors of this volume note in their introduction that W S Merwin said “We have what might be thought of as a gene pool of poetry by now.” What does he mean?

Next you name an open-access website, the  Emily Dickinson Archive .

The Emily Dickinson Archive is a feat of scholarly effort and a cutting-edge digital project. It’s like Costco, an enormous warehouse for her enormous body of work.

Dickinson never willingly published anything. Fewer than a dozen of her poems saw print in her lifetime. She didn’t ask for them to be printed; friends did. She wrote nearly 1,800 poems, often working on many poems at one time, like a painter working on a bunch of canvases or a gardener tending flowers.

You can now buy the collected works of Emily Dickinson, from her  Poems: As She Preserved Them   to collections of her  Letters and even her  Envelope Poems , but it’s better to experience Emily Dickinson through this archive. You can read each poem in her distinctive handwriting, with distinctive punctuation. We no longer live in a world with much handwriting. But penmanship is a form of self-presentation that writers once thought about while crafting their work. Dickinson’s poems work as visual, as well as verbal, art. So this archive allows you to experience her work more fully than would an ordinary anthology.

“If I read a book and it makes my whole body so cold no fire can warm me I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only way I know it. Is there any other way?” You feature an excerpt of this quote of Dickinson’s at the start of your American Poetry series. Why?

The City Lights Books edition of Frank O’Hara’s Lunch Poems  is your next choice. Why?

I chose two books that deliver a reader into a style and worldview that is completely its own. Great poets create not just a set of discrete poems that say something about the world in which we abide, but a way of looking at the world encoded in their style.

Frank O’Hara’s Lunch Poems are so much fun. He wrote them during his lunch breaks. What is lunch break? It’s a part of our day when we’re alive and jazzed and hungry for more, probably hungry for lunch, but also hungry for a little leisure, a little stimulation outside the office.

O’Hara writes these poems in a casual voice that’s characteristically his. He called them ‘I do this, I do that’ poems. You follow him around New York City and watch his imagination hunger after and take satisfaction in things. It’s like entering into intimacy with an extraordinary human being.

O’Hara was part of the New York School of poets, allied with Abstract Expressionist painters of the 1950s and 60s. He was known as “a poet among painters” who often wrote poems in the Cedar Tavern while listening to artists argue and gossip. He was also a critic of mid-century art and a curator at the Museum of Modern Art. All of which is a preface to asking: what is poetry’s place in America’s art ecosystem?

Poetry and other arts have been essential to each other at times in their development, including during the moment of Modernism. Modernists were reimaging the form of art, with Cubism, mobiles, and fresh poetic forms. At O’Hara’s height, during the 1950s, avant-garde poets and painters discovered each other and became friends.

Elizabeth Bishop’s Geography III , published in 1977, is the fourth collection you selected. Why?

As I noted, I thought my list should have two volumes of poetry that allow you to enter not just a poet’s work but a poet’s world. The work of Elizabeth Bishop is its own world, that has its own mesmerizing power.

She has become, for many American poets, the 20th-century progenitor. She is the person in the American poetry gene pool who manages to talk about feelings, including uncomfortable feelings, at the deepest registers. Her poetry is highly emotional, she shows a fidelity to experience, an honesty that is not exhibitionistic.

Geography III  was Elizabeth Bishop’s last book. There isn’t a poem in it that isn’t great.

The canon of American poetry—Elizabeth Bishop, Emily Dickinson, all the way back to Phyllis Wheatley, it seems for every Robert Lowell there’s an Amy Lowell—has a remarkable degree of gender parity. What does the remarkable prominence of female American poets tell us?

Women were cheap. A lot of early American women poets who published did so for very little money; they were happy to appear in print. So, there were economic reasons why American women were published.

The Penguin Anthology of Twentieth Century American Poetry , edited by Pulitzer-winning US Poet Laureate Rita Dove, is your final selection.

People who don’t know a lot about poetry, including whether they like it, need a great anthology, that is not so heavy to carry it around. For years I’ve used David Lehman’s  Oxford Book of American Poetry . But Rita Dove’s Penguin Anthology of Twentieth Century American Poetry brings readers right up to the poets of today; there isn’t another anthology that does that. She devotes about half of its pages to recent poets.

To save room for the poets of today, Dove made the radical decision to reduce selections from the early twentieth century to some representative examples. Rita Dove has a great instinct for the best poetry to lead readers to other poems. What Robert Frost and Wallace Stevens poems prompt readers to find more? Rita Dove chooses them with real skill.

Dove thinks of American poetry as telling the story of who we think we are as Americans. That definition leads Dove to include many poets who were not included in major anthologies before, poets who may not have had access to publication because of their race or class. This anthology offers a more complete picture of American poetry. It’s very compelling and Dove’s introduction is unpretentious and fun to read.

This book generated a lot of dialogue. What is poetry’s agenda, beyond aesthetics?

Limiting the poems given prominence to those that fulfill certain aesthetic criteria leaves to the side too much great work. Readers don’t only read poetry to admire craftsmanship. Poems help us understand who we are, they help us understand our culture. Like Dove, I think of poetry as having a much broader set of functions than simply achieving formal excellence. That is why I value this book.

Poetry reading is on the rise in America, according to a recent survey by the National Endowment for the Arts. 

Poetry is an art form that is perfect for our digital world. It is accessible, not only though the books I’ve named, but also through websites like the Poetry Foundation . One can have an intense intellectual experience, a deeply pleasurable experience, sometimes a deeply personal experience, with a small portable work of art. Many poems fit into five minutes of spare time. Isn’t it better to read a poem than the your 40th blog of the day? What else refreshes our senses and our sense of the world—and fits on our phone?

February 12, 2019

Five Books aims to keep its book recommendations and interviews up to date. If you are the interviewee and would like to update your choice of books (or even just what you say about them) please email us at [email protected]

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Elisa New is the Powell M. Cabot Professor of American Literature at Harvard University. She is the author of  The Regenerate Lyric: Theology and Innovation in American Poetry ( 1992),  The Line's Eye: Poetic Experience, American Sight  (1999), and  Jacob's Cane   (2009) .   Her latest book is  New England Beyond Criticism: In Defense of America's First Literature   (2014). Most recently, she is the creator and host of the PBS television series  Poetry in America .

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Shooter Files by f.d. walker

Street Photography Tips, Interaction, Travel, Guides

Apr 24 2017

City Street Guides by f.d. walker: A Street Photography Guide to Moscow, Russia

*A series of guides on shooting Street Photography in cities around the world. Find the best spots to shoot, things to capture, street walks, street tips, safety concerns, and more for cities around the world. I have personally researched, explored and shot Street Photography in every city that I create a guide for. So you can be ready to capture the streets as soon as you step outside with your camera!

At over 12 million people, Moscow is the largest city in Russia and second largest in Europe by population ( Istanbul is #1). An urban, cosmopolitan metropolis with more than enough glitz and glam to cater to the elite, but without losing its fair share of Soviet era roughness around the edges. It can be fast paced, brash, busy, and trendy like other big cities, but it has its blend of West meets Russia atmosphere and beauty that provides plenty of unique interest. The Red Square is as famous as it gets, but there’s so much more to this city, including the most beautiful subway system you’ve ever seen. It would take years to capture all of Moscow, but that means you have an endless amount of areas to discover.

So here’s a Street Photography guide so you can be ready to capture all that Moscow has to offer before you even arrive!

• Patriarch’s Pond
• Old Arbat Street
• Maroseyka Street
• Tverskoy Boulevard

Top 5 Street Spots:

1. red square.

The Red Square is the most famous square in not just Russia, but all of Eastern Europe. The name actually doesn’t come from the color of the bricks or communism, but from the name in Russian, Krásnaya, once meaning “beautiful” before its meaning changed to “red.” This large plaza is what you see on the cover of guide books and magazines for Moscow, with St. Basil’s Cathedral being the center piece next to Lenin’s Mausoleum surrounded by the Kremlin Wall. Of course, the Red Square attracts hordes of tourist due to the main attractions, but all that activity around an interesting atmosphere does provide street photo opportunities. It’s also the central square connecting to the city’s major streets, providing a good starting point to explore outward.

You’ll also find the popular pedestrian only Nikolskaya Street connecting the Red Square to Lubyanka Square. This line of expensive shops includes plenty of activity, while also leading you to another popular square. Filled with history rivaling any city, the Red Square and surrounding areas are the heart and soul of Russia.

2. Patriarch’s Ponds

Patriarch’s Ponds is one of the most exclusive neighborhoods in Moscow. Despite the name being plural, there’s only one large pond, but it’s worth a visit with your camera. It’s a popular spot for locals and expats to come relax or take a stroll around the pond. You get an interesting mix of young and old too, from young love to “babushkas” feeding pigeons. It’s a very peaceful park atmosphere in one of the nicer areas within the city center, while bringing enough activity for street photography. 

The pond is shallow and in the winter becomes a popular spot for ice-skating too. The area is also well-known for the location in the famous Russian novel, The Master and Margarita. 

3. Old Arbat (Stary Arbat)

Old Arbat is the most famous pedestrian street in Moscow, and dating back to the 15th century, also one of its oldest. Originally, it was an area of trade, but soon became the most prestigious residential area in Moscow. During the 18th century, Arbat started attracting the city’s scholars and artists, including Alexander Pushkin. Cafes lined the streets and impressive homes filled the neighborhood. Since then, New Arbat street was created as a highway in the area, while Old Arbat was paved for a 1km pedestrian only walkway.

Due to the historic buildings, famous artists that lived here, and the bohemian atmosphere, Old Arbat has become a big attraction for tourists today. Now, there’s a mix of cafes, restaurants, souvenir shops, street performers, street merchants and other attractions for visitors, and some locals, to come enjoy. It can get really busy here and there’s usually something interesting going on so it’s a good street to come walk with your camera for guaranteed life.

4. Gorky Park

One of the most famous places in Moscow is Gorky Park. The official name is Maxim Gorky’s Central Park of Culture & Leisure, which gives you an idea of what goes on here. When built, it was the first of its kind in the Soviet Union. Divided into two parts, it stretches along Moscow River. One end contains fair rides, foods stands, tennis courts, a sports club, a lake for boat rides, and more. This end brings more active life due to its number of attractions, while the other end is more relaxed, where you’ll find gardens, trees, older buildings, and an outdoor amphitheater.

Gorky Park attracts mostly locals so it’s a good spot to capture the non-tourist side of Moscow life. Muscovites come here to escape the city and unwind in a picturesque setting. The park remains alive outside of the warmer months too, especially when the lake turns into the city’s largest outdoor skating rink. I’d recommend taking the metro out here to spend at least half a day exploring the massive park’s life with your camera.

5. Maroseyka Street

Maroseyka Street is a popular area not too far from the Red Square. The long, winding street turns into Pokrovka and is lined with restaurants, cafes, bars and places to stay. It’s actually where I like to stay when I’m in Moscow due to its location and solid street photography opportunities itself. You have Kitay-gorod station near and if you keep walking southwest, you’ll get to the Red Square. But if you walk northwest, as it changes to Pokrovka, you can find a long street of activity for photography with its own interesting atmosphere.

6. Tverskoy Boulevard

Tverskoy Boulevard is the oldest and longest boulevard in Moscow, beginning at the end of Nikitsky Boulevard, and finishing at Pushkin Square, a spot to come for activity itself. The boulevard is made up of two avenues, with pedestrian walkways in-between. You’ll find grass, shrubbery, trees, benches and more walking it’s almost kilometer length. Many people come here to enjoy some relaxation, walk their dog, or just to use it to walk wherever they’re going. Its center location also provides a nice place to walk with your camera near plenty of other spots you’ll want to check out anyway.

Sample Street Walk:

For a full day of Street Photography, covering some of the best spots, you can follow this sample street walk for Moscow:

• Start your morning walking around the Red Square (1), while exploring the surrounding area, including Nikolskaya Street
• Then walk northwest to Patriarch’s Ponds (2) and slowly walk the pond and surrounding area with your camera
• Next, walk east to the Pushkin Monument and stroll down Tverskoy Boulevard (6)
• Once Tverskoy Boulevard (6) ends, it will turn into Nikitsky Boulevard. Follow this down until you get to the start of Old Arbat Street (3), across from Arbatskaya station
• After you’re done walking down Old Arbat Street (3) for more street photography, spend some time checking out Moscow’s beautiful metro stations
• To finish off the day with more street photography, get off the metro near Red Square (1) again, Maroseyka Street (5) or wherever you’re staying for the night.

3 Things I’ll Remember about Shooting in Moscow:

1. museum metro.

The Moscow metro system was the first underground railway system in the Soviet Union and today includes 203 stations across 340km of routes. The elaborate system has some of the deepest stations in the world too, with escalators that seem to go on forever. None of this is what makes it so special, though. Many of its stations feel like stepping inside a museum, making it without a doubt the most interesting and beautiful metro system I’ve been in.

When built, Stalin wanted to make the metro stations “palaces for the people” with marble, chandeliers, and grand architecture. The best part is the variety of architecture and styles used, making many of the stations a completely different experience visually. You could easily spend a whole day traveling the stations and there are even tours available for people who wish to do just that. My advice, though, would be just to buy a ticket and hop on and off at different stations, while exploring different lines. The museum-like surrounding mixed with the crowds of characters can make for a great photography experience.

Since there are so many stations, here are some of my favorites to check out:

• Novoslobodskaya
• Mayakovskaya
• Elektrozavodskaya
• Komsomolskaya
• Ploschad Revolyutsii
• Dostoyevskaya
• Prospekt Mira

2. Moscow is Big

It’s no secret that Moscow is a big city, but it can feel even bigger with how spread out much of it is. This is especially true if you compare it to cities outside of Asia. If I compared it to cities in Europe, I’d probably say only Istanbul would warrant more time to really discover the depths of this city. Most only explore around the Red Square and surrounding area, but that is such a small part of the city. Although, that central area does give you plenty to see on its own.

Fortunately, I had a good friend living in the city to show me around, but it opened up my eyes even more to how much there is to discover in Moscow. It’s a big city with a variety of atmosphere that can take you from “east” to “west” and trendy to rugged depending on where you go. I’d imagine you’d have to live here a while to really know the city.

3. Cosmopolitan Mix of East meets West

Modern skyscrapers mixed with amazing architecture, a world-class metro system with museum-like beauty, trendy fashion and chic clubs, Moscow is a rich mix of Russian culture and history in a more western cosmopolitan package. There is a push to keep the Russian culture, while also pushing forward with a modern metropolis the whole world will envy. This comes with an impressive skyline, that continues to grow, and endless modernities, but with soviet nostalgia and atmosphere mixed in for good measure.

Mixed in with this grand western cosmopolitan atmosphere, is a strong national pride in Russia. This includes their famous leader, Vladimir Putin. Maybe no other place will you see a country’s leader more often. All over, from the pricey tourist shops to the underground walkway stalls, you’ll find goods with Putin’s likeness covering them. From t-shirts to magnets to Matryoshka dolls. There’s a strong national pride that can be seen around the city, which also extends to their leader. Moscow is many things. It’s East meets West, modernizations meets Soviet era, and a whole lot more.

What To Do For a Street Photography Break?:

Eat at a stolovaya.

Stolovayas are Russian cafeterias that became popular in the Soviet days. You grab a tray and walk down the line of freshly prepared local dishes, and select whatever you want from the chefs. They’re usually inexpensive and a much better value than restaurants, while giving you the opportunity to try from a wide selection of everyday Russian food. They’re also very tasty. I always include some borsch on my tray and go from there. The places themselves are all over Moscow and usually come with Soviet-era aesthetics to complete the experience.

Street Safety Score: 7

*As always, no place is completely safe! So when I talk about safety, I’m speaking in general comparison to other places. Always take precaution, be smart, observe your surroundings and trust your instincts anywhere you go!

Being the 2nd largest city in Europe with over 12 million people, you’re going to have your dangerous areas, but for the most part, it feels safe walking around. Russia is statistically higher in crime compared to most of Europe, but this generally doesn’t apply to tourists and visitors. Around the Red Square and surrounding city center, you should feel completely safe walking around. Pick pocketing can happen, but no more than other touristic places. I always explore Moscow freely without coming across too much to worry about. It’s a spread out city, though, so of course it matters where you are. Just use basic street smarts, know where you are and Moscow shouldn’t give you a problem. 

People’s Reaction Score: 7

Moscow is fast paced, big city life, which usually means people aren’t too concerned with you, or your camera. I don’t find people notice or pay much attention to me when I’m out taking photos in Moscow. For the most part, people just go about their day. You shouldn’t get too many looks or concern. But it can depend on the area you are in. The more you stick out, the more you might get noticed with suspicions. I’ve never had any problems in Moscow, or Russia, but just be careful who you’re taking a photo of if you get out of the city center. Other than that, it’s about average for reactions. 

Street Tips:

Learn the alphabet .

Much of Moscow, including the metro system, doesn’t use english. The Russian alphabet uses letters from the Cyrillic script, which if you aren’t familiar with it and don’t know the sounds, can be hard to decipher the words. This is most important for street names and metro stops when trying to get around. It can save confusion and make it easier getting around if you learn the basic alphabet. At the very least then, you can sound out the words to see which are similar in the english conversion, which can help matching them to maps. When out shooting street photography, getting around is as important as anything. So save yourself some time and frustration by learning the Russian Alphabet.

Use the metro

While Saint-Petersburg feels very walkable for a city its size, Moscow can feel very spread out, even for its bigger size. Outside of the Red Square area, you can have plenty of walking before getting anywhere very interesting, so you’ll need to take the metro a lot if you really want to explore the city. Maps are deceiving here too, it will always be further than it looks.

Another reason it’s less walkable than Saint-Petersburg is its completely different set-up. Moscow’s streets are mostly contstructed in rings with narrow, winding streets in-between. This is common with medieval city cities that used to be confined by walls, but you usually don’t have it in a city this massive. Saint-Petersburg has a more grid-like pattern that also uses the canals to help you know your way around. When it comes to navigating on foot in Moscow, it can be more difficult, so bring a map and take the metro when needed. It’s why Moscow’s metro carries more passengers per day than the London and Paris subways combined.

Explore other areas if you have time

Moscow is really big. While most people stay around the Red Square within the Boulevard Ring, there’s so much more to the city. I covered some other spots outside of this circle, but if you really want to see the city, you’ll need time. If you do have time, some other areas I’d check out first are Zamoskvarechye, along some of the south and western Moscow.

Inspiration:

For some more inspiration, you can look through the Street Photography of Moscow photographer Artem Zhitenev  and check out 33 of my photos taken in Moscow .

Conclusion:

Moscow’s name brings a certain mystique, but once you’re there it might bring a different atmosphere than you expect. It’s big and sprawling, but beautiful in many ways. It can feel like a European capital on a grand scale, but you can definitely find its Russian side in there.

The urban sprawl of Moscow can be intimidating, but give it enough time and you’ll be rewarded with plenty to discover. All with the world’s best metro system to take you around.

I hope this guide can help you start to experience some of what Moscow contains. So grab your camera and capture all that Moscow has to offer for Street Photography!

If you still have any questions about shooting in Moscow, feel free to comment below or email me!

(I want to make these guides as valuable as possible for all of you so add any ideas on improvements, including addition requests, in the comment section!)

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A History of Moscow in 13 Dishes

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The History of Moscow City

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